Six Feet Four Part 12

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But, she tried to tell herself, Henry Pollard had sent for her, he was her own mother's brother, he would not have had her come here if it were not safe. He had written clearly enough, had told her in his letter that he could not leave the Corners, that he must have the money, that there were hold-up men in the country who would not hesitate to rob the stage if they learned that he had five thousand dollars in it, that she could bring the bills which Templeton would have ready for her and that there would be no suspicion, no danger for her. And she would believe her uncle, would believe that these people had had trouble with the Bedloes and perhaps others in the town, and that they warped the truth in the telling. For was any more faith to be put in the word of the Smiths than in that of Buck Thornton himself? And did she not know him for what he was, a man who was not above a.s.saulting a defenceless girl, not above robbery?

Wearied out, she went to sleep, her last waking thoughts trailing off through the night after a man who could laugh like a boy, whose eyes could grow very gentle or very, very hard and inexorable.

In the morning John Smith's first words to her drove again a hot, angry flush into her face. For he told her that Thornton, before he would ride away last night, had made sure that Smith would accompany her, showing her the way and "taking care of her." She bit her lip and turned away.

She was grateful that soon breakfast was eaten, the horses saddled and once more she was riding out toward the south-east. Smith rode at her elbow.

All morning they rode slowly, over rough trails in the mountains where a horse found scant foothold, where they wound down into deep, close walled canyons where the sunlight was dim at noon, where the pines stood tall and straight in thick ranks untouched by an ax. They came out into little valleys, past a half dozen ranch houses, saw many herds of cattle and horses, crossed Indian Gully, topped another steep ridge and at last looked down upon the Poison Hole ranch.

The ranch lay off to the east as they looked down upon it, a great sweep of rolling hills sprinkled with big oaks looking like shrubs from their vantage point, cut in two by the Big Little River, along the banks of which and out in the meadow lands many herds of cattle ranged free.

Rising in his stirrup Smith pointed out to her the spot near the centre of the big range where Buck Thornton's "range house" was, a dozen miles away over the rolling country. And then he swung about and pointed to the south, saying shortly:

"Yonder's the country you're lookin' for. We strike due south here along the edge of the Poison Hole ranch. When we get to that next string of lulls you can see the hills of three states, all at once and the same time. And you can see the town you're headed for; it sets on top a sort of hill. Down yonder," and he swung his long arm off to the south-west, "is the Bar X outfit; that's as far as I'm going. But, if you want company, one of the boys will sure be glad to ride on with you. The Corners is only about a dozen mile from there on."

CHAPTER XII

RATTLESNAKE POLLARD

IT was barely noon, the air clear, the sky cloudless, when Winifred Waverly rode into Hill's Corners. She had shaken her head at the suggestion of further escort. Here, in the open country and in the full sunlight, she was grateful for the opportunity of being alone.

At the foot of a gentle eminence she entered the narrow, winding street of the town, a crooked little town physically both in the matter of this meandering alley-like thoroughfare and in the matter of the hastily builded, unprepossessing houses; a crooked town in its innermost character, it was easy to believe. On either hand as she rode forward were low, squat, ugly shacks jammed tight together or with narrow pa.s.sageways between their unlovely walls, these s.p.a.ces more often than not cluttered and further disfigured by piles of rusty tins, old clothing and shoes and other discarded refuse. As she rode farther she saw now and then the more pretentious buildings, some with the false fronts which deceived n.o.body, the houses appearing shoddy and aged and sinister, one here and there deserted and given over to ruin, disintegration and spiders spinning unmolested in dark corners.

The next peculiar impression created upon her was that some evil charm was over the place, that in the sweet sunlight it lay drugged, that in those rows of slatternly shacks where the sunlight did not enter men either hid in dark secrecy or lay in some unnatural stupour. The whole settlement seemed preternaturally quiet; the fancy came to her that the town had died long ago and that she merely looked on its ghost.

She had shrunk before now at the thought of men coming to the doors to stare after her, and perhaps even to call coa.r.s.ely after her; now it seemed the dreariest thing in all the world to ride down this dirty, muddy street and see no man or woman or child, not so much as a saddled horse at a hitching pole. She came abreast of the most pretentious building of Hill's Corners; its swing doors were closed, but from within she heard a low, monotonous hum of languid voices. Upon the crazy false front, a thing to draw the wondering eye of a stranger, was a gigantic and remarkably poorly painted picture of a bear holding a gla.s.s in one deformed paw, a bottle in the other, while the drunken letters of the superfluous sign spelled: "The Brown Bear Saloon." Almost directly across the street from the Brown Bear was a rival edifice which though slightly smaller was no less squat and ugly and which bore its own highly ambitious sign: a monster hand clutching a monster whiskey gla.s.s, with the illuminating words beneath, "The Here's How Saloon." That the two works of art were from the same brain and hand there was no doubting. In the inscriptions the n's and s's were all made backwards, presenting an interesting and entirely suitable air of maudlin drunkenness.

The girl hurried by. There were other saloons, so many, so close together that, used as she was to frontier towns, she wondered at it; she saw other buildings whose signs informed her they were store and post-office, drug store, blacksmith shop and restaurant. And now the first visible token of life, a thin spiral of smoke from "d.i.c.k's Oyster House." She pa.s.sed it, pus.h.i.+ng her horse to a gallop. She had seen the two or three men upon the high stools at the counter taking their coffee and bacon. They had swung about quickly, like one man, at the cook's grin and quiet word. One of them even called out something as she pa.s.sed; another laughed.

As she rode down the tortuous street, fairly racing now, the blood whipped into her face, she caught a glimpse of a man standing by his horse, preparing to swing up into the saddle. His eyes followed her with a look in them easy to read and unpleasant; something too ardently admiring to be trusted. She had seen the man's face. He was a big man, broad and straight and powerful, builded like a Vulcan. He was branded unmistakably as a rowdy; his very carriage, a sort of conscious swagger, the bold impudence of his face told that. The laughing face stood out before her eyes as she rode on, evil and reckless and handsome, with very bright blue eyes and hair curling in little yellow rings about the forehead from which the hat was pushed back. It was her first glimpse of the youngest of the Bedloe boys, the worst of them the "Kid."

She knew that she would find her uncle's house at the end of the street.

Mr. Templeton had told her that, and had described it so that she could have no trouble in knowing it. And as she rode on, making the curve of the long, crooked lane which had come to be known as Dead Man's Alley, she found time to wonder that such a town could be so silent and deserted with the sun so high in the sky. For she had not learned that here men did in their way what men do in larger cities, that they turned the day topsy turvy, that the street seethed with surging life through late afternoon and night and the dark hours of the morning, that the saloons stood brightly lighted then, that their doors were filled with men coming and going, that games ran high, voices rose high, while life, as these men knew it, ran higher still.

At last she came to Henry Pollard's house. It stood back from the street in a little yard notable for the extreme air of untidiness the rank weeds gave it and for its atmosphere of semi-desertion among its few stunted, twisted, unpruned pear trees. The fence about it had once been green, but that was long, long ago. The doors were closed, the shades close drawn over the windows, the house still and gloom-infested even in the sunlight.

Stronger and higher within her welled her misgivings; for the first time she admitted to herself that she was sorry that she had tried to do this thing which Mr. Templeton had told her was madness. She hesitated, sitting her horse at the gate, with half a mind to whirl and ride back whence she had come. And then, with an inward rebuke to her own timidity, she dismounted and hurried along the weed bordered walk, and knocked at the door.

There came quick answer, a man's voice, heavy and curt, crying:

"Who is it?"

"Are you Mr. Pollard?" she called back, her voice a little eager, more than a little anxious.

"Yes." There was a note as of excitement in the voice. "Is that you, Winifred?"

"Yes, uncle. I ... I ..."

She faltered, hesitated, and broke off pitifully. She had heard the eagerness in Pollard's voice, guessed at what it was that he was thinking, knew that now she would have to tell him that she had failed in the errand which he had entrusted to her, that she had let a man rob her of the five thousand dollars of which he stood so urgently in need.

Oh, why had she attempted to do it, why had she not listened to Mr.

Templeton? And, now, what would her uncle say?

"Just a minute, Winifred. I'm a little under the weather and am in bed.

Now." She heard no footsteps; yet there was the noise of a wooden bar being drawn away from the door. "Come in. You'll pardon me, being in bed, my dear. And fasten the door after you, will you, please?"

She stepped across the threshold and into the darkened house, her heart beating quickly. As she slipped the bar back into its place she saw that there was fastened to the end of it a cord which pa.s.sed through a pulley over the door and then ran down the hallway, disappearing through another door at the left. So, following the cord, she went on slowly.

The outside of the house had given her a certain impression. Now, in a flash, that impression was superseded by a new one. Here was the home of a man of means, the heavy, rich furniture spoke of that, the painting there in the living room into which she glanced, the tastefully papered walls, the thick carpet m.u.f.fling her footfalls. If only the curtains were thrown back, if only the sun were looking in upon it all!

And now the man. Henry Pollard, whom she had not seen since she was a very little girl and then only during his short visit at her father's house, struck her as being in some way not entirely unlike this habitation of his. A gentleman gone to seed, was that it?

His manner was courteous, courtly even, his speech soft, his eyes gentle as they rested upon her, gentle and yet eager. There was something fine about his face, about the eyes and high forehead, and yet alongside it there was something else which drove a little pain into the girl's eyes.

The mouth was hard, there were deep, set lines about it and about the eyes there was a hint of cruelty which not even his smile hid entirely.

And though she strove to smile back bravely as she came forward to kiss him, she knew that she was disappointed, and a little uneasy.

She knew that Henry Pollard must be about fifty; she saw that he looked to be sixty. He had pulled himself up against his pillows and had drawn on a dressing gown to cover his shoulders. He was well groomed; he had had a shave yesterday; he did not look sick. But he did look old, like a man who had aged prematurely and suddenly; and he did look worried and tired, as though he had not slept well last night.

"I am alone just now," he smiled. "Mrs. Riddell is keeping house for me, but I heard her go out a little while ago. For something for breakfast, I suppose. You are looking well, Winifred. I knew you would be pretty.

Now, sit down."

No word yet of her errand, no query as to its success. She was grateful to him for that. She wanted a moment, time in which to feel that she knew him a little bit, before she could tell him. But she saw in his eyes that he was curbing his eagerness, and that she would have to tell him in a moment.

"I am sorry that you are sick, Uncle Henry," she said hastily, taking the chair near his bed. "It isn't anything serious, is it?"

"No, no." His answer was as hasty as her question had been. "Just rheumatism, Winifred. I'm subject to it here of late."

Then she saw that he had sat stiffly, that his shoulder, the left shoulder, was carried awkwardly and was evidently bandaged.

"I'm sorry," she said again. And then, determined to tell him before he should ask, "Uncle, I...." Oh, it was so hard to say with him looking at her with those keen, bright eyes of his! "You should have got some one else to help you. I have failed.... I have lost your money for you!"

She dropped her face into her hands, trembling, striving to keep her tears back, feeling now, as she had not felt before, as if she had been altogether to blame for all that had happened, as though it had been her carelessness that had cost her uncle his five thousand dollars. And when at last he did not speak and she looked up again, she saw that his eyes had not changed, that there was no surprise in them, that if he felt anything whatever he hid it.

"Don't cry about it, my dear," he said gently. He even smiled a little.

"Tell me about it. You were robbed of it? Before you had more than got out of light of Dry Town?"

"How do you know?" she cried.

"I don't know, my dear. But I do know that the stage came on through, with no attempt at a hold-up, and I guessed that our little ruse didn't fool anybody. When I got the empty strong box from the bank I knew pretty well what to look for."

"But," she told him, flushed with her hope, "we'll get it back! For I know who robbed me, I can swear to him!"

Pollard's hand, lying upon the bed spread, had shut tight. She noticed that and no other sign of emotion.

"And _I_ know!" he said harshly. "Yes, I'll get it back! Now, tell me how it happened."

"It was a man named Buck Thornton...."

Six Feet Four Part 12

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Six Feet Four Part 12 summary

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