Six Feet Four Part 15

"You ain't goin' back on me, Buck!" The wounded man had drawn himself up on his elbow. "I'll leave it to you, Buck, if I didn't stick by you when you was in trouble. Remember, Buck, when I found you, out on the trail between Juarez and El Paso. And you don't care a d.a.m.n about the reward, Buck; you said so, didn't you?"

"Jimmie," said Thornton slowly, lifting his eyes from the floor to meet both the pleading and the terror in Clayton's, "I'm going to do what I can for you. But I don't quite know what is to be done. They're going to be on your trail mighty soon if they're not on it now. Can you ride?"

"I can't ride much, Buck." And yet Clayton's voice rang with its first note of hope. For if Thornton knew him, then no less did Clayton know Thornton. And Buck had said that he was going to help him. "I rode them two hundred miles getting here, me all shot to h.e.l.l that away. An' I rode into your camp las' night to leave the letter. An' I guess if it had been half a mile fu'ther I wouldn't never have made it back."

"Why didn't you come in at my cabin? I'd have fixed you up there."

"I come awful near it, Buck! I wanted to. But I didn't know. There might 'a' been some of the other boys bunkin' there an' I wasn't takin'

chances."

"I see. Now, let's see what we're goin' to do."

He stood whipping at his boots with his quirt, trying to see a way. This lonely place might be a safe refuge for a few days. But range business sometimes carried his men this far, and soon or late some one would stumble upon Clayton's hiding place. Clayton's voice, eager again and confident, broke into his thoughts.

"I got to find somebody as'll give me a lift, ain't I? A man can't go on playin' a lone han' like I'm adoin' an' get away with it long. Now, I got to be laid up here four or five days, anyway, until I can ride again. You can keep your punchers away from here that long, can't you?"

"Yes. I can give them plenty to do on the other end."

"That's good. An' you can ride out again, at night, you know, Buck, an'

smuggle me some more grub, can't you?"

"Yes. But...."

"Wait a minute! I know a man in Hill's Corners as'll give me a han'. I done him favours before now, same as I done for you, Buck. An' he knows the ropes up here. You can git word to him, can't you? An' then I'll drift, an' he'll look out for me, an' you'll be square with what I done for you, Buck. Will you do it?"

"Yes, Jimmie. I'll do it. I'll ride in and see your man at the Corners.

Who is it, Jimmie?"

"An' you won't tell n.o.body but him, will you, Buck?"

"No. I won't tell any one else. Who is it?"

"It's a man as may be crooked with some," said Clayton slowly. "But he's awful square with a pal. It's a man name of Bedloe. They call him the Kid."

CHAPTER XV

THE KID

So the next day Buck Thornton rode away to the south and to Hill's Corners.

He had planned to have his errand over early, to have seen the Kid and to have turned back toward the ranch before noon. For he knew the town's habit of late sleeping and he wanted to be gone from it before it was awake and pouring into its long street and into its many swinging doors the stream of men whom he had no wish to see now. Perfectly well he knew how easily he could find trouble there, and it seemed to him that he had enough on his hands already without seeking to add to it.

But the press of range business kept him later than he had thought it would. And then the one horse on the range he would ride today had to be found out in the hills and roped.

"For," he told himself grimly, "if I'm going to stick my nose in that man's town I'm going to have a horse between my knees that knows how to do something more than creep! And when it comes to horses there's only one real horse I ever saw. I got you, Comet, you old son-of-a-gun!"

And his rope flew out and its wide noose landed with much precision, drawing tight about the neck of a great, lean barrelled, defiant-eyed four-year-old that in the midst of its headlong flight stopped with feet bunched together before the rope had grown taut. The animal, standing now like a horse cut from a block of grey granite, chiselled by the hands of a great sculptor who at the same time was a great lover of equine perfection, swung about upon its captor, its eyes blazing, just a little quiver of the clean-cut nostrils showing the red satin of the skin lining them. The mane was like a tumbled silken skein, the ears dainty and small and keen pointed, the chest splendidly deep and strong; the forelegs small, so slender that to a man who did not know a horse they would have seemed fragile but only because they were all bone and sinew like steel and muscle hardened and stripped clean of the last milligram of fat, as exquisite as the perfect ankle of a high bred woman.

"Part greyhound and part steam engine and part devil!" Thornton muttered with vast approval s.h.i.+ning in his eyes. "And _all horse_! A man could ride you right through h.e.l.l, Little Horse, and come out the other side and never smell your hair burn!"

He drew saddle and bridle from the animal he had been riding and turned it loose. Then coiling his rope as he went, he came up to Comet's high-lifted head. With much evident distaste but with what looked like too much pride to struggle in an encounter in which he knew that he was to be overcome, the big grey accepted the hard Spanish bit. He allowed, too, the saddle to be thrown on him, only a quick little quivering of the tense flanks and a twitching of the skin upon his back showing that he felt and resented. And then with his master's weight upon him, his master's softened voice in his ear, a hard hand very gently stroking the hot shoulder, Comet shook his head, a great sigh expanded the deep lungs, and he was the perfect saddle horse with too much sense to rebel further at the knowledge that after all he is a horse and the man who bestrides him is a man. And Buck Thornton, because he knew this animal and loved him, slackened the reins a little, sensed the tensing of the powerful muscles slipping like pliant steel through satin sheaths, turned the proud head toward the south and felt the rush of air whipping back his hat brim, stinging his face as they shot out across the rolling hills.

When Comet had had his run, racing through the other herds that flung up their heads to look at him and the first half mile had sped away behind, Thornton coaxed him down into a gentle gallop, swearing at him with much soft and deep affection.

"Easy, Little Horse," he soothed. "Easy. We're going to Dead Man's.

We'll go in slow and watching where we put our feet, all rested and quick on the trigger and ready to come out ... if we _want_ to! ... like winning a race."

And Comet, snorting his dislike of any conservation of strength and energy, nevertheless obeyed. So it was a little after three o'clock when they entered the crooked, narrow street which gives a bad town a bad name.

The town had shaken off the lethargy of its morning sleep: there were many men in the street, some riding back and forth, disdaining to walk the distance of a hundred yards from a saloon they had just left to the saloon to which they were going, some sitting their horses in the shade, lounging in the saddle as a man may lounge in an arm chair, some idled on foot at the swinging doors, while many others made a buzz of deep throated voices at the bars and over the gaming tables. As Buck Thornton, riding slowly, his hat back upon his head, his eyes ranging to right and left, came into the street where Winifred Waverly had entered it last week, more than one man lifted his eyebrows on seeing him and wondered what business had brought him here. For the memory of his meeting with the Bedloes was still green, the scars which the Kid wore on his right wrist and his left arm were still fresh, and this town was the Bedloes' town in more ways than one.

He nodded to a few men, spoke to fewer, for here was he more a stranger than he was in Dry Town. Riding straight to the Brown Bear Saloon he swung down. He left his horse, trained to stand by the hour for him, at the edge of the board sidewalk, the bridle reins caught around the horn of the saddle, moved at an even pace through the men at the door and went inside.

A dozen men stood at the long bar, big men and little, dark men and light, of this nationality and that, but alike in the one essential thing that they were of the type by which the far-out places are wrested from the wilderness of G.o.d and made part of the wildness of man, hard men of tongue, of hand, of nature, hard drinkers, hard fighters. Gunmen, to the last man of them, who live with a gun always, by a gun often enough, who are dropping fast before the onrush of the civilization for which they themselves have made the way, but who will daily walk over their graves until the glimmer of steel rails runs into the last of the far places, until there be no longer wide, unfenced miles where cattle run free and rugged mountain sides into which men dip to bring out red and yellow gold.

Thornton's eyes ran down the line of them, swiftly. There was no man there whom he knew. He stepped a little to one side, the door at his left, the bare front wall at his back. He stood loosely, carelessly to judge from the little slump of the shoulders, the burning cigarette in the fingers of his left hand, the thumb of the right hand caught in his belt.

The bar was at his left, the bare floor running away in front of him, sawdust covered, the string of gaming tables stretched along the wall at his right. As by instinct his eyes lighted upon the man whom he sought.

First a round topped table where three men cut and dealt at "stud"; then a faro lay-out with its quick-eyed dealer, its quick-eyed look-out upon his stool, its half dozen men playing and looking on; then the "wheel"; then a second table with six men busy at "draw." There, at this table, with his broad back to him, sat the Kid. And as usual, to complete the youthful swagger of him, he wore his two guns in plain sight.

Still the cattle man made no move, still his eyes ran back and forth, seeking, showing nothing of what they sought or of what they had found already. He marked every man in the place; saw that there were only two of them besides the Kid whom he had ever seen before, one the bartender, one a man with whom he had had no dealings; noted that neither Charley nor Ed Bedloe were in the house. He saw too that the bartender had leaned a little over his bar, saying something swiftly to the man whom he was serving; that the man turned curiously to look toward the door; while at the same time the man across the table from the Kid had given warning, and the Kid's hands had come away from his cards, dropping down into his lap.

Then Thornton came on, walking slowly, pa.s.sing about the first poker table, then by the faro table, the roulette wheel, and finally to the table where the Kid sat. Bedloe had not moved again: he had not turned, his cards lay unheeded before him. The other men were silent with a jack pot waiting for their attention.

"When he turns," Thornton was telling himself, "it's going to be in the direction of his gun, and he's going to come up shooting."

There were many men there who sensed the thing he did. Not a man in the saloon whose eyes were not keen and expectant as they ran back and forth between the two, Thornton who had shot Bedloe before now, Bedloe who had sworn to "get him." A chair leg sc.r.a.ped and many men started as if it had been the first pistol shot; it was only the man across the table from Bedloe moving back a little, ready to leap to his feet to right or left. Somebody laughed. At the sound though Bedloe's big thick body remained steady like a rock his fingers twitched perceptibly.

"Bedloe," and Thornton's voice was cool and low toned, with no tremor in it, no fear, no threat, no hint of any kind of expression, "I want a talk with you."

He was not five short paces behind the brawler's back. The Kid turned a little in his chair, slowly, very slowly like a machine. His eyes came to rest full upon Thornton's. And Thornton, looking back steadily into the hard eyes, steely and blue and fearless, low lidded and watchful, knew that the man had fully expected to see straight into the barrel of a revolver. For a moment it was as though this place had come under such a spell as that in the tale of the Sleeping Beauty, with every man touched by a swift enchantment that had stilled his blood and turned his body to stone.

Thornton saw that Bedloe's hands were tense with tendons standing out sharply under the brown skin, the fingers rigid, curved inward a little, and not three inches from the grips of his guns. And Bedloe saw that Thornton carried a burning cigarette in his left hand, that his right, with thumb caught in the band of his chaps, was careless only in the seeming and that it, too, was alert and tense. And he remembered the lighting quickness of that right hand.

"What do you want?"

No bl.u.s.ter, no threat, no fear, no hint of expression in the voice which was as steady as Thornton's, with something in it akin to the steely steadiness of the hard eyes.

They spoke slowly, with little pauses, little silences between. The man whose chair had sc.r.a.ped looked uncomfortable; the muscles of his throat contracted; his hand shut tight upon his cards, cracking the backs; then he pushed back his chair again, swiftly, and got to his feet. His deep breathing was audible when he stood to one side where, if there was to be shooting, he would no longer be "in line." No one noticed him.

"I want a quiet talk," was Thornton's reply. "I'm not here to start anything, Bedloe. Will you give me a chance to talk with you?"

Bedloe pondered the words, without distrust, without credence, merely searching for what lay back of them. And finally he answered with a brief question: