The Creators Part 48

Tanqueray wondered if he realized how disastrous, how ruinous they were.

He had no doubt about Nina's poet. But there were poets and poets. There were dubious, delicate splendours, for ever trembling on the verge of immortality. And there were the infrequent, enormous stars that wheel on immeasurable orbits, so distant that they seem of all transitory things most transitory. Prothero was one of these. There was not much chance for him in his generation. His poems were too portentously inspired.

They were the poems of a saint, a seer, an exile from life and time. He stood alone on the ultimate, untrodden sh.o.r.es, watching strange tides and the courses of unknown worlds. On any reasonable calculation he could not hope to make himself heard for half a century, if then. There was something about him alien and terrible, inaccessibly divine. The form of his poems was uncouth, almost ugly. Their harmonies, stupendous and unforeseen, struck the ear with the shock of discord.

It was, of course, absurd that he should want work on a paper; still more absurd that he should think, or that Nina should think, that Tanqueray could get it for him.

He didn't, it appeared, expect anybody to get it for him. He just wrote things, things that he thought were adequately imbecile, and shot them into letter-boxes. As to what became of them, Tanqueray had never seen anybody more unsolicitous, more reckless of the dark event.

He went away with Prothero's poems in his pocket.

Nina followed him and held him on the doorstep.

"You do believe in him?" she said.

"What's the good of _my_ believing in him? I can't help him. I can't help myself. He's got to wait, Nina, like the rest of us. It won't hurt him."

"It will. He can't wait, George. He's desperately poor. You must do something."

"What can I do?"

"There are things," she said, "that people always do."

"I could offer him a five-pound note; but he wouldn't take it."

"No. He wouldn't take it. You can do better than that. You can get him to meet that man of yours."

"What man?"

"That magazine man, Brodrick."

He laughed. "Considering that I all but did for him and his magazine!

Brodrick's Jane Holland's man, not mine, you know. Have you told Jane about Prothero?"

"No."

A faint flame leaped in her face and died.

"You'd better," he said. "She can do anything with Brodrick. She could even make him take a poem. Why didn't you ask Prothero to meet her?"

"I haven't seen her for six months."

"Is that your fault or hers?"

"Neither."

"He's had to wait, then, six months?"

There was no escaping his diabolical lucidity.

"Go and see her at once," he went on, "and take Prothero. That's more to the point, you know, than his seeing me. Jinny is a powerful person, and then she has a way with her."

Again the flame leaped in her face and died, slowly, as under torture.

"Even Laura can do more for him than I. She knows people on papers. Take him to see Laura." He was backing out of the doorway.

"It was you," she said, "that he wanted to see. I promised him."

Her face, haggard, restless with the quivering of her agonized nerves, was as a wild book for him to read. He was sorry for her torture. He lingered.

"I'd go and speak to Brodrick to-morrow, only he loathes the sight of me, and I can't blame him, poor devil."

"It's no matter," she said. "I'll write to Jane Holland."

"Do. She'll get him work on Brodrick's paper."

He went away, meditating on Nina and her medical, surgical poet. She would have to write to Jinny now. But she wouldn't take him to see her.

She was determined to keep him to herself. That was why none of them had seen anything of Nina for six months. There was (he came back to it again) something very murky about Nina. And Nina, with her murkiness, was manifestly in love with this spiritual, this mystical young man. So amazing was the part set her in the mortal comedy. He would give a good deal to know what Prothero thought of Nina.

Prothero could have told him that he thought of Nina as he thought of his own youth.

He was of her mother's race and from her country of the Marches. He knew more about Nina than Tanqueray had ever known. He knew the Lemprieres, a family of untamed hereditary wildness. He knew Nina as the survival of a hereditary doom, a tragedy untiring, relentless, repeated year after year and foreseen with a terrible certainty. He knew that it had left her with her bare genius, her temperament and her nerves.

It was of all things most improbable that he should be here in London, lodged in one room, with only the bare boards of it between him and Nina Lempriere.

The improbability of it struck Nina as she went to and fro in the inner room, preparing their supper.

There had been no acquaintance between her and young Prothero, the medical student. If their ways met it was only by accident, at long intervals, and always, she remembered, out of doors, on her mountains.

They used to pa.s.s each other with eyes unseeing, fixed in their own dream. That was fifteen years ago. In all that time she had not seen him.

He had drawn her now by his shyness, his horror of other people, his perfect satisfaction in their solitary communion. Virgin from his wild places, he had told her that she was the only woman he was not afraid of. He had attached himself to her manifestly, persistently, with the fidelity of a wild thing won by sheer absence of pursuit. She had let him come and go, violently aware of him, but seeming unaware. He would sit for hours in her room, reading while she wrote, forgetting that up-stairs his fire was dying in the grate.

He had embraced Poverty like a saint. He regarded it as the blessed state of every man who desired to obey his own genius at all costs. He was all right, he said. He had lived on rice in the jungle. He could live on rice at a pinch now. And he could publish his poems if he got work on the papers. On this point Nina found him engagingly, innocently open to suggestion. She had suggested a series of articles on the problem of the East. He had written the articles, but in such a style and in such a spirit that no editor had as yet dared to publish them.

It was possible that he would have a chance with Brodrick who was braver than other editors. Brodrick was his one chance.

She would have suggested his meeting Brodrick, but that the way to Brodrick lay through Jane Holland. She remembered that the G.o.ds had thrust Jane Holland between her and George Tanqueray; and she was determined that they should put no woman between her and Owen Prothero.

She had taken possession of him and she meant to keep him to herself.

The supreme, irresistible temptation was to keep him to herself. It dominated her desire to serve his interests. But she had not refused him when he owned, shyly, that he would like to see George Tanqueray, the only living writer, he maintained, who had any pa.s.sion for truth, any sweep, any clearness of vision.

It was Tanqueray, with that pa.s.sion, that diabolical lucidity, that vision of his, who had made her realize the baseness of her secrecy. She had no right to keep Owen to herself. He was too valuable.

His innocence had given a sting to her remorse. He had remained so completely satisfied with what she had done for him, so wholly unaware of having been kept obscure when celebrity was possible. Things came, he seemed to say, or they didn't come. If you were wise you waited.

With his invincible patience he was waiting now, in her room up-stairs, standing before the bookcase with his back to the door. He stood absolutely still, his head and shoulders bowed over the book he was manifestly not reading. In this att.i.tude he had an air of masterly indifference to time, of not caring how long he waited, being habituated to extravagant expenditure of moments and of days. Absorbed in some inward and invisible act, he was unaware of Nina as she entered.

She called him to the supper she had made ready for him. He swung round, returning as it were from an immense distance, and followed her.

He was hungry, and she had a fierce maternal joy in seeing him eat. It was after supper that they talked, as they sat by the window in the outer room, looking at the river, a river of night, lamp-starred.