The Creators Part 64

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"I had to die first. I told you my youth was dead. That, Nina, was what you cared for."

It was not. Yet she yearned for it--his youth that was made to love her, his youth that returning, a dim ghost, followed her and loved her still.

"No," she said, "it isn't only that."

She paused in her going and knelt down by his half-packed portmanteau.

With her free left hand she lifted up, folded and laid smooth the new suit he had flung in and crushed. Her back was now towards him and the door he was about to open.



"Owen," she said, "since I'm breaking all the rules, why can't I go out, too, and look after you?"

He shook his head. "It's not the place for women," he said.

"Women? Haven't I told you that I'm like a man? I'm like you, Owen, if it comes to that."

He smiled. "If you were like me, you'd stay at home."

"What should I stay for?"

"To look after Laura Gunning. That's what you'd want to do, if you were--I. And," he said quietly, "it's what you're going to do."

She rose to her feet and faced him, defying the will that he laid on her.

[Ill.u.s.tration: She had wrung it from him, the thing that six days ago he had come to her to say]

"How do you know? And why should I?"

"Because there's nothing else that you can do for me."

She had wrung it from him, the thing that six days ago he had come to her to say.

XXIX

That was a solid, practical idea of Brodrick's. All that he had heard of Owen Prothero connected him securely with foreign countries. By the fact that he had served in South Africa, to say nothing of his years in the Indian Medical Service, he was pointed out as the right man to send to the Russian army in Manchuria; add to this the gift of writing and your War Correspondent was complete. It was further obvious that Prothero could not possibly exist in England on his poems.

At the same time Brodrick was aware that he had reasons for desiring to get the long, ugly poet out of England as soon as possible. His length and his ugliness had not deterred Jane Holland from taking a considerable interest in him. Brodrick's reasons made him feel extremely uncomfortable in offering such a dangerous post as War Correspondent to young Prothero. Therefore when it came to Prothero's accepting it, he did his best to withdraw the offer. It wasn't exactly an offer. He had merely mentioned it as a possible opening, a suggestion in the last resort. He pointed out to Prothero the dangers and the risks, among them damage to his trade as a poet. Poets were too precious. There were, he said, heaps of other men.

But Prothero had leaped at it; he had implored Brodrick not to put another man in; and the more he leaped and implored the more Brodrick tried to keep him off it.

But you couldn't keep him off. He was mad, apparently, with the sheer l.u.s.t of danger. He _would_ go. "If you do," Brodrick had said finally, "you go at your own risk."

And he had gone, leaving the editor profoundly uncomfortable. Brodrick, in these days, found himself reiterating, "He _would_ go, he _would_ go." And all the time he felt that he had sent the poor long poet to his death, because of Jane Holland.

He saw a great deal of Jane Holland in the weeks that followed Prothero's departure.

They had reached the first month of autumn, and Jane was sitting out on the lawn in Brodrick's garden. The slender, new-born body of Prothero's Poems lay in her lap. Eddy Heron stretched himself at her feet. Winny hung over her shoulder. Every now and then the child swept back her long hair that brushed Jane's face, in the excitement of her efforts to see what, as she phrased it, Mr. Prothero had done. Opposite them Mrs. Heron and Gertrude Collett sat quietly sewing.

Eddy, who loved to tease his mother, was talking about Jane as if she wasn't there.

"I say, Mummy, don't you like her awfully?"

"Of course I like her," said Mrs. Heron, smiling at her son.

"Why do you like me?" said Jane, whose vision of Owen Prothero was again obscured by Winny's hair.

"Why do we like anybody?" said Mrs. Heron, with her ina.s.sailable reserve.

"You can't get out of it that way, Mum. You don't just go liking anybody. You like jolly few. We're an awful family for not liking people. Aren't we, Gee-Gee?"

"I didn't know it," said Miss Collett.

"Oh, but Gee-Gee's thinking of Uncle Hugh," said Winny.

Miss Collett's face stiffened. She _was_ thinking of him.

"Uncle Hugh? Why, he's worse than any of us. With women--ladies--anyhow."

"Eddy, dear!" said Eddy's mother.

"Well, have you ever seen a lady Uncle Hugh could really stand--except Miss Holland?"

Gertrude bent so low over her work that her face was hidden.

"I say! look at that kid. Can't you take your hair out of Miss Holland's face? She doesn't want your horrid hair."

"Yes, I do," said Jane. She was grateful for the veil of Winny's hair.

They had not arrived suddenly, the five of them, at this intimacy. It had developed during the last fortnight, which Jane, fulfilling a promise, had spent with Dr. Brodrick and Mrs. Heron.

Jane had been ill, and Brodrick had brought her to his brother's house to recover. Dr. Henry had been profoundly interested in her case. So had his sister, Mrs. Heron, and Mr. John Brodrick and Mrs. John, and Sophy Levine and Gertrude Collett, and Winny and Eddy Heron.

Since the day when they had first received her, the Brodricks had established a regular cult of Jane Holland. It had become the prescribed event for Jane to spend every possible Sunday at Putney Heath with the editor of the "Monthly Review." Her friends.h.i.+p with his family had advanced from Sunday to Sunday by slow, well-ordered steps. Jane had no illusions as to its foundation. She knew that Brodrick's family had begun by regarding her as part of Brodrick's property, the most eligible, the most valuable part. It was interested in contemporary talent merely as a thing in which Brodrick had a stake. It had hardly been aware of Jane Holland previous to her appearance in the "Monthly Review." After that it had been obliged to recognize her as a power propitious to the editor's ambition and his dream. For though his family regarded the editor of the "Monthly Review" as a dreamer, a fantastic dreamer, it was glad to think that a Brodrick should have ambition, still more to think that it could afford a dream. They had always insisted upon that, there being no end to the things a Brodrick could afford. They had identified Jane Holland with his dream and his ambition, and were glad again to think that he could afford her. As for her dreadful, her conspicuous celebrity, the uncomfortably staring fact that she was Jane Holland, Jane was aware that it struck them chiefly as reflecting splendour upon Brodrick. But she was aware that her unique merit, her supreme claim, was that she had done a great thing for Brodrick. On that account, if she had been the most obscure, the most unremarkable Jane Holland, they would have felt it inc.u.mbent on them to cherish her. They had incurred a grave personal obligation, and could only meet it by that grave personal thing, friends.h.i.+p.

How grave it was, Jane, who had gone into it so lightly, was only just aware. This family had an immense capacity for disapproval; it was awful, as Eddy had observed, for not liking people. It was bound, in its formidable integrity, to disapprove of her. She had felt that she had disarmed its criticism only by becoming ill and making it sorry for her.

She had not been a week in Dr. Brodrick's house before she discovered that these kind people had been sorry for her all the time. They were sorry for her because she had to work hard, because she had no home and no family visible about her. They refused to regard Nina and Laura as a family, or the flat in Kensington Square as in any reasonable sense a home. Jane could see that they were trying to make up to her for the things that she had missed.

And in being sorry for Jane Holland they had lost sight of her celebrity. They had not referred to it since the day, three months ago, when she had first come to them, a brilliant, distracting alien. They were still a little perturbed by the brilliance and distraction, and it was as an alien that she moved among them still.

It was as an alien (she could see it plainly) that they were really sorry for her. They seemed to agree with her in regarding her genius as a thing tacked on to her, a thing disastrous, undesirable. They were anxious to show her that its presence did not destroy for any of them her personal charm. They betrayed their opinion that her charm existed in spite rather than because of it.

Thus, by this shedding of her celebrity, Jane in the houses of the Brodricks had found peace. She was secure from all the destroyers, from the clever little people, from everything that carried with it the dreadful literary taint. Brodrick's family was divinely innocent of the literary taint. The worst that could be said of Brodrick was that he would have liked to have it; but, under his editorial surface, he was clean.

It was in Hugh Brodrick's house, that the immunity, the peace was most profound. Hugh was not gregarious. Tanqueray could not have more abhorred the social round. He had come near it, he had told her, in his anxiety to know _her_, but his object attained, he had instantly dropped out of it.

The Creators Part 64

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The Creators Part 64 summary

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