Kitty's Class Day and Other Stories Part 6
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"What's that? What property are you talking of?" demanded Aunt Kipp, p.r.i.c.king up her ears.
"The great Van Bahr estate, ma'am. There has been a long lawsuit about it, but it's nearly settled, and there isn't much doubt that we shall get it. I am the last of our branch, and my share will be a large one."
"Oh, indeed! I wish you joy," said Aunt Kipp, with sudden affability; for she adored wealth, like a few other persons in the world. "But suppose you don't get it, how then?"
"Then I shall try to be contented with my salary of two thousand, and make Polly as happy as I can. Money doesn't _always_ make people happy or agreeable, I find." And Van looked at Aunt Kipp in a way that would have made her hair stand erect if she had possessed any. She stared at him a moment, then, obeying one of the odd whims that made an irascible weatherc.o.c.k of her, she said, abruptly,--
"If you had capital should you go into business for yourself, Mr.
Lambkin?"
"Yes, ma'am, at once," replied Van, promptly.
"Suppose you lost the Van Bahr money, and some one offered you a tidy little sum to start with, would you take it?"
"It would depend upon who made the offer, ma'am," said Van, looking more like a sheep than ever, as he stood staring in blank surprise.
"Suppose it was me, wouldn't you take it?" asked Aunt Kipp, blandly, for the new fancy pleased her.
"No, thank you, ma'am," said Van, decidedly.
"And why not, pray?" cried the old lady, with a shrillness that made him jump, and Toady back to the door precipitately.
"Because, if you'll excuse my speaking plainly, I think you owe anything you may have to spare to your niece, Mrs. Snow;" and, having freed his mind, Van joined Toady, ready to fly if necessary.
"You're an idiot, sir," began Aunt Kipp, in a rage again.
"Thank you, ma'am." And Van actually laughed and bowed in return for the compliment.
"Hold your tongue, sir," snapped the old lady. "You're a fool and Sophy is another. She's no strength of mind, no sense about anything; and would make ducks and drakes of my money in less than no time if I gave it to her, as I've thought of doing."
"Mrs. Kipp, you forget who you are speaking to. Mrs. Snow's sons love and respect her if you don't, and they won't hear anything untrue or unkind said of a good woman, a devoted mother, and an almost friendless widow."
Van wasn't a dignified man at all, but as he said that with a sudden flash of his mild eyes, there was something in his face and manner that daunted Aunt Kipp more than the small fist belligerently shaken at her from behind the sofa. The poor old soul was cross, and worried, and ashamed of herself, and being as feeble-minded as Sophy in many respects, she suddenly burst into tears, and, covering her face with the gay handkerchief, cried as if bent on floating the red s.h.i.+p in a sea of salt water without delay.
"I'm a poor, lonely, abused old woman," she moaned, with a green monkey at each eye. "No one loves me, or minds me, or thanks me when I want to help 'em. My money's only a worryment and a burden, and I don't know what to do with it, for people I don't want to leave it to ought to have it, and people I do like won't take it. Oh, deary me, what _shall_ I do! what shall I do!"
"Shall I tell you, ma'am?" asked Van, gently, for, though she was a very provoking old lady, he pitied and wished to help her.
A nod and a gurgle seemed to give consent, and, boldly advancing, Van said, with blush and a stammer, but a very hearty voice,--
"I think, ma'am, if you'd do the right thing with your money you'd be at ease and find it saved a deal of worry all round. Give it to Mrs.
Snow; she deserves it, poor lady, for she's had a hard time, and done her duty faithfully. Don't wait till you are--that is, till you--well, till you in point of fact die, ma'am. Give it now, and enjoy the happiness it will make. Give it kindly, let them see you're glad to do it, and I am sure you'll find them grateful; I'm sure you won't be lonely any more, or feel that you are not loved and thanked. Try it, ma'am, just try it," cried Van, getting excited by the picture he drew. "And I give you my word I'll do my best to respect and love you like a son, ma'am."
He knew that he was promising a great deal, but for Polly's sake he felt that he could make even that Herculean effort. Aunt Kipp was surprised and touched; but the contrary old lady couldn't make up her mind to yield so soon, and wouldn't have done it if Toady hadn't taken her by storm. Having a truly masculine horror of tears, a very tender heart under his tailless jacket, and being much "tumbled up and down in his own mind" by the events of the week, the poor little lad felt nerved to attempt any novel enterprise, even that of voluntarily embracing Aunt Kipp. First a grimy little hand came on her shoulder, as she sat sniffing behind the handkerchief; then, peeping out, she saw an apple-cheeked face very near her own, with eyes full of pity, penitence, and affection; and then she heard a choky little voice say earnestly,--
"Don't cry, aunty; I'm sorry I was rude. Please be good to Mother and Polly, and I'll love and take care of you, and stand by you all my life. Yes, I'll--I'll _kiss_ you, I will, by George!" And with one promiscuous plunge the Spartan boy cast himself into her arms.
That finished Aunt Kipp; she hugged him dose, and cried out with a salute that went off like a pistol-shot,--
"Oh, my dear, my dear! this is better than a dozen cherakins!"
When Toady emerged, somewhat flushed and tumbled, Mrs. Snow, Polly, and Van were looking on with faces full of wonder, doubt, and satisfaction. To be an object of interest was agreeable to Aunt Kipp; and, as her old heart was really softened, she met them with a gracious smile, and extended the olive-branch generally.
"Sophy, I shall give my money to _you_ at once and entirely, only asking that you'll let me stay with you when Polly's gone. I'll do my best to be agreeable, and you'll bear with me because I'm a cranky, solitary old woman, and I loved your husband."
Mrs. Snow hugged her on the spot, and gushed, of course, murmuring thanks, welcomes, and promises in one grateful burst.
"Polly, I forgive you; I consent to your marriage, and will provide your wedding finery. Mr. Lamb, you are not a fool, but a very excellent young man. I thank you for saving my life, and I wish you well with all my heart. You needn't say anything. I'm far from strong, and all this agitation is shortening my life."
Polly and Van shook her hand heartily, and beamed upon each other like a pair of infatuated turtle-doves with good prospects.
"Toady, you are as near an angel as a boy can be. Put a name to whatever you most wish for in the world, and it's yours," said Aunt Kipp, dramatically waving the rest away.
With his short legs wide apart, his hands behind him, and his rosy face as round and radiant as a rising sun, Toady stood before the fire surveying the scene with the air of a man who has successfully carried through a difficult and dangerous undertaking, and wasn't proud. His face brightened, then fell, as he heaved a sigh, and answered, with a shake of his curly head,--
"You can't give me what I want most. There are three things, and I've got to wait for them all."
"Gracious me, what are they?" cried the old lady, good-naturedly, for she felt better already.
"A mustache, a beaver, _and_ a sweetheart," answered Toady, with his eyes fixed wistfully on Baa-baa, who possessed all these blessings, and was particularly enjoying the latter at that moment.
How Aunt Kipp did laugh at this early budding of romance in her pet! And all the rest joined her, for Toady's sentimental air was irresistible.
"You precocious chick! I dare say you will have them all before we know where we are. Never mind, deary; you shall have my little watch, and the silver-headed cane with a _boar's_ head on it," answered the old lady, in high good-humor. "You needn't blush, dear; I don't bear malice; so let's forget and forgive. I shall settle things to-morrow, and have a free mind. You are welcome to my money, and I hope I shall live to see you all enjoy it."
So she did; for she lived to see Sophy plump, cheery, and care-free; Polly surrounded by a flock of Lambkins; Van in possession of a generous slice of the Van Bahr fortune; Toady revelling in the objects of his desire; and, best of all, she lived to find that it is never too late to make oneself useful, happy, and beloved.
PSYCHE'S ART
"Handsome is that handsome does."
I
Once upon a time there raged in a certain city one of those fas.h.i.+onable epidemics which occasionally attack our youthful population. It wasn't the music mania, nor gymnastic convulsions, nor that wide-spread malady, croquet. Neither was it one of the new dances which, like a tarantula-bite, set every one a twirling, nor stage madness, nor yet that American lecturing influenza which yearly sweeps over the land. No, it was a new disease called the Art fever, and it attacked the young women of the community with great violence.
Nothing but time could cure it, and it ran its course to the dismay, amus.e.m.e.nt, or edification of the beholders, for its victims did all manner of queer things in their delirium. They begged potteries for clay, drove Italian plaster-corkers out of their wits with unexecutable orders got neuralgia and rheumatism sketching perched on fences and trees like artistic hens, and caused a rise in the price of bread, paper, and charcoal, by their ardor in crayoning. They covered canvas with the expedition of scene-painters, had cla.s.ses, lectures, receptions, and exhibitions, made models of each other, and rendered their walls hideous with bad likenesses of all their friends. Their conversation ceased to be intelligible to the uninitiated, and they prattled prettily of "chiaro oscuro, French sauce, refraction of the angle of the eye, seventh spinus process, depth and juiciness of color, tender touch, and a good tone." Even in dress the artistic disorder was visible; some cast aside crinoline altogether, and stalked about with a severe simplicity of outline worthy of Flaxman.
Others flushed themselves with scarlet, that no landscape which they adorned should be without some touch of Turner's favorite tint. Some were _blue_ in every sense of the word, and the heads of all were adorned with cla.s.sic braids, curls tied Hebe-wise, or hair dressed a la hurricane.
It was found impossible to keep them safe at home, and, as the fever grew, these harmless maniacs invaded the sacred retreats where artists of the other s.e.x did congregate, startling those anchorites with visions of large-eyed damsels bearing portfolios in hands delicately begrimed with crayon, chalk, and clay, gliding through the corridors. .h.i.therto haunted only by shabby paletots, shadowy hats, and cigar smoke. This irruption was borne with manly fort.i.tude, not to say cheerfulness, for studio doors stood hospitably open as the fair invaders pa.s.sed, and studies from life were generously offered them in glimpses of picturesque gentlemen posed before easels, brooding over master-pieces in "a divine despair," or att.i.tudinizing upon couches as if exhausted by the soarings of genius.
An atmosphere of romance began to pervade the old buildings when the girls came, and nature and art took turns. There were peepings and whisperings, much stifled laughter and whisking in and out; not to mention the accidental rencontres, small services, and eye telegrams, which somewhat lightened the severe studies of all parties.
Half a dozen young victims of this malady met daily in one of the cells of a great art beehive called "Raphael's Rooms," and devoted their s.h.i.+ning hours to modelling fancy heads, gossiping the while; for the poor things found the road to fame rather dull and dusty without such verbal sprinklings.
Kitty's Class Day and Other Stories Part 6
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Kitty's Class Day and Other Stories Part 6 summary
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