Highways in Hiding Part 6

I could not avoid letting my perceptive sense rest on the sign as I drove past. Not long enough to put me in danger, but long enough to discover to my surprise that someone had taken the trouble to repair the broken spoke. Someone must have been a perfectionist. The break was so slight that it seemed like calling in a mechanic because the ashtray in the car is full.

Then I noticed other changes that time had caused.

The burned scar was fading in a growth of tall weeds. The limb of the tree that hung out over the scene, from which block and tackle had hung, was beginning to lose its smoke-blackened appearance. The block was gone from the limb.

_Give us a year_, I thought, _and the only remaining scar will be the one on my mind, and even that will be fading_.

I turned into the drive, wound around the homestead road, and pulled up in front of the big, rambling house.

It looked bleak. The front lawn was a bit s.h.a.ggy and there were some wisps of paper on the front porch. The venetian blinds were down and slatted shut behind closed windows. Since it was summer by now, the closed windows and the tight door, neither of which had flyscreens installed, quickly gave the fact away. The Harrisons were gone.

Another disappearance?

I turned quickly and drove to the nearest town and went to the post office.

"I'm looking for the Harrison family," I told the man behind the wicket.

"Why, they moved several weeks ago."

"Moved?" I asked with a blank-sounding voice.

The clerk nodded. Then he leaned forward and said in a confidential whisper, "Heard a rumor that the girl got a touch of that s.p.a.cemen's disease."

"Mekstrom's?" I blurted.

The clerk looked at me as if I'd shouted a dirty word. "She was a fine girl," he said softly. "It's a shame."

I nodded and he went into the back files. I tried to dig alone behind him, but the files were in a small dead area in the rear of the building. I swore under my breath although I'd expected to find files in dead areas. Just as Rhine Inst.i.tute was opened, the Government combed the countryside for dead or cloudy areas for their secret and confidential files. There had been one mad claim-staking rush with the Government about six feet ahead of the rest of the general public, business and the underworld.

He came back with a sorrowful look. "They left a concealed address," he said.

I felt like flas.h.i.+ng a twenty at him like a private eye did in the old tough-books, but I knew it wouldn't work. Rhine also made it impossible for a public official to take a bribe. So instead, I tried to look distressed.

"This is extremely important. I'd say it was a matter of life and death."

"I'm sorry. A concealed forwarding address is still concealed. If you must get in touch with them, you might drop them a letter to be forwarded. Then if they care to answer, they'll reply to your home."

"Later," I told him. "I'll probably be back to mail it direct from here."

He waved at the writing desk. I nodded and left.

I drove back to the ex-Harrison Farm slowly, thinking it over.

Wondering. People did not just go around catching Mekstrom's Disease, from what little I knew of it. And somehow the idea of Marian Harrison withering away or becoming a basket case, or maybe taking the painless way out was a thought that my mind kept avoiding except for occasional flashes of horror.

I drove in toward the farmhouse again and parked in front of the verandah. I was not sure of why I was there except that I wanted to wander through it to see what I could find before I went back to the post-office to write that card or letter.

The back of the house was locked with an old-fas.h.i.+oned slide bolt that was turned with what they used to call an "E" key. I shrugged, oiled my conscience and found a bit of bent wire. Probing a lock like that would have been easy for a total blank; with esper I lifted the simple keepers and slid back the bolt almost as swiftly as if I had used a proper key.

This was no case of disappearance. In every one of the fourteen rooms were the unmistakable signs of a deliberate removal. Discarded stuff was mixed with the odds and ends of packing case materials, a scattered collection of temporary nails, a half-finished but never used box filled with old clothing.

I pawed through this but found nothing, even though I separated it from the rest to help my esper dig it without interference.

I roamed the house slowly letting my perception wander from point to point. I tried to time-dig the place but that was futile. I didn't have enough perception.

I caught only one response. It was in one of the upper bedrooms. But then as I stopped in the room where Marian had slept, I began again to doubt my senses. It could have been esper, but it was more likely that I'd caught the dying traces of perfume.

Then I suddenly realized that the entire premises were clear to me!

An esper map of the world looked sort of like a mottled sky, with bright places and cloudy patches strewn in disorder across it. A mottled sky, except that the psi-pattern usually does not change. But this house had been in a murky area, if not dead. Now it was clear.

I left the house and went to the big combination barn and garage. It was as unsatisfying as the house had been. Phillip Harrison, or someone, had had a workshop out there. I found the bench and a small table where bolt-holes, oil marks, and other traces said that there had been one of those big combination woodworking machines there, the kind that combines circular saw, drill, lathe, planer, router, dado, and does everything.

There had been some metal-working stuff there, too, but nothing as elaborate as the woodshop. Mostly things like hacksaws and an electric drill, and a circular scar where a blowtorch had been sitting.

I don't know why I kept on standing there esping the abandoned set-up.

Maybe it was because my esper dug the fact that there was something there that I should know about, but which was so minute or remote that the impression did not come through. I stood there puzzled at my own reluctance to leave until something satisfied that almost imperceptible impression.

Idly I leaned down and picked up a bit of metal from the floor and fumbled it in my hand nervously. I looked around the place with my eyes and saw nothing. I gave the whole garage a thorough scanning with my esper and got zero for my trouble.

Finally I snarled at myself for being an imbecile, and left.

Everyone has done what I did, time and time again. I do not recall anything of my walk back to the car, lost in a whirl of thoughts, ideas, plans and questions. I would probably have driven all the way back to my apartment with my mind in that whirligig, driving by habit and training, but I was shaken out of it because I could not start my car by poking that bit of metal in the lock. It did not fit.

I laughed, a bit ashamed of my preoccupation, and flung the bit of metal into the gra.s.s, poked my key in the lock--

And then I was out pawing the gra.s.s for that piece of metal.

For the small piece of metal I had found on the floor of the abandoned workshop was the spoke of that road sign that had been missing when Catherine and I cracked up!

I drove out along the highway and stopped near one of the standards. I esped the sign, compared my impression against my eyesight. I made sure.

That bit of metal, a half inch long and a bit under a quarter inch in diameter, with both ends faintly broken-ragged, was identical in size and shape to the unbroken spokes in the sign!

Then I noticed something else. The trefoil ornament in the middle did not look the same as I recalled them. I took Thornd.y.k.e's card out of my pocket and looked at the stereo. I compared the picture against the real thing before me and I knew that I was right.

The trefoil gizmo was a take-off on the fleur-de-lis or the Boy Scout Tenderfoot badge, or the design they use to signify North on a compa.s.s.

But the lower flare of the leaves was wider than any of the more familiar emblems; almost as wide as the top. It took a comparison to tell the difference between one of them right-side-up and another one upside-down. One a.s.sumes for this design that the larger foils are supposed to be up. If that were so, then the ones along that road out there in or near Yellowstone were right-side-up, while the ones along my familiar highway were upside-down.

I goaded myself. #Memory, have these things been turned or were they always upside-down?#

The last thing I did as I turned off the highway was to stop and let my esper dig that design once more. I covered the design itself, let my perception roam along the spokes, and then around the circlet that supported the spokes that held the trefoil emblem.

Oh, it was not obvious. It was designed in, so to speak. If I were asked even today for my professional opinion I would have to admit that the way the circlet snapped into the rest of the ornamental scrollwork was a matter of good a.s.sembly design, and not a design deliberately created so that the emblem could be turned upside down.

In fact, if it had not been for that tiny, broken spoke I found on the floor of the Harrison garage, never in a million years would I have considered these road signs significant.

At the post office I wrote a letter to Phillip Harrison: