Parisians in the Country Part 13
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"We can easily remember two or three stories that will make Dinah quake," said Lousteau. "Young man--and you too, Bianchon--let me beg you to maintain a stern demeanor; be thorough diplomatists, an easy manner without exaggeration, and watch the faces of the two criminals, you know, without seeming to do so--out of the corner of your eye, or in a gla.s.s, on the sly. This morning we will hunt the hare, this evening we will hunt the Public Prosecutor."
The evening began with a triumph for Lousteau, who returned the alb.u.m to the lady with this elegy written in it:
SPLEEN
You ask for verse from me, the feeble prey Of this self-seeking world, a waif and stray With none to whom to cling; From me--unhappy, purblind, hopeless devil!
Who e'en in what is good see only evil In any earthly thing!
This page, the pastime of a dame so fair, May not reflect the shadow of my care, For all things have their place.
Of love, to ladies bright, the poet sings, Of joy, and b.a.l.l.s, and dress, and dainty things-- Nay, or of G.o.d and Grace.
It were a bitter jest to bid the pen Of one so worn with life, so hating men, Depict a scene of joy.
Would you exult in sight to one born blind, Or--cruel! of a mother's love remind Some hapless orphan boy?
When cold despair has gripped a heart still fond, When there is no young heart that will respond To it in love, the future is a lie.
If there is none to weep when he is sad, And share his woe, a man were better dead!-- And so I soon must die.
Give me your pity! often I blaspheme The sacred name of G.o.d. Does it not seem That I was born in vain?
Why should I bless him? Or why thank Him, since He might have made me handsome, rich, a prince-- And I am poor and plain?
ETIENNE LOUSTEAU.
September 1836, Chateau d'Anzy.
"And you have written those verses since yesterday?" cried Clagny in a suspicious tone.
"Dear me, yes, as I was following the game; it is only too evident! I would gladly have done something better for madame."
"The verses are exquisite!" cried Dinah, casting up her eyes to heaven.
"They are, alas! the expression of a too genuine feeling," replied Lousteau, in a tone of deep dejection.
The reader will, of course, have guessed that the journalist had stored these lines in his memory for ten years at least, for he had written them at the time of the Restoration in disgust at being unable to get on. Madame de la Baudraye gazed at him with such pity as the woes of genius inspire; and Monsieur de Clagny, who caught her expression, turned in hatred against this sham _Jeune Malade_ (the name of an Elegy written by Millevoye). He sat down to backgammon with the cure of Sancerre. The Presiding Judge's son was so extremely obliging as to place a lamp near the two players in such a way as that the light fell full on Madame de la Baudraye, who took up her work; she was embroidering in coa.r.s.e wool a wicker-plait paper-basket. The three conspirators sat close at hand.
"For whom are you decorating that pretty basket, madame?" said Lousteau.
"For some charity lottery, perhaps?"
"No," she said, "I think there is too much display in charity done to the sound of a trumpet."
"You are very indiscreet," said Monsieur Gravier.
"Can there be any indiscretion," said Lousteau, "in inquiring who the happy mortal may be in whose room that basket is to stand?"
"There is no happy mortal in the case," said Dinah; "it is for Monsieur de la Baudraye."
The Public Prosecutor looked slily at Madame de la Baudraye and her work, as if he had said to himself, "I have lost my paper-basket!"
"Why, madame, may we not think him happy in having a lovely wife, happy in her decorating his paper-baskets so charmingly? The colors are red and black, like Robin Goodfellow. If ever I marry, I only hope that twelve years after, my wife's embroidered baskets may still be for me."
"And why should they not be for you?" said the lady, fixing her fine gray eyes, full of invitation, on Etienne's face.
"Parisians believe in nothing," said the lawyer bitterly. "The virtue of women is doubted above all things with terrible insolence. Yes, for some time past the books you have written, you Paris authors, your farces, your dramas, all your atrocious literature, turn on adultery--"
"Come, come, Monsieur the Public Prosecutor," retorted Etienne, laughing, "I left you to play your game in peace, I did not attack you, and here you are bringing an indictment against me. On my honor as a journalist, I have launched above a hundred articles against the writers you speak of; but I confess that in attacking them it was to attempt something like criticism. Be just; if you condemn them, you must condemn Homer, whose _Iliad_ turns on Helen of Troy; you must condemn Milton's _Paradise Lost_. Eve and her serpent seem to me a pretty little case of symbolical adultery; you must suppress the Psalms of David, inspired by the highly adulterous love affairs of that Louis XIV. of Judah; you must make a bonfire of _Mithridate, le Tartuffe, l'Ecole des Femmes, Phedre, Andromaque, le Mariage de Figaro_, Dante's _Inferno_, Petrarch's Sonnets, all the works of Jean-Jacques Rousseau, the romances of the Middle Ages, the History of France, and of Rome, etc., etc. Excepting Bossuet's _Histoire des Variations_ and Pascal's _Provinciales_, I do not think there are many books left to read if you insist on eliminating all those in which illicit love is mentioned."
"Much loss that would be!" said Monsieur de Clagny.
Etienne, nettled by the superior air a.s.sumed by Monsieur de Clagny, wanted to infuriate him by one of those cold-drawn jests which consist in defending an opinion in which we have no belief, simply to rouse the wrath of a poor man who argues in good faith; a regular journalist's pleasantry.
"If we take up the political att.i.tude into which you would force yourself," he went on, without heeding the lawyer's remark, "and a.s.sume the part of Public Prosecutor of all the ages--for every Government has its public ministry--well, the Catholic religion is infected at its fountain-head by a startling instance of illegal union. In the opinion of King Herod, and of Pilate as representing the Roman Empire, Joseph's wife figured as an adulteress, since, by her avowal, Joseph was not the father of Jesus. The heathen judge could no more recognize the Immaculate Conception than you yourself would admit the possibility of such a miracle if a new religion should nowadays be preached as based on a similar mystery. Do you suppose that a judge and jury in a police court would give credence to the operation of the Holy Ghost! And yet who can venture to a.s.sert that G.o.d will never again redeem mankind? Is it any better now than it was under Tiberius?"
"Your argument is blasphemy," said Monsieur de Clagny.
"I grant it," said the journalist, "but not with malicious intent.
You cannot suppress historical fact. In my opinion, Pilate, when he sentenced Jesus, and Anytus--who spoke for the aristocratic party at Athens--when he insisted on the death of Socrates, both represented established social interests which held themselves legitimate, invested with co-operative powers, and obliged to defend themselves. Pilate and Anytus in their time were not less logical than the public prosecutors who demanded the heads of the sergeants of La Roch.e.l.le; who, at this day, are guillotining the republicans who take up arms against the throne as established by the revolution of July, and the innovators who aim at upsetting society for their own advantage under pretence of organizing it on a better footing. In the eyes of the great families of Greece and Rome, Socrates and Jesus were criminals; to those ancient aristocracies their opinions were akin to those of the Mountain; and if their followers had been victorious, they would have produced a little 'ninety-three' in the Roman Empire or in Attica."
"What are you trying to come to, monsieur?" asked the lawyer.
"To adultery!--For thus, monsieur, a Buddhist as he smokes his pipe may very well a.s.sert that the Christian religion is founded in adultery; as we believe that Mahomet is an impostor; that his Koran is an epitome of the Old Testament and the Gospels; and that G.o.d never had the least intention of const.i.tuting that camel-driver His Prophet."
"If there were many men like you in France--and there are more than enough, unfortunately--all government would be impossible."
"And there would be no religion at all," said Madame Piedefer, who had been making strangely wry faces all through this discussion.
"You are paining them very much," said Bianchon to Lousteau in an undertone. "Do not talk of religion; you are saying things that are enough to upset them."
"If I were a writer or a romancer," said Monsieur Gravier, "I should take the side of the luckless husbands. I, who have seen many things, and strange things too, know that among the ranks of deceived husbands there are some whose att.i.tude is not devoid of energy, men who, at a crisis, can be very dramatic, to use one of your words, monsieur," he said, addressing Etienne.
"You are very right, my dear Monsieur Gravier," said Lousteau. "I never thought that deceived husbands were ridiculous; on the contrary, I think highly of them--"
"Do you not think a husband's confidence a sublime thing?" said Bianchon. "He believes in his wife, he does not suspect her, he trusts her implicitly. But if he is so weak as to trust her, you make game of him; if he is jealous and suspicious, you hate him; what, then, I ask you, is the happy medium for a man of spirit?"
"If Monsieur de Clagny had not just expressed such vehement disapproval of the immorality of stories in which the matrimonial compact is violated, I could tell you of a husband's revenge," said Lousteau.
Monsieur de Clagny threw the dice with a convulsive jerk, and dared not look up at the journalist.
"A story, from you!" cried Madame de la Baudraye. "I should hardly have dared to hope for such a treat--"
"It is not my story, madame; I am not clever enough to invent such a tragedy. It was told me--and how delightfully!--by one of our greatest writers, the finest literary musician of our day, Charles Nodier."
"Well, tell it," said Dinah. "I never met Monsieur Nodier, so you have no comparison to fear."
"Not long after the 18th Brumaire," Etienne began, "there was, as you know, a call to arms in Brittany and la Vendee. The First Consul, anxious before all things for peace in France, opened negotiations with the rebel chiefs, and took energetic military measures; but, while combining his plans of campaign with the insinuating charm of Italian diplomacy, he also set the Machiavelian springs of the police in movement, Fouche then being at its head. And none of these means were superfluous to stifle the fire of war then blaring in the West.
"At this time a young man of the Maille family was despatched by the Chouans from Brittany to Saumur, to open communications between certain magnates of that town and its environs and the leaders of the Royalist party. The envoy was, in fact, arrested on the very day he landed--for he traveled by boat, disguised as a master mariner. However, as a man of practical intelligence, he had calculated all the risks of the undertaking; his pa.s.sport and papers were all in order, and the men told off to take him were afraid of blundering.
"The Chevalier de Beauvoir--I now remember his name--had studied his part well; he appealed to the family whose name he had borrowed, persisted in his false address, and stood his examination so boldly that he would have been set at large but for the blind belief that the spies had in their instructions, which were unfortunately only too minute. In this dilemma the authorities were more ready to risk an arbitrary act than to let a man escape to whose capture the Minister attached great importance. In those days of liberty the agents of the powers in authority cared little enough for what we now regard as _legal_. The Chevalier was therefore imprisoned provisionally, until the superior officials should come to some decision as to his ident.i.ty. He had not long to wait for it; orders were given to guard the prisoner closely in spite of his denials.
Parisians in the Country Part 13
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Parisians in the Country Part 13 summary
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