Celt and Saxon Part 16
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'You know the secret of your happiness,' Patrick answered.
'Know you one of the secrets of a young man's fortune in life, and give us a thrilling song at the piano, my son,' said Con: 'though we don't happen to have much choice of virgins for ye to-night. Irish or French.
Irish are popular. They don't mind having us musically. And if we'd go on joking to the end we should content them, if only by justifying their opinion that we're born buffoons.'
His happy conscience enabled him to court his wife with a.s.siduity and winsomeness, and the ladies were once more elated by seeing how chivalrously lover-like an Irish gentleman can be after years of wedlock.
Patrick was asked to sing. Miss Mattock accompanied him at the piano.
Then he took her place on the music-stool, and she sang, and with an electrifying splendour of tone and style.
'But it's the very heart of an Italian you sing with!' he cried.
'It will surprise you perhaps to hear that I prefer German music,' said she.
'But where--who had the honour of boasting you his pupil?'
She mentioned a famous master. Patrick had heard of him in Paris. He begged for another song and she complied, accepting the one he selected as the favourite of his brother Philip's, though she said: 'That one?'
with a superior air. It was a mellifluous love-song from a popular Opera somewhat out of date. 'Well, it's in Italian!' she summed up her impressions of the sickly words while scanning them for delivery.
She had no great admiration of the sentimental Sicilian composer, she confessed, yet she sang as if possessed by him. Had she, Patrick thought, been bent upon charming Philip, she could not have thrown more fire into the notes. And when she had done, after thrilling the room, there was a gesture in her dismissal of the leaves displaying critical loftiness. Patrick noticed it and said, with the thrill of her voice lingering in him: 'What is it you do like? I should so like to know.'
She was answering when Captain Con came up to the piano and remarked in an undertone to Patrick: 'How is it you hit on the song Adiante Adister used to sing?'
Miss Mattock glanced at Philip. He had applauded her mechanically, and it was not that circ.u.mstance which caused the second rush of scarlet over her face. This time she could track it definitely to its origin.
A lover's favourite song is one that has been sung by his love. She detected herself now in the full apprehension of the fact before she had sung a bar: it had been a very dim fancy: and she denounced herself guilty of the knowledge that she was giving pain by singing the stuff fervidly, in the same breath that accused her of never feeling things at the right moment vividly. The reminiscences of those pale intuitions made them always affectingly vivid.
But what vanity in our emotional state in a great jarring world where we are excused for continuing to seek our individual happiness only if we ally it and subordinate it to the well being of our fellows! The interjection was her customary specific for the cure of these little tricks of her blood. Leaving her friend Miss Barrow at the piano, she took a chair in a corner and said; 'Now, Mr. O'Donnell, you will hear the music that moves me.'
'But it's not to be singing,' said Patrick. 'And how can you sing so gloriously what you don't care for? It puzzles me completely.'
She a.s.sured him she was no enigma: she hushed to him to hear.
He dropped his underlip, keeping on the conversation with his eyes until he was caught by the masterly playing of a sonata by the chief of the poets of sound.
He was caught by it, but he took the close of the introductory section, an allegro con brio, for the end, and she had to hush at him again, and could not resist smiling at her lullaby to the prattler. Patrick smiled in response. Exchanges of smiles upon an early acquaintance between two young people are peeps through the doorway of intimacy. She lost sight of the Jesuit. Under the influence of good music, too, a not unfavourable inclination towards the person sitting beside us and sharing that sweetness, will soften general prejudices--if he was Irish, he was boyishly Irish, not like his inscrutable brother; a better, or hopefuller edition of Captain Con; one with whom something could be done to steady him, direct him, improve him. He might be taught to appreciate Beethoven and work for his fellows. 'Now does not that touch you more deeply than the Italian?' said she, delicately mouthing: 'I, mio tradito amor!'
'Touch, I don't know,' he was honest enough to reply. 'It's you that haven't given it a fair chance I'd like to hear it again. There's a forest on fire in it.'
'There is,' she exclaimed. 'I have often felt it, but never seen it. You exactly describe it. How true!'
'But any music I could listen to all day and all the night,' said he.
'And be as proud of yourself the next morning?'
Patrick was rather at sea. What could she mean?
Mrs. Adister O'Donnell stepped over to them, with the object of installing Colonel Adister in Patrick's place.
The object was possibly perceived. Mrs. Adister was allowed no time to set the manoeuvre in motion.
'Mr. O'Donnell is a great enthusiast for music, and could listen to it all day and all night, he tells me,' said Miss Mattock. 'Would he not sicken of it in a week, Mrs. Adister?'
'But why should I?' cried Patrick. 'It's a gift of heaven.'
'And, like other gifts of heaven, to the idle it would turn to evil.'
'I can't believe it.'
'Work, and you will believe it.'
'But, Miss Mattock, I want to work; I'm empty-handed. It 's true I want to travel and see a bit of the world to help me in my work by and by.
I'm ready to try anything I can do, though.'
'Has it ever struck you that you might try to help the poor?'
'Arthur is really anxious, and only doubts his ability,' said Mrs.
Adister.
'The doubt throws a shadow on the wish,' said Miss Mattock. 'And can one picture Colonel Adister the secretary of a Laundry Inst.i.tution, receiving directions from Grace and me! We should have to release him long before the six months' term, when we have resolved to incur the expense of a salaried secretary.'
Mrs. Adister turned her head to the colonel, who was then looking down the features of Mrs. Rockney.
Patrick said: 'I'm ready, for a year, Miss Mattock.'
She answered him, half jocosely: 'A whole year of free service? Reflect on what you are undertaking.'
'It's writing and accounts, no worse?'
'Writing and accounts all day, and music in the evening only now and then.'
'I can do it: I will, if you'll have me.'
'Do you hear Mr. O'Donnell, Mrs. Adister?'
Captain Con fluttered up to his wife, and heard the story from Miss Mattock.
He fancied he saw a thread of good luck for Philip in it. 'Our house could be Patrick's home capitally,' he suggested to his wife. She was not a whit less hospitable, only hinting that she thought the refusal of the post was due to Arthur.
'And if he accepts, imagine him on a stool, my dear madam; he couldn't sit it!'
Miss Mattock laughed. 'No, that is not to be thought of seriously. And with Mr. O'Donnell it would be probationary for the first fortnight or month. Does he know anything about steam?'
'The rudimentary idea,' said Patrick.
'That's good for a beginning,' said the captain; and he added: 'Miss Mattock, I'm proud if one of my family can be reckoned worthy of a.s.sisting in your n.o.ble work.'
She replied: 'I warn everybody that they shall be taken at their word if they volunteer their services.'
She was bidden to know by the captain that the word of an Irish gentleman was his bond. 'And not later than to-morrow evening I'll land him at your office. Besides, he'll find countrywomen of his among you, and there's that to enliven him. You say they work well, diligently, intelligently.'
She deliberated. 'Yes, on the whole; when they take to their work.
Celt and Saxon Part 16
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Celt and Saxon Part 16 summary
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