Fashion and Famine Part 37

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Florence was strong with excitement. She turned, and almost ran up the stairs. Jacob went out, and during the next two hours, save a slight sound in the upper rooms, from time to time, the cottage seemed abandoned.

At length a carriage stopped at the gate. Jacob entered, and seating himself in the parlor, waited. They came down at last, but so changed, that no human penetration could have detected their ident.i.ty. The old lady was still in black, but so completely enveloped in a veil of glossy silk, that nothing but her eyes could be seen. A diamond crescent upon the forehead, a few silver stars scattered among the sombre folds that flowed over her person, gave sufficient character to a dress that was only chosen as a disguise.

Florence was in a similar dress, save that everything about her was snowy white. A veil of flowing silk had been cast over her bridal array, glossy and wave-like, but thick enough to conceal her features. Gleams of violet and rosy tulle floated over this, like the first tints of sunrise and the morning star, sparkling with diamonds, gathered up the veil on her left temple, leaving it to flow, like the billows of a cloud, over her form, and downward till it swept her feet. Without a word the three went forth and entered the carriage.

CHAPTER XVII.

AN HOUR BEFORE THE BALL.



The child stands, meekly, by her mother.

Look, woman, in those earnest eyes!

Say, canst thou understand, or smother The deep maternal mysteries

That rise and swell within thy breast; That throb athwart thy aching brain, Till, with deep tenderness oppressed, Hope, thought, and feeling turn to pain?

We take the reader once more to the residence of Ada Leicester--not as formerly, when the tempest raged around its walls, and darkness slept in its sumptuous rooms--when the wail of tortured hearts and sobs of anguish alone broke the gloomy stillness--not as then do we revisit this stately mansion. Now it is lighted up like a fairy palace; through the richly stained sashes, from the gables, and the ivy-clad tower, clouds of tinted light kindle the bland autumnal atmosphere to a soft golden haze. The tall old trees that surround the mansion seem bending beneath a fruitage of stars, so thickly are they beset with lamps that light up the depths of their ripe foliage. So broad is the illumination, so rich the tinted rays, you might see to gather fall flowers from the ground, even to their shaded extremity. White dahlias are amber-hued in that mellow light; wax b.a.l.l.s hang like drops of gold in the thickets; the ivy leaves about the narrow windows of the tower seem dripping with starlight; and a woodbine that has crept up one of the young maples, a little way off, glows out along the golden foliage so vividly, that the branches seem absolutely on fire.

Julia Warren approached this mansion with wonder. It seemed like something she had read of in a fairy tale--the lamps gleaming among the trees and in the thickets; the foliage so strangely luminous; the crisp gra.s.s tinged with a brownish and golden green; all these things were like enchantment to the child whose life had been spent in a comfortless bas.e.m.e.nt. She looked around in delighted bewilderment; the very basket upon her arm seemed filled with strange blossoms as she entered the lofty vestibule, and changed the richly hued atmosphere, without for the flood of pure gas-light that filled the dwelling.

"Oh! here she is at last--why, child, what has kept you?"

A pretty young woman, in a jaunty cap and pink ribbons, made this exclamation, while Julia stood looking about for some one to address.

Her manner, her quick but graceful movements, had an imposing effect upon the child.

"Are you the lady?" she said.

"No--no!" answered the girl, with a pretty laugh, for the compliment pleased her. "Come up stairs--quick, quick--my lady has been _so_ impatient."

They went up a flight of steps, the waiting-maid exchanging words with a footman who pa.s.sed them, Julia treading lightly under her load of flowers. Her little feet sunk into the carpet at every step; once only in her life had she felt the same elastic swell follow her tread. Yet nothing could be more unlike than the dark mansion that rose upon her memory, and the vision-like beauty of everything upon which her eyes rested. The floors seemed literally trodden down with flowers. Rich draperies of silk met her eye wherever she turned. A door swung open to the touch of the waiting-maid. Julia remembered the room which they entered--the couch of carved ivory and azure damask--the lace curtains that hung against the windows like floating frost-work, and the rich blue waves that fell over them. Clearer than all she recognised the marble Flora placed near the couch, bending from its pedestal, with pure and cla.s.sic grace, and gazing so intently on the white lilies in its hand, as if it doubted that the flowers were indeed but a beautiful mockery of nature.

Julia drew a quick breath as she recognised all these objects, but the waiting maid gave her but little time even for surprise. She crossed the room and opened a door on the opposite side. They entered a dressing-room, leading evidently to a sumptuous bed-chamber, for through the open door Julia could see glimpses of rose-colored damask sweeping from the windows, and a snow white bed, over which ma.s.ses of embroidered lace fell in transparent waves to the floor. The dressing-room corresponded with the chamber, but Julia saw nothing of its splendor.

Her eyes were turned upon a toilet richly draped with lace, and littered with jewels; a standing-gla.s.s set in frosted silver, was lighted on each side by a small alabaster lamp, which hung against the exquisite chasing like two great pearls, each with perfumed flame breaking up from its heart.

It was not the sight of this superb toilet, though a fortune had been flung carelessly upon it, that made the child's heart beat so tumultuously, but the lady who stood before it. Her back was toward the door, but Julia _felt_ who she was, though the beautiful features were only reflected upon her from the mirror.

The lady turned. Her eyes were bent upon the diamond bracelet she was attempting to clasp on her arm. Oh! how different was that face from the tear-stained features Julia had seen that dark night. How radiant, how more than beautiful she was now! Every movement replete with grace; every look brilliant with flashes of exultant loveliness!

How great was the contrast between that superb creature, in her robe of rich amber satin, heightened by the floating l.u.s.tre of soft Brussels lace, which fell around her like a web of woven moonlight, and the humble child who stood there so motionless, with the flower-basket at her feet. The pink hood, faded with much was.h.i.+ng, shaded her eyes; her hands were folded beneath the little plaid shawl that half concealed her cheap calico dress. Notwithstanding this contrast between the proud and mature beauty of the woman and the meek loveliness of the child, there was an air, a look--something indeed indescribable in one, which reminded you of the other. Ada turned suddenly, and moved a step toward the child; a thousand rainbow gleams flashed from the folds of her lace overdress as she moved; a ma.s.sive wreath of gems lighted up the golden depths of her tresses, but its brilliancy was not more beautiful than the smile with which she recognized the little girl.

"And so you have found me again," she said, untying the pink hood, and smoothing the bright hair thus exposed with her two palms, much to the surprise of the waiting-maid. "Look, Rosanna, is she not lovely, with her meek eyes and that smile?"

The waiting-maid turned her eyes from the lady to the child.

"Beautiful! why, madam the smile is your own."

"Rosanna!" cried the lady, "this is flattery; never again speak of my resemblance to any one, especially to a child of that age. It offends, it pains me!"

"I did not think to offend, madam; the little girl is so pretty--how could I?"

Ada did not heed her; she was gazing earnestly on the little girl. The smile had left her face, and this made a corresponding change in the sensitive child. She felt as if some offence had been given, else why should the lady look into her eyes with such earnest sadness?

"What is your name?"

The question was given in a low and hesitating voice.

"Julia--Julia Warren."

"That is enough. Rosanna, never speak in this way again!"

"Never, if madam desires it. But the flowers: see what quant.i.ties the little thing has brought. No wonder she was late--such a load."

"True, we were waiting for the flowers; here, fill my bouquet holder--the choicest, remember--and let every blossom be fragrant."

Rosanna took a bouquet-holder, whose delicate network of gold seemed too fragile for all the jewels with which it was enriched, and kneeling upon the floor, began to arrange a cl.u.s.ter of flowers. Her active fingers had just wound the last crimson and white roses together, when a footman knocked at the door. She started up, and went to see what was wanted.

"Madam, the company are arriving; two carriages have set down their loads already."

Ada had been too long in society for this announcement to confuse or hurry her, had no other cause of excitement arisen; as it was, the superb repose, usual to her manner, was disturbed.

"Who are they? have you seen them before?" she asked.

"Yes, madam, often."

"No stranger--no gentleman who never came before--you are certain?"

"None, madam."

There was something more in this than the usual anxiety of a hostess to receive her guests.

"I am insane to loiter here," she murmured, drawing on her gloves; "he might come and I not there; for the universe I would not miss his first look. The bouquet, Rosanna, and handkerchief--where is my handkerchief?"

"Is this it, ma'am?" said Julia, raising a soft ma.s.s of gossamer cambric and costly lace from the carpet, where it had fallen.

This drew Ada's notice once more to the child.

"Oh! I had forgotten," she said, going back to the toilet and taking up a purse that lay among the jewel cases; "I have not time to count it; take the money, but some day you must bring back the purse--remember."

She took her bouquet hastily from the waiting-maid, and went out, leaving the purse in Julia's hand. After crossing the boudoir, she turned back.

"Remember, the flowers are for these rooms," she said, addressing the maid, and waving her hand, with a motion that indicated the bed-chamber and boudoir. "Let me find them everywhere."

With this command, she disappeared, leaving the doors open behind her.

Julia drew a deep breath, as the wave of her garments was lost in descending the stairs; turning sorrowfully away, her eyes fell upon the purse; several gold pieces gleamed through the crimson net work.

Fashion and Famine Part 37

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Fashion and Famine Part 37 summary

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