Fashion and Famine Part 54
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Julia slept little during the night. The state of nervous terror in which she had been thrown, the shrinking dread which made her quail and tremble at the approach of her fellow prisoners--even the rude kindness of the strange being who took a sort of tiger-like interest in her--frightened sleep from her eyes.
A cell had been arranged for her, and the woman, who still s.h.i.+elded her from the other prisoners, much as a wild beast might protect her young, consented that the infant boy should be her companion through the night.
This was a great comfort to the poor girl. To her belief there was protection in the sleeping innocence of the child, who lay with his delicately veined temples pressing that coa.r.s.e prison pillow, softly as if it had been fragrant with rose-leaves.
Julia could not sleep, but it was pleasant in her sad wakefulness to feel the sweet breath of this child floating over her face, and his soft arms clinging to her neck. To her poetic imagination it seemed as if a cherub from heaven had been left to cheer her in the darkness. Sometimes she would start and listen, or cringe breathlessly down to her pretty companion, for strange, fierce voices occasionally broke from some of the cells on either side--smothered sounds as of spirits chained in torment--wailing and wild shouts of laughter; for with some of those wretched inmates, memory grew sharp in the midnight of a prison, and others dreamed as they had lived--shouting fiercely in the sleep which was not rest, but the dregs of lingering inebriation.
Of the mind and heart of this young girl, we have said but little. The few simple acts of her life have been allowed to speak for her extreme youth; the utter isolation of her life, even more than her youth, would, in ordinary characters, have kept her still ignorant and uninformed. But Julia was not an ordinary character; there was depth, earnestness, and that extreme simplicity in her nature which goes to make up the beauty and strength of womanhood. Suffering had made her precocious, nothing more--it sent thought hand in hand with feeling. It threw her forward in life some three or four years. Grat.i.tude, so early and so deeply enkindled in her young heart, foreshadowed the intensity of affection, nay, of pa.s.sion, when it should once be aroused.
In this country, the most abject poverty need not preclude the craving mind from its natural aliment, books. Julia had read more and thought more than half the girls of her age in the very highest walks of life.
Her first love of poetry was drawn from the most beautiful of all sources, the Bible. Her grandfather was a good reader, and possessed no small degree of natural eloquence. Gushes of poetry, of solemn, sweet feeling were constantly breaking through the prayers which she had listened to every night and morning of her life; the very sublimity of his faith, the simple trust which never forsook him in the goodness of his Creator--the cheerful humility of his entire character, all this had aroused sympathetic emotions in his grandchild's heart. It is the good alone who thoroughly feel how keen and sweet intellectual joys may become. When we water the blossoms of a strong mind with dew from the fountains of a good heart, the whole being is harmonious, and the rarest joys of existence are secured.
But though the Bible contains the safest and most beautiful groundwork of all literature, history, biography, ethics, poetry, and even that pure fiction, which shadows forth truth in the parables, the mind that has first tasted thought there, will crave other sources of knowledge. A few old volumes, so shabby that the p.a.w.nbrokers refused loans upon them, and the second-hand book-stalls rejected them at any price, still remained in her bas.e.m.e.nt home. These she had read with the keen relish of a mind hungry for knowledge. Then old Mrs. Gray had a few books at her farm-house. She had never read them herself, good soul, and whenever the beauties of "Paradise Lost," were mentioned, had only a vague professional idea that our first parents had been driven forth from a remarkably fine vegetable and fruit garden just before the harvest season. Still she had great respect for the man who could mourn so great a loss in verse, and delighted in lending the volumes to her young friend whenever she had time to read.
From these resources and the patient teachings of her grandfather, Julia had managed to obtain the most desirable of all educations. She had learned to think clearly and to feel rightly; but she felt keenly also, and a vivid imagination kindling up these acute feelings at midnight in the depth of a prison, made every nerve quiver with dread that was more than superst.i.tious. One picture haunted her very sleep. It was her grandfather's white and agonized face stooping over that dead man. Never had the beautiful, stern face of the stranger beamed upon her so vividly before. She saw every lineament enameled on the midnight blackness.
She longed to arouse the child and ask it if the face were really visible, but was afraid to speak or move. The very sound of his soft breath as the boy slept terrified her. But while this wild dread was strongest upon her, the child awoke and began to feel over her face with his little hands. Softly, and with the touch of falling rose-leaves, his fingers wandered over her eyes, her forehead, and her mouth. They were like sunbeams playing upon ice, those warm, rosy fingers. The young girl ceased to feel frightened or alone. She began to weep. She pressed his hands to her lips, and drew the child close to her bosom, whispering softly to him, and pressing her lips to his eyes now and then, to be sure they were open. But all her gentle wiles were insufficient to keep the little fellow awake; he began to breathe more and more deeply, and, overcome by the soft mesmerism of his breath, she fell asleep also.
It would have been a lovely sight had any one looked upon those two calm, beautiful faces pillowed together upon that prison bed. Smiles dimpled round the rosy lips, upon which the breath floated like mist over a cl.u.s.ter of ripe cherries. The bright ringlets of the child fell over the tresses that shadowed the fair temple close to his, lighting them up as with threads, and gleams of gold. It was a picture of innocent sleep those green walls had perhaps never sheltered before since their foundation. It was natural that Julia should smile in her sleep, and that a glow like the first beams of morning when they penetrate a rose, should light up her face. She was dreaming, and slumber cast a fairy brightness over thoughts that had perhaps vaguely haunted her before that night. Memories mingled with the vision and the scenes which wove themselves in her slumbering thought had been realities--the first joyous realities of her young life. She was at an old farm-house, half hid in the foliage of two n.o.ble maples, all golden and crimson with a touch of frost. Her grandparents stood upon the door-stone with old Mrs. Gray, talking together, and smiling upon her as she sat down beneath the maples, and began to arrange a lapful of flowers that somehow had filled her ap.r.o.n, as bright things will fall upon us in our sleep. These blossoms breathed a perfume more delicate than anything she had ever seen or imagined, and, though coa.r.s.e garden flowers, their breath was intoxicating.
Dreams are independent of detail, and the sleeper only knew that a young man whose face was familiar, and yet strange, stood by her side, and smiled gently upon her as she bent over her treasure. Was her slumbering imagination more vivid than the reality had been, or had her nerves ever answered human look with the delicious thrill that pervaded them in this dream? Was it the shadow of a memory haunting her sleep? Oh, yes, she had dreamed before--dreamed when those soft eyes had nothing but their curling lashes to veil them, and when the thoughts that were now floating through her vision left a glow upon that young cheek. It was true the angel of love haunted Julia in her prison.
The real and the imaginary still blended itself in her vision but indistinctly, and with that vague cloudiness that makes one sigh when the dream becomes a memory. An hara.s.sing sense that her grandfather was in trouble seemed to blend with the misty breath of the flowers. She still sat beneath the tree, and saw an old man in the distance, struggling with a throng of people, half engulphed in a storm-cloud that rolled up from the horizon. She could not move, for the blossoms in her lap seemed turning to lead, which she had no power to fling off. She struggled, and cried out wildly, "Robert--Robert Otis!"
The blossoms breathed in her lap again; flashes of silver broke up the distant cloud, and stars seemed dropping, one by one, from its writhing folds. Robert Otis was now in the distance, now at her side; she could not turn her eyes without encountering the deep smiling fervor of his glance. His name trembled and died on her lips in broken whispers, then all faded away. Balmy quiet settled on the spirit of the young girl, and she slept softly as the flowers slumber when their cups are overflowing with dew.
From this sweet rest she was aroused by a sharp clang of iron, and the tread of feet in the pa.s.sage. The door of her own cell was flung open, and a tin cup full of coffee, with coa.r.s.e, wholesome bread, was set inside for her breakfast. The dream still left its balm upon her heart, which all that prison noise had not power to frighten away. She smoothed her own hair, arranged her dress, and then arousing the child from its sleep with kisses, bathed and dressed him also. He was sitting upon her lap, his fresh rosy face lifted to hers, while she smoothed his tresses, and twisted them in ringlets around her fingers, when his mother entered the cell. She scarcely glanced at the child; but sat down, and supporting her forehead with one hand, remained in sombre stillness gazing on the floor. There was nothing reckless or coa.r.s.e in her manner.
Her heavy forehead was clouded, but with gloom that partook more of melancholy than of anger.
She spoke at length, but without changing her position or lifting her eyes from the floor.
"Will you tell me the name?--will you tell me who the man was they charge your grandfather with murdering? Was it--was it----" The low husky tones died in her throat; she made another effort, and added, almost in a whisper, "was it William Leicester?"
The question arrested Julia in her graceful task; her hands dropped as if smitten down from those golden tresses, and she answered in a faint voice, "that it was the name."
"Then he is dead; are you sure--quite sure?"
"They all said so; the doctor, all that saw him!"
"You did not see him then?"
"Yes--yes!" answered the young girl, closing her eyes with a pang. "I saw him--I saw him!"
"Why did your grandfather kill him? Had Leicester done him any wrong?"
"I do not know what wrong he had ever done," answered Julia; "but I am certain if he had injured him ever so much, grandpa would not have harmed a hair of his head."
"Who did kill him then?" said the woman sharply.
"I think," said Julia, in a low, firm voice--"I think that he killed himself!"
"No. It could not be that!" muttered the woman, gloomily. "No doubt the old man did what others had better cause for doing; tell me how it happened!"
Julia saw that the woman was growing pale around the lips as she spoke; her hand also looked blue and cold as it shaded her face.
"Don't be afraid of me. Go on, I could not harm a mouse this morning,"
she said, observing that Julia hesitated, and sat gazing earnestly upon her. "I have been in prison here two weeks, and never heard of his death till now!"
"Did you know Mr. Leicester?" questioned Julia.
"Yes, I knew him!"
There was something in the tone of her voice that surprised Julia; more of bitterness than grief, and yet something of both.
"Will you tell me what I asked you?" said the woman, with a touch of her usual impetuosity.
"Yes," answered Julia. "It distresses me to talk of it; but if you are really anxious to hear, I will!"
She went on with painful hesitation, and told the woman all those details that are so well known to the reader. The woman listened attentively, sometimes holding her breath with intense interest; again breathing quick and sharp, as if some strong feeling were curbed into silence with difficulty. When Julia ceased speaking, she folded both hands over her face, and lowering it down to her knees, rocked to and fro without sob or tear; but the very stillness was eloquent.
She got up after a little and went out. Half an hour after, Julia took the child to his mother's cell. The strange woman was lying with her face to the wall, motionless as the granite upon which her large eyes were fixed. She did not turn as they approached, but waved her hand impatiently that they should leave the cell.
Holding the child by his hand, Julia lingered in the pa.s.sage. After a few careless, and in some cases, rude manifestations of interest, the prisoners left her unmolested, to seek what consolation might be found in observation and exercise.
Thus the day crept on. The confusion which her youth and terror created the day before, had settled down in that sullen apathy which is the most depressing feature of prison life. The women moved about with a dull, heavy tread; some sat motionless against the wall, gazing into the air, to all appearance void of sensation, almost of life; some slept away the weary time but depression lay heavily upon them all.
Julia lingered near the grating, for the gleams of suns.h.i.+ne that shot into the broad hall beyond, whenever the outer door was opened to allow access and egress to the officers, had something cheerful in it that filled her with hope. The child, too, felt this pleasant influence, and his prattle, now and then broken with a soft laugh, was music to the poor girl.
"Come, love--come, let us go away. People are at the door!" she cried all at once, striving to lead the child away.
"No--no. It is brighter here, I will stay," answered the little fellow, leaping roguishly on one side. "It's only the matron; don't you hear her keys jingle? She will take me up into her pretty room, and you as well.
Just wait till I ask her."
The door opened and a black-eyed little woman, full of animation and cheerful energy, stepped into the pa.s.sage. She paused, for Julia stood in her way, making gentle efforts to free her dress from the grasp which the little boy had fixed upon it. The beauty of the young girl, her shrinking manner, and the crimson that came and went on her sweet face, all interested the matron at once. She smiled a motherly, cheering smile, and said at once--
"Ah, you have found one another out. George is a safe little playmate--ain't you, darling? Come, now, tell me what her name is, that's a man."
"She hasn't told me yet," lisped the child, freeing Julia from his grasp, and nestling himself against the matron.
"My name is Julia--Julia Warren, ma'am," said the young prisoner, blus.h.i.+ng to hear the sound of her name in that place.
"I thought so; I was sure of it from the first; there, there, don't be frightened, and don't cry. Come up to my room--come, George! Tell your young friend that somebody is waiting for her up there--some one that she will be very glad to meet."
"Tell me--oh! tell me who!" cried the poor girl, breathlessly.
"Your grandmother, so she calls herself--and----"
Julia waited for no more, but darted forward.
Fashion and Famine Part 54
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Fashion and Famine Part 54 summary
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