Fashion and Famine Part 70
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Excitement grew ferocious; faces, before only curious, now gleamed upwards in groups and ma.s.ses, haggard with impatient brutality. Ten minutes had gone by--ten minutes beyond the time, and the gallows still loomed up from the prison yard empty. Then the crowd began to murmur and bandy rude jests, like men who had paid for an exhibition, and feared to be baffled out of their amus.e.m.e.nt. Shouts went up; oaths ran from lip to lip; those upon the walls leaned over, with open mouths and gloating eyes, gazing down into the yard, then telegraphed their companions, or shouted their disappointment to the mob, while others crept up from the ma.s.s, crowding the possessors from their places, and occasionally casting one headlong downward.
All at once, when the whole mob was tumultuous with impatience, a cry of fire rung up from the prison walls. The crowd caught the sound, and echoed it fiercely, heaving to and fro, and trampling each other down, eager to see the flames burst forth. There was a wooden steeple or watch-tower, over the front building of the prison. Through the huge timbers of this structure the flames leaped upward, flinging long gleams of light over the upturned faces of the mult.i.tude, and adding another horrid feature to a scene already terrible. The alarm bells sounded; the crowd rushed to and fro, shouting, heaving up in waves, beating itself fiercely against the prison walls. Through the ma.s.ses thundered three or four engines, and a stream of firemen swept through the tumult, pouring noise upon noise, with their trumpets and their voices.
The prison gates were flung open, and as the firemen entered, a portion of the crowd, now furious with excitement, forced through after them, with a sudden rush, filling the inner courts like a torrent let loose.
With nothing but bare timbers to feed upon--for the prison itself was fire-proof--the flames soon burned themselves out, after scattering brands and sparks among the throng, leaving a red glare and a cloud of smoke hovering luridly over the scene. When the mob saw the fire dying away, its attention was once more turned upon the execution, and the clamor became deafening both within and without the prison walls. The hour of death had gone by. Were the people to be cheated and put off with a burning watch-tower? Were mechanics, who had lost half a day's time, in order to see a man hanged, to be kept waiting, when their appet.i.te was whetted for a sight of blood? They packed the prison courts more densely; they swarmed close up to the gallows, and pushed forward into the prison corridors, abusing the sheriff, and calling on him vociferously to come forth and explain the meaning of all this delay.
He did come forth, at last, looking white as death; but this was nothing. All were pale then, either from compa.s.sion or wrath. He came slowly forth from the prisoner's cell, and standing upon the third gallery, looked down upon the mob.
"Bring the old fellow out--let's see him--no put off with us!" Shouted a man near the staircase.
"I cannot bring him out, he is ----"
They drowned the sheriff's voice with clamor.
"Cheated the gallows--stabbed himself."
The sheriff again attempted to speak, but the tumult grew louder.
"Bring him out--dead or alive, bring him out!"
The officer waved his hand and pointed into the cell. Half a dozen men sprang up from the ma.s.ses, and ran from one gallery to another, shouting to the crowd below.
"We'll see for ourselves--it's all sham--they mean to let him escape!"
Like a troop of wild animals they plunged forward, pushed themselves past the sheriff, and entered the cell. There they stood motionless, all their brutal ferocity struck dumb within them. They had their wish. The old man was before them; the last gleam of life in his eyes; the last breath freezing upon his lips. G.o.d had been very merciful, more merciful than the law.
CHAPTER x.x.xIX.
HEARTS AND CONSCIENCES AT REST.
The storms of life with her are pa.s.sed, Stern memory leaves her soul at rest; She finds a tranquil home at last, Content with blessing, to be blessed.
Mrs. Gordon never appeared again in the gay world. The reason was a mystery that no one could explain. The rich furniture, the statues and pictures that had made her home a palace, were quietly sold, and the rooms filled with everything essential to comfort, without the slightest approach to former profuse luxuriousness. Plain carriages and less spirited horses, took the place of her former superb equipage. The grounds still bloomed with flowers, the hot-houses teemed with fruit, but Ada seldom tasted the one or inhaled the other. She was far too busy and useful for the indulgence, even of her most harmless love of the beautiful. She had literally gone out by the wayside and hedges, forcing the poor to come in and partake of her hospitality. For months Jacob Strong might have been observed, side by side with his mistress, threading the alleys, searching in attic chambers, for objects of just charity. Old men and women, generally of the educated poor, who could not work, and were too proud for begging, soon became the inmates of those splendid saloons. Any day, when you pa.s.sed that mansion, some old lady in her snow-white cap might be seen looking quietly from the cas.e.m.e.nt, while others strolled in the gardens, or amused themselves in the marble vestibule. Occasionally Jacob Strong might be seen loitering about the door, but all the servants were changed. The very atmosphere of the place seemed that of another region. No French maids, no liveried footman, lent a foreign and meretricious air to the dwelling now. In the place of former splendor, gay tumult and heartless display, reigned a calm and pure tranquillity. Every face was serene; every being you met looked soberly content.
In truth, the little paradise--for still the beautiful reigned throughout that dwelling--did indeed at times seem haunted by an angel; for flitting about, now in the suns.h.i.+ne of the garden, now in the more bland suns.h.i.+ne of her mother's smile, Julia grew in beauty and in all those sweet qualities which are the essence of loveliness. If painful memories sometimes haunted the maiden--if a prison cell and an old man blessing her with his last breath--a tumult of people, and wild shouts that seemed terrible to her, even then, sometimes broke upon her in the still morning, or the more stilly night, it was but a pa.s.sing cloud; and with tears in her eyes, she would thank G.o.d, that those who loved that good old man had been saved the crowning horror of his death.
And the old grandmother--it should have been no cause of grief when the meek woman went softly to sleep one night and awoke with her husband in heaven. It was the home she had pined for even when surrounded closest by her children's love. They laid her by his side in Greenwood, with many tears, for though certain that happiness awaits the departed, those who are left must mourn, or they cannot have loved.
Now we have one scene to describe, and our story is done. It was three years after the death of old Mr. Wilc.o.x, and once more the home of Ada Leicester was lighted up for guests. The boudoir which we have so often mentioned was redolent with flowers, and the pure muslin curtains floated to and fro in the summer air that came balmily through the open windows. Beyond, was the bed-chamber. You could hear the rustle of light footsteps on the India matting, and see the gleam of snowy drapery, waving like a cloud in the distance. All was exquisitely chaste and full of simplicity. How unlike the gorgeous luxuriousness of those rooms, in other days!
The rooms filled, not with guests such as had made them brilliant once, but with persons who may interest the reader far more. The first person whom Jacob Strong ushered into the boudoir, was his own sister, Mrs.
Gray. Never in her whole life had the good lady appeared so radiantly happy. Her gown of silver grey silk rustled cheerfully as she walked, white satin ribbons knotted the lace cap under her chin and floated in glistening streamers adown the white muslin kerchief folded over her bosom. A pair of gloves--man's size, but white as snow--were neatly b.u.t.toned about her plump wrists. This, with her beautiful grey hair, her cheeks softly red like a mellow winter apple, and the double chin that had taken a triple fold since we last saw her, would have warmed your heart had you been a guest at that house, as she was. Then there was a quiet little old lady in black, who glided in like a shadow, and was completely lost behind the rotundity of Mrs. Gray's person; and another gentle creature clothed in black also, but of a beauty that made your heart ache, the sweet face was so touchingly sad, the countenance so waxen in its whiteness, and every movement was so painfully shy. It seemed as if the poor young creature might turn and flee, like a frightened doe, if an unfamiliar eye were turned upon her. Reader, these two persons are no strangers to you; they are the mother and the victim of William Leicester. Poor Florence, her mind was shaken yet, but not as it had been. She was gentle and mournfully sad, but not insane. Still it was a painful thing to see a creature so young, with that utter hopelessness of countenance. She sat down close to the little, aged woman, and looked up in her face, with meek, trusting eyes, holding shyly to a fold of her dress all the while. Not even the sunny smile of Mrs. Gray, could win a gleam of joy to those large eyes. Then there was a large woman with black eyes and an abundance of raven hair, that kept bustling in and out of the bed-chamber with a look of happy importance, that made her strong features quite handsome. You would hardly have recognized the prison woman, in that neatly clad rosy cheeked female, the expression and whole appearance was so changed. Home and care had done everything for her, and at this time she was housekeeper in the mansion. Had you asked her character of the old ladies who found an asylum there, the account would have astonished you. After all, where real strength of character exists, there is always hope of reformation.
It is your weak sinner for whom one despairs the most. As this woman pa.s.sed through the room, she always turned her eyes, beaming with fondness, on a little boy, half concealed by the flow of Mrs. Gray's gown. It was quite wonderful how much that gown could shelter; and the mother spoke in that glance eloquently as ever love was uttered in words.
Then there was Jacob Strong himself, with a new coat in its first gloss, too short for his long arms, and cut after a fas.h.i.+on of his own, which made him look more round-shouldered and ungainly than ever. A buff vest, and gloves of a deeper yellow, gave an air of peculiar smartness to his costume, which bespoke some very important occasion; for it was not often that Jacob gave way to weaknesses regarding his toilet; and when he did, the effect was indisputably striking.
Besides the persons we have mentioned, were a score of nice aged women in snowy caps and chintz dresses, looking the very pictures of contented old age, who whispered cosily together, and watched a door that led to the stairs with the greatest interest, as if some very important person was expected to enter from that way.
Their impatience was gratified at last; for a clergyman with flowing robes came sweeping through, escorted by Jacob Strong, who had been wandering about the dim vestibule during the last ten minutes. Directly after, the room opposite was flung open, and Robert Otis came forth, leading a fair young girl by the hand. There was something heavenly in the loveliness of that gentle bride, as the blush deepened and faded away beneath the gossamer sheen of her veil.
Jacob Strong rubbed his yellow gloves softly together, as he gazed upon her; and the rustle of Mrs. Gray's dress was absolutely eloquent of all the restless pride she felt in seeing the two beings she most loved united for ever.
Of all the persons present, Ada Leicester alone was sad. She remembered her own marriage, and the shadow of many a painful thought swept across her face, as the solemn benediction was uttered over her child.
When the ceremony was complete Florence arose, and quietly placing a folded paper in the lap of the bride, stole away, as if terrified by the strange eyes that followed her movement. Julia took up the paper, half unfolded it, and then, with a blush and a smile, placed it in the hand of her young husband. With that paper Florence had conveyed two thirds of her fine property to the daughter of William Leicester--the man who had swept every blossom from the pathway of her own life.
THE END.
Fashion and Famine Part 70
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Fashion and Famine Part 70 summary
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