The Girl at Central Part 19

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"I hear c.o.kesbury Lodge is for rent."

"I ain't heard it," said Sands, "but I ain't surprised. Now he's sent his family away he don't want a house that size on his hands."

"Has he been down lately?"

"No-not for-lemme see-it's several weeks. Yes-the last time was the Sunday before Sylvia Hesketh's murder."

I knew all that but it doesn't do to jump at what you're after too quick.



"Lucky for him he could prove his car was on the blink that time," I said, looking languid out of the window.

"Sure. He and Reddy were the only ones of her fellers within striking distance. But no one ever'd suspicion c.o.kesbury. He ain't the murderin'

kind, too jolly and easy. I hear he's goin' to Europe."

"Is he now? Where'd you hear that?"

"From Miner, that runs the Azalea Garage. He come down to the station just now and gave me a package. Something c.o.kesbury left in the motor the last time he was down. I'm to hand it over to his servant at Jersey City."

"Is it love letters that he don't want to leave behind?"

"No, I guess he's careful of them. Here it is," he drew out of his breast pocket an envelope with c.o.kesbury's name and address written on it and held it out to me. "That ain't no love letter."

I pinched it.

"It's a key. It may open the desk where the love letters are kept."

"I guess he's too fly to keep any dangerous papers like that around."

"Yes," I says, "they might set the house on fire."

"Well, ain't you the sa.s.sy kid," says he and then the train slowing up for a station he walked on up the aisle.

In the Jersey City depot I went like a streak for the Telephone Exchange. My one chance was to catch him at dinner and I gave the operator the number of his house. When she pointed to the booth I was trembling like a leaf.

The voice that answered me was a woman's-Irish-the cook's, I guess. She began right off: "Yes, this is Mr. c.o.kesbury's residence, but you can't see him."

"Wait," I almost screamed, scared that she was going to disconnect, "this is important. It's about a key I've just found. If Mr. c.o.kesbury's there tell him a lady wants to see him about a key she picked up a few minutes ago on the New Jersey train."

"All right. Hold the wire."

I knew he'd come. My heart was beating so I had to hold it hard with my free hand and I had to bite my lips to make them limber. But, honest to G.o.d, when I heard him-clear and distinct right in my ear-I thought I was going to faint. For at last I'd got the Voice!

"What's this about finding a key?" he said gruff and sharp.

"Am I speaking to Mr. c.o.kesbury?"

"You are. Who is it?"

"No one you know, sir. I've just come in from Philadelphia and on the Pullman step I found a package which seems to have a key in it. I noticed that it was addressed to you and I looked you up in the telephone book and am phoning now from Jersey City."

He was very cordial then. His voice was the same deep, pleasant one he'd used to Sylvia.

"That's very kind of you and very thoughtful. I can't thank you enough.

The package was given to the Pullman conductor and he's evidently dropped it."

"Then shall I give it to the Pullman conductor now?"

"If you'll be so kind. My servant's gone over there to get it. Just hand it to the conductor-a tall, thin man, whose name is Sands."

"I'll do it right off. Ain't it lucky I found it?"

"Very. I'm deeply grateful. It would have put me to the greatest inconvenience if it had been lost. I'd like to know to whom I'm indebted."

"Oh, that don't need to bother you. I'm just a pa.s.senger traveling down on the train. Awful glad I could be of any service. Good-bye."

I waited a minute till I got my heart quieted down, then took a call for Babbitts' paper. Luck was with me all round that night, for he was there. I couldn't tell him everything-I was afraid-but I told him enough to show him I'd landed c.o.kesbury and he answered to come across to town and he'd meet me at the Ferry. I caught a boat as it pulled out of the slip and at the other side he was waiting for me.

"Come on," he said, putting his hand through my arm and walking quick for the street, "I got a taxi here. We'll charge it up to the defense."

I got in, supposing he was going to take me somewhere to dinner, but he wasn't. When I heard where we were bound I was sort of scared-it was to Wilbur Whitney's house, Jack Reddy's lawyer.

"He's expecting us," Babbitts explained. "I called him up right after I'd heard from you. You see, Kiddo, we don't want to lose a minute for we can't stop c.o.kesbury going unless we got something to stop him for."

Mr. Whitney's house was a big, grand mansion just off Fifth Avenue. A butler let us in and without waiting to hear who we were showed us into a room with lights in bunches along the walls, small spindly gold chairs and sofas, and a floor that shone like gla.s.s between elegant soft rugs.

There was some cla.s.s to it and Babbitts and I looked like a pair of tramps sitting side by side on two of the gold chairs. I was nervous but Babbitts kept me up, telling me Mr. Whitney was a delightful gentleman and was going to jump for all I had to say. Then we heard steps coming down the stairs-two people-and I swallowed hard being dry in the mouth, what with fright and having had no supper.

Mr. Whitney was the real thing. He was a big man, with a square jaw and eyes deep in under thick eyebrows. He spoke so easy and friendly that you forgot how awful sharp and keen those eyes were and how they watched you all the time you were talking. A young man came with him-a real cla.s.sy chap-that he introduced to me as his son, George.

They couldn't have acted more cordial to me and Babbitts if we'd been the King and Queen of Spain. When they sat down and asked me to tell them what I knew I loosened up quite natural and told the whole story.

The young man sat sideways on the gold sofa, smoking a cigarette and looking into the air with his eyes narrowed up as if he was spying at something a long ways off. Mr. Whitney was sort of slouched down in an easy chair with his hands-white as a woman's-hanging over the arms. Now and then he'd ask me a question-always begging my pardon for interrupting-and though they were so calm and quiet I could feel, as if it was in the air, that they were concentrated close on every word I said.

When I got through Mr. Whitney said, very cheerful, as if I'd been telling some yarn in a story book:

"That's very interesting, Miss Morganthau, and very well told. Quite a narrative gift, eh George?" and he looked at his son.

"First-cla.s.s story," said George, and as careless as you please flicked off his cigarette ashes on the rug.

Mr. Whitney leaned forward clasping his big white hands between his knees and looking into my face, half-smiling but with something terrible keen behind the smile.

"How can you be so sure of the voice, Miss Morganthau? I don't know whether on the phone I could recognize the voice of my own son here."

"You get that way in my work," I answered. "Your ear gets trained for voices."

"You're absolutely certain," said young Mr. Whitney, "that in that message you overheard, the man spoke of coming to the meeting place in his auto?"

"Yes, sir, I'm certain he said that."

He turned and looked at his father.

The Girl at Central Part 19

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The Girl at Central Part 19 summary

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