Methods of Authors Part 8

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A Humorist's Regimen.

Robert Barr (whose pseudonym, "Luke Sharp," is familiar to the readers of the _Detroit Free Press_) has written an article on "How a Literary Man Should Live," which may be cited in conclusion:--

"I am not," he says, "an advocate of early rising. I believe, however, that every literary man should have fixed hours for getting up. I am very firm with myself on that score. I make it a rule to rise every morning in winter between the hours of six and eleven, and in summer from half-past five until ten. A person is often tempted to sleep later than the limit I tie myself to, but a little resolution with a person's self at first will be amply repaid by the time thus gained, and the feeling one has of having conquered a tendency to indolence. I believe that a literary man can get all the sleep he needs between eight o'clock at night and eleven in the morning. I know, of course, that some eminent authorities disagree with me, but I am only stating my own experience in the matter, and don't propose to enter into any controversy about it.

"On rising I avoid all stimulating drinks, such as tea or coffee. They are apt to set the brain working, and I object to work, even in its most disguised forms. A simple gla.s.s of hot Scotch, say half a pint or so, serves to tide over the period between getting up and breakfast-time.

Many literary men work before breakfast, but this I regard as a very dangerous habit. I try to avoid it, and so far have been reasonably successful. I rest until breakfast-time. This gives the person a zest for the morning meal.



"For breakfast the simplest food is the best. I begin with oyster stew, then some cold chicken, next a few small lamb chops and mashed potatoes, after that a good-sized beefsteak and fried potatoes, then a rasher of bacon with fried eggs (three), followed by a whitefish or two, the meal being completed with some light, wholesome pastry, mince pie for preference. Care should be taken to avoid tea or coffee, and I think a word of warning ought to go forth against milk. The devastation that milk has wrought among literary men is fearful to contemplate. They begin, thinking that if they find it is hurting them, they can break off, but too often before they awaken to their danger the habit has mastered them. I avoid anything at breakfast except a large tumbler of brandy, with a little soda water added to give it warmth and strength.

"No subject is of more importance to the literary aspirant than the dividing of the hours of work. I divide the hours just as minutely as I can, and then take as few of the particles as possible. I owe much of my success in life to the fact that I never allow work to interfere with the sacred time between breakfast and dinner. That is devoted to rest and thought. Much comfort can be realized during these hours by thinking what a stir you would make in the literary world if you could hire a man like Howells for five dollars a week to do your work for you. Such help, I find, is very difficult to obtain, and yet some people hold that the labor market is overcrowded. The great task of the forenoon should be preparation for the mid-day meal. The thorough enjoyment of this meal has much to do with a man's success in this life.

"Of course, I do not insist that a person should live like a hermit.

Because he breakfasts frugally, that is no reason why he should not dine sumptuously. Some people dine at six and merely lunch at noon. Others have their princ.i.p.al meal in the middle of the day, and have a light supper. There is such merit in both these plans that I have adopted both. I take a big dinner and a light lunch at noon, and a heavy dinner and a simple supper in the evening. A person whose brain is constantly worried about how he can shove off his work on somebody else has to have a substantial diet. The bill of fare for dinner should include everything that abounds in the market--that the literary man can get trusted for.

"After a good rest when dinner is over, remain quiet until supper-time, so that the brain will not be too much agitated for the trials that come after that meal.

"I am a great believer in the old adage of 'early to bed.' We are apt to slight the wisdom of our forefathers; but they knew what they were about when they advised early hours. I always get to bed early,--say two or three in the morning. I do not believe in night work. It is rarely of a good quality. The brain is wearied with the exertions of the day and should not be overtaxed. Besides, the time can be put in with less irksomeness at the theatre, or in company with a lot of congenial companions who avoid the stimulating effects of tea, coffee, and milk.

Tobacco, if used at all, should be sparingly indulged in. I never allow myself more than a dozen cigars a day; although, of course, I supplement this with a pipe.

"When do I do my literary work? Why, next day, of course."

THE WRITER

is a monthly magazine to interest and help all literary workers. It was started in 1887, and is now (1894) in its seventh volume. THE WRITER is unique--the only magazine in the world devoted solely to explaining the practical details of literary work. Its remarkable success shows that such a periodical was needed, and that THE WRITER exactly supplies the need.

THE WRITER aims:--

To be helpful, interesting, and instructive to all literary workers.

To give plain and practical hints, helps, and suggestions about preparing and editing ma.n.u.script.

To collect and publish the experiences, experiments, and observations of literary people, for the benefit of all writers.

To note improved methods and labor-saving devices for literary workers.

To discuss in a practical way interesting questions of etymology, grammar, rhetoric, or verse-making.

To print entertaining personal articles by and about noted literary people.

To record the important news of the literary world.

To aid young writers in reaching the public, by advising them how to make their copy salable.

To be of value to the writers of sermons, lectures, letters; to the student of language; to the lover of literature; to all, in brief, who write for the newspaper, the magazine, or the book-publisher.

Beginners and expert writers alike will find THE WRITER valuable. For beginners each number of the magazine is a practical guide and help, teaching them how to make their work better and more profitable, and even the most skilful writer can learn something from the experiences of other writers related in its pages. Such an interesting and useful series of articles about the details of literary production as the six bound volumes of the magazine contain has never been printed elsewhere.

The price of THE WRITER is ten cents a number, or one dollar a year. A sample copy will be mailed for ten cents; no sample copies will be sent free. The subscriptions of all who write or who are interested in literary work are respectfully solicited. Address:--

THE WRITER PUBLIs.h.i.+NG CO., 282 Was.h.i.+ngton st. (Rooms 9 and 10), P. O. Box 1905. Boston, Ma.s.s.

[Ill.u.s.tration]

IF YOU WRITE,

USE

"Goodrich"

Penholders

The very best for prose and poetry, and quite satisfactory for acknowledging receipt of publishers' checks.

Bear in mind the name,

GOODRICH,

Akron, Ohio.

[Ill.u.s.tration]

LITERARY FOLKS

SHOULD USE

"Goodrich" Erasers

AND

Rubber Bands.

Always satisfactory and very conducive to choice gems of thought.

ALL DEALERS KEEP THEM.

Don't forget the name,

Methods of Authors Part 8

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Methods of Authors Part 8 summary

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