The Blue Lagoon Part 23
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She had never quite recovered from the occurrence on the reef.
Something had been shown to her, the purport of which she vaguely understood, and it had filled her with horror and a terror of the place where it had occurred. d.i.c.k was quite different. He had been frightened enough at first; but the feeling wore away in time.
d.i.c.k had built three houses in succession during the five years. He had laid out a patch of taro and another of sweet potatoes. He knew every pool on the reef for two miles either way, and the forms of their inhabitants; and though he did not know the names of the creatures to be found there, he made a profound study of their habits.
He had seen some astonis.h.i.+ng things during these five years--from a fight between a whale and two thrashers conducted outside the reef, lasting an hour, and dyeing the breaking waves with blood, to the poisoning of the fish in the lagoon by fresh water, due to an extraordinarily heavy rainy season.
He knew the woods of the back of the island by heart, and the forms of life that inhabited them, b.u.t.terflies and moths and birds, lizards, and insects of strange shape; extraordinary orchids--some filthy-looking, the very image of corruption, some beautiful, and all strange. He found melons and guavas, and breadfruit, the red apple of Tahiti, and the great Brazilian plum, taro in plenty, and a dozen other good things--but there were no bananas. This made him unhappy at times, for he was human.
Though Emmeline had asked Koko for d.i.c.k's whereabouts, it was only a remark made by way of making conversation, for she could hear him in the little cane-brake which lay close by amidst the trees.
In a few minutes he appeared, dragging after him two canes which he had just cut, and wiping the perspiration off his brow with his naked arm.
He had an old pair of trousers on--part of the truck salved long ago from the Shenandoah--nothing else, and he was well worth looking at and considering, both from a physical and psychological point of view.
Auburn-haired and tall, looking more like seventeen than sixteen, with a restless and daring expression, half a child, half a man, half a civilised being, half a savage, he had both progressed and retrograded during the five years of savage life. He sat down beside Emmeline, flung the canes beside him, tried the edge of the old butcher's knife with which he had cut them, then, taking one of the canes across his knee, he began whittling at it.
"What are you making?" asked Emmeline, releasing the bird, which flew into one of the branches of the artu and rested there, a blue point amidst the dark green.
"Fish-spear," replied d.i.c.k.
Without being taciturn, he rarely wasted words. Life was all business for him. He would talk to Emmeline, but always in short sentences; and he had developed the habit of talking to inanimate things, to the fish-spear he was carving, or the bowl he was fas.h.i.+oning from a cocoa-nut.
As for Emmeline, even as a child she had never been talkative. There was something mysterious in her personality, something secretive. Her mind seemed half submerged in twilight. Though she spoke little, and though the subject of their conversations was almost entirely material and relative to their everyday needs, her mind would wander into abstract fields and the land of chimerae and dreams. What she found there no one knew--least of all, perhaps, herself.
As for d.i.c.k, he would sometimes talk and mutter to himself, as if in a reverie; but if you caught the words, you would find that they referred to no abstraction, but to some trifle he had on hand. He seemed entirely bound up in the moment, and to have forgotten the past as completely as though it had never been.
Yet he had his contemplative moods. He would lie with his face over a rock-pool by the hour, watching the strange forms of life to be seen there, or sit in the woods motionless as a stone, watching the birds and the swift-slipping lizards. The birds came so close that he could easily have knocked them over, but he never hurt one or interfered in any way with the wild life of the woods.
The island, the lagoon, and the reef were for him the three volumes of a great picture book, as they were for Emmeline, though in a different manner. The colour and the beauty of it all fed some mysterious want in her soul. Her life was a long reverie, a beautiful vision--troubled with shadows. Across all the blue and coloured s.p.a.ces that meant months and years she could still see as in a gla.s.s dimly the Northumberland, smoking against the wild background of fog; her uncle's face, Boston--a vague and dark picture beyond a storm--and nearer, the tragic form on the reef that still haunted terribly her dreams. But she never spoke of these things to d.i.c.k. Just as she kept the secret of what was in her box, and the secret of her trouble whenever she lost it, she kept the secret of her feelings about these things.
Born of these things there remained with her always a vague terror: the terror of losing d.i.c.k. Mrs Stannard, her uncle, the dim people she had known in Boston, all had pa.s.sed away out of her life like a dream and shadows. The other one too, most horribly. What if d.i.c.k were taken from her as well?
This haunting trouble had been with her a long time; up to a few months ago it had been mainly personal and selfish--the dread of being left alone. But lately it had altered and become more acute. d.i.c.k had changed in her eyes, and the fear was now for him. Her own personality had suddenly and strangely become merged in his. The idea of life without him was unthinkable, yet the trouble remained, a menace in the blue.
Some days it would be worse than others. To-day, for instance, it was worse than yesterday, as though some danger had crept close to them during the night. Yet the sky and sea were stainless, the sun shone on tree and flower, the west wind brought the tune of the far-away reef like a lullaby. There was nothing to hint of danger or the need of distrust.
At last d.i.c.k finished his spear and rose to his feet.
"Where are you going?" asked Emmeline.
"The reef," he replied. "The tide's going out."
"I'll go with you," said she.
He went into the house and stowed the precious knife away. Then he came out, spear in one hand, and half a fathom of liana in the other. The liana was for the purpose of stringing the fish on, should the catch be large. He led the way down the gra.s.sy sward to the lagoon where the dinghy lay, close up to the bank, and moored to a post driven into the soft soil. Emmeline got in, and, taking the sculls, he pushed off. The tide was going out.
I have said that the reef just here lay a great way out from the sh.o.r.e.
The lagoon was so shallow that at low tide one could have waded almost right across it, were it not for pot-holes here and there--ten-feet traps--and great beds of rotten coral, into which one would sink as into brushwood, to say nothing of the nettle coral that stings like a bed of nettles. There were also other dangers. Tropical shallows are full of wild surprises in the way of life and death.
d.i.c.k had long ago marked out in his memory the soundings of the lagoon, and it was fortunate that he possessed the special sense of location which is the main stand-by of the hunter and the savage, for, from the disposition of the coral in ribs, the water from the sh.o.r.e edge to the reef ran in lanes. Only two of these lanes gave a clear, fair way from the sh.o.r.e edge to the reef; had you followed the others, even in a boat of such shallow draught as the dinghy, you would have found yourself stranded half-way across, unless, indeed, it were a spring tide.
Half-way across the sound of the surf on the barrier became louder, and the everlasting and monotonous cry of the gulls came on the breeze. It was lonely out here, and, looking back, the sh.o.r.e seemed a great way off. It was lonelier still on the reef.
d.i.c.k tied up the boat to a projection of coral, and helped Emmeline to land. The sun was creeping down into the west, the tide was nearly half out, and large pools of water lay glittering like burnished s.h.i.+elds in the sunlight. d.i.c.k, with his precious spear beside him, sat calmly down on a ledge of coral, and began to divest himself of his one and only garment.
Emmeline turned away her head and contemplated the distant sh.o.r.e, which seemed thrice as far off as it was in reality. When she turned her head again he was racing along the edge of the surf. He and his spear silhouetted against the spindrift and dazzling foam formed a picture savage enough, and well in keeping with the general desolation of the background. She watched him lie down and cling to a piece of coral, whilst the surf rushed round and over him, and then rise and shake himself like a dog, and pursue his gambols, his body all glittering with the wet.
Sometimes a whoop would come on the breeze, mixing with the sound of the surf and the cry of the gulls, and she would see him plunge his spear into a pool, and the next moment the spear would be held aloft with something struggling and glittering at the end of it.
He was quite different out here on the reef to what he was ash.o.r.e. The surroundings here seemed to develop all that was savage in him, in a startling way; and he would kill, and kill, just for the pleasure of killing, destroying more fish than they could possibly use.
CHAPTER III
THE DEMON OF THE REEF
The romance of coral has still to be written. There still exists a widespread opinion that the coral reef and the coral island are the work of an "insect." This fabulous insect, accredited with the genius of Brunel and the patience of Job, has been humorously enough held up before the children of many generations as an example of industry--a thing to be admired, a model to be followed.
As a matter of fact, nothing could be more slothful or slow, more given up to a life of ease and degeneracy, than the "reef-building polypifer"--to give him his scientific name. He is the hobo of the animal world, but, unlike the hobo, he does not even tramp for a living. He exists as a sluggish and gelatinous worm; he attracts to himself calcareous elements from the water to make himself a house--mark you, the sea does the building--he dies, and he leaves his house behind him--and a reputation for industry, beside which the reputation of the ant turns pale, and that of the bee becomes of little account.
On a coral reef you are treading on rock that the reef-building polypifers of ages have left behind them as evidences of their idle and apparently useless lives. You might fancy that the reef is formed of dead rock, but it is not: that is where the wonder of the thing comes in--a coral reef is half alive. If it were not, it would not resist the action of the sea ten years. The live part of the reef is just where the breakers come in and beyond. The gelatinous rock-building polypifers die almost at once, if exposed to the sun or if left uncovered by water.
Sometimes, at very low tide, if you have courage enough to risk being swept away by the breakers, going as far out on the reef as you can, you may catch a glimpse of them in their living state--great mounds and ma.s.ses of what seems rock, but which is a honeycomb of coral, whose cells are filled with the living polypifers. Those in the uppermost cells are usually dead, but lower down they are living.
Always dying, always being renewed, devoured by fish, attacked by the sea--that is the life of a coral reef. It is a thing as living as a cabbage or a tree. Every storm tears a piece off the reef, which the living coral replaces; wounds occur in it which actually granulate and heal as wounds do of the human body.
There is nothing, perhaps, more mysterious in nature than this fact of the existence of a living land: a land that repairs itself, when injured, by vital processes, and resists the eternal attack of the sea by vital force, especially when we think of the extent of some of these lagoon islands or atolls, whose existences are an eternal battle with the waves.
Unlike the island of this story (which is an island surrounded by a barrier reef of coral surrounding a s.p.a.ce of sea--the lagoon), the reef forms the island. The reef may be grown over by trees, or it may be perfectly dest.i.tute of important vegetation, or it may be crusted with islets. Some islets may exist within the lagoon, but as often as not it is just a great empty lake floored with sand and coral, peopled with life different to the life of the outside ocean, protected from the waves, and reflecting the sky like a mirror.
When we remember that the atoll is a living thing, an organic whole, as full of life, though not so highly organised, as a tortoise, the meanest imagination must be struck with the immensity of one of the structures.
Vliegen atoll in the Low Archipelago, measured from lagoon edge to lagoon edge, is sixty miles long by twenty miles broad, at its broadest part. In the Marshall Archipelago, Rimsky Korsacoff is fifty-four miles long and twenty miles broad; and Rimsky Korsacoff is a living thing, secreting, excreting, and growing more highly organised than the cocoa-nut trees that grow upon its back, or the blossoms that powder the hotoo trees in its groves.
The story of coral is the story of a world, and the longest chapter in that story concerns itself with coral's infinite variety and form.
Out on the margin of the reef where d.i.c.k was spearing fish, you might have seen a peach-blossom-coloured lichen on the rock. This lichen was a form of coral. Coral growing upon coral, and in the pools at the edge of the surf branching corals also of the colour of a peach-bloom.
Within a hundred yards of where Emmeline was sitting, the pools contained corals of all colours, from lake-red to pure white, and the lagoon behind her--corals of the quaintest and strangest forms.
d.i.c.k had speared several fish, and had left them lying on the reef to be picked up later on. Tired of killing, he was now wandering along, examining the various living things he came across.
Huge slugs inhabited the reef, slugs as big as parsnips, and somewhat of the same shape; they were a species of Bech de mer. Globeshaped jelly-fish as big as oranges, great cuttlefish bones flat and s.h.i.+ning and white, shark's teeth, spines of echini; sometimes a dead scarus fish, its stomach distended with bits of coral on which it had been feeding; crabs, sea urchins, sea-weeds of strange colour and shape; star-fish, some tiny and of the colour of cayenne pepper, some huge and pale. These and a thousand other things, beautiful or strange, were to be found on the reef.
d.i.c.k had laid his spear down, and was exploring a deep bath-like pool.
He had waded up to his knees, and was in the act of wading further when he was suddenly seized by the foot. It was just as if his ankle had been suddenly caught in a clove hitch and the rope drawn tight. He screamed out with pain and terror, and suddenly and viciously a whip-lash shot out from the water, la.s.soed him round the left knee, drew itself taut, and held him.
The Blue Lagoon Part 23
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The Blue Lagoon Part 23 summary
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