A Lost Cause Part 1

A Lost Cause.

by Cyril Arthur Edward Ranger Gull.

PREFACE

A few words are necessary in preface to this story. After _When It Was Dark_ made its appearance, the writer received a great number of letters from his readers, and up to the present moment he still continues to receive them.

Out of nearly two hundred communications, a large proportion are concerned not so much with the main issue of the tale, as with controversial matters in the Church of England arising from it.

The definitely Catholic[1] tone of the first book aroused, as might be expected, vigorous protest, and no less vigorous commendation. The five or six Bishops--and many other dignitaries--who preached or lectured about the story avoided the controversial sides of it. But the writer has received innumerable letters from the clergy and others to the following effect.

[Footnote 1: The term "Catholic" is here, and throughout the book, used in the sense in which it is employed by a certain division of the Church of England and of the Episcopal Church of America.--The PUBLISHERS.]

It was pointed out to him that while the extreme "Protestant" party was constantly employing fiction as a method of propaganda, churchmen were almost unrepresented in this way. The Catholic Faith has been bitterly a.s.sailed over and over again in books which are well enough written, and have sufficient general interest to appeal to the man of the world, who is often indifferent to the points debated.

After considerable discussion, the writing of _A Lost Cause_ was resolved upon. The author desires to thank those priests who have a.s.sisted him with their counsel and experience, and begs leave to explain here something of his aims in publis.h.i.+ng the tale.

At no period in modern Church history has the Church been a.s.sailed with such malignance, slander, and untruth as at the present. "Protestantism"

within the Church is a lost cause, it is dying, and for just this reason the clamour is loudest, the misrepresentation more furious and envenomed. Shrewd opportunists are taking their last chance of emerging from obscurity by an appeal to the ignorance of the general public on Church matters. Looking round us, we see dozens of uneducated and noisy n.o.bodies who have elected themselves into a sort of irregular prelacy and dubbed themselves "Defenders of the Faith," with about as much right as Napoleon crowned himself emperor.

Church people do not take them very seriously. Their voices are like the cries of hedge-birds by the road, on which the stately procession of the Church is pa.s.sing. But the man in the street is more attentive and he enjoys the colour and movement of iconoclasm. He believes also that the brawlers have right on their side.

But there is an inherent fairness in the man in the street, and, if this story reaches him, he will have his opportunity to hear the Catholic side of the argument.

The author begs to state that no single character in this tale is a "portrait" of any living person, or of any real person whatever. The imaginary folk are designed to be merely typical, their methods are a.n.a.logous to much that is going on to-day under the pretences of patriotism and love for religious liberty, but that is all.

There will probably be the usual nonsense written, and the braves of "Protestantism" will give the usual war-whoops. Whether this is to be so or not, the author is profoundly indifferent.

He attacks those of the extreme "Protestants" whom he believes to be insincere and who rebel against the Truth for their own ends. He does not say or think that all "Protestants"--even the extremists--are insincere. He has endeavoured to point out that there is as much difference between the street-corner "Protestants" and the pious Evangelical Party within the Church as there is between Trinitarians and Unitarians.

The incident in the tale where the Archbishop of Canterbury compels a "Protestant" publicist to give up the Blessed Sacrament, which he has stolen from a church for purposes of propaganda, is founded on fact. It has not before been made public, except in a short letter to the _Church Times_ a few months ago, which was written with the design of preparing Church readers for the detailed publication of such a painful incident.

The facts, however, have been supplied to the writer to make such use of in the story as he thinks fit. The authors of this disgraceful profanation have, naturally, been silent on the matter. It is not an isolated instance. But it is not to be thought that the imaginary characters concerned in the affair in the story, are intended to represent, or do in any way, the real heroes of this great blow struck for "Protestant" truth.

Finally, the noisiest "Protestants" are hitting the Church as hard as they can. The author has endeavoured to hit back as hard as _he_ can--of course, in that spirit of Christian love in which the "Protestants"

themselves tell us these controversies are always conducted.

The brawlers have enjoyed an astonis.h.i.+ng immunity hitherto, and it is only fair that battle should be joined now. And, however inadequate his forces and generals.h.i.+p, that is the writer's aim. He is, of course, a _franc-tireur_, but he fires his musket on the right side, and with a perfect a.s.surance of the justice of his Cause.

G. T.

CHAPTER I

THE INTERRUPTED EUCHARIST

The Church of St. Elwyn was a building of brick that went up to a great height.

In the crowded district between Hornsey and Wood Green, it was one of the largest buildings, and, though not externally beautiful, acquired dignity and impressiveness from its setting of small villa houses, which made an interminable brick wilderness all round it.

It was nearing the time of the High Celebration on a Sunday morning in summer. Matins had been said in a side chapel, to a scanty congregation, at half-past nine, and now the central act of the day was to take place.

The interior of St. Elwyn's was severe but beautiful, save for one or two minor blemishes here and there.

The eye was caught and carried away down the aisles till it found its focus on the high altar which was set like a throne, above many marble steps, in the curve of the distant apse. The sanctuary was lighted from the sides and so the eye was not disturbed and distracted by hideous windows of stained gla.s.s with their clamorous coal-tar colours, but could rest quietly upon the altar with its green and gold, its flowers and central cross.

The organ was hidden away in a side gallery and the pulpit was a stone bracket high in the sweep of the chancel arch, to which it clung like the nest of a bird on a cliff side.

All this was as it should be. In so many English churches the object of the builders appears to have been to destroy all the dignity and beauty possible in a service. The organ and the pulpit are elevated to the importance of shrines, and dominate everything like Gog and Magog in the Guildhall. Everything is done to minimise the place and office of the altar, to exalt the less important functions of wors.h.i.+p, and to prevent comfortable consciences from being uneasy in the realisation of the presence of G.o.d.

Only one tawdry note could be detected in this beautiful church. The pictures which hung on the walls round the aisles, and represented the stations of the cross, were ill-drawn, and stiff in colour and design.

These pictures, which were said by the ignorant and unimaginative to be idolatrous, or at least "Roman"--a little understood but very efficacious term of reproach in the parish--were sufficiently like the hideous stained-gla.s.s figures in the Evangelical Church of St. Luke hard by to have satisfied the most pious lover of ugliness. But those folk, who so vehemently preferred the medallion portraits of their respectable ancestors on the walls of a church to any other form of symbol or decoration, did not see this. They spoke bitterly of the pictures as being "high," suggesting to outsiders unfamiliar with the parrot cry of the partisan that they had been kept too long in a warm place.

Since Father Blantyre had been appointed vicar of St. Elwyn's, the congregation had increased until few of the rush-bottomed chairs were empty, and on days of great festivals, people would be found kneeling in the aisles. The opposition party in the parish frequently commented on this custom, which was thought to savour of heathenism or worse. One or two people who had spent holidays in continental towns, and had made excursions into foreign cathedrals in much the same spirit as they went into the chamber of horrors in the wax-work exhibition, had brought back news that this habit was in vogue among "the Catholics." It was felt that real salvation could only be found in a pew, with one's name legibly written on an ivory tablet at the end and the vestry-clerk calling for the rent once a quarter in the decent old-fas.h.i.+oned way. Any one who knelt on the uncus.h.i.+oned stone showed an anxiety to wors.h.i.+p and a superst.i.tious abas.e.m.e.nt quite unworthy of a bluff, honest, British Christian; and his doings must be displeasing to a Deity who, the objectors were persuaded, was--though they did not say so in actual words--a great _English_ G.o.d.

The single bell that summoned the people to Ma.s.s--that word which church-people are becoming less afraid to use in this century--had ceased. The server was lighting the Eucharistic candles with a long taper.

As the people came in, it was noticeable that they proceeded to their places without side-looks at each other, or muttered social greetings.

They went to their seats, young and old, men and women, and began to kneel and pray.

No one, apparently, had come there to be seen by his fellows.

Since the Catholic Revival in the English Church, no fact has been more obvious and easily determined than this. It is one which the bitterest opponent of churchmans.h.i.+p has never been able to deny and has never attempted to deny. The most prejudiced observer paying an alternate visit to a church where the Faith is taught and to another which is confessedly "Protestant" cannot fail to observe the difference. At the celebration of the Eucharist in a church of the former type, there is an absolute stillness and reverence. The congregation kneels, it wors.h.i.+ps.

In the latter, there is an unrest. People do not show marked consciousness of being in the presence of mysteries. Whatever they may think, they do not give the observer the impression that they think G.o.d is there. They sit rather than kneel, they notice the clothes of other people, there is a certain sense that they are doing the right thing in "patronising" the church, and the Sunday dinner looms large over all.

The man lit the candles. A moment afterwards Father Blantyre entered with the servers and the service began.

The singing was simple but harmonious. There was nothing especially noticeable in the hymn or the chanting of the Kyries after the commandments.

The priest went into the pulpit, kissed the white stole, and placed it, as a yoke, upon his shoulders. Over his head was a crucifix. He was a small man, dark of hair, and swarthy of complexion. The nose was prominent and aquiline, the eyes bright, with a net-work of fine wrinkles round them, the mouth large and mobile. There was almost a suggestion of the comedian in his face, that is, in its extreme mobility and good-humour. One could imagine him as a merry man in his private life. But mingled with this, one saw at once the lines of an unalterable purpose, and of conviction. Any strong belief stamps itself upon a man's face in an unmistakable way. When that belief is purely holy and good, then we say that the man has the face of a saint.

For a moment or two, Mr. Blantyre looked round the church. The eyes, so puckered at the corners, very much resembled the eyes of a sailor, who is ever gazing out towards a vast horizon and through furious winds. Men who are much occupied with the Unseen and Invisible sometimes have this look, which is the look of a man who is striving to see G.o.d.

The subject-matter of the sermon itself was not very remarkable. It was a sermon dealing with the aids to wors.h.i.+p that symbol gives, showing how a proper use of material objects may focus the brain upon the reality behind them. During the last week or two, the local paper had been printing some violent attacks upon the services at St. Elwyn's, for there was a by-election in progress and one of the candidates was seizing the opportunity afforded by a "No Popery" cry.

The local writer, the vicar pointed out, was obviously alarmed lest people should wors.h.i.+p too much. He spoke of the attacks with sincere good humour and more than once his words provoked a smile. The journalist, with the sublime ignorance of lesser local scribes, had spoken of Queen Elizabeth and expressed a fervent desire that the times of "good Queen Bess" would come again and that the Royal Spinster could descend on the purlieus of Hornsey and sternly order all Romish toys to be removed. Father Blantyre quoted Elizabeth's letter to Sandys:

The queen's majesty considered it not contrary to the Word of G.o.d--nay, rather for the advantage of the church--that the image of Christ crucified,--together with Mary and John, should be placed as heretofore in some conspicuous part of the church, where they may the more readily be seen by all the people.

The last few words of the sermon were preparatory for the mystery that was about to begin, an earnest exhortation to all there to make themselves ready to receive the Lord, who was presently coming among them.

There was nothing in the short discourse that was remarkable, but its delivery was extraordinary. The words were uttered with a great tenderness and solemnity, but quite without any formal note. There was almost a gaiety in them now and then, a spiritual gaiety that was very impressive. Father Blantyre leaned over the rail and talked to his people. The voice, which sank into a whisper at times, and at others rang out with a sharpness that echoed up in the lofty roof, never once lost its suggestion of confidential intimacy with those to whom it spoke. In the entire absence of the usual "preaching" note, the sermon gained immensely in value with this particular audience. Anything academic would have been endured, but it would not have gone home.