The Complete Writings of Charles Dudley Warner Part 156

"Oh, very much. For a time. But she said there was too much of it."

And Edith could detect no tone of sarcasm in the remark.

Down at the other end of the table, matters were going very smoothly.

Jack was charmed with his hostess. That clever woman had felt her way along from the heresy trial, through Tuxedo and the Independent Theatre and the Horse Show, until they were launched in a perfectly free conversation, and Carmen knew that she hadn't to look out for thin ice.

"Were you thinking of going on to the Conventional Club tonight, Mr.

Delancy?" she was saying.

"I don't belong," said Jack. "Mrs. Delancy said she didn't care for it."

"Oh, I don't care for it, for myself," replied Carmen.

"I do," struck in Miss Tavish. "It's awfully nice."

"Yes, it does seem to fill a want. Why, what do you do with your evenings, Mr. Delancy?"

"Well, here's one of them."

"Yes, I know, but I mean between twelve o'clock and bedtime."

"Oh," said Jack, laughing out loud, "I go to bed--sometimes."

"Yes, 'there's always that. But you want some place to go to after the theatres and the dinners; after the other places are shut up you want to go somewhere and be amused."

"Yes," said Jack, falling in, "it is a fact that there are not many places of amus.e.m.e.nt for the rich; I understand. After the theatres you want to be amused. This Conventional Club is--"

"I tell you what it is. It's a sort of Midnight Mission for the rich.

They never have had anything of the kind in the city."

"And it's very nice," said Miss Tavish, demurely.

The performers are selected. You can see things there that you want to see at other places to which you can't go. And everybody you know is there."

"Oh, I see," said Jack. "It's what the Independent Theatre is trying to do, and what all the theatrical people say needs to be done, to elevate the character of the audiences, and then the managers can give better plays."

"That's just it. We want to elevate the stage," Carmen explained.

"But," continued Jack, "it seems to me that now the audience is select and elevated, it wants to see the same sort of things it liked to see before it was elevated."

"You may laugh, Mr. Delancy," replied Carmen, throwing an earnest simplicity into her eyes, "but why shouldn't women know what is going on as well as men?"

"And why," Miss Tavish asked, "will the serpentine dances and the London topical songs do any more harm to women than to men?"

"And besides, Mr. Delancy," Carmen said, chiming in, "isn't it just as proper that women should see women dance and throw somersaults on the stage as that men should see them? And then, you know, women are such a restraining influence."

"I hadn't thought of that," said Jack. "I thought the Conventional was for the benefit of the audience, not for the salvation of the performers."

"It's both. It's life. Don't you think women ought to know life? How are they to take their place in the world unless they know life as men know it?"

"I'm sure I don't know whose place they are to take, the serpentine dancer's or mine," said Jack, as if he were studying a problem. "How does your experiment get on, Miss Tavish?"

Carmen looked up quickly.

"Oh, I haven't any experiment," said Miss Tavish, shaking her head.

"It's just Mr. Delancy's nonsense."

"I wish I had an experiment. There is so little for women to do. I wish I knew what was right." And Carmen looked mournfully demure, as if life, after all, were a serious thing with her.

"Whatever Mrs. Henderson does is sure to be right," said Jack, gallantly.

Carmen shot at him a quick sympathetic glance, tempered by a grateful smile. "There are so many points of view."

Jack felt the force of the remark as he did the revealing glance. And he had a swift vision of Miss Tavish leading him a serpentine dance, and of Carmen sweetly beckoning him to a pleasant point of view. After all it doesn't much matter. Everything is in the point of view.

After dinner and cigars and cigarettes in the library, the talk dragged a little in duets. The dinner had been charming, the house was lovely, the company was most agreeable. All said that. It had been so somewhere else the night before that, and would be the next night. And the ennui of it all! No one expressed it, but Henderson could not help looking it, and Carmen saw it. That charming hostess had been devoting herself to Edith since dinner. She was so full of sympathy with the East-Side work, asked a hundred questions about it, and declared that she must take it up again. She would order a cage of canaries from that poor German for her kitchen. It was such a beautiful idea. But Edith did not believe in her one bit. She told Jack afterwards that "Mrs. Henderson cares no more for the poor of New York than she does for--"

"Henderson?" suggested Jack.

"Oh, I don't know anything about that. Henderson has only one idea--to get the better of everybody, and be the money king of New York. But I should not wonder if he had once a soft spot in his heart. He is better than she is."

It was still early, lacked half an hour of midnight, and the night was before them. Some one proposed the Conventional. "Yes," said Carmen; "all come to our box." The Van Dams would go, Miss Tavish, the Chesneys; the suggestion was a relief to everybody. Only Mr. Henderson pleaded important papers that must have his attention that night. Edith said that she was too tired, but that her desertion must not break up the party.

"Then you will excuse me also," said Jack, a little shade of disappointment in his face.

"No, no," said Edith, quickly; "you can drop me on the way. Go, by all means, Jack."

"Do you really want me to go, dear?" said Jack, aside.

"Why of course; I want you to be happy."

And Jack recalled the loving look that accompanied these words, later on, as he sat in the Henderson box at the Conventional, between Carmen and Miss Tavish, and saw, through the slight haze of smoke, beyond the orchestra, the praiseworthy efforts of the Montana Kicker, who had just returned with the imprimatur of Paris, to relieve the ennui of the modern world.

The complex affair we call the world requires a great variety of people to keep it going. At one o'clock in the morning Carmen and our friend Mr. Delancy and Miss Tavish were doing their part. Edith lay awake listening for Jack's return. And in an alley off Rivington Street a young girl, pretty once, unknown to fortune but not to fame, was about to render the last service she could to the world by leaving it.

The impartial historian scarcely knows how to distribute his pathos.

By the electric light (and that is the modern light) gayety is almost as pathetic as suffering. Before the Montana girl hit upon the happy device that gave her notoriety, her feet, whose every twinkle now was worth a gold eagle, had trod a th.o.r.n.y path. There was a fortune now in the whirl of her illusory robes, but any day--such are the whims of fas.h.i.+on--she might be wandering again, sick at heart, about the great city, knocking at the side doors of variety shows for any engagement that would give her a pittance of a few dollars a week. How long had Carmen waited on the social outskirts; and now she had come into her kingdom, was she anything but a tinsel queen? Even Henderson, the great Henderson, did the friends of his youth respect him? had he public esteem? Carmen used to cut out the newspaper paragraphs that extolled Henderson's domestic virtue and his generosity to his family, and show them to her lord, with a queer smile on her face. Miss Tavish, in the nervous consciousness of fleeting years, was she not still waiting, das.h.i.+ng here and there like a bird in a net for the sort of freedom, audacious as she was, that seemed denied her? She was still beautiful, everybody said, and she was sought and flattered, because she was always merry and good-natured. Why should Van Dam, speaking of women, say that there were horses that had been set up, and checked up and trained, that held their heads in an aristocratic fas.h.i.+on, moved elegantly, and showed style, long after the spirit had gone out of them? And Jack himself, happily married, with a comfortable income, why was life getting flat to him? What sort of career was it that needed the aid of Carmen and the serpentine dancer? And why not, since it is absolutely necessary that the world should be amused?

We are in no other world when we enter the mean tenement in the alley off Rivington Street. Here also is the life of the town. The room is small, but it contains a cook-stove, a chest of drawers, a small table, a couple of chairs, and two narrow beds. On the top of the chest are a looking-gla.s.s, some toilet articles, and bottles of medicine. The cracked walls are bare and not clean. In one of the beds are two children, sleeping soundly, and on the foot of it is a middle-aged woman, in a soiled woolen gown with a thin figured shawl drawn about her shoulders, a dirty cap half concealing her frowzy hair; she looks tired and worn and sleepy. On the other bed lies a girl of twenty years, a woman in experience. The kerosene lamp on the stand at the head of the bed casts a spectral light on her flushed face, and the thin arms that are restlessly thrown outside the cover. By the bedside sits the doctor, patient, silent, and watchful. The doctor puts her hand caressingly on that of the girl. It is hot and dry. The girl opens her eyes with a startled look, and says, feebly:

"Do you think he will come?"

"Yes, dear, presently. He never fails."

The girl closed her eyes again, and there was silence. The dim rays of the lamp, falling upon the doctor, revealed the figure of a woman of less than medium size, perhaps of the age of thirty or more, a plain little body, you would have said, who paid the slightest possible attention to her dress, and when she went about the city was not to be distinguished from a working-woman. Her friends, indeed, said that she had not the least care for her personal appearance, and unless she was watched, she was sure to go out in her shabbiest gown and most battered hat. She wore tonight a brown ulster and a nondescript black bonnet drawn close down on her head and tied with black strings. In her lap lay her leathern bag, which she usually carried under her arm, that contained medicines, lint, bandages, smelling-salts, a vial of ammonia, and so on; to her patients it was a sort of conjurer's bag, out of which she could produce anything that an emergency called for.

Dr. Leigh was not in the least nervous or excited. Indeed, an artist would not have painted her as a rapt angelic visitant to this abode of poverty. This contact with poverty and coming death was quite in her ordinary experience. It would never have occurred to her that she was doing anything unusual, any more than it would have occurred to the objects of her ministrations to overwhelm her with thanks. They trusted her, that was all. They met her always with a pleasant recognition.

She belonged perhaps to their world. Perhaps they would have said that "Dr. Leigh don't handsome much," but their idea was that her face was good. That was what anybody would have said who saw her tonight, "She has such a good face;" the face of a woman who knew the world, and perhaps was not very sanguine about it, had few illusions and few antipathies, but accepted it, and tried in her humble way to alleviate its hards.h.i.+ps, without any consciousness of having a mission or making a sacrifice.

Dr. Leigh--Miss Ruth Leigh--was Edith's friend. She had not come from the country with an exalted notion of being a worker among the poor about whom so much was written; she had not even descended from some high circle in the city into this world, moved by a restless enthusiasm for humanity. She was a woman of the people, to adopt a popular phrase.