The Complete Writings of Charles Dudley Warner Part 217

Philip had given his word. Evelyn would tolerate no concealments; she was just that simple-minded in her filial notions.

The girl, however, had one comfort, and that was the knowledge of Philip through Miss McDonald, whom she saw frequently, and to whom even Mrs.

Mavick was in a manner reconciled. She was often in the little house in Irving Place. There was nothing in her manner to remind Mrs. Mavick that she had done her a great wrong, and her cheerfulness and good sense made her presence and talk a relief from the monotony of the defeated woman's life.

It came about, therefore, that one day Philip made his way down into the city to seek an interview with Mr. Mavick. He found him, after some inquiry, in a barren little office, occupying one of the rented desks with three or four habitues of the Street, one of them an old man like himself, the others mere lads who did not intend to remain long in such cramped quarters.

Mr. Mavick arose when his visitor stood at his desk, b.u.t.toned up his frock-coat, and extended his hand with a show of business cordiality, and motioned him to a chair. Philip was greatly shocked at the change in Mr.

Mavick's appearance.

"I beg your pardon," he said, "for disturbing you in business hours."

"No disturbance," he answered, with something of the old cynical smile on his lips.

"Long ago I called to see you on the errand I have now, but you were not in town. It was, Mr. Mavick," and Philip hesitated and looked down, "in regard to your daughter."

"Ah, I did not hear of it."

"No? Well, Mr. Mavick, I was pretty presumptuous, for I had no foothold in the city, except a law clerks.h.i.+p."

"I remember--Hunt, Sharp & Tweedle; why didn't you keep it?"

"I wasn't fitted for the law."

"Oh, literature? Does literature pay?"

"Not in itself, not for many," and Philip forced a laugh. "But it led to a situation in a first-rate publis.h.i.+ng house--an apprentices.h.i.+p that has now given me a position that seems to be permanent, with prospects beyond, and a very fair salary. It would not seem much to you, Mr. Mavick," and Philip tried to laugh again.

"I don't know," replied Mr. Mavick. "If a fellow has any sort of salary these times, I should advise him to hold on to it. By-the-way, Mr. Burnett, Hunt's a Republican, isn't he?"

"He was," replied Philip, "the last I knew."

"Do you happen to know whether he knows Bilbrick, the present Collector?"

"Mr. Bilbrick used to be a client of his."

"Just so. I think I'll see Hunt. A salary isn't a bad thing for a--for a man who has retired pretty much from business. But you were saying, Mr. Burnett?"

"I was going to say, Mr. Mavick, that there was a little something more than my salary that I can count on pretty regularly now from the magazines, and I have had another story, a novel, accepted, and--you won't think me vain--the publisher says it will go; if it doesn't have a big sale he will--"

"Make it up to you?"

"Not exactly," and Philip laughed; "he will be greatly mistaken."

"I suppose it is a kind of lottery, like most things. The publishers have to take risks. The only harm I wish them is that they were compelled to read all the stuff they try to make us read. Ah, well. Mr.

Burnett, I hope you have made a hit. It is pretty much the same thing in our business. The publisher bulls his own book and bears the other fellow's. Is it a New York story?"

"Partly; things come to a focus here, you know."

"I could give you points. It's a devil of a place. I guess the novelists are too near to see the romance of it. When I was in Rome I amused myself by diving into the mediaeval records. Steel and poison were the weapons then. We have a different method now, but it comes to the same thing, and we say we are more civilized. I think our way is more devilishly dramatic than the old brute fas.h.i.+on. Yes, I could give you points."

"I should be greatly obliged," said Philip, seeing the way to bring the conversation back to its starting point; "your wide experience of life --if you had leisure at home some time."

"Oh," replied Mavick, with more good-humor in his laugh than he had shown before, "you needn't beat about the bush. Have you seen Evelyn?"

"No, not since that dinner at the Van Cortlandts'."

"Huh! for myself, I should be pleased to see you any time, Mr. Burnett.

Mrs. Mavick hasn't felt like seeing anybody lately. But I'll see, I'll see."

The two men rose and shook hands, as men shake hands when they have an understanding.

"I'm glad you are doing well," Mr. Mavick added; "your life is before you, mine is behind me; that makes a heap of difference."

Within a few days Philip received a note from Mrs. Mavick--not an effusive note, not an explanatory note, not an apologetic note, simply a note as if nothing unusual had happened--if Mr. Burnett had leisure, would he drop in at five o'clock in Irving Place for a cup of tea?

Not one minute by his watch after the hour named, Philip rang the bell and was shown into a little parlor at the front. There was only one person in the room, a lady in exquisite toilet, who rose rather languidly to meet him, exactly as if the visitor were accustomed to drop in to tea at that hour.

Philip hesitated a moment near the door, embarra.s.sed by a mortifying recollection of his last interview with Mrs. Mavick, and in that moment he saw her face. Heavens, what a change! And yet it was a smiling face.

There is a portrait of Carmen by a foreign artist, who was years ago the temporary fas.h.i.+on in New York, painted the year after her second marriage and her return from Rome, which excited much comment at the time. Philip had seen it in more than one portrait exhibition.

Its technical excellence was considerable. The artist had evidently intended to represent a woman piquant and fascinating, if not strictly beautiful. Many persons said it was lovely. Other critics said that, whether the artist intended it or not, he had revealed the real character of the subject. There was something sinister in its beauty. One artist, who was out of fas.h.i.+on as an idealist, said, of course privately, that the more he looked at it the more hideous it became to him--like one of Blake's objective portraits of a "soul"--the naked soul of an evil woman showing through the mask of all her feminine fascinations--the possible h.e.l.l, so he put it, under a woman's charm.

It was this in the portrait that Philip saw in the face smiling a welcome--like an old, sweetly smiling Lalage--from which had pa.s.sed away youth and the sustaining consciousness of wealth and of a place in the great world. The smile was no longer sweet, though the words from the lips were honeyed.

"It is very good of you to drop in in this way, Mr. Burnett," she said, as she gave him her hand. "It is very quiet down here."

"It is to me the pleasantest part of the city."

"You think so now. I thought so once," and there was a note of sadness in her voice. "But it isn't New York. It is a place for the people who are left."

"But it has a.s.sociations."

"Yes, I know. We pretend that it is more aristocratic. That means the rents are lower. It is a place for youth to begin and for age to end.

We seem to go round in a circle. Mr. Mavick began in the service of the government, now he has entered it again--ah, you did not know?--a place in the Custom-House. He says it is easier to collect other people's revenues than your own. Do you know, Mr. Burnett, I do not see much use in collecting revenues anyway--so far as New York is concerned the people get little good of them. Look out there at that cloud of dust in the street."

Mrs. Mavick rambled on in the whimsical, cynical fas.h.i.+on of old ladies when they cease to have any active responsibility in life and become spectators of it. Their remaining enjoyment is the indulgence of frank speech.

"But I thought," Philip interrupted, "that this part of the town was specially New York."

"New York!" cried Carmen, with animation. "The New York of the newspapers, of the country imagination; the New York as it is known in Paris is in Wall Street and in the palaces up-town. Who are the kings of Wall Street, and who build the palaces up-town? They say that there are no Athenians in Athens, and no Romans in Rome. How many New-Yorkers are there in New York? Do New-Yorkers control the capital, rule the politics, build the palaces, direct the newspapers, furnish the entertainment, manufacture the literature, set the pace in society? Even the socialists and mobocrats are not native. Successive invaders, as in Rome, overrun and occupy the town.

"No, Mr. Burnett, I have left the existing New York. How queer it is to think about it. My first husband was from New Hamps.h.i.+re. My second husband was from Illinois. And there is your Murad Ault. The Lord knows where he came from.

"Talk about the barbarians occupying Rome! Look at that Ault in a palace! Who was that emperor--Caligula?--I am like the young lady from a finis.h.i.+ng-school who said she never could remember which came first in history, Greece or Rome--who stabled his horses with stalls and mangers of gold? The Aults stable themselves that way. Ah, me! Let me give you a cup of tea. Even that is English."

"It's an innocent pastime," she continued, as Philip stirred his tea, in perplexity as to how he should begin to say what he had to say--"you won't object if I light a cigarette? One ought to retain at least one bad habit to keep from spiritual pride. Tea is an excuse for this. I don't think it a bad habit, though some people say that civilization is only exchanging one bad habit for another. Everything changes."

"I don't think I have changed, Mrs. Mavick," said Philip, with earnestness.