The Complete Writings of Charles Dudley Warner Part 77

But once a year the company had a superlative parade. This was when the military company from the north part of the town joined the villagers in a general muster. This was an infantry company, and not to be compared with that of the village in point of evolutions.

There was a great and natural hatred between the north town boys and the center. I don't know why, but no contiguous African tribes could be more hostile. It was all right for one of either section to "lick" the other if he could, or for half a dozen to "lick" one of the enemy if they caught him alone. The notion of honor, as of mercy, comes into the boy only when he is pretty well grown; to some neither ever comes. And yet there was an artificial military courtesy (something like that existing in the feudal age, no doubt) which put the meeting of these two rival and mutually detested companies on a high plane of behavior. It was beautiful to see the seriousness of this lofty and studied condescension on both sides.

For the time everything was under martial law. The village company being the senior, its captain commanded the united battalion in the march, and this put John temporarily into the position of captain, with the right to march at the head and "holler;" a responsibility which realized all his hopes of glory. I suppose there has yet been discovered by man no gratification like that of marching at the head of a column in uniform on parade, unless, perhaps, it is marching at their head when they are leaving a field of battle. John experienced all the thrill of this conspicuous authority, and I daresay that nothing in his later life has so exalted him in his own esteem; certainly nothing has since happened that was so important as the events of that parade day seemed. He satiated himself with all the delights of war.

XVIII

COUNTRY SCENES

It is impossible to say at what age a New England country-boy becomes conscious that his trousers-legs are too short, and is anxious about the part of his hair and the fit of his woman-made roundabout. These harrowing thoughts come to him later than to the city lad. At least, a generation ago he served a long apprentices.h.i.+p with nature only for a master, absolutely unconscious of the artificialities of life.

But I do not think his early education was neglected. And yet it is easy to underestimate the influences that, unconsciously to him, were expanding his mind and nursing in him heroic purposes. There was the lovely but narrow valley, with its rapid mountain stream; there were the great hills which he climbed, only to see other hills stretching away to a broken and tempting horizon; there were the rocky pastures, and the wide sweeps of forest through which the winter tempests howled, upon which hung the haze of summer heat, over which the great shadows of summer clouds traveled; there were the clouds themselves, shouldering up above the peaks, hurrying across the narrow sky,--the clouds out of which the wind came, and the lightning and the sudden dashes of rain; and there were days when the sky was ineffably blue and distant, a fathomless vault of heaven where the hen-hawk and the eagle poised on outstretched wings and watched for their prey. Can you say how these things fed the imagination of the boy, who had few books and no contact with the great world? Do you think any city lad could have written "Thanatopsis" at eighteen?

If you had seen John, in his short and roomy trousers and ill-used straw hat, picking his barefooted way over the rocks along the river-bank of a cool morning to see if an eel had "got on," you would not have fancied that he lived in an ideal world. Nor did he consciously. So far as he knew, he had no more sentiment than a jack-knife. Although he loved Cynthia Rudd devotedly, and blushed scarlet one day when his cousin found a lock of Cynthia's flaming hair in the box where John kept his fishhooks, spruce gum, flag-root, tickets of standing at the head, gimlet, billets-doux in blue ink, a vile liquid in a bottle to make fish bite, and other precious possessions, yet Cynthia's society had no attractions for him comparable to a day's trout-fis.h.i.+ng. She was, after all, only a single and a very undefined item in his general ideal world, and there was no harm in letting his imagination play about her illumined head. Since Cynthia had "got religion" and John had got nothing, his love was tempered with a little awe and a feeling of distance. He was not fickle, and yet I cannot say that he was not ready to construct a new romance, in which Cynthia should be eliminated.

Nothing was easier. Perhaps it was a luxurious traveling carriage, drawn by two splendid horses in plated harness, driven along the sandy road. There were a gentleman and a young lad on the front seat, and on the back seat a handsome pale lady with a little girl beside her. Behind, on the rack with the trunk, was a colored boy, an imp out of a story-book. John was told that the black boy was a slave, and that the carriage was from Baltimore. Here was a chance for a romance. Slavery, beauty, wealth, haughtiness, especially on the part of the slender boy on the front seat,--here was an opening into a vast realm. The high-stepping horses and the s.h.i.+ning harness were enough to excite John's admiration, but these were nothing to the little girl. His eyes had never before fallen upon that kind of girl; he had hardly imagined that such a lovely creature could exist.

Was it the soft and dainty toilet, was it the brown curls, or the large laughing eyes, or the delicate, finely cut features, or the charming little figure of this fairy-like person? Was this expression on her mobile face merely that of amus.e.m.e.nt at seeing a country-boy? Then John hated her. On the contrary, did she see in him what John felt himself to be? Then he would go the world over to serve her. In a moment he was self-conscious. His trousers seemed to creep higher up his legs, and he could feel his very ankles blush.

He hoped that she had not seen the other side of him, for, in fact, the patches were not of the exact shade of the rest of the cloth.

The vision flashed by him in a moment, but it left him with a resentful feeling. Perhaps that proud little girl would be sorry some day, when he had become a general, or written a book, or kept a store, to see him go away and marry another. He almost made up his cruel mind on the instant that he would never marry her, however bad she might feel. And yet he could n't get her out of his mind for days and days, and when her image was present, even Cynthia in the singers' seat on Sunday looked a little cheap and common. Poor Cynthia! Long before John became a general or had his revenge on the Baltimore girl, she married a farmer and was the mother of children, red-headed; and when John saw her years after, she looked tired and discouraged, as one who has carried into womanhood none of the romance of her youth.

Fis.h.i.+ng and dreaming, I think, were the best amus.e.m.e.nts John had.

The middle pier of the long covered bridge over the river stood upon a great rock, and this rock (which was known as the swimming-rock, whence the boys on summer evenings dove into the deep pool by its side) was a favorite spot with John when he could get an hour or two from the everlasting "ch.o.r.es." Making his way out to it over the rocks at low water with his fish-pole, there he was content to sit and observe the world; and there he saw a great deal of life. He always expected to catch the legendary trout which weighed two pounds and was believed to inhabit that pool. He always did catch horned dace and s.h.i.+ners, which he despised, and sometimes he snared a monstrous sucker a foot and a half long. But in the summer the sucker is a flabby fish, and John was not thanked for bringing him home. He liked, however, to lie with his face close to the water and watch the long fishes panting in the clear depths, and occasionally he would drop a pebble near one to see how gracefully he would scud away with one wave of the tail into deeper water. Nothing fears the little brown boy. The yellow-bird slants his wings, almost touches the deep water before him, and then escapes away under the bridge to the east with a glint of suns.h.i.+ne on his back; the fish-hawk comes down with a swoop, dips one wing, and, his prey having darted under a stone, is away again over the still hill, high soaring on even-poised pinions, keeping an eye perhaps upon the great eagle which is sweeping the sky in widening circles.

But there is other life. A wagon rumbles over the bridge, and the farmer and his wife, jogging along, do not know that they have startled a lazy boy into a momentary fancy that a thunder-shower is coming up. John can see as he lies there on a still summer day, with the fishes and the birds for company, the road that comes down the left bank of the river,--a hot, sandy, well-traveled road, hidden from view here and there by trees and bushes. The chief point of interest, however, is an enormous sycamore-tree by the roadside and in front of John's house. The house is more than a century old, and its timbers were hewed and squared by Captain Moses Rice (who lies in his grave on the hillside above it), in the presence of the Red Man who killed him with arrow and tomahawk some time after his house was set in order. The gigantic tree, struck with a sort of leprosy, like all its species, appears much older, and of course has its tradition. They say that it grew from a green stake which the first land-surveyor planted there for one of his points of sight. John was reminded of it years after when he sat under the shade of the decrepit lime-tree in Freiburg and was told that it was originally a twig which the breathless and b.l.o.o.d.y messenger carried in his hand when he dropped exhausted in the square with the word "Victory!" on his lips, announcing thus the result of the glorious battle of Morat, where the Swiss in 1476 defeated Charles the Bold. Under the broad but scanty shade of the great b.u.t.ton-ball tree (as it was called) stood an old watering-trough, with its half-decayed penstock and well-worn spout pouring forever cold, sparkling water into the overflowing trough. It is fed by a spring near by, and the water is sweeter and colder than any in the known world, unless it be the well Zem-zem, as generations of people and horses which have drunk of it would testify, if they could come back. And if they could file along this road again, what a procession there would be riding down the valley!--antiquated vehicles, rusty wagons adorned with the invariable buffalo-robe even in the hottest days, lean and long-favored horses, frisky colts, drawing, generation after generation, the sober and pious saints, that pa.s.sed this way to meeting and to mill.

What a refreshment is that water-spout! All day long there are pilgrims to it, and John likes nothing better than to watch them.

Here comes a gray horse drawing a buggy with two men,--cattle buyers, probably. Out jumps a man, down goes the check-rein. What a good draught the nag takes! Here comes a long-stepping trotter in a sulky; man in a brown linen coat and wide-awake hat,--dissolute, horsey-looking man. They turn up, of course. Ah, there is an establishment he knows well: a sorrel horse and an old chaise. The sorrel horse scents the water afar off, and begins to turn up long before he reaches the trough, thrusting out his nose in antic.i.p.ation of the coot sensation. No check to let down; he plunges his nose in nearly to his eyes in his haste to get at it. Two maiden ladies --unmistakably such, though they appear neither "anxious nor aimless"

--within the scoop-top smile benevolently on the sorrel back. It is the deacon's horse, a meeting-going nag, with a sedate, leisurely jog as he goes; and these are two of the "salt of the earth,"--the brevet rank of the women who stand and wait,--going down to the village store to d.i.c.ker. There come two men in a hurry, horse driven up smartly and pulled up short; but as it is rising ground, and the horse does not easily reach the water with the wagon pulling back, the nervous man in the buggy hitches forward on his seat, as if that would carry the wagon a little ahead! Next, lumber-wagon with load of boards; horse wants to turn up, and driver switches him and cries "G'lang," and the horse reluctantly goes by, turning his head wistfully towards the flowing spout. Ah, here comes an equipage strange to these parts, and John stands up to look; an elegant carriage and two horses; trunks strapped on behind; gentleman and boy on front seat and two ladies on back seat,--city people. The gentleman descends, unchecks the horses, wipes his brow, takes a drink at the spout and looks around, evidently remarking upon the lovely view, as he swings his handkerchief in an explanatory manner.

Judicious travelers. John would like to know who they are. Perhaps they are from Boston, whence come all the wonderfully painted peddlers' wagons drawn by six stalwart horses, which the driver, using no rein, controls with his long whip and cheery voice. If so, great is the condescension of Boston; and John follows them with an undefined longing as they drive away toward the mountains of Zoar.

Here is a footman, dusty and tired, who comes with lagging steps. He stops, removes his hat, as he should to such a tree, puts his mouth to the spout, and takes a long pull at the lively water. And then he goes on, perhaps to Zoar, perhaps to a worse place.

So they come and go all the summer afternoon; but the great event of the day is the pa.s.sing down the valley of the majestic stage-coach, --the vast yellow-bodied, rattling vehicle. John can hear a mile off the shaking of chains, traces, and whiffle-trees, and the creaking of its leathern braces, as the great bulk swings along piled high with trunks. It represents to John, somehow, authority, government, the right of way; the driver is an autocrat, everybody must make way for the stage-coach. It almost satisfies the imagination, this royal vehicle; one can go in it to the confines of the world,--to Boston and to Albany.

There were other influences that I daresay contributed to the boy's education. I think his imagination was stimulated by a band of gypsies who used to come every summer and pitch a tent on a little roadside patch of green turf by the river-bank not far from his house. It was shaded by elms and b.u.t.ternut-trees, and a long spit of sand and pebbles ran out from it into the brawling stream. Probably they were not a very good kind of gypsy, although the story was that the men drank and beat the women. John didn't know much about drinking; his experience of it was confined to sweet cider; yet he had already set himself up as a reformer, and joined the Cold Water Band. The object of this Band was to walk in a procession under a banner that declared,

"So here we pledge perpetual hate To all that can intoxicate;"

and wear a badge with this legend, and above it the device of a well-curb with a long sweep. It kept John and all the little boys and girls from being drunkards till they were ten or eleven years of age; though perhaps a few of them died meantime from eating loaf-cake and pie and drinking ice-cold water at the celebrations of the Band.

The gypsy camp had a strange fascination for John, mingled of curiosity and fear. Nothing more alien could come into the New England life than this tatterdemalion band. It was hardly credible that here were actually people who lived out-doors, who slept in their covered wagon or under their tent, and cooked in the open air; it was a visible romance transferred from foreign lands and the remote times of the story-books; and John took these city thieves, who were on their annual foray into the country, trading and stealing horses and robbing hen-roosts and cornfields, for the mysterious race who for thousands of years have done these same things in all lands, by right of their pure blood and ancient lineage. John was afraid to approach the camp when any of the scowling and villainous men were lounging about, pipes in mouth; but he took more courage when only women and children were visible. The swarthy, black-haired women in dirty calico frocks were anything but attractive, but they spoke softly to the boy, and told his fortune, and wheedled him into bringing them any amount of cuc.u.mbers and green corn in the course of the season. In front of the tent were planted in the ground three poles that met together at the top, whence depended a kettle. This was the kitchen, and it was sufficient. The fuel for the fire was the driftwood of the stream. John noted that it did not require to be sawed into stove-lengths; and, in short, that the "ch.o.r.es" about this establishment were reduced to the minimum. And an older person than John might envy the free life of these wanderers, who paid neither rent nor taxes, and yet enjoyed all the delights of nature.

It seemed to the boy that affairs would go more smoothly in the world if everybody would live in this simple manner. Nor did he then know, or ever after find out, why it is that the world permits only wicked people to be Bohemians.

XIX

A CONTRAST TO THE NEW ENGLAND BOY

One evening at vespers in Genoa, attracted by a burst of music from the swinging curtain of the doorway, I entered a little church much frequented by the common people. An unexpected and exceedingly pretty sight rewarded me.

It was All Souls' Day. In Italy almost every day is set apart for some festival, or belongs to some saint or another, and I suppose that when leap year brings around the extra day, there is a saint ready to claim the 29th of February. Whatever the day was to the elders, the evening was devoted to the children. The first thing I noticed was, that the quaint old church was lighted up with innumerable wax tapers,--an uncommon sight, for the darkness of a Catholic church in the evening is usually relieved only by a candle here and there, and by a blazing pyramid of them on the high altar.

The use of gas is held to be a vulgar thing all over Europe, and especially unfit for a church or an aristocratic palace.

Then I saw that each taper belonged to a little boy or girl, and the groups of children were scattered all about the church. There was a group by every side altar and chapel, all the benches were occupied by knots of them, and there were so many circles of them seated on the pavement that I could with difficulty make my way among them.

There were hundreds of children in the church, all dressed in their holiday apparel, and all intent upon the illumination, which seemed to be a private affair to each one of them.

And not much effect had their tapers upon the darkness of the vast vaults above them. The tapers were little spiral coils of wax, which the children unrolled as fast as they burned, and when they were tired of holding them, they rested them on the ground and watched the burning. I stood some time by a group of a dozen seated in a corner of the church. They had ma.s.sed all the tapers in the center and formed a ring about the spectacle, sitting with their legs straight out before them and their toes turned up. The light shone full in their happy faces, and made the group, enveloped otherwise in darkness, like one of Correggio's pictures of children or angels.

Correggio was a famous Italian artist of the sixteenth century, who painted cherubs like children who were just going to heaven, and children like cherubs who had just come out of it. But then, he had the Italian children for models, and they get the knack of being lovely very young. An Italian child finds it as easy to be pretty as an American child to be good.

One could not but be struck with the patience these little people exhibited in their occupation, and the enjoyment they got out of it.

There was no noise; all conversed in subdued whispers and behaved in the most gentle manner to each other, especially to the smallest, and there were many of them so small that they could only toddle about by the most judicious exercise of their equilibrium. I do not say this by way of reproof to any other kind of children.

These little groups, as I have said, were scattered all about the church; and they made with their tapers little spots of light, which looked in the distance very much like Correggio's picture which is at Dresden,--the Holy Family at Night, and the light from the Divine Child blazing in the faces of all the attendants. Some of the children were infants in the nurses' arms, but no one was too small to have a taper, and to run the risk of burning its fingers.

There is nothing that a baby likes more than a lighted candle, and the church has understood this longing in human nature, and found means to gratify it by this festival of tapers.

The groups do not all remain long in place, you may imagine; there is a good deal of s.h.i.+fting about, and I see little stragglers wandering over the church, like fairies lighted by fireflies. Occasionally they form a little procession and march from one altar to another, their lights twinkling as they go.

But all this time there is music pouring out of the organ-loft at the end of the church, and flooding all its s.p.a.ces with its volume. In front of the organ is a choir of boys, led by a round-faced and jolly monk, who rolls about as he sings, and lets the deep ba.s.s noise rumble about a long time in his stomach before he pours it out of his mouth. I can see the faces of all of them quite well, for each singer has a candle to light his music-book.

And next to the monk stands the boy,--the handsomest boy in the whole world probably at this moment. I can see now his great, liquid, dark eyes, and his exquisite face, and the way he tossed back his long waving hair when he struck into his part. He resembled the portraits of Raphael, when that artist was a boy; only I think he looked better than Raphael, and without trying, for he seemed to be a spontaneous sort of boy. And how that boy did sing! He was the soprano of the choir, and he had a voice of heavenly sweetness. When he opened his mouth and tossed back his head, he filled the church with exquisite melody.

He sang like a lark, or like an angel. As we never heard an angel sing, that comparison is not worth much. I have seen pictures of angels singing, there is one by Jan and Hubert Van Eyck in the gallery at Berlin,--and they open their mouths like this boy, but I can't say as much for their singing. The lark, which you very likely never heard either, for larks are as scarce in America as angels,--is a bird that springs up from the meadow and begins to sing as he rises in a spiral flight, and the higher he mounts, the sweeter he sings, until you think the notes are dropping out of heaven itself, and you hear him when he is gone from sight, and you think you hear him long after all sound has ceased.

And yet this boy sang better than a lark, because he had more notes and a greater compa.s.s and more volume, although he shook out his voice in the same gleesome abundance.

I am sorry that I cannot add that this ravis.h.i.+ngly beautiful boy was a good boy. He was probably one of the most mischievous boys that was ever in an organ-loft. All the time that he was singing the vespers he was skylarking like an imp. While he was pouring out the most divine melody, he would take the opportunity of kicking the s.h.i.+ns of the boy next to him, and while he was waiting for his part, he would kick out behind at any one who was incautious enough to approach him. There never was such a vicious boy; he kept the whole loft in a ferment. When the monk rumbled his ba.s.s in his stomach, the boy cut up monkey-s.h.i.+nes that set every other boy into a laugh, or he stirred up a row that set them all at fisticuffs.

And yet this boy was a great favorite. The jolly monk loved him best of all and bore with his wildest pranks. When he was wanted to sing his part and was skylarking in the rear, the fat monk took him by the ear and brought him forward; and when he gave the boy's ear a twist, the boy opened his lovely mouth and poured forth such a flood of melody as you never heard. And he did n't mind his notes; he seemed to know his notes by heart, and could sing and look off like a nightingale on a bough. He knew his power, that boy; and he stepped forward to his stand when he pleased, certain that he would be forgiven as soon as he began to sing. And such spirit and life as he threw into the performance, rollicking through the Vespers with a perfect abandon of carriage, as if he could sing himself out of his skin if he liked.

While the little angels down below were pattering about with their wax tapers, keeping the holy fire burning, suddenly the organ stopped, the monk shut his book with a bang, the boys blew out the candles, and I heard them all tumbling down-stairs in a gale of noise and laughter. The beautiful boy I saw no more.

About him plays the light of tender memory; but were he twice as lovely, I could never think of him as having either the simple manliness or the good fortune of the New England boy.

ON HORSEBACK

By Charles Dudley Warner

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