Club Life of London Volume Ii Part 17
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The Craven Head was some time kept by William Oxberry, the comedian, who first appeared on the stage in 1807; he also edited a large collection of dramas. Another landlord of the Craven Head was Robert Hales, "the Norfolk Giant" (height 7 ft. 6 in.), who, after visiting the United States, where Barnum made a speculation of the giant, and 28,000 persons flocked to see him in ten days,--in January, 1851, returned to England, and took the Craven Head Tavern. On April 11th Hales had the honour of being presented to the Queen and Royal Family, when Her Majesty gave him a gold watch and chain, which he wore to the day of his death. His health had been much impaired by the close confinement of the caravans in which he exhibited. He died in 1863, of consumption. Hales was cheerful and well-informed. He had visited several Continental capitals, and had been presented to Louis Philippe, King of the French.
THE c.o.c.k TAVERN, IN BOW-STREET.
This Tavern, of indecent notoriety, was situated about the middle of the east side of Bow-street, then consisting of very good houses, well inhabited, and resorted to by gentry for lodgings. Here Wycherley and his first wife, the Countess of Drogheda, lodged over against the c.o.c.k, "whither, if he at any time were with his friends, he was obliged to leave the windows open, that the lady might see there was no woman in the company, or she would be immediately in a downright raving condition." (_Dennis's Letters._)
The c.o.c.k Tavern was the resort of the rakes and Mohocks of that day, when the house was kept by a woman called "Oxford Kate." Here took place the indecent exposure, which has been told by Johnson, in his life of Sackville, Lord Dorset. "Sackville, who was then Lord Buckhurst, with Sir Charles Sedley, and Sir Thomas Ogle, got drunk at the c.o.c.k, in Bow-street, by Covent-garden, and going into the balcony, exposed themselves to the company in very indecent postures. At last, as they grew warmer, Sedley stood forth naked, and harangued the populace in such profane language, that the public indignation was awakened; the crowd attempted to force the door, and being repulsed, drove in the performers with stones, and broke the windows of the house. For this misdemeanour they were indicted, and Sedley was fined five hundred pounds; what was the sentence of the others is not known.
Sedley employed Killegrew and another to procure a remission of the King, but (mark the friends.h.i.+p of the dissolute!) they begged the fine for themselves, and exacted it to the last groat."
Sir John Coventry had supped at the c.o.c.k Tavern, on the night when, in his way home, his nose was cut to the bone, at the corner of Suffolk-street, in the Haymarket, "for reflecting on the King, who, therefore, determined to _set a mark_ upon him:" he was watched; when attacked, he stood up to the wall, and s.n.a.t.c.hed the flambeau out of the servant's hands, and with that in one hand, and the sword in the other, he defended himself, but was soon disarmed, and his nose was cut to the bone; it was so well sewed up, that the scar was scarce to be discerned. This attempt at a.s.sa.s.sination occasioned the Coventry Act, 22 and 23 Car. II. c. 1, by which specific provisions were made against the offence of maiming, cutting off, or disabling, a limb or member.
THE QUEEN'S HEAD, BOW-STREET.
This Tavern, in Duke's Court, was once kept by a facetious person, named Jupp, and is a.s.sociated with a piece of humour, which may either be matter of fact, or interpreted as a pleasant satire upon etymological fancies. One evening, two well-known characters, Annesley Shay and Bob Todrington (the latter caricatured by Old Dighton), met at the Queen's Head, and at the bar asked for "half a quartern" each, with a little cold water. They continued to drink until they had swallowed four-and-twenty half-quarterns in water, when Shay said to the other, "Now, we'll go." "Oh, no," replied he, "we'll have another, and then go." This did not satisfy the Hibernians, and they continued drinking on till three in the morning, when they both agreed to go; so that under the idea of going they made a long stay, and this was the origin of drinking, or calling for, goes of liquor; but another, determined to eke out the measure his own way, used to call for a quartern at a time, and these, in the exercise of his humour, he called _stays_. We find the above in the very pleasant _Etymological Compendium_, third edition, revised and improved by Merton A. Thoms, 1853.
THE SHAKSPEARE TAVERN.
Of this noted theatrical tavern, in the Piazza, Covent Garden, several details were received by Mr. John Green, in 1815, from Twigg, who was apprentice at the Shakspeare. They had generally fifty turtles at a time; and upon an average from ten to fifteen were dressed every week; and it was not unusual to send forty quarts of turtle soup a-week into the country, as far as Yorks.h.i.+re.
The sign of Shakspeare, painted by Wale, cost nearly 200_l._: it projected at the corner, over the street, with very rich iron-work.
d.i.c.k Milton was once landlord; he was a great gamester, and once won 40,000_l._ He would frequently start with his coach-and-six, which he would keep about six months, and then sell it. He was so much reduced, and his credit so bad, at times, as to send out for a dozen of wine for his customers; it was sold at 16s. a bottle. This is chronicled as the first tavern in London that had rooms; and from this house the other taverns were supplied with waiters. Here were held three clubs--the Madras, Bengal, and Bombay.
Twigg was cook at the Shakspeare. The largest dinner ever dressed here consisted of 108 made-dishes, besides hams, etc., and vegetables; this was the dinner to Admiral Keppel, when he was made First Lord of the Admiralty. Twigg told of another dinner to Sir Richard Simmons, of Earl's Court, Mr. Small, and three other gentlemen; it consisted of the following dishes:--A turbot, of 40lb., a Thames salmon, a haunch of venison, French beans and cuc.u.mbers, a green goose, an apricot tart, and green peas. The dinner was dressed by Twigg, and it came to about seven guineas a head.
The Shakspeare is stated to have been the first tavern in Covent Garden. Twigg relates of Tomkins, the landlord, that his father had been a man of opulence in the City, but failed for vast sums. Tomkins kept his coach and his country-house, but was no gambler, as has been reported. He died worth 40,000_l._ His daughter married Mr. Longman, the music-seller. Tomkins had never less than a hundred pipes of wine in his cellar; he kept seven waiters, one cellar-man, and a boy. Each waiter was smartly dressed in his ruffles, and thought it a bad week if he did not make 7_l._ Stacie, who partly served his apprentices.h.i.+p to Tomkins, told Twigg, that he had betted nearly 3000_l._ upon one of his racehorses of the name of Goldfinder. Stacie won, and afterwards sold the horse for a large sum.
There was likewise a Shakspeare Tavern in Little Russell-street, opposite Drury-lane Theatre; the sign was altered in 1828, to the Albion.
SHUTER, AND HIS TAVERN-PLACES.
Shuter, the actor, at the age of twelve, was pot-boy at the Queen's Head (afterwards Mrs. Butler's), in Covent Garden, where he was so kind to the rats in the cellar, by giving them sops from porter, (for, in his time, any person might have a toast in his beer,) that they would creep about him and upon him; he would carry them about between his s.h.i.+rt and his waistcoat, and even call them by their names. Shuter was next pot-boy at the Blue Posts, opposite Brydges-street, then kept by Ellidge, and afterwards by Carter, who played well at billiards, on account of the length of his arms. Shuter used to carry beer to the players, behind the scenes at Drury-lane Theatre, and elsewhere, and being noticed by Hippisley, was taken as his servant, and brought on the stage. He had also been at the house next the Blue Posts,--the Sun, in Russell-street, which was frequented by Hippisley. Mr.
Theophilus Forrest, when he paid Shuter his money, allowed him in his latter days, two guineas per week, found him calling for gin, and his s.h.i.+rt was worn to half its original size. Latterly, he was hooted by the boys in the street: he became a Methodist, and died at King John's Palace, Tottenham Court Road.
THE ROSE TAVERN, COVENT GARDEN.
This noted Tavern, on the east side of Brydges-street, flourished in the seventeenth and eighteenth centuries, and from its contiguity to Drury-lane Theatre, and close connection with it, was frequented by courtiers and men of letters, of loose character, and other gentry of no character at all. The scenes of _The Morning Ramble, or the Town Humour_, 1672, are laid "at the Rose Tavern, in Covent Garden," which was constantly a scene of drunken broils, midnight orgies, and murderous a.s.saults, by men of fas.h.i.+on, who were designated "Hectors,"
and whose chief pleasure lay in frequenting taverns for the running through of some fuddled toper, whom wine had made valiant. Shadwell, in his comedy of the _Scowrers_, 1691, written at a time when obedience to the laws was enforced, and these excesses had in consequence declined, observes of these cowardly ruffians: "They were brave fellows, indeed! In those days a man could not go from the Rose Tavern to the Piazza once, but he must venture his life twice."
Women of a certain freedom of character frequented taverns at the commencement of the last century, and the Rose, doubtless, resembled the box-lobby of a theatre. In the _Rake Reformed_, 1718, this tavern is thus noticed:
"Not far from thence appears a pendent sign, Whose bush declares the product of the vine, Whence to the traveller's sight the full-blown Rose Its dazzling beauties doth in gold disclose; And painted faces flock in tally'd clothes."
Dramatists and poets resorted to the house, and about 1726, Gay and other wits, by clubbing verses, concocted the well-known love ditty, ent.i.tled _Molly Mogg of the Rose_, in compliment to the then barmaid or waitress. The Welsh ballad, _Gwinfrid Shones_, printed in 1733, has also this tribute to Molly Mogg, as a celebrated toast:
"Some sing Molly Mogg of the Rose, And call her the Oakingham pelle; Whilst others does farces compose, On peautiful Molle Lepelle."
Hogarth's third print of the Rake's Progress, published in 1735, exhibits a princ.i.p.al room in the Rose Tavern: Lethercoat, the fellow with a bright pewter dish and a candle, is a portrait; he was for many years a porter attached to the house.
Garrick, when he enlarged Drury-lane Theatre, in 1776, raised the new front designed by Robert Adam, took in the whole of the tavern, as a convenience to the theatre, and retained the sign of the Rose in an oval compartment, as a conspicuous part of the decoration, which is shown in a popular engraving by J. T. Smith.
In D'Urfey's Songs, 1719, we find these allusions to the Rose:
"_A Song in Praise of Chalk, by W. Pettis._
"We the lads at the Rose A patron have chose, Who's as void as the best is of thinking; And without dedication, Will a.s.sist in his station, And maintains us in eating and drinking."
"_Song.--The Nose._
"Three merry lads met at the Rose, To speak in the praises of the nose: The flat, the sharp, the Roman snout, The hawk's nose circled round about; The crooked nose that stands awry, The ruby nose of scarlet dye; The brazen nose without a face, That doth the learned college grace.
Invention often barren grows, Yet still there's matter in the nose."
EVANS'S, COVENT GARDEN.
At the north-west corner of Covent Garden Market is a lofty edifice, which, with the building that preceded it, possesses a host of interesting a.s.sociations. Sir Kenelm Digby came to live here after the Restoration of Charles II.: here he was much visited by the philosophers of his day, and built in the garden in the rear of the house a laboratory. The mansion was altered, if not rebuilt, for the Earl of Orford, better known as Admiral Russell, who, in 1692, defeated Admiral de Tourville, and ruined the French fleet. The facade of the house originally resembled the forecastle of a s.h.i.+p. The fine old staircase is formed of part of the vessel Admiral Russell commanded at La Hogue; it has handsomely carved anchors, ropes, and the coronet and initials of Lord Orford. The Earl died here in 1727; and the house was afterwards occupied by Thomas, Lord Archer, until 1768; and by James West, the great collector of books, etc., and President of the Royal Society, who died in 1772.
Mr. Twigg recollected Lord Archer's garden (now the site of the singing-room), at the back of the Grand Hotel, about 1765, well stocked; mushrooms and cuc.u.mbers were grown there in high perfection.
In 1774, the house was opened by David Low as an hotel; the first family hotel, it is said, in London. Gold, silver, and copper medals were struck, and given by Low, as advertis.e.m.e.nts of his house; the gold to the princes, silver to the n.o.bility, and copper to the public generally. About 1794, Mrs. Hudson, then proprietor, advertised her hotel, "with stabling for one hundred n.o.blemen and horses." The next proprietors were Richardson and Joy.
At the beginning of the present century, and some years afterwards, the hotel was famous for its large dinner- and coffee-room. This was called the "Star," from the number of men of rank who frequented it.
One day a gentleman entered the dining-room, and ordered of the waiter two lamb-chops; at the same time inquiring, "John, have you a cuc.u.mber?" The waiter replied in the negative--it was so early in the season; but he would step into the market, and inquire if there were any. The waiter did so, and returned with--"There are a few, but they are half-a-guinea apiece." "Half-a-guinea apiece! are they small or large?" "Why, rather small." "Then buy two," was the reply. This incident has been related of various epicures; it occurred to Charles Duke of Norfolk, who died in 1815.
Evans, of Covent-Garden Theatre, removed here from the Cider Cellar in Maiden-lane, and, using the large dining-room for a singing-room, prospered until 1844, when he resigned the property to Mr. John Green. Meanwhile, the character of the entertainment, by the selection of music of a higher cla.s.s than hitherto, brought so great an accession of visitors, that Mr. Green built, in 1855, on the site of the old garden (Digby's garden) an extremely handsome hall, to which the former singing-room forms a sort of vestibule. The latter is hung with the collection of portraits of celebrated actors and actresses, mostly of our own time, which Mr. Green has been at great pains to collect.
The _specialite_ of this very agreeable place is the olden music, which is sung here with great intelligence and spirit; the visitors are of the better and more appreciative cla.s.s, and often include amateurs of rank. The reserved gallery is said to occupy part of the site of the cottage in which the Kembles occasionally resided during the zenith of their fame at Covent-Garden Theatre; and here the gifted f.a.n.n.y Kemble is said to have been born.
THE FLEECE, COVENT GARDEN.
The Restoration did not mend the morals of the taverns in Covent Garden, but increased their licentiousness, and made them the resort of bullies and other vicious persons. The Fleece, on the west side of Brydges-street, was notorious for its tavern broils; L'Estrange, in his translation of Quevedo's _Visions_, 1667, makes one of the Fleece hectors declare he was never well but either at the Fleece Tavern or Bear at Bridge-foot, stuffing himself "with food and tipple, till the hoops were ready to burst." According to Aubrey, the Fleece was "very unfortunate for homicides;" there were several killed there in his time; it was a private house till 1692. Aubrey places it in York-street, so that there must have been a back or second way to the tavern--a very convenient resource.
THE BEDFORD HEAD, COVENT GARDEN.
Was a luxurious refectory, in Southampton-street, whose epicurism is commemorated by Pope:--
"Let me extol a cat on oysters fed, I'll have a party at the Bedford Head."
_2nd Sat. of Horace, 2nd Bk._
"When sharp with hunger, scorn you to be fed Except on pea-chicks, at the Bedford Head?"
_Pope, Sober Advice.___
Club Life of London Volume Ii Part 17
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Club Life of London Volume Ii Part 17 summary
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