Hempfield Part 19

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"Anthy, where did you put the cinnamon?"

Now, Anthy, as usual, upon this intimation, for old Mrs. Parker never deigned to ask directly what she was to do, had come downstairs, and by an adroit, verbal pa.s.sage-at-arms, in which both of them, I think, delighted, had diverted her intention of making pumpkin pies and centred her interest upon a less ambitious pudding. On this occasion Mrs.

Parker did not even offer to tell the story suggested by the catchword "cinnamon," of how a certain Flora Peters--you know, the Peterses of Hawleyville, cousins of the Hewletts--had once used pepper for cinnamon in a pie.

Anthy was fond of these mornings at home, especially just such crispy autumn mornings as this one. She loved to go about busily, a white cap over her bright hair, the windows upstairs all wide open to the suns.h.i.+ne, the cool breezes blowing in. She loved to have the beds spread open, and the rugs up, and plenty to do. At such times, and often also in the spring when she was working in her garden, she would break into bits of song, just s.n.a.t.c.hes here and there, or she would whistle. In these moments of unconscious activity one might catch fleeting glimpses of the hidden Anthy. I like, somehow, more than almost anything else, to think of her as I saw her, a very few times, on occasions like these.

One song, or part of a song, I once heard her sing in an unguarded moment, a bit of old ballad in a haunting minor key, springs at this moment so clear in my memory that I can hear the very cadences of her voice. I don't know where the words came from, or what the song was, nor yet the music of it:



"It is not for a false lover That I go sad to see, But it is for a weary life Beneath the greenwood tree."

Bits of poetry were always coming to the surface with Anthy. I remember once, that very fall, as we were walking down the long lane homeward one Sunday afternoon from my farm, how Anthy, who had been silent for some time, suddenly made the whole world of that October day newly beautiful:

"The sweet, calm suns.h.i.+ne of October now Warms the low spot; upon its gra.s.sy mould The purple oak-leaf falls; the birchen bough Drops its bright spoil like arrow heads of gold."

I remember looking at her rapt face as she repeated the words, and seeing the sunlight catch in her hair.

In some ways the Anthy, the real Anthy, of those days was only half awake. It is your unimaginative girl who sees in every dusty swain the possible hero of her heart; but she whose eyes are dazzled by the s.h.i.+ning armour of a knight-o'-dreams comes reluctantly awake. It is so with some of the finest women: they step lightly through the years, with untouched hearts. There was a great deal of her father in Anthy, a great deal of the old New Englander, treasuring the best jealousy inside.

I think sometimes that women are far better natural executives and organizers than men. To keep a great household running smoothly, provisioned, cleaned, made sweet and cheerful always, and to do it incidentally as it were, with a hundred other activities filling her thoughts, is an accomplishment not sufficiently appreciated in this world. Anthy, like the true women of her race, had this capacity highly developed. She had a real genius for orderliness, which is the sanity, if not the religion, of everyday life.

"I will say this for Anthy Doane," old Mrs. Parker was accustomed to remark, "she is turrible particular."

How often have we been astonished to see gentlewomen (I like the good old word) torn from the harbour of sheltered lives and serenely navigating their s.h.i.+ps on the stormiest seas, but without real cause for our astonishment, for they have merely applied in a wider field that genius for command and organization which they have long cultivated in their households. We may yet come to look upon many of the functions of government as only a larger kind of housekeeping, and find that we cannot afford to dispense longer with the executive genius of women in all those activities which deal with the comforts of human kind. (It's true, Harriet.)

Mrs. Parker, as I have said, having something on her mind, was in condition of unstable equilibrium.

"When you was little, Anthy," she began finally, "I used to tell you to put on your rubbers when you went out in the rain, and to take your umbrella to school, and not forget your 'rithmetic. Didn't I, Anthy?"

"Why, yes, Margaret." Anthy was much mystified.

Old Mrs. Parker paused: "Well, I don't approve of this Norton Carr."

Anthy laughed. "Why, what's the matter with Norton Carr?"

Old Mrs. Parker closed her lips and wagged her head with a world of dark significance.

"What is it, Margaret?"

Mrs. Parker lowered her voice.

"He stimmylates," she said.

It was about the worst she could have said about poor Nort, except one thing--in Hempfield.

Anthy tried to draw her out still further, but not another word would she say. A long time afterward, when Anthy told me of this incident (how I have coveted the knowledge of every least thing in the lives of Nort and Anthy!), when she told me, she said reflectively: "I can't tell you how those words hurt me."

And then came the surprising telephone call from the old Captain, with the news that he had discharged Ed Smith!

It was characteristic of Anthy that when she put down the telephone receiver she was laughing. The tone of the Captain's voice and the picture she had of him, dramatically discharging Ed, were irresistible.

But it was only for a moment, and the old problem of the _Star_ leaped at her again. In the letters to Lincoln here in my desk I find that she referred to it repeatedly: "Ed Smith will not get on much longer with our vagabond, who isn't _really_ a vagabond at all; and as for Uncle Newt, it seems to me that he grows more difficult every day. What _shall_ I do?"

Now that the crisis was here, she was very quiet about it. When she had put on her hat she stepped for a moment into the quiet, old-fas.h.i.+oned living-room, where her desk was, and the fireplace before which she and her father had sat together for so many, many evenings, and the picture of Lincoln over the mantel. She had not changed it in the least particular since her father's death, and it had always a soothing effect upon her: the picture of her mother, the familiar, well-thumbed books which her father had delighted in, the very chair where he loved to sit.

She did not feel bold or confident, but the moment in the old room gave her a curious sense of calmness, as though there were something strong and sure back of her. She glanced up quickly at the countenance of Mr.

Lincoln, and turned and went out of the house.

The explosion at the office had been followed by a dead calm. We were all awaiting the arrival of Anthy. After all, she was the owner of the _Star_. What would she do?

I saw Ed Smith glancing surrept.i.tiously out of the window, and even the old Captain, in spite of his jauntiness, seemed ill at ease. Only Fergus remained undisturbed. That Scotchman continued working steadily at the cases.

"You took it coolly, Fergus," I said to him in a low voice.

"Got to print a paper this week," he observed.

I verily believe if we had all deserted our jobs Fergus would have brought out the _Star_ as usual on Wednesday, a little curtailed, perhaps, but on the dot.

Anthy came in looking perfectly calm. Ed Smith jumped from his seat at once.

"See here, Miss Doane," he began excitedly, "what right has the Captain to discharge me?"

The old Captain had arisen, too, and very formidable he looked. But my eyes were on Anthy. She stepped over to her uncle's side. She had a deep affection for this old uncle of hers. "Look out for your Uncle Newt,"

her father had said in the letter she found after his death. She put her arm through his, drew him toward her, and looking up at him, smiled a little.

"What right has the Captain to discharge me?" demanded Ed Smith.

"No right at all," she said.

"There!" exclaimed Ed, exultantly.

"But I have the right," said Anthy, "if I choose to exert it."

There was a curious finality in her voice--calmness and finality. The old Captain was frowning, but Anthy held him close by the arm. A moment of silence followed. I suppose we must, indeed, have been an absurd group of men standing there helplessly, for Anthy surveyed us with a swift glance.

"What _are_ you all so serious about?" she asked.

While we were awkwardly bestirring ourselves, Anthy took off her hat, just as usual, put on her ap.r.o.n, just as usual. It was the natural-born genius of Anthy to have the orderly wheels of life running again. And presently, standing near the Captain's littered desk, she exclaimed:

"At last, at last, Uncle Newt, you've written your editorial on Roosevelt!"

She picked up the ma.n.u.script.

"Yes, Anthy," rumbled the Captain, "I have written my convictions about the Colonel. It was a duty I had."

The Captain was not yet placated, but there was no resisting Anthy very long. "David will never be satisfied until he hears it," she said. She looked over the pages. "Have you said _exactly_ what you think, Uncle?"

"Exactly," said the Captain; "I could not do less. But I wanted Nort to hear it."

"Well, where is Mr. Carr?" asked Anthy, looking about in surprise.

For a moment no one said a word. And then Ed Smith spoke:

Hempfield Part 19

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Hempfield Part 19 summary

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