Mary Marston Part 26

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"I forget," said Hesper.

"I would not have ventured," continued Tom, "had it not happened that both air and words were my own."

"Ah!--indeed!--I did not know you were a poet, Mr.--"

She had forgotten his name.

"That or nothing," answered Tom, boldly.

"And a musician, too?"

"At your service, Mrs. Redmain."

"I don't happen to want a poet at present--or a musician either," she said, with just enough of a smile to turn the rudeness into what Tom accepted as a flattering familiarity.

"Nor am I in want of a place," he replied, with spirit; "a bird can sing on any branch. Will you allow me to sing this song on yours? Mrs.

Downport scarcely gave the expression I could have desired.--May I read the voices before I sing them?"

Without either intimacy or encouragement, Tom was capable of offering to read his own verses! Such fools self-partisans.h.i.+p makes of us.

Mrs. Redmain was, for her, not a little amused with the young man; he was not just like every other that came to the house.

"I should li-i-ike," she said.

Tom laid himself back a little in his chair, with the sheet of music in his hand, closed his eyes, and repeated as follows--he knew all his own verses by heart:

"Lovely lady, sweet disdain!

Prithee keep thy Love at home; Bind him with a tressed chain; Do not let the mischief roam.

"In the jewel-cave, thine eye, In the tangles of thy hair, It is well the imp should lie-- There his home, his heaven is there.

"But for pity's sake, forbid Beauty's wasp at me to fly; Sure the child should not be chid, And his mother standing by.

"For if once the villain came To my house, too well I know He would set it all aflame-- To the winds its ashes blow.

"Prithee keep thy Love at home; Net him up or he will start; And if once the mischief roam, Straight he'll wing him to my heart."

What there might be in verse like this to touch with faintest emotion, let him say who cultivates art for art's sake. Doubtless there is that in rhythm and rhyme and cadence which will touch the pericardium when the heart itself is not to be reached by divinest harmony; but, whether such women as Hesper feel this touch or only admire a song as they admire the church-prayers and Shakespeare, or whether, imagining in it some _tour de force_ of which they are themselves incapable, they therefore look upon it as a mighty thing, I am at a loss to determine.

All I know is that a gleam as from some far-off mirror of admiration did certainly, to Tom's great satisfaction, appear on Hesper's countenance. As, however, she said nothing, he, to waive aside a threatening awkwardness, lightly subjoined:

"Queen Anne is all the rage now, you see."

Mrs. Redmain knew that Queen-Anne houses were in fas.h.i.+on, and was even able to recognize one by its flush window-frames, while she had felt something odd, which might be old-fas.h.i.+oned, in the song; between the two, she was led to the conclusion that the fas.h.i.+on of Queen Anne's time had been revived in the making of verses also.

"Can you, then, make a song to any pattern you please?" she asked.

"I fancy so," answered Tom, indifferently, as if it were nothing to him to do whatever he chose to attempt. And in fact he could imitate almost anything--and well, too--the easier that he had nothing of his own pressing for utterance; for he had yet made no response to the first demand made on every man, the only demand for originality made on any man--that he should order his own way aright.

"How clever you must be!" drawled Hesper; and, notwithstanding the tone, the words were pleasant in the ears of goose Tom. He rose, opened the piano, and, with not a little cheap facility, began to accompany a sweet tenor voice in the song he had just read.

The door opened, and Mr. Redmain came in. He gave a glance at Tom as he sang, and went up to his wife where she still sat, with her face to the fire, and her back to the piano.

"New singing-master, eh?" he said.

"No," answered his wife.

"Who the deuce is he?"

"I forget his name," replied Hesper, in the tone of one bored by question. "He used to come to Durnmelling."

"That is no reason why he should not have a name to him."

Hesper did not reply. Tom went on playing. The moment he struck the last chord, she called to him in a clear, soft, cold voice:

"Will you tell Mr. Redmain your name? I happen to have forgotten it."

Tom picked up his hat, rose, came forward, and, mentioning his name, held out his hand.

"I don't know you," said Mr. Redmain, touching his palm with two fingers that felt like small fishes.

"It is of no consequence," said his wife; "Mr. Aylmer is an old acquaintance of our family."

"Only you don't quite remember his name!"

"It is not my _friends'_ names only I have an unhappy trick of forgetting. I often forget yours, Mr. Redmain!"

"My _good_ name, you must mean."

"I never heard that."

Neither had raised the voice, or spoken with the least apparent anger.

Mr. Redmain gave a grin instead of a retort. He appreciated her sharpness too much to get one ready in time. Turning away, he left the room with a quiet, steady step, taking his grin with him: it had drawn the clear, scanty skin yet tighter on his face, and remained fixed; so that he vanished with something of the look of a hairless tiger.

The moment he disappeared, Tom's gaze, which had been fascinated, sought Hesper. Her lips were shaping the word _brute!_--Tom heard it with his eyes; her eyes were flas.h.i.+ng, and her face was flushed. But the same instant, in a voice perfectly calm--

"Is there anything else you would like to sing, Mr. Helmer?" she said.

"Or--" Here she ceased, with the slightest possible choking--it was only of anger--in the throat.

Tom's was a sympathetic nature, especially where a pretty woman was in question. He forgot entirely that she had given quite as good, or as bad, as she received, and was hastening to say something foolish, imagining he had looked upon the sorrows of a lovely and unhappy wife and was almost in her confidence, when Sepia entered the room, with a dark glow that flashed into dusky radiance at sight of the handsome Tom. She had noted him on the night of the party, and remembered having seen him at the merrymaking in the old hall of Durnmelling, but he had not been introduced to her. A minute more, and they were sitting together in a bay-window, blazing away at each other like two corvettes, though their cartridges were often blank enough, while Hesper, never heeding them, kept her place by the chimney, her gaze transferred from the fire to the novel she had sent for from her bedroom.

CHAPTER XXV.

MARY'S RECEPTION.

Mary Marston Part 26

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Mary Marston Part 26 summary

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