The Combined Maze Part 51
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"He's a young Turk," said Winny, and he was. By his whole manner, by the swing of his tiny arms, by his tilted, roguish smile, by his eyes, impudent and joyous (blue they were, like his mother's, but clear, tilted, and curled like Ranny's), Stanny intimated that Daddy was sold if he imagined that to walk was not just what Stanny wanted. And in spite of it he was heartrending, pathetic; so small he was, with all his baby roundness accentuated absurdly by the knickers.
"He's just such another as you, Ranny," Winny said. (She was uncontrollable!) "Such a little man as he is, in those knickers."
"d.a.m.n his knickers," said Ranny to himself, behind his set teeth. But he smiled all the same; and by the time they had got into the wonderful walled garden of Golder's Hill he had recovered almost completely.
It was not decent to keep on sulking in a place which had so laid itself out to make you happy; where the suns.h.i.+ne flowed round you and soaked into you and warmed you as if you were in a bath. The garden, inclosed in rose-red walls and green hedges, was like a great tank filled with suns.h.i.+ne; suns.h.i.+ne that was visible, palpable, audible almost in its intensity; suns.h.i.+ne caught and contained and br.i.m.m.i.n.g over, that quivered and flowed in and around the wall-flowers, tulips and narcissus, that drenched them through and through and covered them like water, and was thick with all their scents. You walked on golden paths through labyrinths of brilliant flowers, through arches, tunnels and bowers of green. You were netted in suns.h.i.+ne, drugged with sweet live smells, caged in with blossoms, pink and white, of the espaliers that clung, branch and bud, like carved latticework, flat to the garden wall.
Neither could he well have sulked in the great s.p.a.ce outside, where the green lawns unrolled and flung themselves generously, joyously to the sun, or where, on the light slope of the field beyond, the trees hung out their drooping vans, lifted up green roof above green roof, sheltering a happy crowd.
And even if these things, in their benignant, admonis.h.i.+ng, reminding beauty, had not restored his decency, he was bound to soften and unbend, when, as they were going over the rustic bridge, Stanny tried to turn himself upside down among the water lilies. And as he captured Stanny by a miracle of dexterity, just in time, he realized, as if it had been some new and remarkable discovery, that his little son was dear to him.
By slow stages, after many adventures and delays, they reached the managerie on the south side.
"Oh, Daddy, Daddy, look at that funny bird!"
Dossie tugged and shouted.
In a corner of his yard, round and round, with inconceivable rapidity and an astounding innocence, as if he imagined himself alone and un.o.bserved, the Emu danced like a bird demented. On tiptoe, absurdly elongated, round and round, ecstatically, deliriously, he danced. He danced till his legs and his neck were as one high perpendicular pole and his body a mere whorl of feathers spinning round it, driven by the flapping of his wings.
"He _is_ making an almighty fool of himself," said Ranny.
"What does he do it for, Daddy?"
"Let's ask the keeper."
And they asked him.
"'E's a Emu, that's what 'e is," said the keeper. "That's what he does when he goes courtin'. Only there won't be no courtin' for him this time. 'Is mate died yesterday."
"And yet he dances," Winny said.
"And yet he dances. Heartless bird!" said Ranny.
They looked at the Emu, who went on dancing as if un.o.bserved.
"Scandalous, I call it," Ranny said. "Unfeelin'."
"Perhaps," said Winny, "the poor thing doesn't know."
"Per'aps he does know, and that's why he's dancin'."
Winny gazed, fascinated, at the uplifted and ecstatic head.
"_I_ know," she said. "It's his grief. It's affected his brain."
"It's Nacher," said the keeper, "that's what it is. Nacher's wound 'im up to go, and he goes, you see, whether or no. It's the instint in 'im and the time of year. 'E don't know no more than that."
"But that," said Winny, "makes it all the sadder."
She was sorry for the Emu, so bereaved and so deluded, dancing his fruitless, lamentable dance.
"He _is_ funny, isn't he?" said Stanny.
And they went slowly, spinning out their pleasure, back to that part of the lawn where there were innumerable little tables covered with pink cloths, set out under the trees, and seated at the tables innumerable family parties, innumerable pairs of lovers, pairs of married people, pairs of working women and of working girls on holiday; all happy for their hour, all whispering, laughing, chattering, and drinking tea.
On the terrace in front of the big red house were other tables with white covers under awnings like huge sunshades, where people who could afford the terrace sat in splendor and in isolation and listened to the music, played on the veranda, of violins and cello and piano.
Ransome and Winny and the children chose a pink-covered table on the lawn under a holly tree in a place all by themselves. And they had tea there, such a tea as stands out forever in memory, beautiful and solitary. What the children didn't have for tea, Ranny said, was not worth mentioning.
And after tea they sat in luxurious folding-chairs under the terrace and listened to the violins, the cello, and piano. Other people were doing the same thing as if they had been invited to do it, as if they were all one party, with somewhere a friendly host and hostess imploring them to be seated, to be happy and to make themselves at home.
And down the slope of the lawn, Stanny and Dossie rolled over and over in the joy of life. And up the slope they toiled, laughing, to roll interminably down.
And the moments while they rolled were golden, priceless to Ranny.
Winny, seated beside him on her chair, watched them rolling.
"It's Stanny's knickers," she said, "that I can't get over!"
"I don't want to hear of them again" (the golden moments were so few).
"You make me wish I hadn't brought those kids."
"Oh, Ranny!" Her eyes were serious and reproachful.
"Well--I can't get you to myself one minute."
"But aren't we having quite a happy day?" she said. "What with the beautiful flowers and the music and the Emu--"
"You were sorry, Winky, for that disgraceful bird, and you're not a bit sorry for me."
"Why should I be?"
"My case is similar."
Her eyes were serious still, but round the corners of her mouth a little smile was playing in secret by itself. She didn't know it was there, or she never would have let it play.
"Don't you know that I want to say things to you?"
She looked at him and was frightened by the hunger in his eyes.
"Not now, Ranny," she said. "Not yet."
"Why not?"
"I want"--she was desperate--"I want to listen to the music."
At that moment the violins and the cello were struggling together in a cry of anguish and of pa.s.sion.
"You _don't_," he said, savagely.
The Combined Maze Part 51
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The Combined Maze Part 51 summary
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