The Ten Books on Architecture Part 15

In the Corinthian, the girders and roof-opening are constructed on these same principles, but the girders run in from the side walls, and are supported all round on columns.

In the tetrastyle, the girders are supported at the angles by columns, an arrangement which relieves and strengthens the girders; for thus they have themselves no great span to support, and they are not loaded down by the crossbeams.

[Ill.u.s.tration: _From Mau_

THE HOUSE OF THE SURGEON, POMPEII

Ill.u.s.trating the Tuscan Atrium

1. Fauces 2, 3. Shops 4. Storage 5. Atrium 6. Chambers 7. Tablinum 8. Alae 9, 10. Dining rooms 13. Kitchen, _a_, hearth 14. Rear Entrance 16. Portico 18. Stairs to rooms over the rear of the house 20. Garden

[Ill.u.s.tration: _From Mau_

HOUSE OF EPIDIUS RUFUS AT POMPEII

Ill.u.s.trating Corinthian Atrium]

2. In the displuviate, there are beams which slope outwards, supporting the roof and throwing the rainwater off. This style is suitable chiefly in winter residences, for its roof-opening, being high up, is not an obstruction to the light of the dining rooms. It is, however, very troublesome to keep in repair, because the pipes, which are intended to hold the water that comes dripping down the walls all round, cannot take it quickly enough as it runs down from the channels, but get too full and run over, thus spoiling the woodwork and the walls of houses of this style.

[Ill.u.s.tration: _From Mau_

HOUSE OF THE SILVER WEDDING AT POMPEII

Ill.u.s.trating the Tetrastyle Atrium

_a._ fauces _d._ tetrastyle atrium _n._ dining room _o._ tablinum _p._ andron _r._ peristyle _w._ summer dining room

The testudinate is employed where the span is not great, and where large rooms are provided in upper stories.

3. In width and length, atriums are designed according to three cla.s.ses.

The first is laid out by dividing the length into five parts and giving three parts to the width; the second, by dividing it into three parts and a.s.signing two parts to the width; the third, by using the width to describe a square figure with equal sides, drawing a diagonal line in this square, and giving the atrium the length of this diagonal line.

4. Their height up to the girders should be one fourth less than their width, the rest being the proportion a.s.signed to the ceiling and the roof above the girders.

The alae, to the right and left, should have a width equal to one third of the length of the atrium, when that is from thirty to forty feet long. From forty to fifty feet, divide the length by three and one half, and give the alae the result. When it is from fifty to sixty feet in length, devote one fourth of the length to the alae. From sixty to eighty feet, divide the length by four and one half and let the result be the width of the alae. From eighty feet to one hundred feet, the length divided into five parts will produce the right width for the alae. Their lintel beams should be placed high enough to make the height of the alae equal to their width.

5. The tablinum should be given two thirds of the width of the atrium when the latter is twenty feet wide. If it is from thirty to forty feet, let half the width of the atrium be devoted to the tablinum. When it is from forty to sixty feet, divide the width into five parts and let two of these be set apart for the tablinum. In the case of smaller atriums, the symmetrical proportions cannot be the same as in larger. For if, in the case of the smaller, we employ the proportion that belong to the larger, both tablina and alae must be unserviceable, while if, in the case of the larger, we employ the proportions of the smaller, the rooms mentioned will be huge monstrosities. Hence, I have thought it best to describe exactly their respective proportionate sizes, with a view both to convenience and to beauty.

[Ill.u.s.tration: _From Mau_

PLAN OF A TYPICAL ROMAN HOUSE]

6. The height of the tablinum at the lintel should be one eighth more than its width. Its ceiling should exceed this height by one third of the width. The fauces in the case of smaller atriums should be two thirds, and in the case of larger one half the width of the tablinum.

Let the busts of ancestors with their ornaments be set up at a height corresponding to the width of the alae. The proportionate width and height of doors may be settled, if they are Doric, in the Doric manner, and if Ionic, in the Ionic manner, according to the rules of symmetry which have been given about portals in the fourth book. In the roof-opening let an aperture be left with a breadth of not less than one fourth nor more than one third the width of the atrium, and with a length proportionate to that of the atrium.

[Ill.u.s.tration: _Photo. Sommer_

THE PERISTYLE OF THE HOUSE OF THE VETTII AT POMPEII]

7. Peristyles, lying athwart, should be one third longer than they are deep, and their columns as high as the colonnades are wide.

Intercolumniations of peristyles should be not less than three nor more than four times the thickness of the columns. If the columns of the peristyle are to be made in the Doric style, take the modules which I have given in the fourth book, on the Doric order, and arrange the columns with reference to these modules and to the scheme of the triglyphs.

[Ill.u.s.tration: _From Durm_

PLAN OF THE HOUSE OF THE VETTII, POMPEII]

8. Dining rooms ought to be twice as long as they are wide. The height of all oblong rooms should be calculated by adding together their measured length and width, taking one half of this total, and using the result for the height. But in the case of exedrae or square oeci, let the height be brought up to one and one half times the width. Picture galleries, like exedrae, should be constructed of generous dimensions.

Corinthian and tetrastyle oeci, as well as those termed Egyptian, should have the same symmetrical proportions in width and length as the dining rooms described above, but, since they have columns in them, their dimensions should be ampler.

9. The following will be the distinction between Corinthian and Egyptian oeci: the Corinthian have single tiers of columns, set either on a podium or on the ground, with architraves over them and coronae either of woodwork or of stucco, and carved vaulted ceilings above the coronae.

In the Egyptian there are architraves over the columns, and joists laid thereon from the architraves to the surrounding walls, with a floor in the upper story to allow of walking round under the open sky. Then, above the architrave and perpendicularly over the lower tier of columns, columns one fourth smaller should be imposed. Above their architraves and ornaments are decorated ceilings, and the upper columns have windows set in between them. Thus the Egyptian are not like Corinthian dining rooms, but obviously resemble basilicas.

10. There are also, though not customary in Italy, the oeci which the Greeks call Cyzicene. These are built with a northern exposure and generally command a view of gardens, and have folding doors in the middle. They are also so long and so wide that two sets of dining couches, facing each other, with room to pa.s.s round them, can be placed therein. On the right and left they have windows which open like folding doors, so that views of the garden may be had from the dining couches through the opened windows. The height of such rooms is one and one half times their width.

11. All the above-mentioned symmetrical relations should be observed, in these kinds of buildings, that can be observed without embarra.s.sment caused by the situation. The windows will be an easy matter to arrange if they are not darkened by high walls; but in cases of confined s.p.a.ce, or when there are other unavoidable obstructions, it will be permissible to make diminutions or additions in the symmetrical relations,--with ingenuity and acuteness, however, so that the result may be not unlike the beauty which is due to true symmetry.

CHAPTER IV

THE PROPER EXPOSURES OF THE DIFFERENT ROOMS

1. We shall next explain how the special purposes of different rooms require different exposures, suited to convenience and to the quarters of the sky. Winter dining rooms and bathrooms should have a southwestern exposure, for the reason that they need the evening light, and also because the setting sun, facing them in all its splendour but with abated heat, lends a gentler warmth to that quarter in the evening.

Bedrooms and libraries ought to have an eastern exposure, because their purposes require the morning light, and also because books in such libraries will not decay. In libraries with southern exposures the books are ruined by worms and dampness, because damp winds come up, which breed and nourish the worms, and destroy the books with mould, by spreading their damp breath over them.

2. Dining rooms for Spring and Autumn to the east; for when the windows face that quarter, the sun, as he goes on his career from over against them to the west, leaves such rooms at the proper temperature at the time when it is customary to use them. Summer dining rooms to the north, because that quarter is not, like the others, burning with heat during the solstice, for the reason that it is unexposed to the sun's course, and hence it always keeps cool, and makes the use of the rooms both healthy and agreeable. Similarly with picture galleries, embroiderers'

work rooms, and painters' studios, in order that the fixed light may permit the colours used in their work to last with qualities unchanged.

CHAPTER V

HOW THE ROOMS SHOULD BE SUITED TO THE STATION OF THE OWNER

1. After settling the positions of the rooms with regard to the quarters of the sky, we must next consider the principles on which should be constructed those apartments in private houses which are meant for the householders themselves, and those which are to be shared in common with outsiders. The private rooms are those into which n.o.body has the right to enter without an invitation, such as bedrooms, dining rooms, bathrooms, and all others used for the like purposes. The common are those which any of the people have a perfect right to enter, even without an invitation: that is, entrance courts, cavaedia, peristyles, and all intended for the like purpose. Hence, men of everyday fortune do not need entrance courts, tablina, or atriums built in grand style, because such men are more apt to discharge their social obligations by going round to others than to have others come to them.

2. Those who do business in country produce must have stalls and shops in their entrance courts, with crypts, granaries, store-rooms, and so forth in their houses, constructed more for the purpose of keeping the produce in good condition than for ornamental beauty.

For capitalists and farmers of the revenue, somewhat comfortable and showy apartments must be constructed, secure against robbery; for advocates and public speakers, handsomer and more roomy, to accommodate meetings; for men of rank who, from holding offices and magistracies, have social obligations to their fellow-citizens, lofty entrance courts in regal style, and most s.p.a.cious atriums and peristyles, with plantations and walks of some extent in them, appropriate to their dignity. They need also libraries, picture galleries, and basilicas, finished in a style similar to that of great public buildings, since public councils as well as private law suits and hearings before arbitrators are very often held in the houses of such men.

3. If, therefore, houses are planned on these principles to suit different cla.s.ses of persons, as prescribed in my first book, under the subject of Propriety, there will be no room for criticism; for they will be arranged with convenience and perfection to suit every purpose. The rules on these points will hold not only for houses in town, but also for those in the country, except that in town atriums are usually next to the front door, while in country seats peristyles come first, and then atriums surrounded by paved colonnades opening upon palaestrae and walks.