The Ten Books on Architecture Part 24

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CHAPTER IV

THE NORTHERN CONSTELLATIONS

1. The Great Bear, called in Greek [Greek: arktos] or [Greek: helike], has her Warden behind her. Near him is the Virgin, on whose right shoulder rests a very bright star which we call Harbinger of the Vintage, and the Greeks [Greek: protrygetes]. But Spica in that constellation is brighter. Opposite there is another star, coloured, between the knees of the Bear Warden, dedicated there under the name of Arcturus.

2. Opposite the head of the Bear, at an angle with the feet of the Twins, is the Charioteer, standing on the tip of the horn of the Bull; hence, one and the same star is found in the tip of the left horn of the Bull and in the right foot of the Charioteer. Supported on the hand of the Charioteer are the Kids, with the She-Goat at his left shoulder.

Above the Bull and the Ram is Perseus, having at his right...[11] with the Pleiades moving beneath, and at his left the head of the Ram. His right hand rests on the likeness of Ca.s.siopea, and with his left he holds the Gorgon's head by its top over the Ram, laying it at the feet of Andromeda.



[Note 11: From this point to the end of section 3 the text is often hopelessly corrupt. The translation follows, approximately, the ma.n.u.script reading, but cannot pretend to be exact.]

3. Above Andromeda are the Fishes, one above her belly and the other above the backbone of the Horse. A very bright star terminates both the belly of the Horse and the head of Andromeda. Andromeda's right hand rests above the likeness of Ca.s.siopea, and her left above the Northern Fish. The Waterman's head is above that of the Horse. The Horse's hoofs lie close to the Waterman's knees. Ca.s.siopea is set apart in the midst.

High above the He-Goat are the Eagle and the Dolphin, and near them is the Arrow. Farther on is the Bird, whose right wing grazes the head and sceptre of Cepheus, with its left resting over Ca.s.siopea. Under the tail of the Bird lie the feet of the Horse.

4. Above the Archer, Scorpion, and Balance, is the Serpent, reaching to the Crown with the end of its snout. Next, the Serpent-holder grasps the Serpent about the middle in his hands, and with his left foot treads squarely on the foreparts of the Scorpion. A little way from the head of the Serpent-holder is the head of the so-called Kneeler. Their heads are the more readily to be distinguished as the stars which compose them are by no means dim.

5. The foot of the Kneeler rests on the temple of that Serpent which is entwined between the She-Bears (called Septentriones). The little Dolphin moves in front of the Horse. Opposite the bill of the Bird is the Lyre. The Crown is arranged between the shoulders of the Warden and the Kneeler. In the northern circle are the two She-Bears with their shoulder-blades confronting and their b.r.e.a.s.t.s turned away from one another. The Greeks call the Lesser Bear [Greek: kynosoura], and the Greater [Greek: elike]. Their heads face different ways, and their tails are shaped so that each is in front of the head of the other Bear; for the tails of both stick up over them.

6. The Serpent is said to lie stretched out between their tails, and in it there is a star, called Polus, s.h.i.+ning near the head of the Greater Bear. At the nearest point, the Serpent winds its head round, but is also flung in a fold round the head of the Lesser Bear, and stretches out close to her feet. Here it twists back, making another fold, and, lifting itself up, bends its snout and right temple from the head of the Lesser Bear round towards the Greater. Above the tail of the Lesser Bear are the feet of Cepheus, and at this point, at the very top, are stars forming an equilateral triangle. There are a good many stars common to the Lesser Bear and to Cepheus.

I have now mentioned the constellations which are arranged in the heaven to the right of the east, between the belt of the signs and the north. I shall next describe those that Nature has distributed to the left of the east and in the southern regions.

CHAPTER V

THE SOUTHERN CONSTELLATIONS

1. First, under the He-Goat lies the Southern Fish, facing towards the tail of the Whale. The Censer is under the Scorpion's sting. The fore parts of the Centaur are next to the Balance and the Scorpion, and he holds in his hands the figure which astronomers call the Beast. Beneath the Virgin, Lion, and Crab is the twisted girdle formed by the Snake, extending over a whole line of stars, his snout raised near the Crab, supporting the Bowl with the middle of his body near the Lion, and bringing his tail, on which is the Raven, under and near the hand of the Virgin. The region above his shoulders is equally bright.

2. Beneath the Snake's belly, at the tail, lies the Centaur. Near the Bowl and the Lion is the s.h.i.+p named Argo. Her bow is invisible, but her mast and the parts about the helm are in plain sight, the stern of the vessel joining the Dog at the tip of his tail. The Little Dog follows the Twins, and is opposite the Snake's head. The Greater Dog follows the Lesser. Orion lies aslant, under the Bull's hoof; in his left hand grasping his club, and raising the other toward the Twins.

3. At his feet is the Dog, following a little behind the Hare. The Whale lies under the Ram and the Fishes, and from his mane there is a slight sprinkling of stars, called in Greek [Greek: harpedonai], regularly disposed towards each of the Fishes. This ligature by which they hang is carried a great way inwards, but reaches out to the top of the mane of the Whale. The River, formed of stars, flows from a source at the left foot of Orion. But the Water, said to pour from the Waterman, flows between the head of the Southern Fish and the tail of the Whale.

4. These constellations, whose outlines and shapes in the heavens were designed by Nature and the divine intelligence, I have described according to the view of the natural philosopher Democritus, but only those whose risings and settings we can observe and see with our own eyes. Just as the Bears turn round the pivot of the axis without ever setting or sinking under the earth, there are likewise stars that keep turning round the southern pivot, which on account of the inclination of the firmament lies always under the earth, and, being hidden there, they never rise and emerge above the earth. Consequently, the figures which they form are unknown to us on account of the interposition of the earth. The star Canopus proves this. It is unknown to our vicinity; but we have reports of it from merchants who have been to the most distant part of Egypt, and to regions bordering on the uttermost boundaries of the earth.

CHAPTER VI

ASTROLOGY AND WEATHER PROGNOSTICS

1. I have shown how the firmament, and the twelve signs with the constellations arranged to the north and south of them, fly round the earth, so that the matter may be clearly understood. For it is from this revolution of the firmament, from the course of the sun through the signs in the opposite direction, and from the shadows cast by equinoctial gnomons, that we find the figure of the a.n.a.lemma.

2. As for the branch of astronomy which concerns the influences of the twelve signs, the five stars, the sun, and the moon upon human life, we must leave all this to the calculations of the Chaldeans, to whom belongs the art of casting nativities, which enables them to declare the past and the future by means of calculations based on the stars. These discoveries have been transmitted by the men of genius and great acuteness who sprang directly from the nation of the Chaldeans; first of all, by Berosus, who settled in the island state of Cos, and there opened a school. Afterwards Antipater pursued the subject; then there was Archinapolus, who also left rules for casting nativities, based not on the moment of birth but on that of conception.

3. When we come to natural philosophy, however, Thales of Miletus, Anaxagoras of Clazomenae, Pythagoras of Samos, Xenophanes of Colophon, and Democritus of Abdera have in various ways investigated and left us the laws and the working of the laws by which nature governs it. In the track of their discoveries, Eudoxus, Euctemon, Callippus, Meto, Philippus, Hipparchus, Aratus, and others discovered the risings and settings of the constellations, as well as weather prognostications from astronomy through the study of the calendars, and this study they set forth and left to posterity. Their learning deserves the admiration of mankind; for they were so solicitous as even to be able to predict, long beforehand, with divining mind, the signs of the weather which was to follow in the future. On this subject, therefore, reference must be made to their labours and investigations.

CHAPTER VII

THE a.n.a.lEMMA AND ITS APPLICATIONS

1. In distinction from the subjects first mentioned, we must ourselves explain the principles which govern the shortening and lengthening of the day. When the sun is at the equinoxes, that is, pa.s.sing through Aries or Libra, he makes the gnomon cast a shadow equal to eight ninths of its own length, in the lat.i.tude of Rome. In Athens, the shadow is equal to three fourths of the length of the gnomon; at Rhodes to five sevenths; at Tarentum, to nine elevenths; at Alexandria, to three fifths; and so at other places it is found that the shadows of equinoctial gnomons are naturally different from one another.

2. Hence, wherever a sundial is to be constructed, we must take the equinoctial shadow of the place. If it is found to be, as in Rome, equal to eight ninths of the gnomon, let a line be drawn on a plane surface, and in the middle thereof erect a perpendicular, plumb to the line, which perpendicular is called the gnomon. Then, from the line in the plane, let the line of the gnomon be divided off by the compa.s.ses into nine parts, and take the point designating the ninth part as a centre, to be marked by the letter A. Then, opening the compa.s.ses from that centre to the line in the plane at the point B, describe a circle. This circle is called the meridian.

3. Then, of the nine parts between the plane and the centre on the gnomon, take eight, and mark them off on the line in the plane to the point C. This will be the equinoctial shadow of the gnomon. From that point, marked by C, let a line be drawn through the centre at the point A, and this will represent a ray of the sun at the equinox. Then, extending the compa.s.ses from the centre to the line in the plane, mark off the equidistant points E on the left and I on the right, on the two sides of the circ.u.mference, and let a line be drawn through the centre, dividing the circle into two equal semicircles. This line is called by mathematicians the horizon.

[Ill.u.s.tration]

4. Then, take a fifteenth part of the entire circ.u.mference, and, placing the centre of the compa.s.ses on the circ.u.mference at the point where the equinoctial ray cuts it at the letter F, mark off the points G and H on the right and left. Then lines must be drawn from these (and the centre) to the line of the plane at the points T and R, and thus, one will represent the ray of the sun in winter, and the other the ray in summer.

Opposite E will be the point I, where the line drawn through the centre at the point A cuts the circ.u.mference; opposite G and H will be the points L and K; and opposite C, F, and A will be the point N.

5. Then, diameters are to be drawn from G to L and from H to K. The upper will denote the summer and the lower the winter portion. These diameters are to be divided equally in the middle at the points M and O, and those centres marked; then, through these marks and the centre A, draw a line extending to the two sides of the circ.u.mference at the points P and Q. This will be a line perpendicular to the equinoctial ray, and it is called in mathematical figures the axis. From these same centres open the compa.s.ses to the ends of the diameters, and describe semicircles, one of which will be for summer and the other for winter.

6. Then, at the points at which the parallel lines cut the line called the horizon, the letter S is to be on the right and the letter V on the left, and from the extremity of the semicircle, at the point G, draw a line parallel to the axis, extending to the left-hand semicircle at the point H. This parallel line is called the Logotomus. Then, centre the compa.s.ses at the point where the equinoctial ray cuts that line, at the letter D, and open them to the point where the summer ray cuts the circ.u.mference at the letter H. From the equinoctial centre, with a radius extending to the summer ray, describe the circ.u.mference of the circle of the months, which is called Menaeus. Thus we shall have the figure of the a.n.a.lemma.

7. This having been drawn and completed, the scheme of hours is next to be drawn on the baseplates from the a.n.a.lemma, according to the winter lines, or those of summer, or the equinoxes, or the months, and thus many different kinds of dials may be laid down and drawn by this ingenious method. But the result of all these shapes and designs is in one respect the same: namely, the days of the equinoxes and of the winter and summer solstices are always divided into twelve equal parts.

Omitting details, therefore,--not for fear of the trouble, but lest I should prove tiresome by writing too much,--I will state by whom the different cla.s.ses and designs of dials have been invented. For I cannot invent new kinds myself at this late day, nor do I think that I ought to display the inventions of others as my own. Hence, I will mention those that have come down to us, and by whom they were invented.

CHAPTER VIII

SUNDIALS AND WATER CLOCKS

1. The semicircular form, hollowed out of a square block, and cut under to correspond to the polar alt.i.tude, is said to have been invented by Berosus the Chaldean; the Scaphe or Hemisphere, by Aristarchus of Samos, as well as the disc on a plane surface; the Arachne, by the astronomer Eudoxus or, as some say, by Apollonius; the Plinthium or Lacunar, like the one placed in the Circus Flaminius, by Scopinas of Syracuse; the [Greek: pros ta historoumena], by Parmenio; the [Greek: pros pan klima], by Theodosius and Andreas; the Pelecinum, by Patrocles; the Cone, by Dionysodorus; the Quiver, by Apollonius. The men whose names are written above, as well as many others, have invented and left us other kinds: as, for instance, the Conarachne, the Conical Plinthium, and the Antiborean. Many have also left us written directions for making dials of these kinds for travellers, which can be hung up. Whoever wishes to find their baseplates, can easily do so from the books of these writers, provided only he understands the figure of the a.n.a.lemma.

2. Methods of making water clocks have been investigated by the same writers, and first of all by Ctesibius the Alexandrian, who also discovered the natural pressure of the air and pneumatic principles. It is worth while for students to know how these discoveries came about.

Ctesibius, born at Alexandria, was the son of a barber. Preeminent for natural ability and great industry, he is said to have amused himself with ingenious devices. For example, wis.h.i.+ng to hang a mirror in his father's shop in such a way that, on being lowered and raised again, its weight should be raised by means of a concealed cord, he employed the following mechanical contrivance.

3. Under the roof-beam he fixed a wooden channel in which he arranged a block of pulleys. He carried the cord along the channel to the corner, where he set up some small piping. Into this a leaden ball, attached to the cord, was made to descend. As the weight fell into the narrow limits of the pipe, it naturally compressed the enclosed air, and, as its fall was rapid, it forced the ma.s.s of compressed air through the outlet into the open air, thus producing a distinct sound by the concussion.

4. Hence, Ctesibius, observing that sounds and tones were produced by the contact between the free air and that which was forced from the pipe, made use of this principle in the construction of the first water organs. He also devised methods of raising water, automatic contrivances, and amusing things of many kinds, including among them the construction of water clocks. He began by making an orifice in a piece of gold, or by perforating a gem, because these substances are not worn by the action of water, and do not collect dirt so as to get stopped up.

The Ten Books on Architecture Part 24

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