The Ten Books on Architecture Part 5
You’re reading novel The Ten Books on Architecture Part 5 online at LightNovelFree.com. Please use the follow button to get notification about the latest chapter next time when you visit LightNovelFree.com. Use F11 button to read novel in full-screen(PC only). Drop by anytime you want to read free – fast – latest novel. It’s great if you could leave a comment, share your opinion about the new chapters, new novel with others on the internet. We’ll do our best to bring you the finest, latest novel everyday. Enjoy!
Disembarking her soldiers, she towed the empty fleet of the Rhodians out to sea. So the Rhodians were surrounded without means of retreat, and were slain in the very forum.
15. So Artemisia embarked her own soldiers and oarsmen in the s.h.i.+ps of the Rhodians and set forth for Rhodes. The Rhodians, beholding their own s.h.i.+ps approaching wreathed with laurel, supposed that their fellow-citizens were returning victorious, and admitted the enemy. Then Artemisia, after taking Rhodes and killing its leading men, put up in the city of Rhodes a trophy of her victory, including two bronze statues, one representing the state of the Rhodians, the other herself.
Herself she fas.h.i.+oned in the act of branding the state of the Rhodians.
In later times the Rhodians, labouring under the religious scruple which makes it a sin to remove trophies once they are dedicated, constructed a building to surround the place, and thus by the erection of the "Grecian Station" covered it so that n.o.body could see it, and ordered that the building be called "[Greek: abaton]."
16. Since such very powerful kings have not disdained walls built of brick, although with their revenues and from booty they might often have had them not only of masonry or dimension stone but even of marble, I think that one ought not to reject buildings made of brick-work, provided that they are properly "topped." But I shall explain why this kind of structure should not be used by the Roman people within the city, not omitting the reasons and the grounds for them.
17. The laws of the state forbid that walls ab.u.t.ting on public property should be more than a foot and a half thick. The other walls are built of the same thickness in order to save s.p.a.ce. Now brick walls, unless two or three bricks thick, cannot support more than one story; certainly not if they are only a foot and a half in thickness. But with the present importance of the city and the unlimited numbers of its population, it is necessary to increase the number of dwelling-places indefinitely. Consequently, as the ground floors could not admit of so great a number living in the city, the nature of the case has made it necessary to find relief by making the buildings high. In these tall piles reared with piers of stone, walls of burnt brick, and part.i.tions of rubble work, and provided with floor after floor, the upper stories can be part.i.tioned off into rooms to very great advantage. The accommodations within the city walls being thus multiplied as a result of the many floors high in the air, the Roman people easily find excellent places in which to live.
18. It has now been explained how limitations of building s.p.a.ce necessarily forbid the employment of brick walls within the city. When it becomes necessary to use them outside the city, they should be constructed as follows in order to be perfect and durable. On the top of the wall lay a structure of burnt brick, about a foot and a half in height, under the tiles and projecting like a coping. Thus the defects usual in these walls can be avoided. For when the tiles on the roof are broken or thrown down by the wind so that rainwater can leak through, this burnt brick coating will prevent the crude brick from being damaged, and the cornice-like projection will throw off the drops beyond the vertical face, and thus the walls, though of crude brick structure, will be preserved intact.
19. With regard to burnt brick, n.o.body can tell offhand whether it is of the best or unfit to use in a wall, because its strength can be tested only after it has been used on a roof and exposed to bad weather and time--then, if it is good it is accepted. If not made of good clay or if not baked sufficiently, it shows itself defective there when exposed to frosts and rime. Brick that will not stand exposure on roofs can never be strong enough to carry its load in a wall. Hence the strongest burnt brick walls are those which are constructed out of old roofing tiles.
20. As for "wattle and daub" I could wish that it had never been invented. The more it saves in time and gains in s.p.a.ce, the greater and the more general is the disaster that it may cause; for it is made to catch fire, like torches. It seems better, therefore, to spend on walls of burnt brick, and be at expense, than to save with "wattle and daub,"
and be in danger. And, in the stucco covering, too, it makes cracks from the inside by the arrangement of its studs and girts. For these swell with moisture as they are daubed, and then contract as they dry, and, by their shrinking, cause the solid stucco to split. But since some are obliged to use it either to save time or money, or for part.i.tions on an unsupported span, the proper method of construction is as follows. Give it a high foundation so that it may nowhere come in contact with the broken stone-work composing the floor; for if it is sunk in this, it rots in course of time, then settles and sags forward, and so breaks through the surface of the stucco covering.
I have now explained to the best of my ability the subject of walls, and the preparation of the different kinds of material employed, with their advantages and disadvantages. Next, following the guidance of Nature, I shall treat of the framework and the kinds of wood used in it, showing how they may be procured of a sort that will not give way as time goes on.
CHAPTER IX
TIMBER
1. Timber should be felled between early Autumn and the time when Favonius begins to blow. For in Spring all trees become pregnant, and they are all employing their natural vigour in the production of leaves and of the fruits that return every year. The requirements of that season render them empty and swollen, and so they are weak and feeble because of their looseness of texture. This is also the case with women who have conceived. Their bodies are not considered perfectly healthy until the child is born; hence, pregnant slaves, when offered for sale, are not warranted sound, because the fetus as it grows within the body takes to itself as nourishment all the best qualities of the mother's food, and so the stronger it becomes as the full time for birth approaches, the less compact it allows that body to be from which it is produced. After the birth of the child, what was heretofore taken to promote the growth of another creature is now set free by the delivery of the newborn, and the channels being now empty and open, the body will take it in by lapping up its juices, and thus becomes compact and returns to the natural strength which it had before.
2. On the same principle, with the ripening of the fruits in Autumn the leaves begin to wither and the trees, taking up their sap from the earth through the roots, recover themselves and are restored to their former solid texture. But the strong air of winter compresses and solidifies them during the time above mentioned. Consequently, if the timber is felled on the principle and at the time above mentioned, it will be felled at the proper season.
3. In felling a tree we should cut into the trunk of it to the very heart, and then leave it standing so that the sap may drain out drop by drop throughout the whole of it. In this way the useless liquid which is within will run out through the sapwood instead of having to die in a ma.s.s of decay, thus spoiling the quality of the timber. Then and not till then, the tree being drained dry and the sap no longer dripping, let it be felled and it will be in the highest state of usefulness.
4. That this is so may be seen in the case of fruit trees. When these are tapped at the base and pruned, each at the proper time, they pour out from the heart through the tapholes all the superfluous and corrupting fluid which they contain, and thus the draining process makes them durable. But when the juices of trees have no means of escape, they clot and rot in them, making the trees hollow and good for nothing.
Therefore, if the draining process does not exhaust them while they are still alive, there is no doubt that, if the same principle is followed in felling them for timber, they will last a long time and be very useful in buildings.
5. Trees vary and are unlike one another in their qualities. Thus it is with the oak, elm, poplar, cypress, fir, and the others which are most suitable to use in buildings. The oak, for instance, has not the efficacy of the fir, nor the cypress that of the elm. Nor in the case of other trees, is it natural that they should be alike; but the individual kinds are effective in building, some in one way, some in another, owing to the different properties of their elements.
6. To begin with fir: it contains a great deal of air and fire with very little moisture and the earthy, so that, as its natural properties are of the lighter cla.s.s, it is not heavy. Hence, its consistence being naturally stiff, it does not easily bend under the load, and keeps its straightness when used in the framework. But it contains so much heat that it generates and encourages decay, which spoils it; and it also kindles fire quickly because of the air in its body, which is so open that it takes in fire and so gives out a great flame.
7. The part which is nearest to the earth before the tree is cut down takes up moisture through the roots from the immediate neighbourhood and hence is without knots and is "clear." But the upper part, on account of the great heat in it, throws up branches into the air through the knots; and this, when it is cut off about twenty feet from the ground and then hewn, is called "knotwood" because of its hardness and knottiness. The lowest part, after the tree is cut down and the sapwood of the same thrown away, is split up into four pieces and prepared for joiner's work, and so is called "clearstock."
8. Oak, on the other hand, having enough and to spare of the earthy among its elements, and containing but little moisture, air, and fire, lasts for an unlimited period when buried in underground structures. It follows that when exposed to moisture, as its texture is not loose and porous, it cannot take in liquid on account of its compactness, but, withdrawing from the moisture, it resists it and warps, thus making cracks in the structures in which it is used.
9. The winter oak, being composed of a moderate amount of all the elements, is very useful in buildings, but when in a moist place, it takes in water to its centre through its pores, its air and fire being expelled by the influence of the moisture, and so it rots. The Turkey oak and the beech, both containing a mixture of moisture, fire, and the earthy, with a great deal of air, through this loose texture take in moisture to their centre and soon decay. White and black poplar, as well as willow, linden, and the agnus castus, containing an abundance of fire and air, a moderate amount of moisture, and only a small amount of the earthy, are composed of a mixture which is proportionately rather light, and so they are of great service from their stiffness. Although on account of the mixture of the earthy in them they are not hard, yet their loose texture makes them gleaming white, and they are a convenient material to use in carving.
10. The alder, which is produced close by river banks, and which seems to be altogether useless as building material, has really excellent qualities. It is composed of a very large proportion of air and fire, not much of the earthy, and only a little moisture. Hence, in swampy places, alder piles driven close together beneath the foundations of buildings take in the water which their own consistence lacks and remain imperishable forever, supporting structures of enormous weight and keeping them from decay. Thus a material which cannot last even a little while above ground, endures for a long time when covered with moisture.
11. One can see this at its best in Ravenna; for there all the buildings, both public and private, have piles of this sort beneath their foundations. The elm and the ash contain a very great amount of moisture, a minimum of air and fire, and a moderate mixture of the earthy in their composition. When put in shape for use in buildings they are tough and, having no stiffness on account of the weight of moisture in them, soon bend. But when they become dry with age, or are allowed to lose their sap and die standing in the open, they get harder, and from their toughness supply a strong material for dowels to be used in joints and other articulations.
12. The hornbeam, which has a very small amount of fire and of the earthy in its composition, but a very great proportion of air and moisture, is not a wood that breaks easily, and is very convenient to handle. Hence, the Greeks call it "zygia," because they make of it yokes for their draught-animals, and their word for yoke is [Greek: zyga].
Cypress and pine are also just as admirable; for although they contain an abundance of moisture mixed with an equivalent composed of all the other elements, and so are apt to warp when used in buildings on account of this superfluity of moisture, yet they can be kept to a great age without rotting, because the liquid contained within their substances has a bitter taste which by its pungency prevents the entrance of decay or of those little creatures which are destructive. Hence, buildings made of these kinds of wood last for an unending period of time.
13. The cedar and the juniper tree have the same uses and good qualities, but, while the cypress and pine yield resin, from the cedar is produced an oil called cedar-oil. Books as well as other things smeared with this are not hurt by worms or decay. The foliage of this tree is like that of the cypress but the grain of the wood is straight.
The statue of Diana in the temple at Ephesus is made of it, and so are the coffered ceilings both there and in all other famous fanes, because that wood is everlasting. The tree grows chiefly in Crete, Africa, and in some districts of Syria.
14. The larch, known only to the people of the towns on the banks of the river Po and the sh.o.r.es of the Adriatic, is not only preserved from decay and the worm by the great bitterness of its sap, but also it cannot be kindled with fire nor ignite of itself, unless like stone in a limekiln it is burned with other wood. And even then it does not take fire nor produce burning coals, but after a long time it slowly consumes away. This is because there is a very small proportion of the elements of fire and air in its composition, which is a dense and solid ma.s.s of moisture and the earthy, so that it has no open pores through which fire can find its way; but it repels the force of fire and does not let itself be harmed by it quickly. Further, its weight will not let it float in water, so that when transported it is loaded on s.h.i.+pboard or on rafts made of fir.
15. It is worth while to know how this wood was discovered. The divine Caesar, being with his army in the neighbourhood of the Alps, and having ordered the towns to furnish supplies, the inhabitants of a fortified stronghold there, called Larignum, trusting in the natural strength of their defences, refused to obey his command. So the general ordered his forces to the a.s.sault. In front of the gate of this stronghold there was a tower, made of beams of this wood laid in alternating directions at right angles to each other, like a funeral pyre, and built high, so that they could drive off an attacking party by throwing stakes and stones from the top. When it was observed that they had no other missiles than stakes, and that these could not be hurled very far from the wall on account of the weight, orders were given to approach and to throw bundles of brushwood and lighted torches at this outwork. These the soldiers soon got together.
16. The flames soon kindled the brushwood which lay about that wooden structure and, rising towards heaven, made everybody think that the whole pile had fallen. But when the fire had burned itself out and subsided, and the tower appeared to view entirely uninjured, Caesar in amazement gave orders that they should be surrounded with a palisade, built beyond the range of missiles. So the townspeople were frightened into surrendering, and were then asked where that wood came from which was not harmed by fire. They pointed to trees of the kind under discussion, of which there are very great numbers in that vicinity. And so, as that stronghold was called Larignum, the wood was called larch.
It is transported by way of the Po to Ravenna, and is to be had in Fano, Pesaro, Ancona, and the other towns in that neighbourhood. If there were only a ready method of carrying this material to Rome, it would be of the greatest use in buildings; if not for general purposes, yet at least if the boards used in the eaves running round blocks of houses were made of it, the buildings would be free from the danger of fire spreading across to them, because such boards can neither take fire from flames or from burning coals, nor ignite spontaneously.
17. The leaves of these trees are like those of the pine; timber from them comes in long lengths, is as easily wrought in joiner's work as is the clearwood of fir, and contains a liquid resin, of the colour of Attic honey, which is good for consumptives.
With regard to the different kinds of timber, I have now explained of what natural properties they appear to be composed, and how they were produced. It remains to consider the question why the highland fir, as it is called in Rome, is inferior, while the lowland fir is extremely useful in buildings so far as durability is concerned; and further to explain how it is that their bad or good qualities seem to be due to the peculiarities of their neighbourhood, so that this subject may be clearer to those who examine it.
CHAPTER X
HIGHLAND AND LOWLAND FIR
1. The first spurs of the Apennines arise from the Tuscan sea between the Alps and the most distant borders of Tuscany. The mountain range itself bends round and, almost touching the sh.o.r.es of the Adriatic in the middle of the curve, completes its circuit by extending to the strait on the other sh.o.r.e. Hence, this side of the curve, sloping towards the districts of Tuscany and Campania, lies basking in the sun, being constantly exposed to the full force of its rays all day. But the further side, sloping towards the Upper Sea and having a northern exposure, is constantly shrouded in shadowy darkness. Hence the trees which grow on that side, being nourished by the moisture, not only themselves attain to a very large size, but their fibre too, filled full of moisture, is swollen and distended with abundance of liquid. When they lose their vitality after being felled and hewn, the fibre retains its stiffness, and the trees as they dry become hollow and frail on account of their porosity, and hence cannot last when used in buildings.
2. But trees which grow in places facing the course of the sun are not of porous fibre but are solid, being drained by the dryness; for the sun absorbs moisture and draws it out of trees as well as out of the earth.
The trees in sunny neighbourhoods, therefore, being solidified by the compact texture of their fibre, and not being porous from moisture, are very useful, so far as durability goes, when they are hewn into timber.
Hence the lowland firs, being conveyed from sunny places, are better than those highland firs, which are brought here from shady places.
3. To the best of my mature consideration, I have now treated the materials which are necessary in the construction of buildings, the proportionate amount of the elements which are seen to be contained in their natural composition, and the points of excellence and defects of each kind, so that they may be not unknown to those who are engaged in building. Thus those who can follow the directions contained in this treatise will be better informed in advance, and able to select, among the different kinds, those which will be of use in their works.
Therefore, since the preliminaries have been explained, the buildings themselves will be treated in the remaining books; and first, as due order requires, I shall in the next book write of the temples of the immortal G.o.ds and their symmetrical proportions.
BOOK III
INTRODUCTION
1. Apollo at Delphi, through the oracular utterance of his priestess, p.r.o.nounced Socrates the wisest of men. Of him it is related that he said with sagacity and great learning that the human breast should have been furnished with open windows, so that men might not keep their feelings concealed, but have them open to the view. Oh that nature, following his idea, had constructed them thus unfolded and obvious to the view! For if it had been so, not merely the virtues and vices of the mind would be easily visible, but also its knowledge of branches of study, displayed to the contemplation of the eyes, would not need testing by untrustworthy powers of judgement, but a singular and lasting influence would thus be lent to the learned and wise. However, since they are not so constructed, but are as nature willed them to be, it is impossible for men, while natural abilities are concealed in the breast, to form a judgement on the quality of the knowledge of the arts which is thus deeply hidden. And if artists themselves testify to their own skill, they can never, unless they are wealthy or famous from the age of their studios, or unless they are also possessed of the public favour and of eloquence, have an influence commensurate with their devotion to their pursuits, so that people may believe them to have the knowledge which they profess to have.
2. In particular we can learn this from the case of the sculptors and painters of antiquity. Those among them who were marked by high station or favourably recommended have come down to posterity with a name that will last forever; for instance, Myron, Polycletus, Phidias, Lysippus, and the others who have attained to fame by their art. For they acquired it by the execution of works for great states or for kings or for citizens of rank. But those who, being men of no less enthusiasm, natural ability, and dexterity than those famous artists, and who executed no less perfectly finished works for citizens of low station, are unremembered, not because they lacked diligence or dexterity in their art, but because fortune failed them; for instance, Teleas of Athens, Chion of Corinth, Myager the Phocaean, Pharax of Ephesus, Boedas of Byzantium, and many others. Then there were painters like Aristomenes of Thasos, Polycles and Andron of Ephesus, Theo of Magnesia, and others who were not deficient in diligence or enthusiasm for their art or in dexterity, but whose narrow means or ill-luck, or the higher position of their rivals in the struggle for honour, stood in the way of their attaining distinction.
3. Of course, we need not be surprised if artistic excellence goes unrecognized on account of being unknown; but there should be the greatest indignation when, as often, good judges are flattered by the charm of social entertainments into an approbation which is a mere pretence. Now if, as Socrates wished, our feelings, opinions, and knowledge gained by study had been manifest and clear to see, popularity and adulation would have no influence, but men who had reached the height of knowledge by means of correct and definite courses of study, would be given commissions without any effort on their part. However, since such things are not plain and apparent to the view, as we think they should have been, and since I observe that the uneducated rather than the educated are in higher favour, thinking it beneath me to engage with the uneducated in the struggle for honour, I prefer to show the excellence of our department of knowledge by the publication of this treatise.
The Ten Books on Architecture Part 5
You're reading novel The Ten Books on Architecture Part 5 online at LightNovelFree.com. You can use the follow function to bookmark your favorite novel ( Only for registered users ). If you find any errors ( broken links, can't load photos, etc.. ), Please let us know so we can fix it as soon as possible. And when you start a conversation or debate about a certain topic with other people, please do not offend them just because you don't like their opinions.
The Ten Books on Architecture Part 5 summary
You're reading The Ten Books on Architecture Part 5. This novel has been translated by Updating. Author: Vitruvius Pollio already has 701 views.
It's great if you read and follow any novel on our website. We promise you that we'll bring you the latest, hottest novel everyday and FREE.
LightNovelFree.com is a most smartest website for reading novel online, it can automatic resize images to fit your pc screen, even on your mobile. Experience now by using your smartphone and access to LightNovelFree.com