Through the Postern Gate Part 5

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THE THIRD DAY

THE BOY INVADES THE KITCHEN

The Boy sat on a corner of the kitchen table, swinging a loose leg, and watching Martha make hot b.u.t.tered-toast.

He had arrived early, and, finding no one in the garden, had entered the house by the garden-door, to pursue investigations upstairs.

On the mat in the hall he saw a pair of goloshes; in the umbrella-stand, a very large, badly-rolled umbrella; hanging on a peg near by, a professor's cap and gown.



The Boy stood stock still in the middle of the little hall, and looked at the goloshes.

Then from the drawing-room, through the closed door, came the voice of Miss Charteris--full, clear, measured, melodious--reading Greek tragedy.

_errois anaides, en tachei neania_

declaimed Miss Charteris; and the Boy fled.

Arrived in the kitchen, he persuaded Martha that cigarette smoke was fatal to black-beetles. He went about, blowing fragrant clouds into every possible crack and cranny. Martha watched him, out of the corner of her eye, crawling along under the dresser in his immaculate white flannels, and Martha blessed her stars that her kitchen floor was so spotlessly clean. Only this morning she had remarked to Jenkins that he could very well eat his dinner off the boards. Mercifully, Jenkins--tiresome man though he usually was--had not taken this literally; or he might have made the floor less fit for the Boy's perambulations.

Having taken all this trouble in order to establish his unquestioned right to smoke in Martha's kitchen, and to pose as a public benefactor while so doing, the Boy seated himself on the edge of the table, exactly behind Martha; lighted a fresh "Zenith," and prepared to enjoy himself.

Martha glanced nervously at the smoke, issuing from cracks and holes on all sides. It gave her a feeling that the house was on fire. Of course she knew it was not; but to _feel_ the house is on fire, is only one degree less alarming than to _know_ it is. However, beetles are nasty things; and the condescending kindness and regard for Martha's personal comfort, which crawled about after them in white flannels, was gratifying to a degree.

So Martha turned and gave the Boy one of her unusual smiles. He was very intently blowing rings--"bubbles" Martha called them afterwards, when explaining them to Jenkins; but that was Martha's mistake. They were smoke rings. It was one of the Boy's special accomplishments. He was an expert at blowing rings.

Presently:--"Martha, my duck--" he said suddenly.

Martha jumped. "Bless us, Mr. Guy! What a name!"

"What's the matter with it?" inquired the Boy, innocently. "I consider it a very nice name, and scriptural."

"Oh, I didn't mean m' own name," explained Martha, more flushed than the warmth of the fire warranted. "Not but what m' G.o.dfathers and G.o.dmothers might well 'ave chosen me a better."

"Oh, don't blame them, overmuch, Martha," said the Boy, earnestly.

"You see their choice was limited. If you study your catechism you will find that it had to be 'N' or 'M'--'Naomi' or 'Martha.' Even at that early age, they thought you favoured 'Martha' rather than 'Naomi'; so they named you 'Martha.'"

"Well I never!" exclaimed Mrs. Jenkins. "'N' or 'M'! So it is! Now I never noticed _that_ before. We live and learn! And Jenkins--silly man--'as always bin annoyed that they named 'im 'Noah.' But how about when _you_ was christened, Mr. Guy?"

"Oh," explained the Boy, with a wave of his cigarette, "I was christened a bit later than you, Martha; and, by that time, Parliament had sat in solemn convocation, and had brought in a Bill to the effect that all needless and vexatious limitations and restrictions in the Prayer Book might for the future be disregarded. The first to go was 'N' or 'M.'"

"Well, I never!" said Martha. "I wish they'd ha' done it afore _my_ time."

"You see," expounded the Boy, who was enjoying himself vastly, and getting the conjunction of the goloshes and the Greek play off his mind; "you see, Martha, those progressive Bills, intimately affecting the whole community, of vital importance to the nation at large, are always blocked by the House of Lords. If the Commons could have had their own way, you might have been named 'Lucy' or 'Clara.'"

"I don't incline to 'Lucy' or 'Clara,' sir," said Mrs. Jenkins, decidedly; "being, as they always strikes me, sickly story-book sort of names; but I _do_ like justice and a free country! I always have felt doubtful o' them Lords, since I listened to my married niece's husband, a very respectable journeyman tailor but mostly out of work; and if it's _their_ doing that I'm 'Martha,' well, _I_ shall know what to do with Jenkins's vote--that's all!"

The Boy slapped his leg and rocked. "Martha, you ought to be put up to speak at political meetings. That's the whole thing in a nutsh.e.l.l: cause, effect, results, arguments, everything! Oh, my wig!--Yes, they are a lot of old stick-in-the-muds in the Upper House, aren't they?"

pursued the Boy--who had had a long line of dignified ancestors in that much abused place; had an uncle there at the present moment, and was more than likely eventually to have to sit there himself--"a rotten lot of old stick-in-the-muds, Martha; but I think they did well by you.

I'd give them the benefit of Jenkins's vote. I really would. I am glad they chose 'M,' not 'N.' Naomi was a widow and dismal. She never made the smallest effort to buck up. But Martha was a nice person; a bit flurried perhaps, and hot-tempered; but well up in cooking, and keen on it. I like Martha."

The Boy sat and meditated. Why did she read Greek plays with a person who left goloshes on the mat, and brought out an ancient umbrella with a waist, on an absolutely cloudless day?

"It wasn't m' own name surprised me, Mr. Guy, sir," remarked Martha, coyly; "it was the name you was pleased to _h_add."

The Boy pulled himself together. "Eh, what? Oh, 'Martha, my duck'? I see. I hope you don't mind, Martha. It seemed to me rather a suitable and pretty addition to 'Martha.' You see, yours is a name which cannot be shortened when one feels affectionate. 'Sarah' can be 'Sally'; 'Amelia' can be 'Milly'; 'Caroline' can be 'Carrie'; but 'Martha'

remains 'Martha' however loving people feel. What does Jenkins call you when he feels affectionate?"

Martha snorted. "Jenkins knows 'is place," she said, jerking the round lid off the stove, and putting on the kettle.

"Jenkins is a model," smiled the Boy.

Then Martha looked round, her feminine curiosity, and perhaps a touch of jealousy, getting the better of her respectful discretion. She had seen so much, and heard so little; and she was a very old family servant.

"What do you call _her_, Mr. Guy?" she asked, in a confidential whisper, with a jerk of the head toward the mulberry-tree.

"Her?" repeated the Boy, surprised. Then his whole tone softened. It was so sweet to speak her name to some one. "I call her 'Christobel,'"

he said, gently.

But Martha wanted to know more. Martha was woman enough to desire an unshared possession of her own. She bent over the fire, stirring it through the bars.

"Mr. Guy, sir, I suppose you don't--I suppose you do--that is to say, sir--Do you call _her_ what you've been pleased to call me?"

"Eh, what?" said the Boy, vaguely.

"Oh, I see. 'Christobel, my----' Oh, no, Martha. No, I don't! Not even when I feel most affectionate." Here the Boy was seized with sudden convulsions, slapped his knee noiselessly, and rocked on the kitchen table. He whispered it, in an ecstasy of enjoyment.

"'Christobel, my duck!' Oh, lor! 'Christobel, my duck!' I hope I shall be able to resist telling her. I should have to own I had called Martha so. 'Christobel, my----'"

Martha, wondering at the silence, looked round suddenly. But the Boy had that instant recovered, and was sitting gravely on the corner of the table.

"Martha, my duck," he said, "to return to the original opening of this conversation: has Jenkins ever told you what a nice little wisp of hair you have, behind your left ear?"

"Get along, sir!" retorted Martha, fairly blus.h.i.+ng. "You're making game of me."

"Indeed, I'm not," said the Boy, seriously. "If you made it into a curl, Martha, and fastened it with an invisible pin, it would be quite too fascinating. You ask Jenkins. I say, Martha? What's a placket?"

"A placket, sir," said Martha, on her way to fetch something from a shelf near which hung the kitchen mirror; "a placket, sir, is a thing which shows when it shouldn't."

"I see," said the Boy. "Then you couldn't exactly go about in one.

Martha, whose goloshes are those, sitting on the mat in the hall?"

Martha snorted. "An old woman's," she said, wrathfully.

The Boy considered this. "And does the umbrella with the waist belong to the same old woman?"

Martha nodded.

Through the Postern Gate Part 5

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Through the Postern Gate Part 5 summary

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