Ann Veronica Part 17

"Freedom! Citizens.h.i.+p! And the way to that--the way to everything--is the Vote."

Ann Veronica said something about a general change of ideas.

"How can you change people's ideas if you have no power?" said Kitty Brett.

Ann Veronica was not ready enough to deal with that counter-stroke .

"One doesn't want to turn the whole thing into a mere s.e.x antagonism."

"When women get justice," said Kitty Brett, "there will be no s.e.x antagonism. None at all. Until then we mean to keep on hammering away."

"It seems to me that much of a woman's difficulties are economic."

"That will follow," said Kitty Brett--"that will follow."

She interrupted as Ann Veronica was about to speak again, with a bright contagious hopefulness. "Everything will follow," she said.

"Yes," said Ann Veronica, trying to think where they were, trying to get things plain again that had seemed plain enough in the quiet of the night.

"Nothing was ever done," Miss Brett a.s.serted, "without a certain element of Faith. After we have got the Vote and are recognized as citizens, then we can come to all these other things."

Even in the glamour of Miss Brett's a.s.surance it seemed to Ann Veronica that this was, after all, no more than the gospel of Miss Miniver with a new set of resonances. And like that gospel it meant something, something different from its phrases, something elusive, and yet something that in spite of the superficial incoherence of its phrasing, was largely essentially true. There was something holding women down, holding women back, and if it wasn't exactly man-made law, man-made law was an aspect of it. There was something indeed holding the whole species back from the imaginable largeness of life... .

"The Vote is the symbol of everything," said Miss Brett.

She made an abrupt personal appeal.

"Oh! please don't lose yourself in a wilderness of secondary considerations," she said. "Don't ask me to tell you all that women can do, all that women can be. There is a new life, different from the old life of dependence, possible. If only we are not divided. If only we work together. This is the one movement that brings women of different cla.s.ses together for a common purpose. If you could see how it gives them souls, women who have taken things for granted, who have given themselves up altogether to pettiness and vanity... ."

"Give me something to do," said Ann Veronica, interrupting her persuasions at last. "It has been very kind of you to see me, but I don't want to sit and talk and use your time any longer. I want to do something. I want to hammer myself against all this that pens women in. I feel that I shall stifle unless I can do something--and do something soon."

Part 4.

It was not Ann Veronica's fault that the night's work should have taken upon itself the forms of wild burlesque. She was in deadly earnest in everything she did. It seemed to her the last desperate attack upon the universe that would not let her live as she desired to live, that penned her in and controlled her and directed her and disapproved of her, the same invincible wrappering, the same leaden tyranny of a universe that she had vowed to overcome after that memorable conflict with her father at Morningside Park.

She was listed for the raid--she was informed it was to be a raid upon the House of Commons, though no particulars were given her--and told to go alone to 14, Dexter Street, Westminster, and not to ask any policeman to direct her. 14, Dexter Street, Westminster, she found was not a house but a yard in an obscure street, with big gates and the name of Podgers & Carlo, Carriers and Furniture Removers, thereon. She was perplexed by this, and stood for some seconds in the empty street hesitating, until the appearance of another circ.u.mspect woman under the street lamp at the corner rea.s.sured her. In one of the big gates was a little door, and she rapped at this. It was immediately opened by a man with light eyelashes and a manner suggestive of restrained pa.s.sion. "Come right in," he hissed under his breath, with the true conspirator's note, closed the door very softly and pointed, "Through there!"

By the meagre light of a gas lamp she perceived a cobbled yard with four large furniture vans standing with horses and lamps alight. A slender young man, wearing gla.s.ses, appeared from the shadow of the nearest van. "Are you A, B, C, or D?" he asked.

"They told me D," said Ann Veronica.

"Through there," he said, and pointed with the pamphlet he was carrying.

Ann Veronica found herself in a little stirring crowd of excited women, whispering and t.i.ttering and speaking in undertones.

The light was poor, so that she saw their gleaming faces dimly and indistinctly. No one spoke to her. She stood among them, watching them and feeling curiously alien to them. The oblique ruddy lighting distorted them oddly, made queer bars and patches of shadow upon their clothes. "It's Kitty's idea," said one, "we are to go in the vans."

"Kitty is wonderful," said another.

"Wonderful!"

"I have always longed for prison service," said a voice, "always.

From the beginning. But it's only now I'm able to do it."

A little blond creature close at hand suddenly gave way to a fit of hysterical laughter, and caught up the end of it with a sob.

"Before I took up the Suffrage," a firm, flat voice remarked, "I could scarcely walk up-stairs without palpitations."

Some one hidden from Ann Veronica appeared to be marshalling the a.s.sembly. "We have to get in, I think," said a nice little old lady in a bonnet to Ann Veronica, speaking with a voice that quavered a little. "My dear, can you see in this light? I think I would like to get in. Which is C?"

Ann Veronica, with a curious sinking of the heart, regarded the black cavities of the vans. Their doors stood open, and placards with big letters indicated the section a.s.signed to each. She directed the little old woman and then made her way to van D. A young woman with a white badge on her arm stood and counted the sections as they entered their vans.

"When they tap the roof," she said, in a voice of authority, "you are to come out. You will be opposite the big entrance in Old Palace Yard. It's the public entrance. You are to make for that and get into the lobby if you can, and so try and reach the floor of the House, crying 'Votes for Women!' as you go."

She spoke like a mistress addressing school-children.

"Don't bunch too much as you come out," she added.

"All right?" asked the man with the light eyelashes, suddenly appearing in the doorway. He waited for an instant, wasting an encouraging smile in the imperfect light, and then shut the doors of the van, leaving the women in darkness... .

The van started with a jerk and rumbled on its way.

"It's like Troy!" said a voice of rapture. "It's exactly like Troy!"

Part 5.

So Ann Veronica, enterprising and a little dubious as ever, mingled with the stream of history and wrote her Christian name upon the police-court records of the land.

But out of a belated regard for her father she wrote the surname of some one else.

Some day, when the rewards of literature permit the arduous research required, the Campaign of the Women will find its Carlyle, and the particulars of that marvellous series of exploits by which Miss Brett and her colleagues nagged the whole Western world into the discussion of women's position become the material for the most delightful and amazing descriptions. At present the world waits for that writer, and the confused record of the newspapers remains the only resource of the curious. When he comes he will do that raid of the pantechnicons the justice it deserves; he will picture the orderly evening scene about the Imperial Legislature in convincing detail, the coming and going of cabs and motor-cabs and broughams through the chill, damp evening into New Palace Yard, the reinforced but untroubled and unsuspecting police about the entries of those great buildings whose square and panelled Victorian Gothic streams up from the glare of the lamps into the murkiness of the night; Big Ben s.h.i.+ning overhead, an una.s.sailable beacon, and the incidental traffic of Westminster, cabs, carts, and glowing omnibuses going to and from the bridge. About the Abbey and Abingdon Street stood the outer pickets and detachments of the police, their attention all directed westward to where the women in Caxton Hall, Westminster, hummed like an angry hive. Squads reached to the very portal of that centre of disturbance. And through all these defences and into Old Palace Yard, into the very vitals of the defenders' position, lumbered the unsuspected vans.

They travelled past the few idle sightseers who had braved the uninviting evening to see what the Suffragettes might be doing; they pulled up unchallenged within thirty yards of those coveted portals.

And then they disgorged.

Were I a painter of subject pictures, I would exhaust all my skill in proportion and perspective and atmosphere upon the august seat of empire, I would present it gray and dignified and immense and respectable beyond any mere verbal description, and then, in vivid black and very small, I would put in those valiantly impertinent vans, squatting at the base of its alt.i.tudes and pouring out a swift, straggling rush of ominous little black objects, minute figures of determined women at war with the universe.

Ann Veronica was in their very forefront.

In an instant the expectant calm of Westminster was ended, and the very Speaker in the chair blenched at the sound of the policemen's whistles. The bolder members in the House left their places to go lobbyward, grinning. Others pulled hats over their noses, cowered in their seats, and feigned that all was right with the world. In Old Palace Yard everybody ran. They either ran to see or ran for shelter. Even two Cabinet Ministers took to their heels, grinning insincerely. At the opening of the van doors and the emergence into the fresh air Ann Veronica's doubt and depression gave place to the wildest exhilaration. That same adventurousness that had already buoyed her through crises that would have overwhelmed any normally feminine girl with shame and horror now became uppermost again. Before her was a great Gothic portal. Through that she had to go.

Past her shot the little old lady in the bonnet, running incredibly fast, but otherwise still alertly respectable, and she was making a strange threatening sound as she ran, such as one would use in driving ducks out of a garden--"B-r-r-r-r-r--!" and pawing with black-gloved hands. The policemen were closing in from the sides to intervene. The little old lady struck like a projectile upon the resounding chest of the foremost of these, and then Ann Veronica had got past and was ascending the steps.

Then most horribly she was clasped about the waist from behind and lifted from the ground.

At that a new element poured into her excitement, an element of wild disgust and terror. She had never experienced anything so disagreeable in her life as the sense of being held helplessly off her feet. She screamed involuntarily--she had never in her life screamed before --and then she began to wriggle and fight like a frightened animal against the men who were holding her.

The affair pa.s.sed at one leap from a spree to a nightmare of violence and disgust. Her hair got loose, her hat came over one eye, and she had no arm free to replace it. She felt she must suffocate if these men did not put her down, and for a time they would not put her down. Then with an indescribable relief her feet were on the pavement, and she was being urged along by two policemen, who were gripping her wrists in an irresistible expert manner. She was writhing to get her hands loose and found herself gasping with pa.s.sionate violence, "It's d.a.m.nable!--d.a.m.nable!" to the manifest disgust of the fatherly policeman on her right.

Then they had released her arms and were trying to push her away.

"You be off, missie," said the fatherly policeman. "This ain't no place for you."

He pushed her a dozen yards along the greasy pavement with flat, well-trained hands that there seemed to be no opposing. Before her stretched blank s.p.a.ces, dotted with running people coming toward her, and below them railings and a statue. She almost submitted to this ending of her adventure. But at the word "home" she turned again.

"I won't go home," she said; "I won't!" and she evaded the clutch of the fatherly policeman and tried to thrust herself past him in the direction of that big portal. "Steady on!" he cried.

A diversion was created by the violent struggles of the little old lady. She seemed to be endowed with superhuman strength. A knot of three policemen in conflict with her staggered toward Ann Veronica's attendants and distracted their attention. "I WILL be arrested! I WON'T go home!" the little old lady was screaming over and over again. They put her down, and she leaped at them; she smote a helmet to the ground.

"You'll have to take her!" shouted an inspector on horseback, and she echoed his cry: "You'll have to take me!" They seized upon her and lifted her, and she screamed. Ann Veronica became violently excited at the sight. "You cowards!" said Ann Veronica, "put her down!" and tore herself from a detaining hand and battered with her fists upon the big red ear and blue shoulder of the policeman who held the little old lady.

So Ann Veronica also was arrested.

And then came the vile experience of being forced and borne along the street to the police-station. Whatever antic.i.p.ation Ann Veronica had formed of this vanished in the reality. Presently she was going through a swaying, noisy crowd, whose faces grinned and stared pitilessly in the light of the electric standards. "Go it, miss!" cried one. "Kick aht at 'em!" though, indeed, she went now with Christian meekness, resenting only the thrusting policemen's hands. Several people in the crowd seemed to be fighting. Insulting cries became frequent and various, but for the most part she could not understand what was said. "Who'll mind the baby nar?" was one of the night's inspirations, and very frequent. A lean young man in spectacles pursued her for some time, crying "Courage! Courage!" Somebody threw a dab of mud at her, and some of it got down her neck. Immeasurable disgust possessed her. She felt draggled and insulted beyond redemption.

She could not hide her face. She attempted by a sheer act of will to end the scene, to will herself out of it anywhere. She had a horrible glimpse of the once nice little old lady being also borne stationward, still faintly battling and very muddy--one lock of grayish hair straggling over her neck, her face scared, white, but triumphant. Her bonnet dropped off and was trampled into the gutter. A little c.o.c.kney recovered it, and made ridiculous attempts to get to her and replace it.

"You must arrest me!" she gasped, breathlessly, insisting insanely on a point already carried; "you shall!"

The police-station at the end seemed to Ann Veronica like a refuge from unnamable disgraces. She hesitated about her name, and, being prompted, gave it at last as Ann Veronica Smith, 107A, Chancery Lane... .

Indignation carried her through that night, that men and the world could so entreat her. The arrested women were herded in a pa.s.sage of the Panton Street Police-station that opened upon a cell too unclean for occupation, and most of them spent the night standing. Hot coffee and cakes were sent in to them in the morning by some intelligent sympathizer, or she would have starved all day. Submission to the inevitable carried her through the circ.u.mstances of her appearance before the magistrate.

He was no doubt doing his best to express the att.i.tude of society toward these wearily heroic defendants, but he seemed to be merely rude and unfair to Ann Veronica. He was not, it seemed, the proper stipendiary at all, and there had been some demur to his jurisdiction that had ruffled him. He resented being regarded as irregular. He felt he was human wisdom prudentially interpolated... . "You silly wimmin," he said over and over again throughout the hearing, plucking at his blotting-pad with busy hands. "You silly creatures! Ugh! Fie upon you!" The court was crowded with people, for the most part supporters and admirers of the defendants, and the man with the light eyelashes was conspicuously active and omnipresent.

Ann Veronica's appearance was brief and undistinguished. She had nothing to say for herself. She was guided into the dock and prompted by a helpful police inspector. She was aware of the body of the court, of clerks seated at a black table littered with papers, of policemen standing about stiffly with expressions of conscious integrity, and a murmuring background of the heads and shoulders of spectators close behind her. On a high chair behind a raised counter the stipendiary's subst.i.tute regarded her malevolently over his gla.s.ses. A disagreeable young man, with red hair and a loose mouth, seated at the reporter's table, was only too manifestly sketching her.

She was interested by the swearing of the witnesses. The kissing of the book struck her as particularly odd, and then the policemen gave their evidence in staccato jerks and stereotyped phrases.

"Have you anything to ask the witness?" asked the helpful inspector.

The ribald demons that infested the back of Ann Veronica's mind urged various facetious interrogations upon her, as, for example, where the witness had acquired his prose style. She controlled herself, and answered meekly, "No."

"Well, Ann Veronica Smith," the magistrate remarked when the case was all before him, "you're a good-looking, strong, respectable gell, and it's a pity you silly young wimmin can't find something better to do with your exuberance. Two-and-twenty! I can't imagine what your parents can be thinking about to let you get into these sc.r.a.pes."

Ann Veronica's mind was filled with confused unutterable replies.

"You are persuaded to come and take part in these outrageous proceedings--many of you, I am convinced, have no idea whatever of their nature. I don't suppose you could tell me even the derivation of suffrage if I asked you. No! not even the derivation! But the fas.h.i.+on's been set and in it you must be."

The men at the reporter's table lifted their eyebrows, smiled faintly, and leaned back to watch how she took her scolding. One with the appearance of a bald little gnome yawned agonizingly. They had got all this down already--they heard the substance of it now for the fourteenth time. The stipendiary would have done it all very differently.

She found presently she was out of the dock and confronted with the alternative of being bound over in one surety for the sum of forty pounds--whatever that might mean or a month's imprisonment.

"Second cla.s.s," said some one, but first and second were all alike to her. She elected to go to prison.

At last, after a long rumbling journey in a stuffy windowless van, she reached Canongate Prison--for Holloway had its quota already. It was bad luck to go to Canongate.

Prison was beastly. Prison was bleak without s.p.a.ciousness, and pervaded by a faint, oppressive smell; and she had to wait two hours in the sullenly defiant company of two unclean women thieves before a cell could be a.s.signed to her. Its dreariness, like the filthiness of the police cell, was a discovery for her. She had imagined that prisons were white-tiled places, reeking of lime-wash and immaculately sanitary. Instead, they appeared to be at the hygienic level of tramps' lodging-houses. She was bathed in turbid water that had already been used. She was not allowed to bathe herself: another prisoner, with a privileged manner, washed her. Conscientious objectors to that process are not permitted, she found, in Canongate. Her hair was washed for her also. Then they dressed her in a dirty dress of coa.r.s.e serge and a cap, and took away her own clothes. The dress came to her only too manifestly unwashed from its former wearer; even the under-linen they gave her seemed unclean. Horrible memories of things seen beneath the microscope of the baser forms of life crawled across her mind and set her shuddering with imagined irritations. She sat on the edge of the bed--the wardress was too busy with the flood of arrivals that day to discover that she had it down--and her skin was s.h.i.+vering from the contact of these garments. She surveyed accommodation that seemed at first merely austere, and became more and more manifestly inadequate as the moments fled by. She meditated profoundly through several enormous cold hours on all that had happened and all that she had done since the swirl of the suffrage movement had submerged her personal affairs... .

Very slowly emerging out of a phase of stupefaction, these personal affairs and her personal problem resumed possession of her mind. She had imagined she had drowned them altogether.

CHAPTER THE ELEVENTH.

THOUGHTS IN PRISON.

Part 1.

The first night in prison she found it impossible to sleep. The bed was hard beyond any experience of hers, the bed-clothes coa.r.s.e and insufficient, the cell at once cold and stuffy. The little grating in the door, the sense of constant inspection, worried her. She kept opening her eyes and looking at it. She was fatigued physically and mentally, and neither mind nor body could rest. She became aware that at regular intervals a light flashed upon her face and a bodiless eye regarded her, and this, as the night wore on, became a torment... .

Capes came back into her mind. He haunted a state between hectic dreaming and mild delirium, and she found herself talking aloud to him. All through the night an entirely impossible and monumental Capes confronted her, and she argued with him about men and women. She visualized him as in a policeman's uniform and quite impa.s.sive. On some insane score she fancied she had to state her case in verse. "We are the music and you are the instrument," she said; "we are verse and you are prose.

"For men have reason, women rhyme A man scores always, all the time."

This couplet sprang into her mind from nowhere, and immediately begot an endless series of similar couplets that she began to compose and address to Capes. They came teeming distressfully through her aching brain: "A man can kick, his skirts don't tear; A man scores always, everywhere.

"His dress for no man lays a snare; A man scores always, everywhere. For hats that fail and hats that flare; Toppers their universal wear; A man scores always, everywhere.

"Men's waists are neither here nor there; A man scores always, everywhere.

"A man can manage without hair; A man scores always, everywhere.

"There are no males at men to stare; A man scores always, everywhere.

"And children must we women bear-- "Oh, d.a.m.n!" she cried, as the hundred-and-first couplet or so presented itself in her unwilling brain.

For a time she worried about that compulsory bath and cutaneous diseases.

Then she fell into a fever of remorse for the habit of bad language she had acquired.

"A man can smoke, a man can swear; A man scores always, everywhere."