Waysiders Part 7

"Has this cat any electricity in her?" Padna asked.

"She has," said the shoemaker, drawing his wax-end. "But she's a civilised cat, not like the vulgar fellow in China, and civilised cats hide their electricity much as civilised people hide their feelings. But one day last summer I saw her showing her electricity. A monstrous black rat came prowling from the brewery, a bald patch on his head and a piece missing from his left haunch. To see that fellow coming up out of a gullet and stepping up the street, in the middle of the broad daylight, you'd imagine he was the county inspector of police."

"And did she fight the rat?" Padna asked.

The shoemaker put the shoe on a last and began to tap with his hammer.

"She did fight him," he said. "She went out to him twirling her moustaches. He lay down on his back. She lay down on her side. They kept grinning and sparring at each other like that for half an hour. At last the monstrous rat got up in a fury and come at her, the fangs stripped.

She swung round the yard, doubled in two, making circles like a Catherine-wheel about him until the old blackguard was mesmerised. And if you were to see the bulk of her tail then, all her electricity gone into it! She caught him with a blow of it under the jowl, and he fell in a swoon. She stood over him, her back like the bend of a hoop, the tail beating about her, and a smile on the side of her face. And that was the end of the monstrous brewery rat."

Padna said nothing, but put the cat down on the floor. When she made some effort to regain his lap he surrept.i.tiously suggested, with the tip of his boot, that their entente was at an end.

A few drops of rain beat on the window, and the shoemaker looked up, his gla.s.ses s.h.i.+ning, the b.u.mps on his forehead gleaming. "Do you know the reason G.o.d makes it rain?" he asked.

Padna, who had been listening to the conversation of two farmers the evening before, replied, "I do. To make turnips grow."

"Nonsense!" said the shoemaker, reaching out for an awl. "G.o.d makes it rain to remind us of the Deluge. And I don't mean the Deluge that was at all at all. I mean the Deluge that is to come. The world will be drowned again. The belly-band of the sky will give, for that's what the rainbow is, and it only made of colours. Did you never know until now what the rainbow was? No? Well, well!... As I was saying, when the belly-band of the sky bursts the Deluge will come. In one minute all the valleys of the earth will be filled up. In the second minute the mountains will be topped. In the third minute the sky will be emptied and its skin gone, and the earth will be no more. There will be no ark, no Noah, and no dove. There will be nothing only one great waste of grey water and in the middle of it one green leaf. The green leaf will be a sign that G.o.d has gone to sleep, the trouble of the world banished from His mind. So whenever it rains remember my words."

Padna said he would, and then went home.

II

When Padna called on the shoemaker for the boots that had been left for repair they were almost ready. The tips only remained to be put on the heels. Padna sat down in the little workshop, and under the agreeable influence of the place he made bold to ask the shoemaker if he had grown up to be a shoemaker as the geranium had grown up to be a geranium in its pot on the window.

"What!" exclaimed the shoemaker. "Did you never hear tell that I was found in the country under a head of cabbage? No! Well, well! What do they talk to you at home about at all?"

"The most thing they tell me," said Padna, "is to go to bed and get up in the morning. What is the name of the place in the country where they found you?"

"Gobstown," said the shoemaker. "It was the most miserable place within the ring of Ireland. It lay under the blight of a good landlord, no better. That was its misfortune, and especially my misfortune. If the Gobstown landlord was not such a good landlord it's driving on the box of an empire I would be to-day instead of whacking tips on the heels of your boots. How could that be? I'll tell you that.

"In Gobstown the tenants rose up and demanded a reduction of rent; the good landlord gave it to them. They rose up again and demanded another reduction of rent; he gave it to them. They went on rising up, asking reductions, and getting them, until there was no rent left for anyone to reduce. The landlord was as good and as poor as our best.

"And while all this was going on Gobstown was surrounded by estates where there were the most ferocious landlords--rack-renting, absentee, evicting landlords, landlords as wild as tigers. And these tiger landlords were leaping at their tenants and their tenants slas.h.i.+ng back at them as best they could. Nothing, my dear, but blood and the music of grape-shot and shouts in the night from the jungle. In Gobstown we had to sit down and look on, pretending, moryah, that we were as happy as the day was long.

"Not a scalp was ever brought into Gobstown. No man of us ever went out on an adventure which might bring him home again through the mouth of the county jail. Not a secret enterprise that might become a great public excitement was ever hatched, not to speak of being launched. We had not as much as a fife-and-drum band. We did not know how to play a tin whistle or beat upon the tintinnabulum. We never waved a green flag.

We had not a branch of any kind of a league. We had no men of skill to draft a resolution, indite a threatening letter, draw a coffin, skull, and cross-bones, fight a policeman, or even make a speech. We were never a delegate at a convention, an envoy to America, a divisional executive, a deputation, or a demonstration. We were nothing. We wilted under the blight of our good landlord as the green stalk wilts under the frost of the black night.... Hand me that knife. The one with the wooden handle.

"In desperation we used rouse ourselves and march into the demonstrations on other estates. We were a small and an unknown tribe.

The Gobstown contingent always brought up the rear of the procession--a gawky, straggling, bad-stepping, hay-foot, straw-foot lot! The onlookers hardly glanced at us. We stood for nothing. We had no name. Once we rigged up a banner with the words on it, 'Gobstown to the Front!' but still we were put to the back, and when we walked through this town the servant girls came out of their kitchens, laughed at us, and called out, 'Gobstown to the Back of the Front!'

"The fighting men came to us, took us aside, and asked us what we were doing in Gobstown. We had no case to make. We offered to bring forward our good landlord as a s.h.i.+ning example, to lead our lamb forward in order that he might show up the man-eaters on the other estates. The organisers were all hostile. They would not allow us into the processions any more. If we could bring forward some sort of roaring black devil we would be more than welcome. s.h.i.+ning examples were not in favour. We were sent home in disgrace and broke up. As the preachers say, our last state was worse than our first.

"We became sullen and drowsy and fat and dull. We got to hate the sight of each other, so much so that we began to pay our rents behind each other's backs, at first the reduced rents, then, gale day by gale day, we got back to the original rent, and kept on paying it. Our good landlord took his rents and said nothing. Gobstown became the most accursed place in all Ireland. Brother could not trust brother. And there were our neighbours going from one sensation to another. They were as lively as trout, as enterprising as goats, as intelligent as Corkmen. They were thin and eager and good-tempered. They ate very little, drank water, slept well, men with hard knuckles, clean bowels, and pale eyes. Anything they hit went down. They were always ready to go to the gallows for each other.

"I had a famous cousin on one of these estates, and I suppose you heard of him? You didn't! What are they teaching you at school at all? Latin grammar? Well, well!... My cousin was a clumsy fellow with only a little of middling kind of brains, but a bit of fight in him. Yet look at the way he got on, and look at me, shodding little boys like yourself! I was born under a lucky star but my cousin was born under a lucky landlord--a ferocious fellow who got into a garret in London and kept roaring across at Ireland for more and more blood. Every time I thought of that old skin of a man howling in the London garret I said to myself, 'He'll be the making of my cousin.' And so, indeed, he was. Three agents were brought down on my cousin's estate. State trials were running like great plays in the courthouse. Blood was always up. They had six fife-and-drum bands and one bra.s.s band. They had green and gold banners with harps and streamers, and mottoes in yellow lettering, that took four hardy men to carry on a windy day. The heads of the Peelers were hardly ever out of their helmets. The resident magistrate rose one day in the bosom of his family, his eyes closed, to say grace before meals, and from dint of habit he was chanting the Riot Act over the table until his wife flew at him with, 'How dare you, George! The mutton is quite all right!' Little boys no bigger than yourself walking along the roads to school in that splendid estate could jump up on the ditch and make good speeches.

"My cousin's minute books--he was secretary of everything--would stock a book-shop, and were noted for beautiful expressions. He was the author of ten styles of resolution construction. An enemy christened him Resolving Kavanagh. Every time he resolved to stand where he always stood he revolved. Everybody put up at his house. He was seen in more torchlight processions than Bryan O'Lynn. A room in his house was decorated in a beautiful scheme of illuminated addresses with border designs from the Book of Kells. The homes of the people were full of the stumps of burned-down candles, the remains of great illuminations for my cousin whenever he came out of prison. I tell you no lie when I say that that clumsy cousin of mine became clever and polished, all through pure practice. He had the best of tutors. The skin of a landlord in the London garret, his agents, their understrappers, removable magistrates, judges, Crown solicitors, county inspectors of police, sergeants, constables, secret service men,--all drove him from fame to fame until in the end they chased him out the only gap that was left open to the like of him--the English Parliament. Think of the streak of that man's career! And there was I, a man of capacity and brains, born with the golden spoon of talent in my mouth, dead to the world in Gobstown! I was rotting like a turnip under the best and the most accursed of landlords. In the end I could not stand it--no man of spirit could.

"One day I took down my ashplant, spat on my fist, and set out for my cousin's place. He gave me no welcome. I informed him as to how the land lay in Gobstown. I said we must be allowed to make a name for ourselves as the producers of a s.h.i.+ning example of a landlord. My cousin let his head lie over a little to one side and then said, 'In this country s.h.i.+ning examples ought only be used with the greatest moderation.' He looked out through the window and after some time said, 'That Gobstown landlord is the most dangerous lunatic in all Ireland.' 'How is that?'

said I. 'Because,' said my famous cousin, 'he has a perfect heart.' He put his head over to the other side, looked at me and said, 'If Gobstown does not do something he may be the means of destroying us all.' 'How?'

said I. 'He may become contagious,' said my cousin. 'Only think of his example being followed and Ireland turned into one vast tract of Gobstowns! Would not any fate at all be better than that?' I who knew said, 'G.o.d knows it would.'

"My cousin sighed heavily. He turned from me, leaving me standing there in the kitchen, and I saw him moving with a ladder to the loft overhead.

This he mounted and disappeared in the black rafters. I could hear him fumbling somewhere under the thatch. Presently down he came the ladder, a gun in one hand, and a fistful of cartridges in the other. He spoke no word, and I spoke no word. He came to me and put the gun in my hand and the handful of cartridges in my pocket. He walked to the fire and stood there with his back turned. I stood where I was, a Gobstown mohawk, with the gun in my hand. At last I said, 'What is this for?' and grounded the gun a little on the floor. My cousin did not answer at once. At last he said without moving, 'It's for stirring your tea, what else?' I looked at him and he remained as he was and, the sweat breaking out on the back of my neck, I left the house and made across the fields for home, the cartridges rattling in my pocket every ditch I leapt, the feel of the gun in my hand becoming more familiar and more friendly.

"At last I came to the summit of a little green hill overlooking Gobstown, and there I sat me down. The sight of Gobstown rose the gorge in me. Nothing came out of it but weak puffs of turf smoke from the chimneys--little pallid thin streaks that wobbled in the wind. There, says I, is the height of Gobstown. And no sound came up out of it except the cackle of geese, and then the bawl of an old a.s.s in the bog.

There, says I, is the depth of Gobstown. And rising up from the green hill I made up my mind to save Ireland from Gobstown even if I lost my own soul. I would put a bullet in the perfect heart of our good landlord.

"That night I lay behind a certain ditch. The moon shone on the nape of my neck. The good landlord pa.s.sed me by on the road, he and his good wife, chattering and happy as a pair of lovers. I groped for the gun.

The queerest feeling came over me. I did not even raise it. I had no nerve. I quaked behind the ditch. His footsteps and her footsteps were like cracks of this hammer on my head. I knew, then, in that minute, that I was no good, and that Gobstown was for ever lost.... What happened me? Who can say that for certain? Many a time have I wondered what came over me in that hour. I can only guess.... n.o.body belonging to me had ever been rack-rented. I had never seen any of my own people evicted. No great judge of a.s.size had ever looked down on me from his bench to the dock and addressed to me stern words. I had never heard the clang behind me of a prison door. No royal hand of an Irish constabularyman had ever brought a baton down on my head. No carbine had ever b.u.t.ted the soft places of my body. I had no scars that might redden with memories. The memories I had and that might give me courage were not memories of landlords. There was nothing of anger in my heart for the Gobstown landlord, and he went by. I dragged my legs out of the ditch and drowned my cousin's gun in a boghole. After it I dropped in the handful of cartridges. They made a little gurgle in the dark water like blood in a shot man's throat. And that same night I went home, put a few things in a red handkerchief, and stole out of Gobstown like a thief. I walked along the roads until I came to this town, learned my trade, became a respectable shoemaker, and--tell your mother I never use anything only the best leather. There are your boots, Padna, tips and all ... half-a-crown. Thanks, and well wear!"

THE RECTOR

The Rector came round the gable of the church. He walked down the sanded path that curved to the road. Half-way down he paused, meditated, then turning gazed at the building. It was square and solid, bulky against the background of the hills. The Rector hitched up his cuffs as he gazed at the structure. Critical puckers gathered in little lines across the preserved, peach-like cheeks. He put his small, nicely-shaped head to one side. There was a proprietorial, concerned air in his att.i.tude. One knew that he was thinking of the repairs to the church, anxious about the gutters, the downpipe, the missing slates on the roof, the painting of the doors and windows. He struck an att.i.tude as he pondered the problem of the cracks on the pebble-dashed walls. His umbrella grounded on the sand with decision. He leaned out a little on it with deliberation, his lips unconsciously shaping the words of the ultimatum he should deliver to the Select Vestry. His figure was slight, he looked old-world, almost funereal, something that had become detached, that was an outpost, half-forgotten, lonely; a man who had sunk into a parish where there was nothing to do. He mumbled a little to himself as he came down to the gate in the high wall that enclosed the church grounds.

A group of peasants was coming along the yellow, lonely road, talking and laughing. The bare-footed women stepped with great active strides, bearing themselves with energy. They carried heavy baskets from the market town, but were not conscious of their weight. The carded-wool petticoats, dyed a robust red, brought a patch of vividness to the landscape. The white "bauneens" and soft black hats of the men afforded a contrast. The Rector's eyes gazed upon the group with a schooled detachment. It was the look of a man who stood outside of their lives, who did not expect to be recognised, and who did not feel called upon to seem conscious of these peasant folk. The eyes of the peasants were unmoved, uninterested, as they were lifted to the dark figure that stood at the rusty iron gate leading into the enclosed church grounds. He gave them no salutation. Their conversation voluble, noisy, dropped for a moment, half through embarra.s.sment, half through a feeling that something alive stood by the wayside. A vagueness in expression on both sides was the outward signal that two conservative forces had met for a moment and refused to compromise.

One young girl, whose figure and movements would have kindled the eye of an artist, looked up and appeared as if she would smile. The Rector was conscious of her vivid face, framed in a fringe of black hair, of a mischievousness in her beauty, some careless abandon in the swing of her limbs. But something in the level dark brows of the Rector, something that was dour, forbade her smile. It died in a little flush of confusion. The peasants pa.s.sed and the Rector gave them time to make some headway before he resumed his walk to the Rectory.

He looked up at the range of hills, great in their extent, mighty in their rhythm, beautiful in the play of light and mist upon them. But to the mind of the Rector they expressed something foreign, they were part of a place that was condemned and lost. He began to think of the young girl who, in her innocence, had half-smiled at him. Why did she not smile? Was she afraid? Of what was she afraid? What evil thing had come between her and that impulse of youth? Some consciousness--of what? The Rector sighed. He had, he was afraid, knowledge of what it was. And that knowledge set his thoughts racing over their accustomed course. He ran over the long tradition of his grievances--grievances that had submerged him in a life that had not even a place in this wayside countryside. His mind worked its way down through all the stages of complaint until it arrived at the _Ne Temere_ decree. The lips of the Rector no longer formed half-spoken words; they became two straight, tight little thin lines across the teeth. They would remain that way all the afternoon, held in position while he read the letters in the _Irish Times_. He would give himself up to thoughts of politics, of the deeds of wicked men, of the transactions that go on within and without governments, doping his mind with the drug of cla.s.s opiates until it was time to go to bed.

Meantime he had to pa.s.s a man who was breaking stones in a ditch by the roadside. The hard cracks of the hammer were resounding on the still air. The man looked up from his work as the Rector came along; the grey face of the stone-breaker had a melancholy familiarity for him. The Rector had an impulse--it was seldom he had one. He stood in the centre of the road. The _Ne Temere_ decree went from his mind.

"Good-day, my man," he said, feeling that he had made another concession, and that it would be futile as all the others.

"Good-day, sir," the stone-breaker made answer, hitching himself upon the sack he had put under his haunches, like one very ready for a conversation.

There was a pause. The Rector did not know very well how to continue. He should, he knew, speak with some sense of colloquialism if he was to get on with this stonebreaker, a person for whom he had a certain removed sympathy. The manner of these people's speech was really a part of the grievances of the Rector. Their conversation, he often secretly a.s.sured himself, was peppered with Romish propaganda. But the Rector made another concession.

"It's a fine day, thank G.o.d," he said. He spoke like one who was delivering a message in an unfamiliar language. "Thank G.o.d" was local, and might lend itself to an interpretation that could not be approved.

But the Rector imported something into the words that was a protection, something that was of the pulpit, that held a solemnity in its pessimism.

"A fine day, indeed, glory be to G.o.d!" the stonebreaker made answer.

There was a freshness in his expression, a cheerfulness in the prayer, that made of it an optimism.

The Rector was so conscious of the contrast that it gave him pause again. The peach-like colourings on the cheeks brightened, for a suspicion occurred to him. Could the fellow have meant anything? Had he deliberately set up an optimistic Deity in opposition to the pessimistic Deity of the Rector? The Rector hitched up the white cuffs under his dark sleeves, swung his umbrella, and resumed his way, his lips puckered, a little feverish agitation seizing him.

"A strange, down-hearted kind of a man," the stonebreaker said to himself, as he reached out for a lump of lime-stone and raised his hammer. A redbreast, perched on an old thorn bush, looking out on the scene with curious eyes, stretched his wing and his leg, as much as to say, "Ah, well," sharpened his beak on a twig, and dropped into the ditch to pick up such gifts as the good earth yielded.

The Rector walked along the road pensive, but steadfast, his eyes upon the alien hills, his mind travelling over ridges of problems that never afforded the gleam of solution. He heard a shout of a laugh. Above the local accents that held a cadence of the Gaelic speech he heard the sharp clipping Northern accent of his own gardener and general factotum.

He had brought the man with him when he first came to Connacht, half as a mild form of colonisation, half through a suspicion of local honesty.

He now saw the man's s.h.a.ggy head over the Rectory garden wall, and outside it were the peasants.

How was it that the gardener got on with the local people? How was it that they stood on the road to speak with him, shouting their extravagant laughter at his keen, dry Northern humour?