The Age of Innocence Part 28

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There's a breeze, and it will be cooler. We might take the steamboat down to Point Arley." She glanced up at him hesitatingly and he went on: "On a Monday morning there won't be anybody on the boat. My train doesn't leave till evening: I'm going back to New York. Why shouldn't we?" he insisted, looking down at her; and suddenly he broke out: "Haven't we done all we could?"

"Oh"--she murmured again. She stood up and reopened her sunshade, glancing about her as if to take counsel of the scene, and a.s.sure herself of the impossibility of remaining in it. Then her eyes returned to his face. "You mustn't say things like that to me," she said.

"I'll say anything you like; or nothing. I won't open my mouth unless you tell me to. What harm can it do to anybody? All I want is to listen to you," he stammered.

She drew out a little gold-faced watch on an enamelled chain. "Oh, don't calculate," he broke out; "give me the day! I want to get you away from that man. At what time was he coming?"

Her colour rose again. "At eleven."



"Then you must come at once."

"You needn't be afraid--if I don't come."

"Nor you either--if you do. I swear I only want to hear about you, to know what you've been doing. It's a hundred years since we've met--it may be another hundred before we meet again."

She still wavered, her anxious eyes on his face. "Why didn't you come down to the beach to fetch me, the day I was at Granny's?" she asked.

"Because you didn't look round--because you didn't know I was there. I swore I wouldn't unless you looked round." He laughed as the childishness of the confession struck him.

"But I didn't look round on purpose."

"On purpose?"

"I knew you were there; when you drove in I recognised the ponies. So I went down to the beach."

"To get away from me as far as you could?"

She repeated in a low voice: "To get away from you as far as I could."

He laughed out again, this time in boyish satisfaction. "Well, you see it's no use. I may as well tell you," he added, "that the business I came here for was just to find you. But, look here, we must start or we shall miss our boat."

"Our boat?" She frowned perplexedly, and then smiled. "Oh, but I must go back to the hotel first: I must leave a note--"

"As many notes as you please. You can write here." He drew out a note-case and one of the new stylographic pens. "I've even got an envelope--you see how everything's predestined! There--steady the thing on your knee, and I'll get the pen going in a second. They have to be humoured; wait--" He banged the hand that held the pen against the back of the bench. "It's like jerking down the mercury in a thermometer: just a trick. Now try--"

She laughed, and bending over the sheet of paper which he had laid on his note-case, began to write. Archer walked away a few steps, staring with radiant unseeing eyes at the pa.s.sersby, who, in their turn, paused to stare at the unwonted sight of a fas.h.i.+onably-dressed lady writing a note on her knee on a bench in the Common.

Madame Olenska slipped the sheet into the envelope, wrote a name on it, and put it into her pocket. Then she too stood up.

They walked back toward Beacon Street, and near the club Archer caught sight of the plush-lined "herdic" which had carried his note to the Parker House, and whose driver was reposing from this effort by bathing his brow at the corner hydrant.

"I told you everything was predestined! Here's a cab for us. You see!" They laughed, astonished at the miracle of picking up a public conveyance at that hour, and in that unlikely spot, in a city where cab-stands were still a "foreign" novelty.

Archer, looking at his watch, saw that there was time to drive to the Parker House before going to the steamboat landing. They rattled through the hot streets and drew up at the door of the hotel.

Archer held out his hand for the letter. "Shall I take it in?" he asked; but Madame Olenska, shaking her head, sprang out and disappeared through the glazed doors. It was barely half-past ten; but what if the emissary, impatient for her reply, and not knowing how else to employ his time, were already seated among the travellers with cooling drinks at their elbows of whom Archer had caught a glimpse as she went in?

He waited, pacing up and down before the herdic. A Sicilian youth with eyes like Nastasia's offered to s.h.i.+ne his boots, and an Irish matron to sell him peaches; and every few moments the doors opened to let out hot men with straw hats tilted far back, who glanced at him as they went by. He marvelled that the door should open so often, and that all the people it let out should look so like each other, and so like all the other hot men who, at that hour, through the length and breadth of the land, were pa.s.sing continuously in and out of the swinging doors of hotels.

And then, suddenly, came a face that he could not relate to the other faces. He caught but a flash of it, for his pacings had carried him to the farthest point of his beat, and it was in turning back to the hotel that he saw, in a group of typical countenances--the lank and weary, the round and surprised, the lantern-jawed and mild--this other face that was so many more things at once, and things so different. It was that of a young man, pale too, and half-extinguished by the heat, or worry, or both, but somehow, quicker, vivider, more conscious; or perhaps seeming so because he was so different. Archer hung a moment on a thin thread of memory, but it snapped and floated off with the disappearing face--apparently that of some foreign business man, looking doubly foreign in such a setting. He vanished in the stream of pa.s.sersby, and Archer resumed his patrol.

He did not care to be seen watch in hand within view of the hotel, and his unaided reckoning of the lapse of time led him to conclude that, if Madame Olenska was so long in reappearing, it could only be because she had met the emissary and been waylaid by him. At the thought Archer's apprehension rose to anguish.

"If she doesn't come soon I'll go in and find her," he said.

The doors swung open again and she was at his side. They got into the herdic, and as it drove off he took out his watch and saw that she had been absent just three minutes. In the clatter of loose windows that made talk impossible they b.u.mped over the disjointed cobblestones to the wharf.

Seated side by side on a bench of the half-empty boat they found that they had hardly anything to say to each other, or rather that what they had to say communicated itself best in the blessed silence of their release and their isolation.

As the paddle-wheels began to turn, and wharves and s.h.i.+pping to recede through the veil of heat, it seemed to Archer that everything in the old familiar world of habit was receding also. He longed to ask Madame Olenska if she did not have the same feeling: the feeling that they were starting on some long voyage from which they might never return.

But he was afraid to say it, or anything else that might disturb the delicate balance of her trust in him. In reality he had no wish to betray that trust. There had been days and nights when the memory of their kiss had burned and burned on his lips; the day before even, on the drive to Portsmouth, the thought of her had run through him like fire; but now that she was beside him, and they were drifting forth into this unknown world, they seemed to have reached the kind of deeper nearness that a touch may sunder.

As the boat left the harbour and turned seaward a breeze stirred about them and the bay broke up into long oily undulations, then into ripples tipped with spray. The fog of sultriness still hung over the city, but ahead lay a fresh world of ruffled waters, and distant promontories with light-houses in the sun. Madame Olenska, leaning back against the boat-rail, drank in the coolness between parted lips. She had wound a long veil about her hat, but it left her face uncovered, and Archer was struck by the tranquil gaiety of her expression. She seemed to take their adventure as a matter of course, and to be neither in fear of unexpected encounters, nor (what was worse) unduly elated by their possibility.

In the bare dining-room of the inn, which he had hoped they would have to themselves, they found a strident party of innocent-looking young men and women--school-teachers on a holiday, the landlord told them--and Archer's heart sank at the idea of having to talk through their noise.

"This is hopeless--I'll ask for a private room," he said; and Madame Olenska, without offering any objection, waited while he went in search of it. The room opened on a long wooden verandah, with the sea coming in at the windows. It was bare and cool, with a table covered with a coa.r.s.e checkered cloth and adorned by a bottle of pickles and a blueberry pie under a cage. No more guileless-looking cabinet particulier ever offered its shelter to a clandestine couple: Archer fancied he saw the sense of its rea.s.surance in the faintly amused smile with which Madame Olenska sat down opposite to him. A woman who had run away from her husband--and reputedly with another man--was likely to have mastered the art of taking things for granted; but something in the quality of her composure took the edge from his irony. By being so quiet, so unsurprised and so simple she had managed to brush away the conventions and make him feel that to seek to be alone was the natural thing for two old friends who had so much to say to each other....

XXIV.

They lunched slowly and meditatively, with mute intervals between rushes of talk; for, the spell once broken, they had much to say, and yet moments when saying became the mere accompaniment to long duologues of silence. Archer kept the talk from his own affairs, not with conscious intention but because he did not want to miss a word of her history; and leaning on the table, her chin resting on her clasped hands, she talked to him of the year and a half since they had met.

She had grown tired of what people called "society"; New York was kind, it was almost oppressively hospitable; she should never forget the way in which it had welcomed her back; but after the first flush of novelty she had found herself, as she phrased it, too "different" to care for the things it cared about--and so she had decided to try Was.h.i.+ngton, where one was supposed to meet more varieties of people and of opinion.

And on the whole she should probably settle down in Was.h.i.+ngton, and make a home there for poor Medora, who had worn out the patience of all her other relations just at the time when she most needed looking after and protecting from matrimonial perils.

"But Dr. Carver--aren't you afraid of Dr. Carver? I hear he's been staying with you at the Blenkers'."

She smiled. "Oh, the Carver danger is over. Dr. Carver is a very clever man. He wants a rich wife to finance his plans, and Medora is simply a good advertis.e.m.e.nt as a convert."

"A convert to what?"

"To all sorts of new and crazy social schemes. But, do you know, they interest me more than the blind conformity to tradition--somebody else's tradition--that I see among our own friends. It seems stupid to have discovered America only to make it into a copy of another country." She smiled across the table. "Do you suppose Christopher Columbus would have taken all that trouble just to go to the Opera with the Selfridge Merrys?"

Archer changed colour. "And Beaufort--do you say these things to Beaufort?" he asked abruptly.

"I haven't seen him for a long time. But I used to; and he understands."

"Ah, it's what I've always told you; you don't like us. And you like Beaufort because he's so unlike us." He looked about the bare room and out at the bare beach and the row of stark white village houses strung along the sh.o.r.e. "We're d.a.m.nably dull. We've no character, no colour, no variety.--I wonder," he broke out, "why you don't go back?"

Her eyes darkened, and he expected an indignant rejoinder. But she sat silent, as if thinking over what he had said, and he grew frightened lest she should answer that she wondered too.

At length she said: "I believe it's because of you."

It was impossible to make the confession more dispa.s.sionately, or in a tone less encouraging to the vanity of the person addressed. Archer reddened to the temples, but dared not move or speak: it was as if her words had been some rare b.u.t.terfly that the least motion might drive off on startled wings, but that might gather a flock about it if it were left undisturbed.

"At least," she continued, "it was you who made me understand that under the dullness there are things so fine and sensitive and delicate that even those I most cared for in my other life look cheap in comparison. I don't know how to explain myself"--she drew together her troubled brows--"but it seems as if I'd never before understood with how much that is hard and shabby and base the most exquisite pleasures may be paid."

The Age of Innocence Part 28

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The Age of Innocence Part 28 summary

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