The Age of Innocence Part 39

What do you mean by going home?"

"Home to my husband."

"And you expect me to say yes to that?"

She raised her troubled eyes to his. "What else is there? I can't stay here and lie to the people who've been good to me."

"But that's the very reason why I ask you to come away!"

"And destroy their lives, when they've helped me to remake mine?"

Archer sprang to his feet and stood looking down on her in inarticulate despair. It would have been easy to say: "Yes, come; come once." He knew the power she would put in his hands if she consented; there would be no difficulty then in persuading her not to go back to her husband.

But something silenced the word on his lips. A sort of pa.s.sionate honesty in her made it inconceivable that he should try to draw her into that familiar trap. "If I were to let her come," he said to himself, "I should have to let her go again." And that was not to be imagined.

But he saw the shadow of the lashes on her wet cheek, and wavered.

"After all," he began again, "we have lives of our own.... There's no use attempting the impossible. You're so unprejudiced about some things, so used, as you say, to looking at the Gorgon, that I don't know why you're afraid to face our case, and see it as it really is--unless you think the sacrifice is not worth making."

She stood up also, her lips tightening under a rapid frown.

"Call it that, then--I must go," she said, drawing her little watch from her bosom.

She turned away, and he followed and caught her by the wrist. "Well, then: come to me once," he said, his head turning suddenly at the thought of losing her; and for a second or two they looked at each other almost like enemies.

"When?" he insisted. "Tomorrow?"

She hesitated. "The day after."

"Dearest--!" he said again.

She had disengaged her wrist; but for a moment they continued to hold each other's eyes, and he saw that her face, which had grown very pale, was flooded with a deep inner radiance. His heart beat with awe: he felt that he had never before beheld love visible.

"Oh, I shall be late--good-bye. No, don't come any farther than this,"

she cried, walking hurriedly away down the long room, as if the reflected radiance in his eyes had frightened her. When she reached the door she turned for a moment to wave a quick farewell.

Archer walked home alone. Darkness was falling when he let himself into his house, and he looked about at the familiar objects in the hall as if he viewed them from the other side of the grave.

The parlour-maid, hearing his step, ran up the stairs to light the gas on the upper landing.

"Is Mrs. Archer in?"

"No, sir; Mrs. Archer went out in the carriage after luncheon, and hasn't come back."

With a sense of relief he entered the library and flung himself down in his armchair. The parlour-maid followed, bringing the student lamp and shaking some coals onto the dying fire. When she left he continued to sit motionless, his elbows on his knees, his chin on his clasped hands, his eyes fixed on the red grate.

He sat there without conscious thoughts, without sense of the lapse of time, in a deep and grave amazement that seemed to suspend life rather than quicken it. "This was what had to be, then ... this was what had to be," he kept repeating to himself, as if he hung in the clutch of doom. What he had dreamed of had been so different that there was a mortal chill in his rapture.

The door opened and May came in.

"I'm dreadfully late--you weren't worried, were you?" she asked, laying her hand on his shoulder with one of her rare caresses.

He looked up astonished. "Is it late?"

"After seven. I believe you've been asleep!" She laughed, and drawing out her hat pins tossed her velvet hat on the sofa. She looked paler than usual, but sparkling with an unwonted animation.

"I went to see Granny, and just as I was going away Ellen came in from a walk; so I stayed and had a long talk with her. It was ages since we'd had a real talk...." She had dropped into her usual armchair, facing his, and was running her fingers through her rumpled hair. He fancied she expected him to speak.

"A really good talk," she went on, smiling with what seemed to Archer an unnatural vividness. "She was so dear--just like the old Ellen.

I'm afraid I haven't been fair to her lately. I've sometimes thought--"

Archer stood up and leaned against the mantelpiece, out of the radius of the lamp.

"Yes, you've thought--?" he echoed as she paused.

"Well, perhaps I haven't judged her fairly. She's so different--at least on the surface. She takes up such odd people--she seems to like to make herself conspicuous. I suppose it's the life she's led in that fast European society; no doubt we seem dreadfully dull to her. But I don't want to judge her unfairly."

She paused again, a little breathless with the unwonted length of her speech, and sat with her lips slightly parted and a deep blush on her cheeks.

Archer, as he looked at her, was reminded of the glow which had suffused her face in the Mission Garden at St. Augustine. He became aware of the same obscure effort in her, the same reaching out toward something beyond the usual range of her vision.

"She hates Ellen," he thought, "and she's trying to overcome the feeling, and to get me to help her to overcome it."

The thought moved him, and for a moment he was on the point of breaking the silence between them, and throwing himself on her mercy.

"You understand, don't you," she went on, "why the family have sometimes been annoyed? We all did what we could for her at first; but she never seemed to understand. And now this idea of going to see Mrs.

Beaufort, of going there in Granny's carriage! I'm afraid she's quite alienated the van der Luydens ..."

"Ah," said Archer with an impatient laugh. The open door had closed between them again.

"It's time to dress; we're dining out, aren't we?" he asked, moving from the fire.

She rose also, but lingered near the hearth. As he walked past her she moved forward impulsively, as though to detain him: their eyes met, and he saw that hers were of the same swimming blue as when he had left her to drive to Jersey City.

She flung her arms about his neck and pressed her cheek to his.

"You haven't kissed me today," she said in a whisper; and he felt her tremble in his arms.

x.x.xII.

"At the court of the Tuileries," said Mr. Sillerton Jackson with his reminiscent smile, "such things were pretty openly tolerated."

The scene was the van der Luydens' black walnut dining-room in Madison Avenue, and the time the evening after Newland Archer's visit to the Museum of Art. Mr. and Mrs. van der Luyden had come to town for a few days from Skuytercliff, whither they had precipitately fled at the announcement of Beaufort's failure. It had been represented to them that the disarray into which society had been thrown by this deplorable affair made their presence in town more necessary than ever. It was one of the occasions when, as Mrs. Archer put it, they "owed it to society" to show themselves at the Opera, and even to open their own doors.

"It will never do, my dear Louisa, to let people like Mrs. Lemuel Struthers think they can step into Regina's shoes. It is just at such times that new people push in and get a footing. It was owing to the epidemic of chicken-pox in New York the winter Mrs. Struthers first appeared that the married men slipped away to her house while their wives were in the nursery. You and dear Henry, Louisa, must stand in the breach as you always have."

Mr. and Mrs. van der Luyden could not remain deaf to such a call, and reluctantly but heroically they had come to town, unm.u.f.fled the house, and sent out invitations for two dinners and an evening reception.