Deformities of Samuel Johnson, Selected from his Works Part 10
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[148] Dr Johnson's Dictionary, 4th edition, folio.
[149] Ibid.
[150] It is needless to observe, that there is no such coin in existence.
[151] Idler, No. 94.
[152] What string does the Doctor mean? for, besides the optic nerve, there are six muscles, four straight, and two oblique, and other small nervous branches.
[153] It is surprising how some persons acquire the reputation of piety.
The fervour of Dr Johnson's devotion cannot be denied by those who have seen him rise in the midst of a large company--fall down on his knees behind his chair, repeat his Pater noster, and then resume his seat.
This is one way to get a character for holiness, and it is an absolute fact.
Laud proved his t.i.tle to the dignity of a saint, by doing all the mischief that lay in his power. He lighted up the flames of discord through three kingdoms. They were extinguished in the course of twenty years, by rivers of blood.
'Knocking Jack of the North' founded his reputation, by railing at the d.a.m.nable sin of fornication, destroying great numbers of fine buildings, and insulting the person of his Sovereign. His character was completely detestable, which is evident from the whole tenor of his life and writings, from his 'Blast against Women,' and above all, from his insolence to Queen Mary, a Princess the most admired, the most beautiful, the most injured, and the most unfortunate of her age.
[154] Preface to Shakespeare.
[155] Ibid. Dr Johnson on Shakespeare.
[156] Preface to Folio Dictionary.
[157] False Alarm.
[158] Life of Pope.
[159] Life of Pope.
[160] Ibid.
[161] Ibid.
[162]
Let Budgell charge low Grubstreet on my quill-- And write whate'er he please, _except my_ WILL!
Epistle to Arbuthnot.
[163] Life of Pope.
[164] Vide life prefixed to his works.
[165] Rambler, No. 45.
[166] Life of Addison.
[167] Dr Johnson's reputation is raised to such a height, that many writers do not think their productions can be successful, unless they have his liberty to acknowledge their obligations to him. This tribute of grat.i.tude generally occupies a splendid dedication, or the second paragraph in the author's preface, and we are sometimes reminded in a marginal note of his particular respect for the Doctor. By a man of tolerable information, such eulogiums cannot be perused without intense disgust. But one of these gentlemen has boasted of the Doctor's approbation of a work, which, had he ever been consulted, he would have _d.a.m.ned beyond all depth_. Dr Percy has published three volumes of English ballads, and as an apology for this work, he says in his preface, that he could refuse nothing to such judges as the late Mr Shenstone, and--the author of the RAMBLER. Now take notice, that the very first poem in the collection, and one of the very best in the whole of it, is Chevy Chace! Dr Percy admires it. Dr Johnson ridicules it in the roughest terms. What are we to think of this; and what must Dr Percy feel when he reads the pa.s.sage just now quoted from his friend? If Dr Johnson thinks Chevy Chace so insufferably dull, how must he have sickened in the perusal of many pieces in that collection.
[168] Fugitive pieces. Vol. II. p. 136.
[169] Ibid, p. 26.
[170] Review for August 1782.
[171] Vide False Alarm.
[172] Though Dr Johnson has on all occasions expressed the utmost contempt and aversion for the Scots, yet they have in general been solicitous to soothe his pride. Dr Smollet says, that 'Johnson, inferior to none in philosophy, philology, and poetry, stands foremost as an essayist, justly celebrated for the strength, dignity, and variety of his stile, &c.' And Beattie affirms, that his dictionary, considered as the work of one man, is a _most wonderful_ performance! The Doctor's capital enemies have likewise been Caledonians. The great author of Lexiphanes was a Scot, and the Rambler is yet smarting under the rough but irresistible _remarks_ of a Highland reviewer.
Our ingenious advocate for the second sight (vid. Tour) has long been duped by a succession of rascals. Lawder persuaded him to believe, that Paradise Lost was compiled from sc.r.a.ps of modern Latin poetry; his pamphlet bears strong internal evidence that part of it at least (as has been long alledged) is the production of the Doctor's pen. Compare in particular the preface with such attempts in prose as we know to be Lawder's own. Vide Gentleman's Magazine.
Mr Shaw has of late renewed his _enquiries_. They are only to be regarded as the desperate ravings of a man who believes that, in consequence of the _new light_, his moral and his literary character have sunk together into final perdition; that his name, like Lawder's, will be remembered only to his infamy, and _that_ Dr Johnson himself despises and abhors him. Do you think me too severe on the Doctor's infirmities? Can you forgive his injustice to the memory of his benefactors--his political duplicity--his thirst for blood--his inveterate antipathy to the most sacred rights of mankind?
Dr Johnson says, that one of the lowest of all human beings is a Commissioner of Excise. This can hardly be the case, unless himself or his reverend friend Mr Shaw shall arrive at that dignity. But in the meantime, there is a Commissioner of Excise, or Customs, (no matter which) who in the scale of human beings is not much _lower_ than Lexiphanes himself. This couple stand in the most striking contrast: and to draw the character of the first is to write an oblique but most severe censure on the character of the second. Dr Smith's language is a luscious and pure specimen of strength, elegance, precision, and simplicity. His _Enquiry into the nature and causes of the wealth of nations_ deserves to be studied by every member of the community, as one of the most accurate, profound, and persuasive books that ever was written. In _that_ performance he displays an intimate and extensive knowledge of mankind, in every department of life, from the cabinet to the cottage; a supreme contempt of national prejudice, and a fearless attachment to liberty, to justice, and to truth. His work is admired as a ma.s.s of excellence, a condensation of reasonings, the most various, important, original, and just.
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Deformities of Samuel Johnson, Selected from his Works Part 10
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