Cavalry of the Clouds Part 12
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A.-A. guns by the dozen hit out immediately we crossed the lines, for we were their one target. No other craft were in sight, except a lone B.E., which was drifted by the wind as it spotted for artillery from the British side of the trenches. Scores of black puffs, attended by cavernous coughs, did their best to put the wind up us. They succeeded to a certain extent, though not enough to hinder the work on hand.
Everything was in Archie's favour. We were at 7000 feet--an easy height for A.-A. sighting--we were silhouetted against a cover of high clouds, our ground speed was only some thirty miles an hour against the raging wind, and we dared not dodge the bursts, however close, as area photography from anything but an even line of flight is useless. Yet, though the bursts kept us on edge, we were not touched by so much as a splinter. In this we were lucky under the conditions. The luck could scarcely have held had the job lasted much longer than a quarter of an hour--which is a consoling thought when one is safe back and writing to a dear friend in England, not?
Northward, along the left-hand side of the road, was my first subject; and a d.a.m.ned unpleasant subject it was--a dirty-soiled, sh.e.l.l-scarred wilderness. I looked overboard to make certain of the map square, withdrew back into the office, pulled the shutter-string, and loaded the next plate for exposure.
"_Wouff!_ _Ouff!_ _Ouff!_" barked Archie, many times and loud. An instinct to swerve a.s.saulted the pilot, but after a slight deviation he controlled his impulse and held the bus above the roadside. He had a difficult task to maintain a level course. Whereas we wanted to make east-north-east, the wind was due east, so that it cut across and drifted us in a transverse direction. To keep straight it was necessary to steer crooked--that is to say, head three-quarters into the wind to counteract the drift, the line of flight thus forming an angle of about 12 with the longitudinal axis of the aeroplane.
"_Wouff!_ _ouff!_" Archibald continued, as I counted in seconds the interval to the scene of the next snapshot, which, as a.s.surance that the whole ground would be covered, was to overlap slightly the first. A quick glance below, another tug at the string, and plate the second was etched with information. The third, fourth, and fifth followed; and finally, to our great relief, we reach Le Sars.
Here the pilot was able to dodge for a few seconds while we turned to retrace the course, this time along the southern edge of the road. He side-slipped the bus, pulled it around in an Immelmann turn, and then felt the rudder-controls until we were in the required direction. The interval between successive exposures was now shorter, as the east wind brought our ground speed to 120 miles an hour, even with the engine throttled back. There was scarcely time to sight the objective before the photograph must be taken and the next plate loaded into place.
Within two minutes we were again over Pozieres.
V. took us across the lines, so as to deceive the Archie merchants into a belief that we were going home. We then climbed a little, turned sharply, and began to repeat our outward trip to north of the road.
Evidently Archie had allowed his leg to be pulled by the feint, and for two minutes he only molested the machine with a few wild shots. But soon he recovered his old form, so that when we had reached Le Sars the bus was again wreathed by black puffs. We vertical-turned across the road and headed for the trenches once more, with the last few plates waiting for exposure.
Archie now seemed to treat the deliberation of the solitary machine's movements as a challenge to his ability, and he determined to make us pay for our seeming contempt. An ugly barrage of A.-A. sh.e.l.l-bursts separated us from friendly air, the discs of black smoke expanding as they hung in little cl.u.s.ters. Into this barrier of hate we went unwillingly, like children sent to church as a duty.
Scores of staccato war-whoops reminded us that the Boche gunners wanted our scalp. I don't know how V. felt about it, but I well know that I was in a state of acute fear. Half-way to Pozieres I abandoned checking the ground by the map, and judged the final photographs by counting the seconds between each--"one, two, three, four (_wouff!_ _wouff!_ _wouff!_ _wouff!_)"; pull the string, press forward the loading-handle, bring it back; "one, two, three, four (_wouff!_ _wouff!_ _wouff!_ _wouff!_)," et-cetera. Just as the final plate-number showed on the indicator a mighty report from underneath startled us, and the machine was pressed upward, left wing down.
This was terrifying enough but not harmful, for not one of the fragments from the near burst touched us, strange to say. The pilot righted the bus, and I made the last exposure, without, I am afraid, caring what patch of earth was shuttered on to the plate.
Nose down and engine full out, we hared over the trenches. Archie's hate followed for some distance, but to no purpose; and at last we were at liberty to fly home, at peace with the wind and the world. We landed less than three-quarters of an hour after we had left the aerodrome in a hurry.
"Good boys," said the Squadron Commander; "now see that lightning is used in developing your prints."
The camera was rushed to the photographic lorry, the plates were unloaded in the dark hut, the negatives were developed. Half an hour later I received the first proofs, and, with them, some degree of disappointment. Those covering the first outward and return journey between Pozieres and Le Sars were good, as were the next three, at the beginning of the second journey. Then came a confused blur of superimposed ground-patterns, and at the last five results blank as the brain of a flapper. A jamb in the upper changing-box had led to five exposures on the one plate.
As you know, mon amie, I am a fool. But I do not like to be reminded of the self-evident fact. The photographic officer said I must have made some silly mistake with the loading handle, and he remarked sadly that the camera was supposed to be foolproof. I said he must have made some silly mistake when inspecting the camera before it left his workshop, and I remarked viciously that the camera was foolproof against a careless operator, but by no means foolproof against the careless expert. There we left the subject and the spoiled plates, as the evening was too far advanced for the trip to be repeated. As the photoman has a pleasant job at wing headquarters, whereas I am but an observer--that is to say, an R.F.C. doormat--the blame was laid on me as a matter of course. However, the information supplied by the successful exposures pleased the staff people at whose instigation the deed was done, and this was all that really mattered.
I have already told you that our main work in umpty squadron is long reconnaissance for G.H.Q. and offensive patrol. Special photographic stunts such as happened to-day are rare, thank the Lord. But our cameras often prepare the way for a bombing expedition. An observer returns from a reconnaissance flight with snapshots of a railhead, a busy factory, or an army headquarters. Prints are sent to the "I" people, who, at their leisure, map out in detail the point of interest. No fear of doubtful reports from the glossed surface of geometrical reproduction, for the camera, our most trusted spy, cannot distort the truth. Next a complete plan of the chosen objective, with its surroundings, is given to a bombing squadron; and finally, the pilots concerned, well primed with knowledge of exactly where to align their bomb-sights, fly off to destroy.
For the corps and army squadrons of the R.F.C. photography has a prominent place in the daily round. To them falls the duty of providing survey-maps of the complete system of enemy defences. Their all-seeing lenses penetrate through camouflage to new trenches and emplacements, while exposing fake fortifications. The broken or unbroken German line is fully revealed, even to such details as the barbed wire in front and the approaches in rear.
For clues to battery positions and the like, the gun country behind the frontier of the trenches is likewise searched by camera. One day a certain square on the artillery map seems lifeless. The following afternoon an overhead snapshot reveals a new clump of trees or a curious mark not to be found on earlier photographs. On the third day the mark has disappeared, or the trees are cl.u.s.tered in a slightly different shape. But meanwhile an exact position has been pin-pointed, so that certain heavy guns busy themselves with concentrated fire. By the fourth day the new gun-pits, or whatever it was that the Hun tried to smuggle into place unnoticed, have been demolished and is replaced by a wide rash of sh.e.l.l-holes.
Wonderful indeed is the record of war as preserved by prints in the archives of our photographic section. For example, we were shown last week a pair of striking snapshots taken above Martinpuich, before and after bombardment. The Before one pictured a neat little village in compact perspective of squares, rectangles, and triangles. The Aftermath pictured a tangled heap of sprawling chaos, as little like a village as is the usual popular novel like literature.
Of all the Flying Corps photographs of war, perhaps the most striking is that taken before Ypres of the first Hun gas attack. A B.E2.C., well behind the German lines, caught sight of a strange s...o...b..ll of a cloud rolling across open ground, in the wake of an east wind. It flew to investigate, and the pilot photographed the phenomenon from the rear.
This reproduction of a tenuous ma.s.s blown along the discoloured earth will show coming generations how the Boche introduced to the black art of warfare its most devilish form of frightfulness.
I would send you a few aerial photographs, as you suggest, if the private possession of them were not strictly verboten. Possibly you will have an opportunity of seeing all you want later, for if the authorities concerned are wise they will form a public collection of a few thousand representative snapshots, to show the worlds of to-day, to-morrow, and the day after what the camera did in the great war. Such a permanent record would be of great value to the military historian; and on a rainy afternoon, when the more vapid of the revues were not offering matinees, they might even be of interest to the average Londoner.
I can tell you little of the technical branch of this new science, which has influenced so largely the changing war of the past two years, and which will play an even greater part in the decisive war of the next two. All I know is that hundreds of photos are taken every day over enemy country, that ninety per cent of them are successful, and that the trained mechanics sometimes produce finished prints twenty minutes after we have given them our plates.
Moreover, I am not anxious to discuss the subject further, for it is 10 P.M., and at 5 A.M., unless my good angel sends bad weather, I shall be starting for an offensive patrol over Mossy-Face. Also you don't deserve even this much, as I have received no correspondence, books, or pork-pies from you for over a week. In ten minutes' time I shall be employed on the nightly slaughter of the spiders, earwigs, and moths that plague my tent.
Good night.
FRANCE, _September_, 1916
V.
THE ARCHIBALD FAMILY.
... You remark on the familiarity with which I speak of Archie, and you ask for detailed information about his character and habits. Why should I not treat him with familiarity? If a man calls on you nearly every day you are ent.i.tled to use his Christian name. And if the intimacy be such that at each visit he tries to punch your head, he becomes more a brother than a friend.
How, you continue, did a creature so strenuous as the anti-aircraft gun come by the flippant name of Archie? Well, once upon a time the Boche A.-A. guns were very young and had all the impetuous inaccuracy incident to youth. British airmen scarcely knew they were fired at until they saw the pretty, white puffs in the distance.
One day a pilot noticed some far-away bursts, presumably meant for him.
He was young enough to remember the good old days (you would doubtless call them the bad old days) when the music-halls produced hearty, if vulgar, humour, and he murmured "Archibald, certainly not!" The name clung, and as Archibald the A.-A. gun will go down to posterity. You can take it or leave it; any way, I cannot think of a better explanation for the moment.
Archie has since grown up and become sober, calculating, accurate, relentless, cunning, and deadly mathematical. John or Ernest would now fit him better, as being more serious, or Wilhelm, as being more frightful. For Archie is a true apostle of frightfulness. There is no greater adept at the gentle art of "putting the wind up" people.
Few airmen get hardened to the villainous noise of a loud _wouff!_ _wouff!_ at 12,000 feet, especially when it is near enough to be followed by the shriek of sh.e.l.l-fragments. Nothing disconcerts a man more as he tries to spy out the land, take photographs, direct artillery fire, or take aim through a bombsight, than to hear this noise and perhaps be lifted a hundred feet or so when a sh.e.l.l bursts close underneath. And one is haunted by the knowledge that, unlike the indirect fire of the more precise guns, Archie keeps his own eyes on the target and can observe all swerves and dashes for safety.
To anybody who has seen a machine broken up by a direct hit at some height between 8,000 and 15,000 feet, Archie becomes a prince among the demons of destruction. Direct hits are fortunately few, but hits by stray fragments are unfortunately many. Yet, though the damage on such occasions is regrettable, it is seldom overwhelming. Given a skilful pilot and a well-rigged bus, miracles can happen, though a machine stands no technical chance of staggering home. In the air uncommon escapes are common enough.
On several occasions, after a direct hit, a wounded British pilot has brought his craft to safety, with wings and fuselage weirdly ventilated and half the control wires helpless. Archie wounded a pilot from our aerodrome in the head and leg, and an opening the size of a duck's egg was ripped into the petrol tank facing him. The pressure went, and so did the engine-power. The lines were too distant to be reached in a glide, so the machine planed down towards Hun territory. The pilot was growing weak from loss of blood, but it occurred to him that if he stuck his knee into the hole he might be able to pump up pressure. He tried this, and the engine came back to life 50 feet from the ground. At this height he flew, in a semi-conscious condition, twelve miles over enemy country and crossed the lines with his bus scarcely touched by the dozens of machine-guns trained on it.
One of our pilots lost most of his rudder, but managed to get back by juggling with his elevator and ailerons. The fuselage of my own machine was once set on fire by a chunk of burning H.E. The flames died out under pressure from gloves and hands, just as they had touched the drums of ammunition and all but eaten through a longeron.
Escapes from personal injuries have been quite as strange. A piece of high explosive hit a machine sideways, pa.s.sed right through the observer's c.o.c.kpit, and grazed two kneecaps belonging to a friend of mine. He was left with nothing worse than two cuts and mild sh.e.l.l-shock.
Scottie, another observer (now a prisoner, poor chap), leaned forward to look at his map while on a reconnaissance. A dainty morsel from an Archie sh.e.l.l hurtled through the air and grazed the back of his neck. He finished the reconnaissance, made out his report, and got the scratch dressed at the hospital. Next day he resumed work; and he was delighted to find himself in the Roll of Honour, under the heading "Wounded." I once heard him explain to a new observer that when flying a close study of the map was a guarantee against losing one's way, one's head--and one's neck.
The Archibald family tree has several branches. Whenever the founder of the family went on the burst he broke out in the form of white puffs, like those thrown from the funnel of a liner when it begins to slow down. The white bursts still seek us out, but the modern Boche A.-A.
gunner specialises more in the black variety. The white bursts contain shrapnel, which is cast outwards and upwards; the black ones contain high explosive, which spreads all around.
H.E. has a lesser radius of solid frightfulness than shrapnel, but if it does. .h.i.t a machine the damage is greater. For vocal frightfulness the black beat the white hollow. If the t.i.tans ever had an epidemic of whooping-cough, and a score of them chorused the symptoms in unison, I should imagine the noise was like the bursting of a black Archie sh.e.l.l.
Then there is the green branch of the family. This is something of a problem. One theory is that the green bursts are for ranging purposes only, another that they contain a special brand of H.E., and a third declares them to be gas sh.e.l.ls. All three suggestions may be partly true, for there is certainly more than one brand of green Archie.
First cousin to Archie is the onion, otherwise the flaming rocket. It is fired in a long stream of what look like short rectangles of compressed flame at machines that have been enticed down to a height of 4000 to 6000 feet. It is most impressive as a firework display. There are also colourless phosphorous rockets that describe a wide parabola in their flight.
Within the past month or two we have been entertained at rare intervals by the family ghost. This fascinating and mysterious being appears very suddenly in the form of a pillar of white smoke, stretching to a height of several thousand feet. It is straight, and apparently rigid as far as the top, where it sprays round into a k.n.o.b. Altogether, it suggests a giant piece of celery. It does not seem to disperse; but if you pa.s.s on and look away for a quarter of an hour, you will find on your return that it has faded away as suddenly as it came, after the manner of ghosts. Whether the pillars are intended to distribute gas is uncertain, but it is a curious fact that on the few occasions when we have seen them they have appeared to windward of us.
Like babies and lunatics, Archie has his good and bad days. If low clouds are about and he can only see through the gaps he is not very troublesome. Mist also helps to keep him quiet. He breaks out badly when the sky is a cover of unbroken blue, though the sun sometimes dazzles him, so that he fires amok. From his point of view it is a perfect day when a film of cloud about 20,000 feet above him screens the sky. The high clouds forms a perfect background for anything between it and the ground, and aircraft stand out boldly, like the figures on a Greek vase.
On such a day we would willingly change places with the gunners below.
For my part, Archie has given me a fellow-feeling for the birds of the air. I have at times tried light-heartedly to shoot partridges and even pigeons, but if ever again I fire at anything on the wing, sympathy will spoil my aim.
FRANCE, _October, 1916_
Cavalry of the Clouds Part 12
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