Childhood's Favorites and Fairy Stories Part 92

THE PUPPET IS NAMED PINOCCHIO

Geppetto lived in a small ground-floor room that was only lighted from the staircase. The furniture could not have been simpler--a bad chair, a poor bed, and a broken-down table. At the end of the room there was a fireplace with a lighted fire; but the fire was painted, and by the fire was painted a saucepan that was boiling cheerfully, and sending out a cloud of smoke that looked exactly like real smoke.

As soon as he reached home Geppetto took his tools and set to work to cut out and model his puppet.

"What name shall I give him?" he said to himself; "I think I will call him Pinocchio. It is a name that will bring him luck. I once knew a whole family so called. There was Pinocchio the father, Pinocchia the mother, and Pinocchi the children, and all of them did well. The richest of them was a beggar."

Having found a name for his puppet he began to work in good earnest, and he first made his hair, then his forehead and then his eyes.

The eyes being finished, imagine his astonishment when he perceived that they moved and looked fixedly at him.

Geppetto seeing himself stared at by those two wooden eyes, took it almost in bad part, and said in an angry voice:

"Wicked wooden eyes, why do you look at me?"

No one answered.

Then he proceeded to carve the nose; but no sooner had he made it than it began to grow. And it grew, and grew, and grew until in a few minutes it had become an immense nose that seemed as if it would never end.

Poor Geppetto tired himself out with cutting it off. But the more he cut and shortened it, the longer did that impertinent nose become!

The mouth was not even completed when it began to laugh and deride him.

"Stop laughing!" said Geppetto provoked; but he might as well have spoken to the wall.

"Stop laughing, I say!" he roared in a threatening tone.

The mouth then ceased laughing, but put out its tongue as far as it would go.

Geppetto, not to spoil his handiwork, pretended not to see, and continued his labors. After the mouth he fas.h.i.+oned the chin, then the throat, and then the shoulders, the stomach, the arms and the hands.

The hands were scarcely finished when Geppetto felt his wig s.n.a.t.c.hed from his head. He turned round, and what did he see? He saw his yellow wig in the puppet's hand.

"Pinocchio!... Give me back my wig instantly!"

But Pinocchio instead of returning it, put it on his own head, and was in consequence nearly smothered.

Geppetto at this insolent and derisive behavior felt sadder and more melancholy than he had ever been in his life before; and turning to Pinocchio he said to him:

"You young rascal! You are not yet completed, and you are already beginning to show want of respect to your father! That is bad, my boy, very bad."

And he dried a tear.

The legs and feet remained to be done.

When Geppetto had finished the feet he received a kick on the point of the nose.

"I deserve it!" he said to himself; "I should have thought of it sooner! Now it is too late!"

He then took the puppet under the arms and placed him on the floor to teach him to walk.

Pinocchio's legs were stiff and he could not move, but Geppetto led him by the hand and showed him how to put one foot before the other.

When his legs became flexible Pinocchio began to walk by himself and to run about the room; until, having gone out of the house door, he jumped into the street and escaped.

Poor Geppetto rushed after him but was not able to overtake him, for that rascal Pinocchio leapt in front of him like a hare, and knocking his wooden feet together against the pavement made as much clatter as twenty pairs of peasant's clogs.

"Stop him! stop him!" shouted Geppetto; but the people in the street, seeing a wooden puppet running like a racehorse stood still in astonishment to look at it, and laughed, and laughed, and laughed, until it beats description....

IV

THE FIRE-EATER FRIGHTENS PINOCCHIO

When Pinocchio came into the little puppet theater, an incident occurred that almost produced a revolution.

I must tell you that the curtain was drawn up, and the play had already begun.

On the stage Harlequin and Punchinello were as usual quarreling with each other, and threatening every moment to come to blows.

The audience, all attention, laughed till they were ill as they listened to the bickerings of these two puppets, who gesticulated and abused each other so naturally that they might have been two reasonable beings, and two persons of the world.

All at once Harlequin stopped short, and turning to the public he pointed with his hand to some one far down in the pit, and exclaimed in a dramatic tone:

"G.o.ds of the firmament! do I dream, or am I awake? But surely that is Pinocchio!"

"It is indeed Pinocchio!" cried Punchinello.

"It is indeed himself!" screamed Miss Rose, peeping from behind the scenes.

"It is Pinocchio! it is Pinocchio!" shouted all the puppets in chorus, leaping from all sides on to the stage. "It is Pinocchio! It is our brother Pinocchio! Long live Pinocchio!"

"Pinocchio, come up here to me," cried Harlequin, "and throw yourself into the arms of your wooden brothers!"

At this affectionate invitation Pinocchio made a leap from the end of the pit into the reserved seats; another leap landed him on the head of the leader of the orchestra, and then he sprang upon the stage.

The embraces, the hugs, the friendly pinches, and the demonstrations of warm brotherly affection that Pinocchio received from the excited crowd of actors and actresses of the puppet dramatic company beat description.

The sight was doubtless a moving one, but the public in the pit, finding that the play was stopped, became impatient, and began to shout "We will have the play--go on with the play!"

It was all breath thrown away. The puppets, instead of continuing the recital, redoubled their noise and outcries, and putting Pinocchio on their shoulders they carried him in triumph before the footlights.

At that moment out came the showman. He was very big and so ugly that the sight of him was enough to frighten anyone. His beard was as black as ink, and so long that it reached from his chin to the ground. I need only say that he trod upon it when he walked. His mouth was as big as an oven, and his eyes were like two lanterns of red gla.s.s with lights burning inside of them. He carried a whip made of snakes and foxes' tails twisted together, which he cracked constantly.

At his unexpected appearance there was a profound silence: no one dared to breathe. A fly might have been heard in the stillness. The poor puppets of both s.e.xes trembled like so many leaves.