Ruth Fielding in the Great Northwest Part 9

And in less than forty-eight hours this wish of the girl of the Red Mill seemed to her almost prophetical. Tom Cameron was coming home!

The whole land rejoiced over that fact. The whole world, indeed, gave thanks that it was possible for a young captain in the American Expeditionary Forces to look forward to his release and return to his home.

The armistice had been declared. Cheslow, like every town and city in the Union, celebrated the great occasion. It was not merely a day's celebration. The war was over (or so it seemed) and the boys who were so much missed would be coming home again. It took some time for Ruth and her friends to realize that this return must be, because of the nature of things, postponed for many tiresome months.

Before Tom Cameron was likely to be freed from the army, the matter of the Indian girl's engagement with the moving picture corporation must be completely settled--at least, as far as Dakota Joe's claim upon Wonota's services went.

CHAPTER IX

THE PLOT DEVELOPS

Ruth had insisted upon Wonota's remaining at the Red Mill from the hour she had ridden there for protection. Not that they believed Fenbrook would actually harm the Indian girl after he had cooled down. But it was better that she should be in Ruth's care as long as she was to work somewhat under the latter's tutelage.

Besides, it gave the picture writer a chance to study her subject. It would be too much to expect that Wonota could play a difficult part. She had had no experience in acting. Ruth knew that she must fit a part to Wonota, not the girl to a part. In other words, the Indian girl was merely a type for screen exploitation, and the picture Ruth wrote must be fitted to her capabilities.

Grasping, like any talented writer does, at any straw of novelty, Ruth had seen possibilities in the little incident Aunt Alvirah had told about her ancestor who had crossed the Western plains in the early emigrant days. She meant to open her story with a similar incident, as a prologue to the actual play.

Ruth made her heroine (the part she wished to fit to Wonota, the Osage Indian girl) repay in part the debt her family owed the white physician by saving a descendant of the physician from peril in the Indian country. This young man, the hero, is attracted by the Indian maid who has saved his life; but he is under the influence of a New York girl, one of the tourist party, to whom he is tentatively engaged.

But the New York girl deserts the hero when he gets into difficulty in New York. He is accused of a crime that may send him to the penitentiary for a long term and there seems no way to disprove the crime. Word of his peril comes to the Indian maid in her Western home. She knows and suspects the honesty of the timber men with whom the hero is connected in business. She discovers these villains are the guilty ones, and she travels to New York to testify for him and to clear him of the charge.

The end of the story, as well as the beginning, was to be filmed in the wilds.

With the incidents of her plot gradually taking form in her mind and being jotted down on paper, Ruth's hours began to be very full. She was with Wonota as much as possible, and the Indian girl began to show an almost doglike devotion to the girl of the Red Mill.

"That is not to be wondered at, of course," Jennie Stone said, as she was about to return to her New York home. "Everybody falls for our Ruth.

It's a wonder to me that she has not been elected to the presidency."

"Wait till we women get the vote," declared Helen. "Then we'll send Ruth to the chair."

"Goodness!" e.j.a.c.u.l.a.t.ed Jennie. "That sounds terrible, Nell! One might think you mean the electric chair."

"Is there much difference, after all, between that and the presidential chair?" Helen demanded, chuckling. "The way some people talk about a president!"

"We are a loose-talking people," Ruth interrupted gravely, "and I think you girls talk almost as irresponsibly as anybody I ever heard."

"List to the stern and uncompromising Ruthie," scoffed Jennie. "I am glad I am going back to Aunt Kate. She is a spinster, I admit; but she isn't anywhere near as old-maid-like as Ruth Fielding."

"I'll tell Tom about that," said Tom's sister wickedly.

"Spinsters are the balance-wheel of the universe machinery," declared Ruth, laughing. "I always have admired them. But, joking aside, at this time when the whole world should be so grateful and so much in earnest because of the end of a terrible war, trivial matters and trivial talk somehow seems to jar."

"Not so! Not so!" cried Helen vigorously. "We have been holding in and trying to keep cheerful with the fear at our hearts that some loved one would suddenly be taken. It was not lightness of heart that made people dance and act as though rattled-pated during the war. It was an attempt to hide that awful fear in their hearts. See how the people in Cheslow acted as though they were crazy the night of the armistice. And did you read what the papers said about the times in New York? It was only a natural outbreak."

"Well," remarked. Ruth, shrugging her shoulders, "you certainly have got off the subject of old maids--bless 'em! Give my love to your Aunt Kate, Jennie, and when we come to the city to take the shots for this picture, I'll surely see her."

"Hi!" cried Miss Stone energetically. "I guess you will! You'll come right to the house and stay with us during that time!"

"Oh, no. I shall have Wonota with me. We will stay at a hotel. Our hours are always so uncertain when we shoot a picture that I could not undertake to be at any private house."

There was some discussion over this. Ruth did not intend to let Wonota out of her sight much while the picture was being made. Nor did she propose to let the script of the picture out of her sight until copies could be made of it, and the continuity man had made his version for the director. Ruth was not going to run the risk of losing another scenario, as she had once while Down East.

Ruth put in two weeks' hard work on the new story. As she laughingly said, she ate, slept, and talked movies all the time. Wonota had to amuse herself; but that did not seem hard for the Indian girl to do. She was naturally of a very quiet disposition. She sat by Aunt Alvirah for hours doing beadwork while the old woman darned or knitted.

"You wouldn't ever suspect she was a Red Indian unless you looked at her," Aunt Alvirah confessed to the rest of the family. "She's a very nice girl."

As for Wonota, she said:

"I used to sit beside my grandmother and work like this. Yes, Chief Totantora taught me to shoot and paddle a canoe, and to do many other things out-of-doors. But my grandmother was the head woman of our tribe, and her beadwork and dyed porcupine-quill work was the finest you ever saw, Ruth Fielding. I was sorry to leave my war-bag with Dakota Joe. It had in it many keepsakes my grandmother gave me before she pa.s.sed to the Land of the Spirits."

A demand had been made upon the proprietor of the Wild West Show for Wonota's possessions, but the man had refused to give them up. The girl had not brought away with her even the rifle she had used so successfully in the show. But her pony, West Wind, was stabled in the Red Mill barn. Indeed, Uncle Jabez had begun to hint that the animal was "eating its head off." The miller could not help showing what Aunt Alvirah called "his stingy streak" in spite of the fact that he truly was interested in the Indian maid and liked her.

"That redskin gal," he confessed in private to Ruth, "is a pretty shrewd and sensible gal. She got to telling me the other day how her folks ground grist in a stone pan, or the like, using a hard-wood club to pound it with. Right slow process of makin' flour or meal, I do allow.

"But what do you think she said when I put that up to her--about it's being a slow job?" and the miller chuckled. "Why, she told me that all her folks had was time, and they'd got to spend it somehow. They'd better be grinding corn by hand than making war on their neighbors or the whites, like they used to. She ain't so slow."

Ruth quite agreed with this. The Osage maiden was more than ordinarily intelligent, and she began to take a deep interest in the development of the story that Ruth was making for screen use.

"Am I to be that girl?" she asked doubtfully. "How can I play that I am in love when I have never seen a man I cared for--in that way?"

"Can't you imagine admiring a nice young man?" asked Ruth in return.

"Not a white man like this one in your story," Wonota said soberly. "It should be that he did more for himself--that he was more of a--a brave.

We Indians do not expect our men to be saved from disgrace by women.

Squaws are not counted of great value among the possessions of a chief."

"So you could not really respect such a man as I describe here if he allowed a girl to help him?" Ruth asked reflectively, for Wonota's criticism was giving her some thought.

"He should not be such a man--to need the help of a squaw," declared the Indian maid confidently. "But, of course, it does not matter if only palefaces are to see the picture."

But Ruth could not get the thought out of her mind. It might be that the Indian girl had suggested a real fault in the play she was making, and she took Mr. Hammond into her confidence about it when she sent him the first draft of the story. Her whole idea of the princ.i.p.al male character in "Brighteyes" might need recasting, and she awaited the picture producer's verdict with some misgiving.

While she waited a red-letter day occurred---so marked both for herself and for Helen Cameron. The chums had hoped--oh, how fondly!--that they would hear that Tom Cameron was on his way home. But gradually the fact that demobilization would take a long time was becoming a fixed idea in the girls' minds.

Letters came from Tom Cameron--one each for the two girls and one for Mr. Cameron. Instead of being on his way home, Captain Cameron had been sent even farther from the French port to which he had originally sailed in the huge transport from New York.

"I am now settled on the Rhine--one of the 'watches,' I suppose, that the Germans used to sing about, now stamped 'Made in America,' however,"

he wrote to Ruth. "We watch a bridge-head and see that the Germans don't carry away anything that might be needed on this side of the most over-rated river in the world. I have come to the conclusion, since seeing a good bit of Europe, that most of the scenery is over-rated and does not begin to compare with the natural beauties of America. So many foreigners come to our sh.o.r.es and talk about the beauty-spots of their own countries, and so few Americans have in the past seen much of their own land, that we accept the opinions of homesick foreigners as to the superiority of the beauties of their father-and-mother-lands. After this war I guess there will be more fellows determined to give the States the 'once over.'"

Tom always wrote an Interesting letter; but aside from that, of course Ruth was eager to hear from him. And now, as soon as she could, she sat down and replied to his communication. She had, too, a particular topic on which she wished to write her friend.