The Rest Hollow Mystery Part 9

It would be a difficult achievement, the reporter decided, as he settled himself in one of the rigid-looking chairs. And Madame Rosalie's tone, though courteous, had not been eager or placating. It was apparent that she had plenty of business. Her manner of greeting had been more like that of an experienced and self-possessed hostess taken unawares by a guest, than of an exponent of the supernatural. She was obviously an educated woman. Her voice alone betrayed that fact, and she moved with a grace that seemed somehow incongruous in those sordid surroundings. As he sat beside the bow-windows, gazing out into the fog, Kenwick smiled grimly. "I don't know Drew yet," he murmured, "but whoever he is, I'll bet she can give him a run for his money."

Within twenty minutes he heard low voices at the far end of the hall, and then the sound of approaching footsteps. He rose and went to the door. Madame Rosalie and her client were emerging from a shadowy chamber whose door was draped with maroon-colored portieres. The caller had reached the hat-rack and was jerking himself into his overcoat when all at once he stopped with words of astonished greeting. "Why, h.e.l.lo, Kenwick!" He strode forward with extended hand. And Kenwick gripped it with an equal astonishment. It was one of the men whom he had known well at college. "Going it strong now that you are back in civilization again?" On his face was genuine pleasure and the shamefaced expression that it would have worn if the newspaper reporter had suddenly encountered him tobogganing down one of San Francisco's hills on a child's coaster.

When he was gone the reporter followed his hostess into the room with the maroon-colored curtains. It was as shabby as the waiting-room but more comfortable and somehow expressive of a strong personality. Over a felt-covered table, strewn with cards and stubs of pencils and other aids to occult communication, was an electric bulb held in place by a loop of white cotton string. Madame Rosalie motioned him to a seat beside this table and sank into a deep chair on the opposite side.

For a moment neither of them spoke. Madame Rosalie's eyes rested upon her client with a scrutiny that was not inquisitive but almost uncomfortably searching. They were dark eyes and brilliant with the unnatural s.h.i.+ning that is often caused by chronic insomnia. At first glance he had thought that her hair was confined under a net; now at close range he saw that it was cut short and waved alluringly over the lobes of her ears. She had been a beautiful woman once, he reflected, but life had given her brutal treatment.

He picked up a crystal sphere that was lying upon the table. "Tell me what you see for me in that?" he commanded.

She turned it slowly under the light. Kenwick watching her, felt a little cheated by the unspectacular quality of her technic. For all the thrill which she seemed likely to give him, he might as well be opening an interview with the census-taker.

"You came," the medium said at last, still gazing into the depths of the crystal, "to consult me, not about the future but the past."

He made no response.

"You are in trouble," she went on in the same unhurried voice. "You are in great trouble--but you are not taking the right way out."

"What is the right way out?"

"You must have help."

An expression of annoyance crossed his face. She would follow up that statement, of course, with the suggestion that he enlist for a prolonged course of "readings." He was preparing a curt dismissal of this plan when suddenly she set the crystal down upon the table and looked at him with compa.s.sionate eyes. "You must have help," she repeated. "But it must be the help of some one who is dear to you--or _was_ dear to you."

"Can you evoke such a spirit?"

"I don't know. I never can promise, but I'll try."

She leaned back in the chair and closed her eyes. The man, looking at her from across the table, was startled at the change in her face. For hers was that type of face which is dominated by the eyes. Without their too brilliant light it suffered a complete loss of personality. Words came at last through her slightly parted lips. "There is some one who wishes to speak to you. I think it is a woman."

"A woman!" Kenwick was not conscious that his tone held a note of disappointment. "Who is she?"

"I can't quite get the name. It's a difficult control. But she wants very much to talk to you. She says----It will be hard to forgive at first, but you must come back."

"Back where?"

The voice went on, unheeding. "She says----that she was influenced by some one else--some one stronger. You must look for that man. You must never stop looking for him----in crowds and everywhere you go you must look. And when you see his face you will know at once that he is the one, the only one who can help you. He is your missing link."

There was a long pause. "Anything else?" Kenwick inquired at last. His voice was guarded but he was strangely moved.

"There is some one calling to you. He seems to be in a prison and he is looking out through iron bars. They might be the bars of a gate. I can't see the face, but some one is calling your name."

"Shall I answer the call?"

"No. There would be no use. It is too late now."

Her eyes opened suddenly and met Kenwick's fixed upon them intent but inscrutable. He stretched his hand across the table.

"Read my palm."

She held it only a moment but her eyes seemed to take in its every line at a glance. "There is a perpetual conflict raging in your soul," she said.

He smiled. "That's true of most people, isn't it?"

Madame Rosalie had a superb disregard for irrelevancies. "Part of you is eager to plunge gallantly into the tasks of the present, but the other part is holding you back. You have the drooping head-line with the introspective fingers. It's a bad sign on the hand of the creative temperament. And you are some kind of a creative artist; painter, musician, or writer. But your head-line didn't always droop. It's a recent tendency, so you have a good chance to overcome it."

"How can I overcome it?"

"In the first place, give up all idea of trying to reconcile yourself with the past. You can't possibly do it and the effort may--wreck you."

He got to his feet and stood looking down at her. "There doesn't seem to be much ahead for me, does there?" he said.

"There is everything ahead; all the tragedy is behind you." She was still looking at him compa.s.sionately. "You are too young," she said at last.

"Too young for what?"

"To have lost so much out of your life." Her voice was like red coals leaping into sudden flame. It startled Kenwick. "And you are choosing just the wrong way to wrestle with such a loss. You had originally a splendid initiative, an impatient desire for action. But the artistic side of your nature has a.s.sumed control of you. And the artistic temperament is long on endurance and short on combativeness. If you spent one-third of the time fighting this specter in your past that you spend trying to reconcile yourself to it, you would win gloriously."

For a few moments they stood beside the table talking of commonplaces.

Once Kenwick mentioned Professor Drew, and Madame Rosalie smiled.

"I'm not afraid of him," she said. "And neither do I care to enter into a public debate with him."

She followed her client to the door. "I'm sorry I wasn't able to help you more. But you are not ready for my help yet."

Kenwick walked back to the "Clarion" office with these words ringing in his ears. The messages from the other world may have been guess-work, but at least she was a shrewd reader of character. And contrary to all his expectations she had not made any effort to win him for a permanent client.

His Sunday story, featuring her and Professor Drew, was all that Boyer had hoped for it. The astrologist was sketched with a few vivid strokes, the room with the maroon-colored curtains more in detail, and an interview reported which thrilled the souls of the credulous and held even the attention of the skeptical. There was neither ridicule nor champions.h.i.+p in the story, and the caustic comments of Professor Drew were bare of journalistic comment. Altogether, the thing worked up well and made a hit. After reading it during his late breakfast at the St.

Germaine, Kenwick suddenly decided to go around to the Harts.h.i.+re Building and keep his promise to Jarvis. He found the photographer enveloped in a long black ap.r.o.n and rubber gloves. "Good boy!" he cried slapping his visitor on the back. "I've been thinking about you and that cursed story you told me: can't get the blame thing out of my head. That was good stuff about the clairvoyant in the 'Clarion' this morning.

Where on earth do you dig up those oddities? I recognized your pen-name."

He hung Kenwick's coat in a shallow closet as he talked. "You are in the nick of time to help me with an experiment if you will," he went on. "I want to do some research work on the human eye and I've got to have a subject. I've got a lot of cards here--featuring optical illusions and that sort of thing. Do you mind helping me for, say, half an hour? You see, the human eye and brain are the ideal apparatus for perfecting the camera and I'm working on an invention."

Kenwick complied with alacrity, glad of the opportunity to get his mind off of himself. For almost an hour Jarvis worked under the black hood of the tripod while Kenwick reported on the images printed upon the cards.

When the tests were finished and he rose to go, the photographer pushed aside his paraphernalia and wiped his forehead. "Hot as Hades under that thing!" he cried. "Say, I was wondering the other day if you play golf."

"I used to go out and play with my brother at his club," Kenwick replied. "But it's been some time ago; I'd be a duffer at it now."

"Well, I've got a card that will let us into the club over in Claremont," Jarvis explained. "If you haven't got anything better to do, what do you say that we meet at the ferry building about two o'clock this afternoon and play a few holes over on the course? It's a great day to be outside. Can you make it?"

"Yes, I think so." For a moment Kenwick stood looking at his host with an expression that puzzled Jarvis. Then abruptly he turned and went away. Up the steep California street hills he strode, scarcely conscious of the effort it cost. For a horrible dread was tearing at his heart. It was not a new sensation to him, and its very familiarity made it the more hideous; that persistent dread known only to those who are struggling back over the hard road of mental prostration. The seed of it had sprouted on the morning when he had bought that fatal newspaper at the Third and Townsend Depot. And during the weeks that followed its tendrils had wrapped a strangle-hold about his life. Sometimes it almost stopped his breathing. And as yet he had never seen the thing that he dreaded. It was not yet upon any one's face. But he a.s.sured himself desperately that some day he would see it. Some day, when perhaps he wasn't thinking about it at all, it would suddenly leap out at him. In the eyes of some man or woman, or perhaps even some little child, he would see suspicion or fear or morbid curiosity. Without being told, they would know suddenly that here was a man who had once lost his mental grip. They would be afraid that he might suddenly lose it again, and that shuddering fear would send him reeling backward into the land of shadows and specters.

He stumbled on blindly, and through the blackness of his anguish there came to him again the curious sensation that he had experienced on his second night at Mont-Mer; the sensation of having lost some material prop that could restore his courage.

The genial suggestion of Jarvis that they play golf together over in Claremont was like a cool hand laid upon his forehead. To Jarvis he must seem sane and normal, capable at least of acquitting himself creditably in the sport of sane and normal men. He ate a hasty and solitary lunch and at two o'clock met the photographer in front of the flower-booth in the ferry building for an afternoon at the country club.