Shakespeare's Landlord Part 1

Shakespeare's Landlord.

by Charlaine Harris.

For all my fellow inmates in Doctor Than's House of Pain: especially Martha, John, and Wayne

Chapter One.

I gathered myself, my bare feet gripping the wooden floor, my thigh muscles braced for the attack. I stepped forward on the ball of my left foot, pivoting as I moved, and my right leg swung up, bent at the knee. My foot lashed out, returned instantly. The black Everlast punching bag rocked on its chain.

My right foot touched down, and I pivoted lightly on the ball of that foot, my body oriented this time facing the bag. My left leg came forward to deliver a longer, harder, thrusting mae geri. I continued the kicking, the pivoting, alternating the side kicks with the front kicks, practicing my weaker back kicks, my breathing growing deeper but never losing its rhythm-exploding out with the kick, coming in deep with the retraction.

The bag danced on the end of its chain, swinging back and forth, requiring more and more concentration on my part to plant the next kick accurately. I was tiring.

Finally, I lashed out with my stronger right leg, using all my power, dodged the backswing, and struck seiken, my hand in a smooth line with my arm, my knuckles driving into the bag.

I had finished my exercise. Automatically, I bowed, as I would have if I'd had a live sparring partner, and shook my head in disgust at my own foolishness. I reached for the towel hanging on its appointed hook by the doork.n.o.b. As I patted my face, I wondered whether my workout had been enough; if I took a shower now and got in bed, would I sleep? It was worth a try.

I washed my hair, soaped and rinsed, and was out within five minutes. After I dried myself, I put mousse on my hair and stood before the mirror to fluff it out with my fingers and a pick; I had tucked the towel around me so I couldn't see my chest in the mirror.

My hair is short and light blond now. One of my few extravagances is getting it colored, permed, and cut at Terra Ann's, the fanciest hairdressing salon in Shakespeare. Some of my employers get their hair done there; they never know quite what to say when they see me.

Most bodybuilders consider a deep tan part of their regimen, but I'm pale. The scarring doesn't stand out so much that way. But I do get rid of excess hair; I pluck every stray eyebrow, and my legs and armpits are shaved smooth as a baby's bottom.

Once upon a time, years ago, I thought I was pretty. My sister, Varena, and I had the usual rivalry going, and I remember deciding my eyes were bigger and a lighter blue than hers, my nose was straighter and thinner, and my lips were fuller. Her chin was better- neat and determined. Mine is round. I haven't seen Varena in three years now. Probably she is the pretty one. Though my face hasn't changed, my mind has. The workings of the mind look out through the face and alter it.

Sometimes, some mornings-the ones after the really bad nights-I look in the mirror and do not recognize the woman I see there.

This was going to be one of those really bad nights (though I had no idea how bad it was going to get). But I could tell there was no point in going to bed. My feet itched to be moving.

I dressed again, throwing my sweaty workout clothes into the hamper and pulling on blue jeans and a T-s.h.i.+rt, tucking in the T-s.h.i.+rt and pulling a belt through the belt loops. My hair was only a little damp; the blow-dryer finished the job. I pulled on a dark windbreaker.

Front door, back door, kitchen door? Some nights it takes me a while to decide.

The back. Though I keep my doors greased so they swing back and forth almost noiselessly, the back door is the quietest.

The back door is directly opposite the front door, making my house a shotgun house; from my back door, I can look down the hall and through the living room, which occupies the width of the front of the house, to check to make sure the dead bolt is shot.

It was, of course; I am not one to neglect security. I locked the back door as I left, using another key to turn the dead bolt from the outside. I pushed the key down to the very bottom of my front pocket, where it couldn't possibly fall out. I stood on the tiny back porch for a minute, inhaling the faint scent of the new leaves on the climbing rose vines. The vines were halfway up the trellis I'd built to make the little porch prettier.

Of course, it also obstructed my view of anyone approaching, but when the first roses open in about a month, I won't regret it. I have loved roses since I was a child; we lived on a large lot in a small town, and roses filled the backyard.

That yard of my childhood was easily five times as big as this backyard, which extends less than twenty feet, ending abruptly in a steep slope up to the railroad tracks. The slope is covered with weeds, but from time to time a work crew wanders through to keep the weeds under control. To my left as I faced the tracks was the high wooden privacy fence that surrounded the Shakespeare Garden Apartments. It's slightly uphill from my house. To my right, and downhill, was the equally tiny backyard of the only other house on the street. It's nearly an exact copy of my house, and it's owned by an accountant named Carlton c.o.c.kroft.

Carlton's lights were off, not too surprising at this hour of the night. The only light I could see in the apartment building was in Deedra Dean's place. As I glanced up, her window fell dark.

One o'clock in the morning.

I silently stepped off my little back porch, my walking shoes making almost no noise in the gra.s.s, and began to move invisibly through the streets of Shakespeare. The night was still and dark-no wind, the moon only a crescent in cold s.p.a.ce. I could not even see myself. I liked that.

An hour and a half later, I felt tired enough to sleep.

I was on my way home, and I was not trying to conceal myself anymore; in fact, I was being sloppy. I was using the sidewalk that borders the arboretum (a fancy name for an overgrown park with some labels on trees and bushes). Estes Arboretum takes up a block of definitely unprime Shakespeare real estate. Each of the four streets edging the park has a different name, and my street, Track, on the park's east side, is only a block long. So there's little traffic, and every morning I get to look out my front window and see trees across the street instead of someone else's carport.

I rounded the corner from the south side of the arboretum, Latham Street, to Track; I was opposite the little piece of scrubland that no one claimed, just south of Carlton c.o.c.kroft's house. I was not careless enough to linger under the weak streetlight at the corner. There is one at each corner of the arboretum, as Shakespeare's budget can't run to putting streetlights in the middle of the block, especially in this obscure part of town.

I hadn't seen a soul all night, but suddenly I was aware I was not alone. Someone was stirring in the darkness on the other side of the street.

Instinctively, I concealed myself, sliding behind a live oak on the edge of the park. Its branches overhung the sidewalk; perhaps their shadow had hidden me from the presence across the street. My heart was pounding unpleasantly fast. Some tough woman you are, I jeered at myself. What would Marshall think if he saw you now? But when I'd had a second to calm down, I decided that Marshall might think I was showing some sense.

I peered around the oak's trunk cautiously. In the middle of the block, where the person was, the darkness was almost total; I couldn't even tell if I was watching a man or a woman. I had a flash of an unpleasant recollection: my great-grandmother, in the act of saying, "Blacker than a n.i.g.g.e.r in a coal mine with his mouth shut," and embarra.s.sing everyone in the whole family quite unconsciously. Or maybe not; maybe that little nod of satisfaction had not been over a well-turned phrase but over the pained looks she'd intercepted pa.s.sing between my parents.

My great-grandmother would have stomped out to the middle of the street and inquired what the person's business was, quite a.s.sured of her own safety in doing so, too.

But I know better.

The person was pus.h.i.+ng something, something on wheels.

Peering intently into the darkness, I tried to remember if I'd ever seen anyone out on my street before when I was up and wandering. I'd seen a few cars go by, residents or visitors of people in the apartment building, but I couldn't recall ever meeting up with anyone on foot in the past four years-at least in this part of town.

On the bad nights, when I ghost all the way downtown, it is sometimes a different story.

But here and now, I had something to worry about. There was something furtive about this odd incident; this person, this other inhabitor of the night, was pus.h.i.+ng what I could now tell was a cart, one with two wheels. It had a handle in the middle of the longer side, and legs on it, so that when you let go of the handle and set it upright, it would be steady and straight. And it was just the right size for two thirty-gallon garbage cans.

My hands curled into fists. Even in the dark, I could identify the familiar shape of the cart. It was my own. I'd bought it at a yard sale from some people who were moving; the man of the house had made it himself.

It was loaded down with something wrapped in dark plastic, like the sheets you buy to put in flower beds to keep weeds down; I could see the faint s.h.i.+ne off the smooth plastic surface.

I felt a rage I hadn't experienced in a long time. Something illicit was happening, and the cart thief was trying to involve me in it. The peace that I'd worked so hard to achieve was going to be ripped away, through no fault of my own. I could not confront this thief directly; that wouldn't make sense-the thief might be armed, and was obviously in the middle of doing something he or she wanted to conceal.

So I clenched my teeth, and watched and waited.

Across the rough surface of neglected Track Street, the thief trundled the garbage-can cart with its heavy burden; I could tell it was heavy because of the strain in the cart thief's posture.

This was absolutely eerie; I found myself s.h.i.+vering. I pulled the sides of my dark windbreaker together and, with a tiny sound, zipped it shut. With deliberate movements, I pulled a thin dark scarf from my pocket and tied it over my light hair. All the while, I was tracking the cart thief's laborious progress. The thief was heading for the park; I felt my lips twitch up in a smile as I observed the thief trying to get the cart from the pavement up onto the sidewalk. Wheelchair accessibility had not been a priority when those sidewalks were paved many years ago.

Finally, the cart b.u.mped up onto the sidewalk and across it. The thief's feet had to hurry to catch up. Into the darkness of the arboretum, following one of the narrow paved paths, the thief rolled the loaded cart. I began to count seconds. In three minutes, the thief returned, still pus.h.i.+ng my cart.

Now it was empty.

My anger was taking second place to curiosity, though that would only be temporary.

I watched the thief roll the cart up my driveway, barely making it through the narrow walk s.p.a.ce between my car and the carport wall. The thief reappeared from the back of my house, walking quickly, and had to go down my driveway to the curb and then walk around the end of the fence to walk up the apartment building's south driveway. The thief circled around back; he or she would enter the building through the quieter back door; the front door squeaked. I always remember things like that.

I am in and out of that apartment building quite a lot.

Sure enough, the thief didn't reappear at the other side of the apartment building. It was someone living there, or the overnight guest of someone living there. With one single woman and four single men living there, overnight guests are not infrequent.

For a few more seconds, I hugged close to the trunk of the tree, waiting to see if a light would come on. From where I was, I could see the side windows on the south side of the apartment building and the front windows, too; no lights came on in any of them. Someone was being extra careful.

Well, I, too, would be careful. I waited five minutes, according to my digital watch, before I made a move. Then I went deeper into the arboretum, following no trail, moving as quietly as possible in the darkness. I'd estimated where I'd intersect the path; I was as familiar with the layout of the arboretum as I was with the floor plan of my house. I'd spent hours wandering Shakespeare by night.

It was so black in the thick of the trees that I wondered if I would even be able to find what the thief had dumped. If my jeans hadn't brushed the plastic, which emitted that typical dry rustle, I might have groped around the path for another hour.

But the second I heard that rustle, I dropped to my hands and knees. Patting around in the darkness, I discovered the wrapping was not plastic sheeting but two large garbage bags, one pulled from the top and another from the bottom to overlap in the middle covering-something soft and big. I poked the bag; there was something hard under the softness. Something b.u.mpy. Something an awful lot like ribs.

I bit my lower lip to keep from making noise.

I struggled silently with an almost-overwhelming urge to jump up and run. After several deep breaths, I won. I steeled myself to do what I had to do, but I couldn't face doing it in the dark.

I reached into my windbreaker pocket and pulled out a narrow, lightweight, powerful little flashlight that had caught my fancy at Wal-Mart. I s.h.i.+fted in my squatting position so that my body was between the apartment building and what was on the ground. I switched on the flashlight.

I was angry at myself when I saw my hand was shaking as I separated the bags. I fumbled them apart some four inches and stopped. I was looking at a torn, rather faded s.h.i.+rt, a man's plaid s.h.i.+rt in green and orange. The chest pocket had caught on something; it was partially ripped from its st.i.tching and a fragment was missing.

I recognized the s.h.i.+rt, though it hadn't been torn when I'd seen it last.

I worked the bag up a little at the side and found a hand; I put my fingers on the wrist, where a pulse should be.

In the chilly Shakespeare night, I squatted in the middle of the trees, holding hands with a dead man.

And now I'd left my fingerprints all over the plastic bags.

About forty minutes later, I was sitting in my bedroom. I was finally tired to the bone.

I'd taken the bags off the corpse.

I'd confirmed the corpse's ident.i.ty, and its corpse-dom. No breath, no heartbeat.

I'd worked my way out of the arboretum, knowing I was leaving traces but helpless to avoid it. My incoming traces were unerasable; I'd figured I might as well make a trail out, too. I'd emerged from the bushes on Latham and crossed the street there, well out of sight of the apartments. I'd gone from cover to cover until I circled Carlton c.o.c.kroft's house, silently crossing his yard to arrive in my own.

I'd found that the cart thief had replaced my cart and reinserted the garbage cans, but not as I'd had them. The blue garbage can was always on the right and the brown on the left, and the thief had reversed them. I'd unlocked my back door and entered without turning on a light, then opened the correct kitchen drawer, extracted two twisties, and lifted out and sealed the garbage bags already lining the cans. I'd relined the cans with the garbage bags that had been used to cover the body, then put the bagged garbage in them, sealing the second set of bags over the first set. I'd figured I couldn't examine the cart in the middle of the night, and wheeling it inside would have created too much noise. It would have to wait until morning.

I'd done all I could do to erase my own involuntary complicity.

I should have been ready for bed, but I found myself biting my lower lip. My bedrock middle-cla.s.s upbringing was raising its strong and stern head, as it did at unexpected and inconvenient times. The mortal remains of someone I knew were lying out there in dark solitude. That was wrong.

I couldn't call the police department; possibly incoming calls were taped or traced in some way, even in little Shakespeare. Maybe I could just forget about it? Someone would find him in the morning. But it might be the little kids who lived on Latham. . . . And then it came to me-whom I could call. I hesitated, my fingers twisting and untwisting. The back of my neck told me this was not a smart move. Get it over with, I told myself.

I pulled out my little flashlight and was able to read my tiny Shakespeare phone book by its dimming glow. I punched in the right numbers, listened to three rings; then a groggy male voice said, "Claude Friedrich here."

"Listen," I said, surprised at how harsh and ragged my voice came out. I waited a beat.

"Okay." He was alert now.

"There's a dead man in the park across the street from you," I said, and hung up the phone. I crept across the hall to the room with the punching bag, my workout room. Through its window, I could see the light come on in Claude Friedrich's apartment, which was on the second floor, by Deedra Dean's.

Now I'd done all I could.

With a pleasant feeling of having discharged a responsibility, I climbed out of my clothes and into a nightgown. I heard a car in the street outside, and I padded into my dark living room to look out the window. Friedrich had taken my phone call seriously; he was out there in hastily thrown-on clothes, talking to one of the night patrolmen, Tom David Meiklejohn. As I watched, they started down the same path into the park that the cart thief had taken, each carrying a powerful "skull-buster" flashlight.

Incident closed, I thought, going back to my bedroom and crawling into my double bed. I pulled the fresh sheets up, settled my head on my pillow, and instantly, finally, fell asleep.

Chapter Two.

The next day was a Tuesday. On Tuesday mornings, I take care of Mrs. Hofstettler. Marie Hofstettler's son Chuck lives in Memphis. He worries about his mother, but he doesn't worry enough to make the drive over to Shakespeare to see her. So he pays me handsomely to spend time with his mother twice a week.

I always do a little cleaning, channel Mrs. Hofstettler's clothes through the washer and dryer, and occasionally take her to a friend's house or Kmart or Kroger's, if Mrs. Hofstettler is having what she calls a "limber" day.

I walked over from my house to the apartment building, letting myself in the squeaking front door and rapping lightly on the first door to my left to let Mrs. Hofstettler know I was coming in. I had a key. Mrs. Hofstettler was already up, a good sign; on her bad, stiff days, she is still in bed when I get there.

"I didn't sleep at all last night!" she said by way of greeting. Marie Hofstettler, now eighty-five, is as wrinkled as a dried apricot. Her hair is white and silky and thin, and she wears it pulled back in an untidy bun. (I know what pain it costs the old lady to raise her arms to form the bun. In a stupid moment, I had suggested Mrs. Hofstettler have her hair cut short, and I had been treated to a huffy hour-long silence.) This morning, Mrs. Hofstettler's teeth were already in and she had managed to pull on a red-and-blue-striped housedress, so the excitement had done her good.

"I saw there was crime-scene tape across the path going into the park," I commented in as neutral a voice as I could manage. No true Shakespearean would call Estes Arboretum anything but "the park." I'm finally getting the hang of being a true Shakespearean after four years.

"Didn't you hear all the commotion, girl?"

"I didn't hear a thing," I answered truthfully. "I slept real heavy last night." I went down the hall to Mrs. Hofstettler's bedroom to fetch the wash from the hamper.

"Then you are an amazing sleeper," Mrs. Hofstettler called after me. "Honey, there were police cars up and down the street, and people coming and going, and an ambulance, too."

"And I don't know anything about it to tell you," I said, trying to sound regretful. I'm not normally chatty with clients, but I admire Marie Hofstettler; she doesn't whine and she isn't clingy.

"Let's turn on the radio," Mrs. Hofstettler said eagerly. "Maybe we can find out what happened. If that don't work, Pm calling Deedra at the courthouse. She always knows what's going on."

I started the was.h.i.+ng machine. All eight apartments, of course, have the same layout, with the east apartments mirroring the west. There are four units upstairs and four downstairs. The building's front door and back door are locked at eleven, and residents aren't supposed to give anyone a key. Marie's apartment is a ground-floor front apartment on the north side. She's had it since the building was erected ten years ago; Marie and Pardon Albee are the only original tenants. In Marie's apartment, as in all of them, the common hallway door opens directly into a living room, with an area to the rear used for living room, with an area to the rear used for dining. Across from this dining area is the kitchen, of course, which is well lined with cabinets and counters for an apartment kitchen. The hall starts where the kitchen and dining area end, and to your right (in Marie's apartment) is the closet containing the washer and dryer and shelves used for linens and cleaners and odds and ends. Almost opposite this closet is the door to the master bedroom, which is a nice size and has a very large closet. On the same wall as the wash closet is the door to the much smaller guest bedroom, and at dining. Across from this dining area is the kitchen, of course, which is well lined with cabinets and counters for an apartment kitchen. The hall starts where the kitchen and dining area end, and to your right (in Marie's apartment) is the closet containing the washer and dryer and shelves used for linens and cleaners and odds and ends. Almost opposite this closet is the door to the master bedroom, which is a nice size and has a very large closet. On the same wall as the wash closet is the door to the much smaller guest bedroom, and at the the end end of the hall is of the hall is the bathroom, with a large frosted-gla.s.s window, which is supposed to be the second line of escape in case of fire. the bathroom, with a large frosted-gla.s.s window, which is supposed to be the second line of escape in case of fire.

I've always appreciated the fact that the front doors are not centered, so that when a tenant answers his or her front door, the caller can't see down the hall directly into the bathroom.

The builder and resident landlord, Pardon Albee, had had the gall to call these the Shakespeare Garden Apartments because the front ones overlook the arboretum. The back ones at the ground floor overlook only the paved area that lies between the apartment and the garage, divided into eight stalls not quite wide enough for two cars each. The second floor apartments at the back have a scenic view of the train tracks, and beyond them the back lot of a hardware and lumber-supply store.

After I'd turned on the radio for Mrs. Hofstettler, I began dusting the larger bedroom. Mrs. Hofstettler turned up the radio loud so I could listen along, after a conscientious discussion about whom it might bother; no one, the old woman decided, since T. L. and Alvah York next door should be out for their morning walk, and Norvel Whitbread, whose apartment was above, was already at work, or drunk, or both.

The area station, which covered most of Hartsfield and Creek counties, plays so-called cla.s.sic rock. It is a preprogrammed station. The song that came on first was one I'd liked long ago, before the time when my life's agenda had gotten so ... simplified. I smiled as I lifted the old china figurines on the dressing table and dusted them very carefully. The song ended, I glanced at my watch, and right on cue the local announcer began to speak, her southern Arkansas accent so broad that even after four years in Shakespeare, I had to listen quite carefully.