House for Mister Biswas Part 2

Tara roused Bipti from her grief, arranged Bipti's hair and veil, and dried Bipti's eyes.

'Five people all together,' the photographer said to Tara. 'Hard to know just how to arrange them. It look to me that it would have to be two one side and three the other side. You sure you want all five?'

Tara was firm.

The photographer sucked his teeth, but not at Tara. 'Look, look. Why n.o.body ain't put anything to chock up the coffin and prevent it from slipping?'

Tara had that attended to.

The photographer said, 'All right then. Mother and biggest son on either side. Next to mother, young boy and young girl. Next to big son, smaller son.'

There was more advice from the men.

'Make them look at the coffin.'

'At the mother.'

'At the youngest boy.'

The photographer settled the matter by telling Tara, 'Tell them to look at me.'

Tara translated, and the photographer went under his cloth. Almost immediately he came out again. 'How about making the mother and the biggest boy put their hands on the edge of the coffin?'

This was done and the photographer went back under his cloth.

'Wait!' Tara cried, running out from the hut with a fresh garland of marigolds. She hung it around Raghu's neck and said to the photographer in English, 'All right. Draw your photo now.'

Mr Biswas never owned a copy of the photograph and he did not see it until 1937, when it made its appearance, framed in pa.s.separtout, on the wall of the drawingroom of Tara's fine new house at Pagotes, a little lost among many other photographs of funeral groups, many oval portraits with blurred edges of more dead friends and relations, and coloured prints of the English countryside. The photograph had faded to the lightest brown and was partially defaced by the large heliotrope stamp of the photographer, still bright, and his smudged sprawling signature in soft black pencil. Mr Biswas was astonished at his own smallness. The scabs of sores and the marks of eczema showed clearly on his k.n.o.bbly knees and along his very thin arms and legs. Everyone in the photograph had unnaturally large, staring eyes which seemed to have been outlined in black.

Tara was right when she said that the photograph was to be a record of the family all together for the last time. For in a few days Mr Biswas and Bipti, Pratap and Prasad and Dehuti had left Parrot Trace and the family split up for good.

It began on the evening of the funeral.

Tara said, 'Bipti, you must give me Dehuti.'

Bipti had been hoping that Tara would make the suggestion. In four or five years Dehuti would have to be married and it was better that she should be given to Tara. She would learn manners, acquire graces and, with a dowry from Tara, might even make a good match.

'If you are going to have someone,' Tara said, 'it is better to have one of your own family. That is what I always say. I don't want strangers poking their noses into my kitchen and bedroom.'

Bipti agreed that it was better to have servants from one's own family. And Pratap and Prasad and even Mr Biswas, who had not been asked, nodded, as though the problem of servants was one they had given much thought.

Dehuti looked down at the floor, shook her long hair and mumbled a few words which meant that she was far too small to be consulted, but was very pleased.

'Get her new clothes,' Tara said, fingering the georgette skirt and satin petticoat Dehuti had worn for the funeral. 'Get her some jewels.' She put a thumb and finger around Dehuti's wrist, lifted her face, and turned up the lobe of her ear. 'Earrings. Good thing you had them pierced, Bipti. She won't need these sticks now.' In the holes in her lobe Dehuti wore pieces of the thin hard spine of the blades of the coconut branch. Tara playfully pulled Dehuti's nose. 'Nakphul 'Nakphul too. You would like a nose-flower?' too. You would like a nose-flower?'

Dehuti smiled shyly, not looking up.

'Well,' Tara said, 'fas.h.i.+ons are changing all the time these days. I am just oldfas.h.i.+oned, that is all.' She stroked her gold nose-flower. 'It is expensive to be oldfas.h.i.+oned.'

'She will satisfy you,' Bipti said. 'Raghu had no money. But he trained his children well. Training, piety '

'Quite,' Tara said. 'The time for crying is over, Bipti. How much money did Raghu leave you?'

'Nothing. I don't know.'

'What do you mean? Are you trying to keep secrets from me? Everyone in the village knows that Raghu had a lot of money. I am sure he has left you enough to start a nice little business.'

Pratap sucked his teeth. 'He was a miser, that one. He used to hide his money.'

Tara said, 'Is this the training and piety your father gave you?'

They searched. They pulled out Raghu's box from under the bed and looked for false bottoms; at Bipti's suggestion they looked for any joint that might reveal a hiding-place in the timber itself. They poked the sooty thatch and ran their hands over the rafters; they tapped the earth floor and the bamboo-and-mud walls; they examined Raghu's walking-sticks, taking out the ferrules, Raghu's only extravagance; they dismantled the bed and uprooted the logs on which it stood. They found nothing.

Bipti said, 'I don't suppose he had any money really.'

'You are a fool,' Tara said, and it was in this mood of annoyance that she ordered Bipti to pack Dehuti's bundle and took Dehuti away.

Because no cooking could be done at their house, they ate at Sadhu's. The food was unsalted and as soon as he began to chew, Mr Biswas felt he was eating raw flesh and the nauseous saliva filled his mouth again. He hurried outside to empty his mouth and clean it, but the taste remained. And Mr Biswas screamed when, back at the hut, Bipti put him to bed and threw Raghu's blanket over him. The blanket was hairy and p.r.i.c.kly; it seemed to be the source of the raw, fresh smell he had been smelling all day. Bipti let him scream until he was tired and fell asleep in the yellow, wavering light of the oil lamp which left the corners in darkness. She watched the wick burn lower and lower until she heard the snores of Pratap, who snored like a big man, and the heavy breathing of Mr Biswas and Prasad. She slept only fitfully herself. It was quiet inside the hut, but outside the noises were loud and continuous: mosquitoes, bats, frogs, crickets, the poor-me-one. If the cricket missed a chirp the effect was disturbing and she awoke.

She was awakened from a light sleep by a new noise. At first she couldn't be sure. But the nearness of the noise and its erratic sequence disturbed her. It was a noise she heard every day but now, isolated in the night, it was hard to place. It came again: a thud, a pause, a prolonged snapping, then a series of gentler thuds. And it came again. Then there was another noise, of bottles breaking, m.u.f.fled, as though the bottles were full. And she knew the noises came from her garden. Someone was stumbling among the bottles Raghu had buried neck downwards around the flower-beds.

She roused Prasad and Pratap.

Mr Biswas, awaking to hushed talk and a room of dancing shadows, closed his eyes to keep out the danger; at once, as on the day before, everything became dramatic and remote.

Pratap gave walking-sticks to Prasad and Bipti. Carefully he unbolted the small window, then pushed it out with sudden vigour.

The garden was lit up by a hurricane lamp. A man was working a fork into the ground among the bottle-borders. 'Dhari!' Bipti called.

Dhari didn't look up or reply. He went on forking, rocking the implement in the earth, tearing the roots that kept the earth firm.

'Dhari!'

He began to sing a wedding song.

'The cutla.s.s!' Pratap said. 'Give me the cutla.s.s.'

'O G.o.d! No, no,' Bipti said.

'I'll go out and beat him like a snake,' Pratap said, his voice rising out of control. 'Prasad? Mai?'

'Close the window,' Bipti said.

The singing stopped and Dhari said, 'Yes, close the window and go to sleep. I am here to look after you.'

Violently Bipti pulled the small window to, bolted it and kept her hand on the bolt.

The digging and the breaking bottles continued. Dhari sang: In your daily tasks be resolute.

Fear no one, and trust in G.o.d.

'Dhari isn't in this alone,' Bipti said. 'Don't provoke him.' Then, as though it not only belittled Dhari's behaviour but gave protection to them all, she added, 'He is only after your father's money. Let him look.'

Mr Biswas and Prasad were soon asleep again. Bipti and Pratap remained up until they had heard the last of Dhari's songs and his fork no longer dug into the earth and broke bottles. They did not speak. Only, once, Bipti said, 'Your father always warned me about the people of this village.'

Pratap and Prasad awoke when it was still dark, as they always did. They did not talk about what had happened and Bipti insisted that they should go to the buffalo pond as usual. As soon as it was light she went out to the garden. The flower-beds had been dug up; dew lay on the upturned earth which partially buried uprooted plants, already limp and quailing. The vegetable patch had not been forked, but tomato plants had been cut down, stakes broken and pumpkins slashed.

'Oh, wife of Raghu!' a man called from the road, and she saw Dhari jump across the gutter.

Absently, he picked a dew-wet leaf from the hibiscus shrub, crushed it in his palm, put it in his mouth and came towards her, chewing.

Her anger rose. 'Get out! At once! Do you call yourself a man? You are a shameless vagabond. Shameless and cowardly.'

He walked past her, past the hut, to the garden. Chewing, he considered the damage. He was in his working clothes, his cutla.s.s in its black leather sheath at his waist, his enamel food-carrier in one hand, his calabash of water hanging from his shoulder.

'Oh, wife of Raghu, what have they done?'

'I hope you found something to make you happy, Dhari.'

He shrugged, looking down at the ruined flower-beds. 'They will keep on looking, maharajin.' maharajin.'

'Everybody knows you lost your calf. But that was an accident. What about '

'Yes, yes. My calf. Accident.'

'I will remember you for this, Dhari. And Raghu's sons won't forget you either.'

'He was a great diver.'

'Savage! Get out!'

'Willingly.' He spat out the hibiscus leaf on to a flowerbed. 'I just wanted to tell you that these wicked men will come again. Why don't you help them, maharajin?' maharajin?'

There was no one Bipti could ask for help. She distrusted the police, and Raghu had no friends. Moreover, she didn't know who might be in league with Dhari.

That night they gathered all Raghu's sticks and cutla.s.ses and waited. Mr Biswas closed his eyes and listened, but as the hours pa.s.sed he found it hard to remain alert.

He was awakened by whispers and movement in the hut. Far away, it seemed, someone was singing a slow, sad wedding song. Bipti and Prasad were standing. Cutla.s.s in hand, Pratap moved in a frenzy between the window and the door, so swiftly that the flame of the oil lamp blew this way and that, and once, with a plopping sound, disappeared. The room sank into darkness. A moment later the flame returned, rescuing them.

The singing drew nearer, and when it was almost upon them they heard, mingled with it, chatter and soft laughter.

Bipti unbolted the window, pushed it open a crack, and saw the garden ablaze with lanterns.

'Three of them,' she whispered. 'Lakhan, Dhari, Oumadh.'

Pratap pushed Bipti aside, flung the window wide open and screamed, 'Get out! Get out! I will kill you all.'

'Shh,' Bipti said, pulling Pratap away and trying to close the window.

'Raghu's son,' a man said from the garden.

'Don't sh me,' Pratap screamed, turning on Bipti. Tears came to his eyes and his voice broke into sobs. 'I will kill them all.'

'Noisy little fellow,' another man said.

'I will come back and kill you all,' Pratap shouted. 'I promise you.'

Bipti took him in her arms and comforted him, like a child, and in the same gentle, unalarmed voice said, 'Prasad, close the window. And go to sleep.'

'Yes, son.' They recognized Dhari's voice. 'Go to sleep. We will be here every night now to look after you.'

Prasad closed the window, but the noise stayed with them: song, talk, and unhurried sounds of fork and spade. Bipti sat and stared at the door, next to which, on the ground, Pratap sat, a cutla.s.s beside him, its haft carved into a pair of Wellingtons. He was motionless. His tears had gone, but his eyes were red, and the lids swollen.

In the end Bipti sold the hut and the land to Dhari, and she and Mr Biswas moved to Pagotes. There they lived on Tara's bounty, though not with Tara, but with some of Tara's husband's dependent relations in a back trace far from the Main Road. Pratap and Prasad were sent to a distant relation at Felicity, in the heart of the sugar-estates; they were already broken into estate work and were too old to learn anything else.

And so Mr Biswas came to leave the only house to which he had some right. For the next thirty-five years he was to be a wanderer with no place he could call his own, with no family except that which he was to attempt to create out of the engulfing world of the Tulsis. For with his mother's parents dead, his father dead, his brothers on the estate at Felicity, Dehuti as a servant in Tara's house, and himself rapidly growing away from Bipti who, broken, became increasingly useless and impenetrable, it seemed to him that he was really quite alone.

2. Before the Tulsis

MR BISWAS could never afterwards say exactly where his father's hut had stood or where Dhari and the others had dug. He never knew whether anyone found Raghu's money. It could not have been much, since Raghu earned so little. But the ground did yield treasure. For this was in South Trinidad and the land Bipti had sold so cheaply to Dhari was later found to be rich with oil. And when Mr Biswas was working on a feature article for the magazine section of the could never afterwards say exactly where his father's hut had stood or where Dhari and the others had dug. He never knew whether anyone found Raghu's money. It could not have been much, since Raghu earned so little. But the ground did yield treasure. For this was in South Trinidad and the land Bipti had sold so cheaply to Dhari was later found to be rich with oil. And when Mr Biswas was working on a feature article for the magazine section of the Sunday Sentinel Sunday Sentinel RALEIGH'S DREAM COMES TRUE RALEIGH'S DREAM COMES TRUE, said the headline, 'But the Gold is Black. Only the Earth is Yellow. Only the Bush Green' when Mr Biswas looked for the place where he had spent his early years he saw nothing but oil derricks and grimy pumps, see-sawing, see-sawing, endlessly, surrounded by red No Smoking notices. His grandparents' house had also disappeared, and when huts of mud and gra.s.s are pulled down they leave no trace. His navel-string, buried on that inauspicious night, and his sixth finger, buried not long after, had turned to dust. The pond had been drained and the whole swamp region was now a garden city of white wooden bungalows with red roofs, cisterns on tall stilts, and neat gardens. The stream where he had watched the black fish had been dammed, diverted into a reservoir, and its winding, irregular bed covered by straight lawns, streets and drives. The world carried no witness to Mr Biswas's birth and early years.

As he found at Pagotes.

'How old you is, boy?' Lal, the teacher at the Canadian Mission school, asked, his small hairy hands fussing with the cylindrical ruler on his roll-book.

Mr Biswas shrugged and s.h.i.+fted from one bare foot to the other.

'How you people want to get on, eh?' Lal had been converted to Presbyterianism from a low Hindu caste and held all unconverted Hindus in contempt. As part of this contempt he spoke to them in broken English. 'Tomorrow I want you to bring your buth certificate. You hear?'

'Buth suttificate?' Bipti echoed the English words. 'I don't have any.'

'Don't have any, eh?' Lal said the next day. 'You people don't even know how to born, it look like.'

But they agreed on a plausible date, Lal completed his roll-book record, and Bipti went to consult Tara.

Tara took Bipti to a solicitor whose office was a tiny wooden shed standing lopsided on eight unfas.h.i.+oned logs. The distemper on its walls had turned to dust. A sign, obviously painted by the man himself, said that F. Z. Ghany was a solicitor, conveyancer and a commissioner of oaths. He didn't look like all that, sitting on a broken kitchen chair at the door of his shed, bending forward, picking his teeth with a matchstick, his tie hanging perpendicular. Large dusty books were piled on the dusty floor, and on the kitchen table at his back there was a sheet of green blotting-paper, also dusty, on which there was a highly decorated metal contraption which looked like a toy version of the merry-go-round Mr Biswas had seen in the playground at St Joseph on the way to Pagotes. From this toy merry-go-round hung two rubber stamps, and directly below them there was a purple-stained tin. F. Z. Ghany carried the rest of his office equipment in his s.h.i.+rt pocket; it was stiff with pens, pencils, sheets of paper and envelopes. He needed to be able to carry his equipment about; he opened the Pagotes office only on market day, Wednesday; he had other offices, open on other market days, at Tunapuna, Arima, St Joseph and Tacarigua. 'Just give me three or four dog-case or cuss-case every day,' he used to say, 'and I all right, you hear.'

Seeing the group of three walking Indians file across the plank over the gutter, F. Z. Ghany got up, spat out the matchstick and greeted them with good-humoured scorn. 'Maharajin, maharajin, 'Maharajin, maharajin, and little boy.' He made most of his money from Hindus but, as a Muslim, distrusted them. and little boy.' He made most of his money from Hindus but, as a Muslim, distrusted them.

They climbed the two steps into his office. It became full. Ghany liked it that way; it attracted customers. He took the chair behind the table, sat on it, and left his clients standing.

Tara began to explain about Mr Biswas. She grew prolix, encouraged by the quizzical look on Ghany's heavy dissipated face.