Aunt Jane of Kentucky Part 5

"We all laughed, and said we didn't blame Milly a bit for not singin'

that hymn; and then Milly said: 'I reckon I might as well tell you all the whole story. By the time church was over,' says she, 'I'd kind o'

cooled off, but when I heard Sam askin' Brother Hendricks to go home and take dinner with him, that made me mad again; for I knew that meant a big dinner for me to cook, and I made up my mind then and there that I wouldn't cook a blessed thing, company or no company.

Sam'd killed chickens the night before,' says she, 'and they was all dressed and ready, down in the spring-house; and the vegetables was right there on the back porch, but I never touched 'em,' says she. 'I happened to have some cold ham and cold mutton on hand--not much of either one--and I sliced 'em and put the ham in one end o' the big meat-dish and the mutton in the other, with a big bare place between, so's everybody could see that there wasn't enough of either one to go 'round; and then,' says she, 'I sliced up a loaf o' my salt-risin'

bread and got out a bowl o' honey and a dish o' damson preserves, and then I went out on the porch and told Sam that dinner was ready.'

"I never shall forgit how we all laughed when Milly was tellin' it.

'You know, Aunt Jane,' says she, 'how quick a man gits up when you tell him dinner's ready. Well, Sam he jumps up, and says he, "Why, you're mighty smart to-day, Milly; I don't believe there's another woman in the county that could git a Sunday dinner this quick." And says he, "Walk out, Brother Hendricks, walk right out."'"

Here Aunt Jane paused to laugh again at the long-past scene that her words called up.

"Milly used to say that Sam's face changed quicker'n a flash o'

lightnin' when he saw the table, and he dropped down in his cheer and forgot to ask Brother Hendricks to say grace. 'Why, Milly,' says he, 'where's the dinner? Where's them chickens I killed last night, and the potatoes and corn and b.u.t.ter-beans?' And Milly jest looked him square in the face, and says she, 'The chickens are in the spring-house and the vegetables out on the back porch, and,' says she, 'do you suppose I'm goin' to cook a hot dinner for you all on this "sweet day o' rest"?'"

Aunt Jane stopped again to laugh.

"That wasn't a polite way for anybody to talk at their own table," she resumed, "and some of us asked Milly what Brother Hendricks said. And Milly's face got as red as a beet again, and she says: 'Why, he behaved so nice, he made me feel right ashamed o' myself for actin' so mean. He jest reached over and helped himself to everything he could reach, and says he, "This dinner may not suit you, Brother Amos, but it's plenty good for me, and jest the kind I'm used to at home." Says he, "I'd rather eat a cold dinner any time than have a woman toilin'

over a hot stove for me."' And when he said that, Milly up and told him why it was she didn't feel like gittin' a hot dinner, and why she didn't sing in the voluntary; and when she'd got through, he says, 'Well, Sister Amos, if I'd been through all you have this mornin' and then had to git up and give out such a hymn as "Welcome, sweet day o'

rest," I believe I'd be mad enough to pitch the hymn-book and the Bible at the deacons and the elders.' And then he turns around to Sam, and says he, 'Did you ever think, Brother Amos, that there ain't a pleasure men enjoy that women don't have to suffer for it?' And Milly said that made her feel meaner'n ever; and when supper-time come, she lit the fire and got the best hot supper she could--fried chicken and waffles and hot soda-biscuits and coffee and goodness knows what else.

Now wasn't that jest like a woman, to give in after she'd had her own way for a while and could 'a' kept on havin' it? Abram used to say that women and runaway horses was jest alike; the best way to manage 'em both was to give 'em the rein and let 'em go till they got tired, and they'll always stop before they do any mischief. Milly said that supper tickled Sam pretty near to death. Sam was always mighty proud o' Milly's cookin'.

"So that's how we come to call that hymn Milly Amos' hymn, and as long as Milly lived folks'd look at her and laugh whenever the preacher give out 'Welcome, sweet day o' rest.'"

The story was over. Aunt Jane folded her hands, and we both surrendered ourselves to happy silence. All the faint, sweet sounds that break the stillness of a Sunday in the country came to our ears in gentle symphony,--the lisp of the leaves, the chirp of young chickens lost in the mazes of billowy gra.s.s, and the rustle of the silver poplar that turned into a ma.s.s of molten silver whenever the breeze touched it.

"When you've lived as long as I have, child," said Aunt Jane presently, "you'll feel that you've lived in two worlds. A short life don't see many changes, but in eighty years you can see old things pa.s.sin' away and new ones comin' on to take their place, and when I look back at the way Sunday used to be kept and the way it's kept now, it's jest like bein' in another world. I hear folks talkin' about how wicked the world's growin' and wis.h.i.+n' they could go back to the old times, but it looks like to me there's jest as much kindness and goodness in folks nowadays as there was when I was young; and as for keepin' Sunday, why, I've noticed all my life that the folks that's strictest about that ain't always the best Christians, and I reckon there's been more foolishness preached and talked about keepin' the Sabbath day holy than about any other one thing.

"I ricollect some fifty-odd years ago the town folks got to keepin'

Sunday mighty strict. They hadn't had a preacher for a long time, and the church'd been takin' things easy, and finally they got a new preacher from down in Tennessee, and the first thing he did was to draw the lines around 'em close and tight about keepin' Sunday. Some o' the members had been in the habit o' havin' their wood chopped on Sunday. Well, as soon as the new preacher come, he said that Sunday wood-choppin' had to cease amongst his church-members or he'd have 'em up before the session. I ricollect old Judge Morgan swore he'd have his wood chopped any day that suited him. And he had a load o' wood carried down cellar, and the n.i.g.g.e.r man chopped all day long down in the cellar, and n.o.body ever would 'a' found it out, but pretty soon they got up a big revival that lasted three months and spread 'way out into the country, and bless your life, old Judge Morgan was one o'

the first to be converted; and when he give in his experience, he told about the wood-choppin', and how he hoped to be forgiven for breakin'

the Sabbath day.

"Well, of course us people out in the country wouldn't be outdone by the town folks, so Parson Page got up and preached on the Fourth Commandment and all about that pore man that was stoned to death for pickin' up a few sticks on the seventh day. And Sam Amos, he says after meetin' broke, says he, 'It's my opinion that that man was a industrious, enterprisin' feller that was probably pickin' up kindlin'-wood to make his wife a fire, and,' says he, 'if they wanted to stone anybody to death they better 'a' picked out some lazy, triflin' feller that didn't have energy enough to work Sunday or any other day.' Sam always would have his say, and nothin' pleased him better'n to talk back to the preachers and git the better of 'em in a argument. I ricollect us women talked that sermon over at the Mite Society, and Maria Petty says: 'I don't know but what it's a wrong thing to say, but it looks to me like that Commandment wasn't intended for anybody but them Israelites. It was mighty easy for them to keep the Sabbath day holy, but,' says she, 'the Lord don't rain down manna in my yard. And,' says she, 'men can stop plowin' and plantin' on Sunday, but they don't stop eatin', and as long as men have to eat on Sunday, women'll have to work.'

"And Sally Ann, she spoke up, and says she, 'That's so; and these very preachers that talk so much about keepin' the Sabbath day holy, they'll walk down out o' their pulpits and set down at some woman's table and eat fried chicken and hot biscuits and corn bread and five or six kinds o' vegetables, and never think about the work it took to git the dinner, to say nothin' o' the dish-was.h.i.+n' to come after.'

"There's one thing, child, that I never told to anybody but Abram; I reckon it was wicked, and I ought to be ashamed to own it, but"--here her voice fell to a confessional key--"I never did like Sunday till I begun to git old. And the way Sunday used to be kept, it looks to me like n.o.body could 'a' been expected to like it but old folks and lazy folks. You see, I never was one o' these folks that's born tired. I loved to work. I never had need of any more rest than I got every night when I slept, and I woke up every mornin' ready for the day's work. I hear folks prayin' for rest and wis.h.i.+n' for rest, but, honey, all my prayer was, 'Lord, give me work, and strength enough to do it.' And when a person looks at all the things there is to be done in this world, they won't feel like restin' when they ain't tired.

"Abram used to say he believed I tried to make work for myself Sunday and every other day; and I ricollect I used to be right glad when any o' the neighbors'd git sick on Sunday and send for me to help nurse 'em. Nursing the sick was a work o' necessity, and mercy, too. And then, child, the Lord don't ever rest. The Bible says He rested on the seventh day when He got through makin' the world, and I reckon that was rest enough for Him. For, jest look; everything goes on Sundays jest the same as week-days. The gra.s.s grows, and the sun s.h.i.+nes, and the wind blows, and He does it all."

"'For still the Lord is Lord of might; In deeds, in deeds He takes delight,'"

I said.

"That's it," said Aunt Jane, delightedly. "There ain't any religion in restin' unless you're tired, and work's jest as holy in his sight as rest."

Our faces were turned toward the western sky, where the sun was sinking behind the amethystine hills. The swallows were darting and twittering over our heads, a somber flock of blackbirds rose from a huge oak tree in the meadow across the road, and darkened the sky for a moment in their flight to the cedars that were their nightly resting place. Gradually the mist changed from amethyst to rose, and the poorest object shared in the transfiguration of the sunset hour.

Is it unmeaning chance that sets man's days, his dusty, common days, between the glories of the rising and the setting sun, and his life, his dusty, common life, between the two solemnities of birth and death? Bounded by the splendors of the morning and evening skies, what glory of thought and deed should each day hold! What celestial dreams and vitalizing sleep should fill our nights! For why should day be more magnificent than life?

As we watched in understanding silence, the enchantment slowly faded.

The day of rest was over, a night of rest was at hand; and in the shadowy hour between the two hovered the benediction of that peace which "pa.s.seth all understanding."

V

MILLY BAKER'S BOY

[Ill.u.s.tration]

It was the last Monday in May, and a steady stream of wagons, carriages, and horseback riders had been pouring into town over the smooth, graveled pike.

Aunt Jane stood on her front porch, looking around and above with evident delight. This was her gala Monday; and if any thoughts of the County Court days of happier years were in her mind, they were not permitted to mar her enjoyment of the present. There were no waters of Marah near her spring of remembrance.

"Clear as a whistle!" she exclaimed, peering through the tendrils of a Virginia creeper at the sea of blue ether where fleecy white clouds were floating, driven eastward by the fresh spring wind. "Folks'll come home dry to-night; last time they was as wet as drowned rats.

Yonder comes the Crawfords, and there's Jim Amos on horseback in front of 'em. How d'ye, Jim! And yonder comes Richard Elrod in his new carriage. Jest look at him! I do believe he grows younger and handsomer every day of his life."

A sweet-faced woman sat beside him, and two pretty girls were in the seat behind them. Bowing courteously to the old woman on the door-step, Richard Elrod looked every inch a king of the soil and a perfect specimen of the gentleman farmer of Kentucky.

"The richest man in the county," said Aunt Jane exultingly, as she followed the vanis.h.i.+ng carriage with her keen gaze. "He went to the legislatur' last winter; the 'Hon. Richard Elrod' they call him now.

And I can remember the time when he was jest Milly Baker's boy, and nothin' honorable about it, either."

There was a suggestion of a story in the words and in the look in Aunt Jane's eyes. What wonder that the tides of thought flowed back into the channel of old times on a day like this, when every pa.s.sing face was a challenge to memory? It needed but a hint to bring forth the recollections that the sight of Richard Elrod had stirred to life. The high-back rocker and the basket of knitting were transferred to the porch; and with the beauty and the music of a spring morning around us I listened to the story of Milly Baker's boy.

"I hardly know jest where to begin," said Aunt Jane, wrinkling her forehead meditatively and adjusting her needles. "Tellin' a story is somethin' like windin' off a skein o' yarn. There's jest two ends to the skein, though, and if you can git hold o' the right one it's easy work. But there's so many ways o' beginning a story, and you never know which one leads straightest to the p'int. I wonder many a time how folks ever finds out where to begin when they set out to write a book. However, I reckon if I start with d.i.c.k Elrod I'll git through somehow or other.

"You asked me jest now who Richard Elrod was. He was the son o' d.i.c.k Elrod, and d.i.c.k was the son of Richard Elrod, the old Squire. It's curious how you'll name two boys Richard, and one of 'em will always be called Richard and the other'll be called d.i.c.k. n.o.body ever would 'a' thought o' callin' Squire Elrod 'd.i.c.k,' he was Richard from the day he was born till the day he died. But his son was nothin' but d.i.c.k all his life; Richard didn't seem to fit him somehow. And I've noticed that you can tell what sort of a man a boy's goin' to make jest by knowin' whether folks calls him Richard or d.i.c.k. I ain't sayin' that every Richard is a good man and every d.i.c.k a bad one. All I mean is that there's as much difference betwixt a 'd.i.c.k' and a 'Richard' as there is betwixt a roastin' ear and a peck o' corn meal. Both of 'em's corn, and both of 'em may be good, but they ain't the same thing by a long jump. There's been a Richard in the Elrod family as far back as you could track 'em; all of 'em good, steady, G.o.d-fearin' men till d.i.c.k come along. He was an only child, and of course that made a bad matter worse.

"There's some men that's born to git women into trouble, and d.i.c.k was one of 'em. Jest as handsome as a picture, and two years ahead o' his age when it come to size, and a way about him, from the time he put on pants, that showed jest what kind of a man he was cut out for. If the children was playin' 'Jinny, Put the Kittle on,' d.i.c.k would git kissed ten times to any other boy's once; and if it was 'Drop the Handkerchief,' every little gyirl in the ring'd be droppin' it behind d.i.c.k to git him to run after her, and that was the only time d.i.c.k ever did any runnin'. All he had to do was jest to sit still, and the gyirls did the runnin'. It was that way all his life; and folks used to say there was jest one woman in the world that d.i.c.k couldn't make a fool of, and that was his cousin Penelope, the old Squire's brother's child. She used to come down to the Squire's pretty near every summer, and when d.i.c.k saw how high and mighty she was, he begun to lay himself out to make her come down jest where the other women was, not because he keered anything for her,--such men never keer for anybody but theirselves,--he jest couldn't stand it to have a woman around unless she was throwin' herself at his head or at his feet. But he couldn't do anything with his cousin Penelope. She naturally despised him, and he hated her. Next to Miss Penelope, the only girl that appeared to be anything like a match for d.i.c.k was Annie Crawford, Old Man Bob Crawford's daughter. Old Man Bob was one o' the kind that thinks that the more children they've got the bigger men they are. Always made me think of Abraham and the rest o' the old patriarchs to see him come walkin' into church with them nine young ones at his heels, makin' so much racket you couldn't hear the sermon. He was mighty proud of his sons; but after Bob was born he wanted a daughter; and when they all kept turnin' out boys, he got crazier and crazier for a gyirl. Annie wasn't born till he was past sixty, and he like to 'a' lost his senses with joy. It was harvestin' time, and he jest stopped work and set on his front porch, and every time anybody pa.s.sed by he'd holler, 'Well; neighbor, it's a gal this time!' If I'd 'a' been in Ann 'Liza's place, I'd 'a' gagged him. But la! she thought everything he did was all right. It got to be a reg'lar joke with the neighbors to ask Old Man Bob how many children he had, and he'd give a big laugh and say, 'Ten, neighbor, and all of 'em gals but nine.'

"Well, of course Annie was bound to be spoiled, especially as her mother died when she was jest four years old. How Ann 'Liza ever stood Old Man Bob and them nine boys as long as she did was a mystery to everybody. Ann 'Liza had done her best to manage Annie, with Old Man Bob pullin' against her all the time, but after she died Annie took the place and everything and everybody on it. Old Man Bob had raised all his boys on spare-the-rod-and-spile-the-child principle, but when Annie come, he turned his back on Solomon and give out that Annie mustn't be crossed by anybody. Sam Amos asked him once how he come to change his mind so about raisin' children, and Old Man Bob said he was of the opinion that that text ought to read, 'Spare the rod and spile the boy'; that Solomon had too much regyard for women to want to whip a gal child. If ever there was an old idiot he was one; I mean Old Man Bob, not Solomon; though Solomon wasn't as wise as he might 'a' been in some things.

"Well, Annie was a headstrong, high-tempered child to begin with; and havin' n.o.body to control her, she got to be the worst young one, I reckon, in the State o' Kentucky. I used to feel right sorry for her little brothers. They couldn't keep a top or a ball or marble or any plaything to save their lives. Annie would cry for 'em jest for pure meanness, and whatever it was that Annie cried for they had to give it up or git a whippin'. She'd break up their rabbit-traps and their bird-cages and the little wheelbarrers and wagons they'd make, and they didn't have any peace at home, pore little motherless things. I ricollect one day little Jim come runnin' over to my house draggin'

his wagon loaded up with all his playthings, his little saw and hammer and some nails the cyarpenters had give him when Old Man Bob had his new stable built, and says he, 'Aunt Jane, please let me keep my tools over here. Annie says she's goin' to throw 'em in the well, and pappy'll make me give 'em to her if she cries for 'em.' Them tools stayed at my house till Jim outgrowed 'em, and he and Henry, the other little one, used to come and stay by the hour playin' with my Abram.

"It was all Old Man Bob could do to git a housekeeper to stay with him when Annie got older. One spring she broke up all the hen nests and turkey nests on the farm, and they had to buy chickens all summer and turkeys all next winter. They used to tell how she stood and hollered for two hours one day because the housekeeper wouldn't let her put her hand into a kittle o' boilin' lye soap. It's my belief that she was all that kept Old Man Bob from marryin' again in less'n a year after Ann 'Liza died. He courted three or four widders and old maids round the neighborhood, but there wasn't one of 'em that anxious to marry that she'd take Old Man Bob with Annie thrown in. As soon as she got old enough, Old Man Bob carried her with him wherever he went. County Court days you'd see him goin' along on his big gray mare with Annie behind him, holdin' on to the sides of his coat with her little fat hands, her sunbonnet fallin' off and her curls blowin' all around her face,--like as not she hadn't had 'em combed for a week,--and in the evenin' about sunset here they'd come, Annie in front fast asleep, and Old Man Bob holdin' her on one arm and guidin' his horse with the other. Harvestin' times Annie'd be out in the field settin' on a shock o' wheat and orderin' the hands around same as if she was the overseer; and Old Man Bob'd jest stand back and shake his sides laughin' and say: 'That's right, honey. Make 'em move lively. If it wasn't for you, pappy couldn't git his harvestin' done.'

"Every fall and spring he'd go to town to buy clothes for her, and people used to say the storekeepers laid in a extry stock jest for Old Man Bob, and charged him two or three prices for everything he bought.

He'd walk into Tom Baker's store with his saddle-bags on his arm and holler out, 'Well, what you got to-day? Trot out your silks and your satins, and remember that the best ain't good enough for my little gal.'

"When Annie was twelve years old he took her off to Bardstown to git her education. When he come to say good-bye to her, he cried and she cried, and it ended with him settin' down and stayin' three weeks in Bardstown, waitin' for Annie to git over her homesickness. Folks never did git through plaguin' him about goin' off to boardin' school, and as soon as Sam Crawford seen him he says, 'Well, Uncle Bob, when do you reckon you'll git your diploma?'

"I never shall forgit the first time Annie come home to spend her Christmas. The neighbors didn't have any peace o' their lives for Old Man Bob tellin' 'em how Annie had growed, and how there wasn't a gal in the state that could hold a candle to her. And Sunday he come walkin' in church with Annie hangin' on to his arm jest as proud and happy as if he'd got a new wife.

"Annie had improved wonderful. It wasn't jest her looks, for she always was as pretty as a picture, but she was as nice-mannered, well-behaved a gyirl as you'd want to see. There was jest as much difference betwixt her then and what she used to be as there is betwixt a tame fox and a wild one. Of course the wildness is all there, but it's kind o' covered up under a lot o' cute little tricks and ways; and that's the way it was with Annie. Squire Elrod's pew was jest across the aisle from Old Man Bob's, and I could see d.i.c.k watchin' her durin' church time. But Annie never looked one way nor the other. She set there with her hands folded and her eyes straight before her, and n.o.body ever would 'a' thought that she'd been ridin'

horses bare-back and climbin' eight-rail fences ever since she could walk, mighty near.