This Isn't the Sort of Thing That Happens to Someone Like You Part 3
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They'd had people staying before, of course. That wasn't new. Lodgers, friends of friends, people like this woman who just turned up at the church needing somewhere to stay. Catherine didn't usually mind. Vicarages were big houses, and they had plenty of spare rooms. Michael seemed to consider it as much a part of his job as the visiting, the preaching, the offering of communion; or not even as part of his job so much as part of his life. What does our faith mean, if we don't do these things for even the least among us? She'd heard him say that in his sermons, many times, and she'd been thrilled by how sincerely he'd seemed to mean it, once.
She'd asked him how long the American woman was going to stay and he'd said not long. A couple of nights, three at most. Maybe four. She'd asked him why he hadn't talked to her first, and he'd said he hadn't really had the chance and didn't she trust his judgment? She'd asked what sort of condition the woman had that would bring her all this way to find treatment, and he'd said that he wasn't sure, that the woman hadn't been specific but that he'd got the impression it was some kind of bone disease. Something quite rare, he'd said, and she'd raised her eyebrows, and made a disbelieving face, and said that he wasn't making any sense, the story didn't make any sense. Which he'd pretended to ignore, and so when they'd made dinner then it had been in a bristling near-silence. Catherine boiling and draining and mas.h.i.+ng the potatoes, adding b.u.t.ter and milk and salt. Michael turning the sausages under the grill, setting the table, stirring the gravy, disappearing upstairs to ask the woman to join them, coming back to report that she'd said she wasn't hungry and she didn't want to put them out. Moving around each other with a practised ease, pa.s.sing forks and spoons and stock cubes from hand to hand without needing to be asked, and by the time they were sitting at the table and giving thanks her irritation had faded enough for her to be able to check what the woman's name was. Michael said he didn't know. He hadn't asked, or she hadn't said, and the whole time she was there they only ever referred to her as this woman or the American woman or most of the time just a shorthanded her or she. When are you going to talk to her. What's she doing here. How much longer is she going to stay.
The whole business should have been the final straw, Catherine thought.
The day after she arrived, the American woman went back to the hospital a they knew this because she left a note in the hallway which said gone to hospital in thick capital letters a and when she came back, early in the afternoon, she went straight up to the spare room without telling Michael what the result of her visit had been. The same thing happened, complete with a second note a gone to hospital, again a the day after that. On Sunday the woman stayed in her room all day, and when Catherine knocked on her door around suppertime she was met with a sudden taut silence, as if the woman had been pacing around and had now stopped, her breath held, listening. Catherine knocked again.
*Who is it?' the woman said. *Who's there?' This said suspiciously, almost aggressively. Catherine hesitated.
*It's Catherine,' she said. She half thought, since they hadn't been properly introduced, that she should add something like Michael's wife, or possibly even the vicar's wife, for clarification. But she didn't. The American woman jerked the door open and stepped forwards, standing a little closer than Catherine would have liked, wearing the same mismatch of clothes she'd been wearing when she arrived. She didn't say anything. She seemed to be waiting for Catherine to speak. It was infuriating, this misplaced sense of a what was it, self-a.s.surance? Self-possession?
*We were just wondering if everything was okay,' Catherine said. Speaking calmly, she hoped. *We were wondering if you needed anything,' she added. The woman seemed to relax slightly.
*I'm fine,' she said. *Thank you for asking.'
*Have you had any luck at the hospital?' Catherine asked. *With your doc.u.ments and everything?' The woman smiled.
*Oh, you know what these places are like,' she said, waving her hand dismissively; *it's all forms to fill out and papers to sign and doc.u.ments to produce, it's all just bureaucracy, isn't it?'
Catherine looked at the woman, and noticed again how thin and pale she was. A little powder would have helped, a spot of colour, something around the eyes. She looked so drained. But she was probably the sort of woman who would disapprove of make-up.
*Do you mind if I ask what your condition is exactly?' Catherine said, speaking more abruptly than she'd intended. The woman looked at her a moment, blinking fiercely, as if she had something in her eye.
*I'll be going back there in the morning,' she said, ignoring the question. *Maybe I can resolve the matter then and be out of your way.'
*Oh?' said Catherine. *Do you know how long you'll be? Because Michael and I will both be out until quite late.' The woman smiled, and started to close the door.
*Oh, no,' she said, *it's okay. I can let myself in, thank you.'
Catherine found Michael downstairs, sleeping in the armchair, and asked him if he'd given the woman a key. He stirred slightly, and sections of the weekend paper slipped from his lap to the floor. Catherine repeated the question, and he opened one eye to look at her. *It seemed like a good idea at the time,' he said.
Which had reminded her, later, of the morning after the first night they'd spent together, and of him lying in bed with one eye open just like that, watching her dress. Because he'd thought he was dreaming and didn't want to wake up, he'd said. It hadn't looked like that, she'd told him, b.u.t.toning her blouse and looking around the room for her stockings; it had looked more like he was spying on her. She'd loved him watching her like that, then. And you a man of the cloth as well. This said when the idea of him as a vicar was some kind of joke still, before he was ordained; before they were married even, although there'd been some prevarication around that before, around whether they hadn't better wait, which they'd settled by deciding that engagement was a commitment in itself and they were as good as married in G.o.d's eyes. She remembered their haste over dinner that night, once the decision had been made; barely tasting the food, barely even speaking, catching a bus back to his friend's flat while most people were only just heading out for the night. And then the heat and hurry of first s.e.x, collapsing all too soon under the weight of expectation. The realisation that this, after all, was something else which would have to be learnt, considered, practised.
And what were they then, twenty-one, twenty-two? More than half a life ago now. Graduates, just, and already moving on to the next thing. Michael at theological college, preparing for ministry, talking about curacies and parishes and the discernment of vocation; Catherine less certain, knowing only that she wanted to carry on studying English, that she didn't want to fall into teaching the way so many of her friends had done. No more than two years since they'd met, volunteering at the chaplaincy's soup run a Michael overflowing with the thrill of new belief, Catherine looking for some way to rekindle a childhood faith which had been more inheritance than choice a and already the thought of them not being together had seemed puzzling and unreal. As if they had been brought inevitably to one another. Which she'd believed, then. Their life together had been so filled with purpose that it had felt like something more than chance: the soup-run project, and the Christmas night shelter they'd helped set up; the prayer vigils they'd organised, the 24-hour fasts; and that summer in Europe, sleeping in train stations and parks, going to free concerts in bombed-out churches, sharing open-air communion with Germans and Italians and Norwegians and thinking that this was how life would be for them now, that this endless sense of possibility was what her faith could finally come to mean.
And then there was marriage, ordination, a first curacy, a flat. A master's degree, a PhD proposal, a funding problem, and falling into teaching term by term. All these things decided, settled, while they were still too young to know any better. You can go back to the research later though, Michael had told her, when the PhD fell through and she found herself accepting teaching work after all; there wasn't any rush. Trying to rea.s.sure her. Keeping one eye on what she was doing.
On Monday morning they found the yoghurt spoon outside the American woman's room, with a note. THANK YOU FOR THE SPOON, it said. Catherine knocked at the door, and waited a moment before peering inside. The bed was made, and the holdall the woman had brought with her was gone. But there were still clothes in the wardrobe, and a scarf hanging on the back of the door.
*She hasn't left then,' Catherine said.
*Doesn't look like it,' Michael said, already turning away.
*She might have just forgotten to pack everything.'
*Maybe,' he said, in a tone which suggested it was unlikely, and went downstairs. She closed the door and followed him, picking up the post and dropping it on the kitchen table while Michael put the kettle on to boil. She cut two slices of bread and put them in the toaster, and Michael fetched plates and knives and b.u.t.ter and honey from the cupboard. Unthinking, this routine. Unbreakable, almost.
*I don't like her,' Catherine announced. Michael looked at her strangely.
*Like her?' he said. *You don't even know her. Why would you like her or not like her?' The toaster popped up before the toast was ready, as it always did. Something was wrong with the timer, apparently. Nothing which couldn't be fixed. Catherine reached over and put it down again.
*There's something about her,' she said. *She makes me uncomfortable. The way she looks at me. The way she seems to be taking us for granted.' Michael filled the teapot, put it on the table, and sat down.
*The way she looks at you?' he repeated. He seemed amused. The toaster popped up, and she put it down again.
*And the way she won't answer my questions,' she added. Michael made a noise in the back of his throat, something like a snort or a stopped chuckle. A harrumph, people would once have called it. She'd married a man who harrumphed at her across the breakfast table. The toaster popped up a third time. She brought the toast to the table and pa.s.sed it over to him. *What's she doing here, Michael?' she asked, sharply. *What's she doing in our house? She could be anyone. We don't even know her name.' He finished b.u.t.tering his toast before replying, and she saw, in his expression, that same infuriating self-a.s.surance which the American woman had shown her.
*First,' he said, *it's not our house. It's a vicarage. It belongs to the church, and we're guests here just as much as she is.' Catherine tried to cut in, but he held up a finger to stop her. Actually held up a finger. When had he started doing this? Why had she never said anything?
*Second,' he continued, *this woman came to me asking for help, and regardless of whether she's odd or evasive or whether she's even telling the truth I don't see that any harm can come of offering her a room for a few nights. It's not as if we need it.' He poured the tea, sliding hers across the table and reaching for the pile of post. *But if you think I've made a mistake,' he said, *you're welcome to ask her to leave.'
There was a word for this, for the way he was being about this whole thing a superior? Supercilious? And there was a word for women like her who put up with this kind of behaviour for as long as she had a a word like, what, weak? Not weak exactly, it was more complicated than that, but not decisive, not a.s.sertive. Not when it mattered. She stood up, leaving the tea on the table and her toast uneaten. She'd given up slamming doors a long time ago, so instead she just left it gaping open and went upstairs to get ready for work.
Work was a lecturing post in the English department at the new university. She hadn't ever got back to the research. There weren't all that many research positions available in the English departments of new universities. She wrote the odd paper here and there, did her bit to keep the research a.s.sessment scores at a respectable level, but mostly she concentrated on shepherding her students through the set texts and critical literature; giving lectures and seminars, setting essays and marking essays and trying to keep up with all the paperwork which had lately crept into the job.
It was a good job though. She liked it. She couldn't remember, now, why she had once been so determined to avoid teaching. She enjoyed standing in front of a group of students and helping them work their way towards an understanding of what literature could do, what it did do. Developing the a.n.a.lytical tools, it was called these days, although she preferred her first departmental head's description of it as turning the lights on in there.
She liked being in an environment where people enjoyed what they were doing, valued it, even if they tried to pretend they didn't. She liked having colleagues at all a she'd seen how Michael's solitary, self-directed work had isolated him at times, turned him in on himself a and she enjoyed just sitting in the staffroom with them, drinking coffee, talking, listening to gossip. Of which there seemed only to be more the older they got; some of her colleagues were divorced already, one more than once, and over the years there'd been regular talk of goings on behind marital backs. She'd even, once, found herself in a situation where it had been made clear that something like that had been an option for her. But the idea had seemed absurd, a caricature of any discontent she might have been feeling, and she'd declined. She wondered if that had ever been gossiped about around the coffee table there, with the curled-corner posters of fat new novels stuck to the walls and the ring-binders stacked in the corner behind the door. It seemed unlikely.
When she got home that afternoon, Michael showed her a note he'd found on the desk in his study. WOULD APPRECIATE FEWER QUESTIONS, it said; MY CONDITION DOES NOT RESPOND WELL TO STRESS.
*You have to ask her to leave,' Catherine said. Michael made a non-committal sound, an mm or an umm, and Catherine waited for something more.
*It's quite a statement though, isn't it?' he said. *What did you say to the woman?'
*Michael, please. I'm just not comfortable with her being in the house,' Catherine said.
*Do you think she's on some kind of fast?' Michael asked. Catherine took the note from his hand and looked at it again.
*What?' she said.
*Do you think she's fasting?' he repeated.
*I don't know, Michael,' she said, *I really don't know.' She was suddenly very tired.
*Because as far as I can see she's only eating yoghurt,' he said. *Have you noticed her eating anything else? She hasn't asked to use the kitchen. She's never joined us for dinner, she keeps insisting on not being hungry. Haven't you noticed?' He seemed fascinated by the idea.
*Michael,' Catherine said. He looked up. *She can't stay.'
The woman came back late. They heard her letting herself in while they were clearing away the dinner things, and by the time Catherine had got out to the hallway she was halfway up the stairs.
*h.e.l.lo again,' Catherine said. The woman turned round, the holdall in one hand and a carrier bag filled with pots of yoghurt in the other.
*Hey,' she said. Her hair was hanging limply around her face, and her skin was even paler than it had been before. She looked exhausted, ill.
*No luck at the hospital?' Catherine asked. The woman stared at her.
*Does it look like it?' she said, turning away. She was almost at the top of the stairs before Catherine could take a breath and respond.
*Excuse me,' she said, raising her voice a little. *Sorry?' The woman stopped, but didn't turn round. *Sorry,' Catherine said again, trying to soften her voice with a laugh; *but I was just wondering. I mean, we don't actually know each other's names, do we?' Waiting for the woman to turn round, feeling her fists almost clenching when she didn't. *My name's Catherine,' she called up.
*h.e.l.lo, Catherine,' the woman said, flatly, and continued on up the stairs to her room.
Catherine stood in the hallway, waiting for something, unwilling to go straight back to the kitchen and have Michael ask about her day and what they might watch on the television as if nothing untoward was going on. As if the woman wasn't staying longer than he'd said she would. As if the woman had been open and straightforward with them and given them no cause for concern.
She prayed about it later that evening, sitting in the front room with a lit candle and a Bible on the coffee table, a confused prayer in which she asked that they all be kept safe, that her fears about the woman prove unfounded, that the woman find what she was looking for at the hospital, that Michael or herself might find some way of resolving the situation, that she could be less suspicious and more trusting of the world and the people who came her way, that G.o.d might grant her more love and faith and empathy in situations like this, that Michael might listen to her a little more, take her fears more seriously, that G.o.d might watch over them all in this situation.
She opened her eyes, and saw the woman standing in the doorway, still wearing the long beige raincoat and holding another spoon. Smiling.
*I'm sorry,' the woman said. *I didn't mean to intrude. I just thought I heard something.'
*Well,' Catherine said. *Only me.' She felt as if she'd been caught out, exposed somehow. The woman smiled, and that self-a.s.surance, self-contentment, self-whatever-it-was, was there again.
*Yes,' she said. *Only you.' She noticed Catherine looking at the spoon. *Oh,' she said, *I hope you don't mind. I helped myself to a spoon, for the yoghurt.' p.r.o.nouncing yoghurt with a long oh, which in Catherine's irritable state felt like yet another trespa.s.s.
*Oh no,' Catherine replied, lifting her hands in an attempt at nonchalance, letting them clap down on her thighs; *that's fine. It's only a spoon.' A weak smile, met with a shrug. The woman glanced down at the Bible, the candle.
*Were you praying?' she asked. Catherine nodded, and the woman looked puzzled, tilting her head as if she was about to ask something. *Well,' she said, finally, *I won't keep you. It sounds like your husband's gone to bed already.'
*Goodnight,' Catherine said. The woman left, closing the door behind her, and Catherine watched as the candle flame flapped and fluttered and eventually stilled.
She shouldn't be angry though. It wasn't fair. She shouldn't have been angry at the time, and she should have learnt not to be still angry about these things now. He was dedicated to his job. He cared about the church, about the redevelopment, about the new community services he wanted to offer, about enthusing the congregation with a sense of mission. These were all good things to care about, to spend every waking moment worrying about. But she was tired of it now. She was tired of being towed along while he did these things.
At least people didn't come calling to the house, generally. That was one thing. It happened to other vicars a it had happened in previous parishes a but it hadn't happened here. The vicarage was too far from the church, too anonymous-looking, and so they hadn't had people banging on the door at all hours asking for money as they had elsewhere. People went to the church, and Michael dealt with them there. Which was good. It gave them some separation, mostly. It meant Michael could relax a little once he was home, and it meant Catherine had to worry a little less about always being The Vicar's Wife. There were still the phone calls of course, and the members of the congregation who knew where they lived and would insist on calling round with messages, paperwork, problems, and would talk to her when Michael was out as if she was his secretary. She'd minded it more in the early days, before she'd felt established in her career. She'd resented the idea that her role in the world might amount to no more than being The Vicar's Wife. I married you, she'd snapped at him once; I didn't marry your job. I didn't marry the Church.
That had been their first crisis. There had been others: his muted, slow-burning reaction to his mother's death, when he'd shut her out so completely that she'd almost walked away; the string of burglaries in the last parish; the incident which never was with her colleague in the English department. And there was the business of children, of course, but they'd stopped talking about that eventually, once it had become more or less academic.
And then there was the American woman he'd offered the spare room to that time, six years ago now and she couldn't help thinking it was too long ago for her to be still thinking about it like this. It wasn't as if they'd ever seen her again.
That Sat.u.r.day, when the woman had been in their house for more than a week and was showing no sign of being about to leave, Catherine had been woken by the sound of Michael making his breakfast. She usually tried to have a lie-in on Sat.u.r.days, and was usually woken like this, by the clatter of knives and plates and mugs, reflecting each time that for such a big house sounds did seem to carry awfully well, that the two of them seemed to rattle around in there. She heard the toaster popping up, and Michael putting it down again, and she turned over to go back to sleep.
In the kitchen, Michael was taking the b.u.t.ter and the honey down from the cupboard and waiting for the kettle to boil. The American woman appeared in the doorway a this was Michael's account of it, later a and said she hoped she wasn't interrupting but could she ask him something? Michael said yes, certainly, and she came into the room and sat down. Her situation was more complicated than she'd expected, she told him. It seemed she would have to go back to New York to get copies of her medical records, a referral from her doctor, her insurance doc.u.ments. Which was a problem because she didn't have the money to go home and come back again. Michael asked if there wasn't someone she could get to send the doc.u.ments. The woman looked at him, and ignored his interruption, telling him again that she didn't have that kind of money, not to go home and come back again. She didn't even have the money to get down to Heathrow, ha ha a this said as if it was all a big joke, according to Michael, or rather as if she wanted him to think that she was bravely trying to make it all into a big joke a and so she knew it was a lot to ask after all the kindness they'd already shown her but did Michael think there was any chance he could help out at all? Financially?
Michael told her he was sorry but he didn't think he could do that. Which seemed to surprise her, he said. Seemed to nudge her off-balance. Something in her expression changed, was the way he described it. But all she said was that she was sorry to have troubled him. And then, as they were both moving into the hallway, asking if she could ask him something else. A nod or a shrug from Michael, and she said that she'd noticed something was wrong, that she wondered if there were maybe some problems between him and his wife. And the answer heard by Catherine, as she stood in their bedroom doorway at the top of the stairs, was that he didn't think that was an appropriate question actually, ha ha; whereas the answer in the account he gave her later was a far less equivocal no.
He'd left for a meeting at the church then, and the American woman had gone back to her room, and she must have already started packing because by the time Catherine had been to the bathroom and washed her hair the woman had disappeared: the room empty, the sheets stripped, the front door key left on the bare mattress with a note.
She stood in the empty room for a few moments, feeling the blessed silence settle around her, and then she went downstairs to set the table for lunch. She scrubbed and pierced two jacket potatoes and put them in the oven. She washed and drained and mixed a salad, and made a dressing. She looked in the kitchen drawer where they kept their bank cards and pa.s.sports and housekeeping money, and made sure everything was there. She checked that Michael's new laptop computer was still in the study. She ran the vacuum cleaner around the spare room, emptied the wastepaper basket of yoghurt pots, straightened the rug. She took the crumpled sheets downstairs and put them in the was.h.i.+ng machine, and when she went back upstairs she checked through her jewellery box.
It wasn't that she'd thought the woman would turn out to be a thief. Not really. She just wanted some rational explanation for the way she'd felt about her, the suspicion and unease which she couldn't bring herself to admit might have been unfounded.
It felt like a long time before Michael got home. He started telling her about the meeting almost before he'd opened the door, tugging off his shoes in the hallway and rattling on about misplaced funding priorities and a dean who cared more about church buildings than putting the gospel into practice. She waited for him to finish talking before telling him that the woman was gone, by which time they were sitting at the table with a dressed salad and two steaming baked potatoes between them. She showed him the note the woman had left, unfolding it from her cardigan pocket and smoothing it out on the table. THANK YOU, it said, SEE YOU AGAIN SOON. He smiled, and nodded, and draped a napkin across his lap.
*What do you think she means?' Catherine asked. *See you again soon?'
*Oh, I'm sure it's nothing. Just a figure of speech.'
*Really?'
*Really.' He straightened the napkin on his lap, and fiddled with his knife and fork. *Crisis over,' he said. He poured out two gla.s.ses of water. *Did she take anything?'
*No. I looked, but I don't think anything's missing.'
*Did she say anything when she left, besides the note?'
*No, nothing.'
They shut their eyes and said a prayer of thanks and cut open their potatoes, the steam rus.h.i.+ng out into the room and filling the s.p.a.ce between them for a moment while they each waited for the other to reach for the b.u.t.ter and the salt.
*Well,' he said. He was almost smiling. He felt vindicated, she supposed. *I imagine that's that then.'
*Yes,' she said. *I imagine you do.'
The Chicken And The Egg.
Stickford.
It's not really something he likes talking about, to be fair. It is, in actual fact, quite a difficult thing to discuss. But it's becoming more of an issue. It's having knock-on effects. What it is, he has this fear of breaking open eggs. It's a type of phobia. There doesn't seem to be a Latin name for it. He's checked. But essentially he has this fear that he'll one day break open an egg and find a little baby chicken foetus curled up inside. Dead. Occasionally he imagines it being just about alive a limply flopping is the phrase which comes to mind a but he's pretty sure that's just him being irrational.
He is in actual fact quite sure the whole thing's irrational but he can't get the idea out of his head. He knows something about poultry-farming methods; he's been looking into it, and he knows that the chances of a fertilised and developed egg making its way into the retail chain are just about impossible. For starters if it was an egg from a battery-cage site then it stands to reason it wouldn't be fertilised. Due to the cages, that would be. And even on the organic or free-range sites they do have these incredibly strict inspection regimes. It would be a failure of what he's been reliably informed are very robust systems. Millions and millions of eggs are produced every single day.
It would only take one.
It started when he overheard a man in a cafe describing it actually happening to him. The man was the owner of the cafe. He was talking to a woman at the counter who was ordering breakfast. He told her that some years previously, when he was working in the kitchen, he'd broken an egg and found a baby chicken inside. He described it in quite some detail, was the thing: how perfectly formed the foetus had been, with feathers and everything, how there was mostly blood and membrane where the yolk should have been. He told the woman it had quite shaken him up and he'd been unable to cook with eggs from then on. The woman changed her mind about what she was ordering. It's a conversation he can remember very clearly. There were certain shapes the man made with his hands while he was describing it all.
But when he knew it had got really bad was this one time when he was staying with his wife at a B&B. It was out in the country somewhere and the landlady kept chickens in the garden. His wife had liked that. She'd thought it was very authentic. Only he'd noticed that there was a rooster in with the hens, and then at breakfast he'd found these dark-red specks in the yolks of their fried eggs. Tiny specks, to be fair, about the size of a pencil mark made with a very sharp pencil. But he'd understood what they were. And the trouble was, he hadn't wanted to say anything to his wife, and he hadn't wanted to offend the landlady, and so he'd gone ahead and eaten the b.l.o.o.d.y things. And then what was awful was that they were absolutely delicious: they were literally the freshest eggs he'd ever eaten and they really were very good. Creamy and soft. Light. But at the same time he hadn't been able to stop thinking about the tiny dark-red specks. It was as if his imagination was a microscope, was the way he thought of it. And after that the whole trouble with eggs got serious, was what happened, was how he recalls it happening.
It's the antic.i.p.ation which gets him. Even just thinking about it. Even nowhere near a cooking situation or an eating situation, just thinking about it at some other moment. The antic.i.p.ation is what really does the damage. If he does happen to find himself in an unavoidable egg-breaking scenario, the tension is almost literally palpable. His stomach clenches, and his face more or less prepares to express disgust. He'll stand there with the egg held out at arm's length, like what it might do is explode. He'll close his eyes, and brace himself, and crack it into the bowl or the pan, and then once his eyes are shut what he has to do is brace himself all over again to open his eyes and look.
If it could just happen, is what he's started to think. If he could get it over and done with. Then he wouldn't be all worked up with the antic.i.p.ation. The reality of it might not even be all that bad, considering. Considering all the things he's imagined.
Sometimes he's imagined it happening with a hard-boiled egg. Picking off the sh.e.l.l, getting the salt and pepper ready, and then cutting through the firm white of the egg and making the discovery. On a picnic. On a train. At a business meeting. Or even worse, having served the hard-boiled eggs to a guest. In a salad, such as perhaps a salad of cos lettuce and rocket, with a dusting of paprika across the eggs, some quarters of very ripe tomato, parmesan shavings, an olive-oil dressing. The eggs still just warm enough to release the fragrance of the olive oil. The guest being the first to cut into the egg.
Or also he's imagined it happening whilst preparing a fried-egg sandwich. The oil heating in the cast-iron pan. The thick slices of white bread lightly toasted, b.u.t.tered, and dressed with tomato ketchup. The tea brewing in the pot. Breaking the egg into the pan, looking away for one moment to grab the salt and pepper and then turning back to find it there just as the white begins crackling at the edges. And what would happen then would be the heat having the effect of making the foetal chicken turn over in the pan, or just twitch slightly. It would create an illusion, is what he thinks.
And, yes, he understands there are effective treatments available for phobias. He has made some discreet enquiries, is how he knows this, and how he knows these treatments to be mostly based around a programme of gradually increasing exposure and rea.s.surance. But then what it comes down to is he can't imagine how this would be any help at all. In his particular situation. Which isn't something he likes to discuss, to be fair. He has cracked open plenty of eggs in the course of his life, so whatever it is he needs to do it's not increasing his exposure, gradually or otherwise. Rea.s.surance would be another thing. All these eggs he's cracked over the years and if anything the phobia is only getting worse. What he thinks is this is only logical. If the odds of it actually happening are one-in-a-million or one-in-a-billion or however high they are, then what follows is that with every egg he safely cracks open the probability actually increases. He's not sure if the statistical reasoning of this is entirely sound. But he still can't help feeling that every egg brings him closer to the thing he dreads.
So he did tell his wife about all this, eventually. He had to tell someone, was the conclusion he came to. It didn't help matters, as it turned out. She was what he would call notably unsympathetic. It could be said to have brought things to a head between them. There was some mockery. There was a poorly executed hoax involving a child's toy. Also, a man with whom he was vaguely acquainted at work, a man who was later identified as a co-respondent in the subsequent divorce proceedings, made a barely audible clucking noise as they stood together in the canteen line.
He hasn't actually discussed it with anyone else since then, to be fair. He's not at all sure it would help.
This Isn't the Sort of Thing That Happens to Someone Like You Part 3
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This Isn't the Sort of Thing That Happens to Someone Like You Part 3 summary
You're reading This Isn't the Sort of Thing That Happens to Someone Like You Part 3. This novel has been translated by Updating. Author: Jon McGregor already has 765 views.
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