They Thirst Part 12

"You're going to tell me. I want you to forget about old Roachie and concentrate on the Gravedigger. Maybe he struck somewhere else before he ripped through Resurrection, maybe he's done another job since Hollywood Memorial. I want as much as you can get, and I want it complete by Thursday afternoon. Can you handle it?"

"Trace, it can't be just one guy! n.o.body could rip up a cemetery like that alone!"

"Maybe he's strong. Maybe he drives around in a custom-built bulldozer, who knows? Anyway, narrowing the angle to one weirdo sells more papers. Evil, babe, evil!" He caught the flicker of hesitation across her face. "Now what's wrong?"

"I'm so into the Roach thing, I... Trace, I don't think I should leave it just yet. I think it's way too early to write him off. Why not let Sandy take care of this?"

"Look," he insisted. "n.o.body's seen the Gravedigger, and anyway you're about three times the writer Sandy is. Now go. Get started!" Gayle reluctantly stood up. She said, "I'd like to stay with The Gravedigger. Out!"

She moved toward the door, unable to believe this wild turn of events. Her head was throbbing, her stomach roiled, she felt sick to her very soul. This is bulls.h.i.+t! she told herself. The Roach is really important. Doubly important when you think about my career. But this is ... bulls.h.i.+t!

"Wait a minute," Trace said as she turned to go. "Have you seen Kidd? I need him to get some shots of Miss California Redwoods this afternoon."

"No, not lately. We went to a Joan Baez concert Sat.u.r.day night, but I didn't see him all day yesterday. He may have gone out to see the Greenpeace people." Trace grunted. "That guy's spreading himself a little thin, isn't he? Listen, will you try his number for me when you get a minute? I really need him to come in early and set up the shot."

She nodded, still in a daze, and left his office. Outside, Holly Fortunato was telling the sportswriter, Bill Hale, about the wide variety of whips her director friend kept in his closet. Gayle sat down at her desk, shuffled papers, and tried to think how she could get out of the story Trace wanted. Still, three cemeteries vandalized-no, not just vandalized, ripped to shreds-in less than two weeks. Possibly more. Who could she call to find out?

She jotted down the names of several police force antivandalism squad members she knew. She thought Davis Tortirici was the captain of that squad, but she wasn't quite sure.

But there was something else bugging her that hadn't surfaced until Trace had pointed it out-where was Jack? He'd said he was going to splurge and take her to dinner at the Mandarin on Sunday night, but he'd never called. She'd spent her evening drinking white wine and reading a nasty little book called Bethany's Sin, which she'd tossed away in boredom after the fourth chapter. She wanted to be with Jack, really needed to be with him, and she'd dialed his number three or four times during the course of the night. Each time the phone had rung at least ten times before she'd put the receiver down. So where was he?

What am I? she asked herself. A mother hen? But then her hand was reaching out, and she was gripping the telephone beside her. She dialed Jack's apartment again and let it ring.

No answer.

There were a dozen different places Jack could be; she'd gotten used to the fact that the only consistent thing about Jack Kidd was his inconsistency. That was due to his chart, he'd told her proudly, double Gemini. She hung up the phone and wasted a few minutes making herself another cup of coffee, then wandered over to where Kenny Morrow was pounding out his health hints column. This week his column opened up with a letter from a Sacramento reader who thought the government was controlling his s.e.x desires through the rays from his color TV. She was looking over Kenny's shoulder when her telephone rang, and she hurried back to answer it, thinking Jack might be calling in.

"Gayle?" the man on the other end said. "This is Tom Chapman from the Times. Remember? We met at Palatazin's last press conference?"

"Oh, sure." She faintly recalled the guy-stout and balding, wearing a brown checked coat. "How are you, Tom?"

"Fine. Better since I ... uh ... picked up your paper and saw your piece on that cemetery business. I got quite a kick out of that. Who came up with the 'Gravedigger' angle?"

"My editor."

"That was great. Really sell some papers that way-"

"Can I help you, Tom?" she interrupted because the sarcasm in his voice was beginning to irritate the s.h.i.+t out of her.

"Huh? Oh, listen, don't get sore. I was just kidding. No, I thought I'd call to help you. Us journalists have to stick together, right?" He paused for a few seconds. Gayle was silent, her anger simmering at a low boil. "Our story's already out on the streets, so I thought I'd pa.s.s the information along to you.

We just ran a few graphs on page eleven, but maybe you can-"

"Tom . . ."

"Okay, okay. Somebody dug up Ramona Heights Cemetery over in Highland Park last night. Stole about twenty or twenty-five coffins, left the stiffs scattered to h.e.l.l and back. The watchman, guy by the name of ... hold on, I'm looking in the paper . . . Alcavar, is now on the missing persons list. The Highland Park cops are checking out some tread marks they found in the gra.s.s. It seems the Gravedigger drives around in a large truck. Now don't say I never gave you anything."

Gayle had started scribbling on a notepad. What the h.e.l.l is going on? she wondered. For the first time a spark of real curiosity crackled inside. "Do you have Alcavar's first name and address?"

"Noel. Got his brother's address from the cops-he's the regular watchman-909 Costa Mesa Avenue in Highland Park. What are you thinking, that Alcavar loaded up those coffins himself? Why?"

"I'm not thinking anything. I'm just looking for a starting point. Thanks for calling, Tom. Incidentally, this doesn't mean I'm finished with the Roach."

"Yeah, I hear you've been sneaking in to see Palatazin when the rest of us had our backs turned. Well, any way you can get it, I guess. Uh . . . listen, Gayle, you remember I told you about the situation with my wife? I've moved out of the house, sort of a free bird now. How about having dinner with me tonight? I've got a Playboy Club key, and you can take a look at my new apartment and tell me what it needs . . ."

"Tonight? Uh . . . no, Tom, afraid I can't . . ."

"Tomorrow night then?"

"My editor's calling me, Tom. I'll talk to you later. And thanks a bunch for the informaton. Bye-bye." She hung up the phone and read over her scribbled notes.

Ramona Heights? That made four cemeteries vandalized in less than two weeks?

What kind of freaks would do something like that? Death cultists, satanists, what? The term Gravedigger, repellent only a few minutes before, now chilled her. She put her notepad and a couple of Bic pens in her purse and hurriedly left the office, bound for the Ramona Heights Cemetery.

THREE.

Police Commissioner McBride sat at the far end of the conference room's polished oak table reading Palatazin's progress report on the Roach investigation. Every few minutes he grunted, and when he did, Chief of Detectives Garnette glanced across the table at Palatazin with a look that said it all-You'd better hope he's in a gracious mood, Andy, because there is nothing concrete in that report.

Palatazin was well aware of the fact. He'd come in before seven that morning to finish typing the report and felt ashamed when he'd taken it to Garnette for a first reading. There was nothing in it but speculation, vague theories, and leads that went nowhere. He'd included the information from Amy Hulsett and Lizzi Connors toward the end, and detailed the work Sully Reece and his team were doing to track down the gray Volkswagen, but even that looked woefully ineffectual I on paper.

McBride glanced quickly up at Palatazin and turned a page. From where Palatazin was sitting, McBride was bracketed by an American flag and the California state flag, and golden sunlight seeped through the Venetian blinds at his back. There were dark circles beneath Palatazin's eyes, and as he lit his pipe for the fourth time during the conference, his hand was trembling slightly. His night had been terrible, his dreams filled with shambling horrors coming for him out a snowstorm, creeping nearer and nearer out of the windswept pines that circled him. He had seen their burning eyes, their mouths slashed like grinning sickles, and in those mouths the terrible, unholy teeth. And just when they were about to claim him, his mother had appeared, floating over the snow, and gripped his hand. Run, she'd whispered. Run, Andre! But he had left Jo waiting in a cabin, and he had to get back to her, but that meant running the gauntlet of the grinning terrors. I wont leave you, his mother had said, and at that instant the things had snapped at Palatazin's throat. He had awakened cold with sweat, and this morning over breakfast Jo had wanted to know what he'd been dreaming about. Palatazin told her the Roach; he wasn't ready to tell the truth yet.

At the end of the table, McBride closed the report and pushed it aside. Over the rim of his coffee cup, he looked from Garnette to Palatazin, his eyes stunned for an instant by the bright green striped tie Palatazin wore with a light brown coat. He put the cup down and said, "This isn't enough. In fact, it's little more than nothing. The Times is applying some pressure for a public progress statement. If I used this report as .my basis, they'd be printing thin air. So what's the problem?" His icy blue eyes flared. "We have the best police force in this entire country! Why can't we find one man?

Captain, you've had over two weeks to work on this thing with the entire force from helicopters to beat cops at your disposal. Why haven't you turned up anything more concrete than this?"

"Sir," Palatazin said, "I think we're making some progress. The artist's composite was printed on the front page of the Times this morning, and it'll be carried by the afternoon newspapers as well. We'll get it to the television stations in time for the afternoon and evening newscasts. Also there's the matter of the Volkswagen . . ."

"Slim, Palatazin," the commissioner said. "Awfully d.a.m.ned slim."

"I agree, sir, but it's more of a lead than we had before. The women-the street prost.i.tutes-are wary of being seen talking to the police officers. They're frightened of the Roach, but they don't trust us either. And that's how we're going to find the man, sir, through them. My men are working on finding a Volkswagen with a two, a seven, and a T' in the license number . .

"I suspect there may be several hundred," McBride said.

"Yes, sir, there will be. Possibly a thousand or more. But you have to agree it is a lead that merits investigation."

"I want names, captain, names and addresses. I want suspects in for interrogation. I want surveillances. I want that man caught."

"We all do, commissioner," Garnette said quietly. "And you know Captain Palatazin has been interrogating suspects daily and carrying out some surveillances as well. It's just that . . . well, sir, the Roach seems to have gone underground. Maybe he's left the city. Catching a hit-and-run killer like this, a psychotic without motive, is the toughest job there is . . ."

"Spare me, please," McBride answered. "I don't want to hear any confessions." He returned his gaze to Palatazin, who was trying unsuccessfully to light his pipe again. "You're telling me that this Volkswagen license plate is the only real lead you've got, is that it?"

"Yes, sir, I'm afraid so."

McBride sighed loudly and folded his hands in front of him. "I don't want this thing to turn into another Hillside Strangler case, captain. I want this man-or men-caught quickly so we don't get our a.s.ses kicked by the public and the press.

Not to mention the fact that as long as this b.a.s.t.a.r.d remains unidentified, someday we're going to stumble over another hooker's corpse. I want him canned, do you understand me? And I want him canned fast!" He took the report and slid it down the table to Palatazin. "If you can't find him, captain, I'll put someone in charge who can. All right? Now both of you get back to work." As they waited for the elevator in the hallway outside the conference room, Garnette said, "Well, Andy, that wasn't as bad as I thought it was going to be."

"It wasn't? I was fooled then." His pipe had gone stone cold, so he shoved it in his pocket.

Garnette looked at him in silence for a few seconds. "You look tired, Andy. Worn out. Everything okay at home?"

"At home? Yes. Why?"

"You got a problem, you can tell me about it. I don't mind."

"No, there's no problem. Except the Roach."

"Uh-huh." Garnette was silent for a moment, watching the numbers advance above the elevator door. "You know, something like this could strain even the strongest ox of a guy. It's a h.e.l.l of a responsibility. I'll tell you, Andy, you look like you haven't slept for two days. You . . . h.e.l.l, you didn't even shave this morning, Jim did you?"

Palatazin ran a hand across his chin and felt stubble. He couldn't remember if he'd shaved or not. No, he decided, he probably hadn't.

"I understand that your men are also beginning to see changes in you." The elevator arrived, and they stepped in. It began to descend. "That's not good. It weakens your leaders.h.i.+p position." "

Palatazin smiled grimly. "I think I know who you've been talking to. Officer". Brasher, possibly? He's a lazy b.u.m. And Zeitvogel? Who else?" Garnette shrugged. "Talk gets around. You haven't been yourself for the past few days . . ."

"And so people have started pointing their fingers, have they? Well. It didn't, take as long as I thought."

"Please, Andy, don't get me wrong. I'm talking as an old friend now, okay?

Just, what were you getting at when you called Kirkland at Hollywood Division and i requested a stakeout on a cemetery, for G.o.d's sake?"

"Oh," Palatazin said softly. "I see."

The elevator opened on a wide corridor floored with green linoleum. They stepped out and walked toward the homicide squad room, beyond two frosted-gla.s.s doors.

"Well?" Garnette said. "What about it?" Palatazin turned to face him. His eyes were dark holes in his pale face. "It has to do with the vandalism over there . . ."

"I thought as much. But that's not your problem or your detail. Let the anti-vandalism squad over in Hollywood mop it up. You stick to homicide."

"Let me finish," Palatazin said, and in his voice there was a tremble that made Garnette think, Andy's about to crack. "You have to know that where I was born, in Hungary, people think differently about . . . many things than they do in this country. I'm an American now, but I still think like a Hungarian. I still believe in the things that Hungarians believe. Call them superst.i.tions or old wives' tales or whatever, but I accept them as the truth." Garnette's eyes narrowed. "I don't understand."

"We have different beliefs about . . . life and death, about things that you would consider material for movies or bad paperback books. We think that not all is explicable by the law of G.o.d because the devil has laws of his own."

"You talking about spirits? Ghosts? You mean you wanted Hollywood Division to stake out some ghosts?" Garnette almost laughed but didn't because the other man's face was so deadly serious. "Come on, is this a joke? What have you got, Halloween fever?"

"No, I'm not talking about spirits," Palatazin said. "And it is not a joke either. Fever, perhaps, but my fever is called fear, and it's beginning to burn me up inside."

"Andy . . ." Garnette said quietly. "You can't really be serious ... are you?"

"I have work to do now. Thank you for listening." And before Garnette could stop him, Palatazin had gone through the doors into the squad room. Garnette stood in the corridor for a moment, scratching his head. What was wrong with that crazy old Hungarian? he thought. Now he's going to have us running around after spooks in cemeteries? Jesus! A darker thought stirred sluggishly in his brain. Is the pressure making Andy unfit for duty? G.o.d, he thought. I hope I don't have to ... do anything drastic.

And then he turned away from the doors and made his way to his own office farther down the corridor.

FOUR.

The intercom on Paige LaSanda's desk crackled to life, "Miss LaSanda, there's a Phillip Falco here to see you."

Paige, a stunning ash-blond woman in her early forties, looked up from a report on a piece of industrial property she was interested in purchasing on Slauson Avenue and pressed the Speak b.u.t.ton. "He doesn't have an appointment, does he, Carol?"

There were a few seconds of silence. Then, "No, ma'am. But he says it concerns money owed to you."

"Mr. Falco can make his payments to you, dear." She returned to the report. The property looked promising; it was underdeveloped and could support a larger factory than the one now on it, but the asking price might be a bit too . . .

"Miss LaSanda?" the intercom voice said. "Mr. Falco wants to see you personally."

"When and who is my next appointment?"

"Eleven-thirty. Mr. Doheny from the Crocker Bank." Paige glanced at her diamond-studded Tiffany wrist.w.a.tch. Five after eleven.

"All right," she said, "send Mr. Falco in." After another moment the door opened, and Carol ushered Falco-a gaunt man with long white hair and deep-set eyes-into the office. For a few seconds Falco stood at the center of the huge room, seemingly awed by its sumptuous furnis.h.i.+ngs, though he'd been to this office twice before. Behind her gla.s.s-topped mahogany desk Paige said, "Please sit down, Mr. Falco," and motioned toward a brown leather chair.

Falco nodded and took his seat. In his rumpled brown pinstripe suit, he looked like little more than a cadaver, his flesh pale to the shade of gray, his wrists jutting from the coat sleeves. On a table beside him a burst of bright red roses made him look duller still. His eyes were never at rest; they moved across Paige's desk, acrosss her face, the broad picture window that looked out over Wils.h.i.+re Boulevard, to his own hands in his lap, back to her desk, and then to her face again.

Paige held up a carved Dunhill cigarette case of l.u.s.trous black wood, and Falco took three cigarettes without apology, putting two in the breast pocket of his coat and lighting the third from the lighter flame Paige offered.

"Thank you," he said softly, and leaned back in his chair, smoke dribbling from his nostrils. "These are European cigarettes, are they not?"

"Balkan tobacco," Paige said.

"One can tell immediately. American brands are so dry and tasteless. These remind me so much of a brand sold in Budapest . . ."

"Mr. Falco, I presume you've brought me a check today?"

"What? Oh, of course. The check." He rummaged in an inside coat pocket and brought out a sealed and folded envelope. This he slid across the desk to Paige, who instantly used a twenty-four-carat-gold letter opener on it. The check was written against a Swiss bank account and signed by a smooth, graceful hand-Conrad Vulkan.

"That's fine," she said, eyeing the amount with mental glee. "How long should this take to clear?"

"A week at most," he answered. "Prince Vulkan plans to transfer a large amount to a local bank shortly. Do you have any suggestions?"

"I suppose the Crocker Bank's the most convenient. One of their vicepresidents is coming in at eleven-thirty. You might speak to him about it."

"There's something else in the envelope, Miss LaSanda," Falco said.