Alone with the Horrors Part 10

Surely she was too old to be a prost.i.tute. Might she have been one, who was now compelled to enact her memories? His binoculars drew her face closer: intent as a sleepwalker's, introverted as a foetus. Her head bobbed against gravel, foreshortened by the false perspective of the lenses. She moved offscreen.

Three months ago, when he'd moved to this flat, there had been two old women. One night he had seen them, circling adjacent lamps. The other woman had been slower, more sleepy. At last the Lady of the Lamp had led her home; they'd moved slowly as exhausted sleepers. For days he'd thought of the two women in their long faded coats, trudging around the lamps in the deserted avenue, as though afraid to go home in the growing dark.

The sight of the lone woman still unnerved him, a little. Darkness was crowding his flat. He drew the curtains, which the lamps stained orange. Watching had relaxed him somewhat. Time to make a salad.

The kitchen overlooked the old women's house. See the World from the Attics of Princes Avenue. All Human Life Is Here. Backyards penned in rubble and crumbling toilet sheds; on the far side of the back street, houses were lidless boxes of smoke. The house directly beneath his window was dark, as always. How could the two women--if both were still alive--survive in there? But at least they could look after themselves, or call for aid; they were human, after all. It was their pets that bothered him.

He had never seen the torpid woman again. Since she had vanished, her companion had begun to take animals home; he'd seen her coaxing them towards the house. No doubt they were company for her friend; but what life could animals enjoy in the lightless probably condemnable house? And why so many? Did they escape to their homes, or stray again? He shook his head: the women's loneliness was no excuse. They cared as little for their pets as did those owners who came, whining like their dogs, to his office.

Perhaps the woman was waiting beneath the lamps for cats to drop from the trees, like fruit. He meant the thought as a joke. But when he'd finished preparing dinner, the idea troubled him sufficiently that he switched off the light in the main room and peered through the curtains.

The bright gravel was bare. Parting the curtains, he saw the woman hurrying unsteadily towards her street. She was carrying a kitten: her head bowed over the fur cradled in her arms; her whole body seemed to enfold it. ------------------------------------171 As he emerged from the kitchen again, carrying plates, he heard her door creak open and shut. Another one, he thought uneasily.

By the end of the week she'd taken in a stray dog, and Blackband was wondering what should be done.

The women would have to move eventually. The houses adjoining theirs were empty, the windows shattered targets. But how could they take their menagerie with them? They'd set them loose to roam or, weeping, take them to be put to sleep.

Something ought to be done, but not by him. He came home to rest. He was used to removing chicken bones from throats; it was suffering the excuses that exhausted him--Fido always had his bit of chicken, it had never happened before, they couldn't understand. He would nod curtly, with a slight pained smile. "Oh yes?" he would repeat tonelessly. "Oh yes?"

Not that that would work with the Lady of the Lamp. But then, he didn't intend to confront her: what on earth could he have said? That he'd take all the animals off her hands? Hardly. Besides, the thought of confronting her made him uncomfortable.

She was growing more eccentric. Each day she appeared a little earlier. Often she would move away into the dark, then hurry back into the flat bright pool. It was as though light were her drug.

People stared at her, and fled. They disliked her because she was odd. All she had to do to please them, Blackband thought, was be normal: overfeed her pets until their stomachs sc.r.a.ped the ground, lock them in cars to suffocate in the heat, leave them alone in the house all day then beat them for chewing. Compared to most of the owners he met, she was Saint Francis.

He watched television. Insects were courting and mating. Their ritual dances engrossed and moved him: the play of colours, the elaborate racial patterns of the life-force which they instinctively decoded and enacted. Microphotography presented them to him. If only people were as beautiful and fascinating!

Even his fascination with the Lady of the Lamp was no longer unalloyed; he resented that. Was she falling ill? She walked painfully slowly, stooped over, and looked shrunken. Nevertheless, each night she kept her vigil, wandering sluggishly in the pools of light like a sleepwalker.

How could she cope with her animals now? How might she be treating them? Surely there were social workers in some of the cars nosing home, someone must notice how much she needed help. Once he made for the door to the stairs, but already his throat was parched of words. The thought of speaking to ------------------------------------172 her wound him tight inside. It wasn't his job, he had enough to confront. The spring in his guts coiled tighter, until he moved away from the door.

One night an early policeman appeared. Usually the police emerged near midnight, disarming people of knives and broken gla.s.s, forcing them into the vans. Blackband watched eagerly. Surely the man must escort her home, see what the house hid. Blackband glanced back to the splash of light beneath the lamp. It was deserted.

How could she have moved so fast? He stared, baffled. A dim shape lurked at the corner of his eyes. Glancing nervously, he saw the woman standing on the bright disc several lamps away, considerably further from the policeman than he'd thought. Why should he have been so mistaken?

Before he could ponder, a sound distracted him: a loud fluttering, as though a bird were trapped and frantic in the kitchen. But the room was empty. Any bird must have escaped through the open window. Was that a flicker of movement below, in the dark house? Perhaps the bird had flown in there.

The policeman had moved on. The woman was trudging her island of light; her coat's hem dragged over the gravel. For a while Blackband watched, musing uneasily, trying to think what the fluttering had resembled more than the sound of a bird's wings.

Perhaps that was why, in the early hours, he saw a man stumbling through the derelict back streets. Jagged hurdles of rubble blocked the way; the man clambered, panting dryly, gulping dust as well as breath. He seemed only exhausted and uneasy, but Blackband could see what was pursuing him: a great wide shadow-coloured stain, creeping vaguely over the rooftops. The stain was alive, for its face mouthed--though at first, from its colour and texture, he thought the head was the moon. Its eyes gleamed hungrily. As the fluttering made the man turn and scream, the face sailed down on its stain towards him.

Next day was unusually trying: a dog with a broken leg and a suffering owner, you'll hurt his leg, can't you be more gentle, oh come here, baby, what did the nasty man do to you; a senile cat and its protector, isn't the usual vet here today, he never used to do that, are you sure you know what you're doing. But later, as he watched the woman's obsessive trudging, the dream of the stain returned to him. Suddenly he realised he had never seen her during daylight.

So that was it! he thought, sn.i.g.g.e.ring. She'd been a vampire all the time! A difficult job to keep when you hadn't a tooth in your head. He reeled in her face with the focusing-screw. Yes, she was toothless. Perhaps she used ------------------------------------173 false fangs, or sucked through her gums. But he couldn't sustain his joke for long. Her faced peered out of the frame of her grey scarf, as though from a web. As she circled she was muttering incessantly. Her tongue worked as though her mouth were too small for it. Her eyes were fixed as the heads of grey nails impaling her skull.

He laid the binoculars aside, and was glad that she'd become more distant. But even the sight of her trudging in miniature troubled him. In her eyes he had seen that she didn't want to do what she was doing.

She was crossing the roadway, advancing towards his gate. For a moment, unreasonably and with a sour uprush of dread, he was sure she intended to come in. But she was staring at the hedge. Her hands fluttered, warding off a fear; her eyes and her mouth were stretched wide. She stood quivering, then she stumbled towards her street, almost running.

He made himself go down. Each leaf of the hedge held an orange sodium glow, like wet paint. But there was nothing among the leaves, and nothing could have struggled out, for the twigs were intricately bound by spiderwebs, gleaming like gold wire.

The next day was Sunday. He rode a train beneath the Mersey and went tramping the Wirral Way nature trail. Red-faced men, and women who had paralysed their hair with spray, stared as though he'd invaded their garden. A few b.u.t.terflies perched on flowers; their wings settled together delicately, then they flickered away above the banks of the abandoned railway cutting. They were too quick for him to enjoy, even with his binoculars; he kept remembering how near death their species were. His moping had slowed him, he felt barred from his surroundings by his inability to confront the old woman. He couldn't speak to her, there were no words he could use, but meanwhile her animals might be suffering. He dreaded going home to another night of helpless watching.

Could he look into the house while she was wandering? She might leave the door unlocked. At some time he had become intuitively sure that her companion was dead. Twilight gained on him, urging him back to Liverpool.

He gazed nervously down at the lamps. Anything was preferable to his impotence. But his feelings had trapped him into committing himself before he was ready. Could he really go down when she emerged? Suppose the other woman was still alive, and screamed? Good G.o.d, he needn't go in if he didn't want to. On the gravel, light lay bare as a row of plates on a shelf. He found himself thinking, with a secret eagerness, that she might already have had her wander. ------------------------------------174 As he made dinner, he kept hurrying irritably to the front window. Television failed to engross him; he watched the avenue instead. Discs of light dwindled away, impaled by their lamps. Below the kitchen window stood a block of night and silence. Eventually he went to bed, but heard fluttering-- flights of litter in the derelict streets, no doubt. His dreams gave the litter a human face.

Throughout Monday he was on edge, anxious to hurry home and be done; he was distracted. Oh, poor Chubbles, is the man hurting you! He managed to leave early. Day was trailing down the sky as he reached the avenue. Swiftly he brewed coffee and sat sipping, watching.

The caravan of cars faltered, interrupted by gaps. The last homecomers hurried away, clearing the stage. But the woman failed to take her cue. His cooking of dinner was fragmented; he hurried repeatedly back to the window. Where was the b.l.o.o.d.y woman, was she on strike? Not until the following night, when she had still not appeared, did he begin to suspect he'd seen the last of her.

His intense relief was short-lived. If she had died of whatever had been shrinking her, what would happen to her animals? Should he find out what was wrong? But there was no reason to think she'd died. Probably she, and her friend before her, had gone to stay with relatives. No doubt the animals had escaped long before--he'd never seen or heard any of them since she had taken them in. Darkness stood hushed and bulky beneath his kitchen window.

For several days the back streets were quiet, except for the flapping of litter or birds. It became easier to glance at the dark house. Soon they'd demolish it; already children had shattered all the windows. Now, when he lay awaiting sleep, the thought of the vague house soothed him, weighed his mind down gently.

That night he awoke twice. He'd left the kitchen window ajar, hoping to lose some of the unseasonable heat. Drifting through the window came a man's low moaning. Was he trying to form words? His voice was m.u.f.fled, blurred as a dying radio. He must be drunk; perhaps he had fallen, for there was a faint sc.r.a.pe of rubble. Blackband hid within his eyelids, courting sleep. At last the shapeless moaning faded. There was silence, except for the feeble stony sc.r.a.ping. Blackband lay and grumbled, until sleep led him to a face that crept over heaps of rubble.

Some hours later he woke again. The lifelessness of four o'clock surrounded him, the dim air seemed sluggish and ponderous. Had he dreamed the new sound? It returned, and made him flinch: a chorus of thin piteous wailing, reaching weakly upwards towards the kitchen. For a moment, on ------------------------------------175 the edge of dream, it sounded like babies. How could babies be crying in an abandoned house? The voices were too thin. They were kittens.

He lay in the heavy dark, hemmed in by shapes that the night deformed. He willed the sounds to cease, and eventually they did. When he awoke again, belatedly, he had time only to hurry to work.

In the evening the house was silent as a draped cage. Someone must have rescued the kittens. But in the early hours the crying woke him: fretful, bewildered, famished. He couldn't go down now, he had no light. The crying was m.u.f.fled, as though beneath stone. Again it kept him awake, again he was late for work.

His loss of sleep nagged him. His smile sagged impatiently, his nods were contemptuous twitches. "Yes," he agreed with a woman who said she'd been careless to slam her dog's paw in a door, and when she raised her eyebrows haughtily "Yes, I can see that." He could see her deciding to find another vet. Let her, let someone else suffer her. He had problems of his own.

He borrowed the office flashlight, to placate his anxiety. Surely he wouldn't need to enter the house, surely someone else--He walked home, towards the darker sky. Night thickened like soot on the buildings.

He prepared dinner quickly. No need to dawdle in the kitchen, no point in staring down. He was hurrying; he dropped a spoon, which reverberated shrilly in his mind, nerve-racking. Slow down, slow down. A breeze piped incessantly outside, in the rubble. No, not a breeze. When he made himself raise the sash he heard the crying, thin as wind in crevices.

It seemed weaker now, dismal and desperate: intolerable. Could n.o.body else hear it, did n.o.body care? He gripped the windowsill; a breeze tried feebly to tug at his fingers. Suddenly, compelled by vague anger, he grabbed the flashlight and trudged reluctantly downstairs.

A pigeon hobbled on the avenue, dangling the stump of one leg, twitching clogged wings; cars brisked by. The back street was scattered with debris, as though a herd had moved on, leaving its refuse to manure the pavingstones. His flashlight groped over the heaped pavement, trying to determine which house had been troubling him.

Only by standing back to align his own window with the house could he decide, and even then he was unsure. How could the old woman have clambered over the jagged pile that blocked the doorway? The front door sprawled splintered in the hall, on a heap of the fallen ceiling, amid peelings of wallpaper. He must be mistaken. But as his flashlight dodged about the hall, picking up debris then letting it drop back into the dark, he heard the crying, faint and m.u.f.fled. It was somewhere within. ------------------------------------176 He ventured forward, treading carefully. He had to drag the door into the street before he could proceed. Beyond the door the floorboards were cobbled with rubble. Plaster swayed about him, glistening. His light wobbled ahead of him, then led him towards a gaping doorway on the right. The light spread into the room, dimming.

A door lay on its back. Boards poked like exposed ribs through the plaster of the ceiling; torn paper dangled. There was no carton full of starving kittens; in fact, the room was bare. Moist stains engulfed the walls.

He groped along the hall, to the kitchen. The stove was fat with grime. The wallpaper had collapsed entirely, draping indistinguishable shapes that stirred as the flashlight glanced at them. Through the furred window, he made out the light in his own kitchen, orange-shaded, blurred. How could two women have survived here?

At once he regretted that thought. The old woman's face loomed behind him: eyes still as metal, skin the colour of pale bone. He turned nervously; the light capered. Of course there was only the quivering mouth of the hall. But the face was present now, peering from behind the draped shapes around him.

He was about to give up--he was already full of the gasp of relief he would give when he reached the avenue--when he heard the crying. It was almost breathless, as though close to death: a shrill feeble wheezing. He couldn't bear it. He hurried into the hall.

Might the creatures be upstairs? His light showed splintered holes in most of the stairs; through them he glimpsed a huge symmetrical stain on the wall. Surely the woman could never have climbed up there--but that left only the cellar.

The door was beside him. The flashlight, followed by his hand, groped for the k.n.o.b. The face was near him in the shadows; its fixed eyes gleamed. He dreaded finding her fallen on the cellar steps. But the crying pleaded. He dragged the door open; it sc.r.a.ped over rubble. He thrust the flashlight into the dank opening. He stood gaping, bewildered.

Beneath him lay a low stone room. Its walls glistened darkly. The place was full of debris: bricks, planks, broken lengths of wood. Draping the debris, or tangled beneath it, were numerous old clothes. Threads of a white substance were tethered to everything, and drifted feebly now the door was opened.

In one corner loomed a large pale bulk. His light twitched towards it. It was a white bag of some material, not cloth. It had been torn open; except for a sifting of rubble, and a tangle of what might have been fragments of dully painted cardboard, it was empty. ------------------------------------177 The crying wailed, somewhere beneath the planks. Several sweeps of the light showed that the cellar was otherwise deserted. Though the face mouthed behind him, he ventured down. For G.o.d's sake, get it over with; he knew he would never dare return. A swath had been cleared through the dust on the steps, as though something had dragged itself out of the cellar, or had been dragged in.

His movements disturbed the tethered threads; they rose like feelers, fluttering delicately. The white bag stirred, its torn mouth worked. Without knowing why, he stayed as far from that corner as he could.

The crying had come from the far end of the cellar. As he picked his way hurriedly over the rubble he caught sight of a group of clothes. They were violently coloured sweaters, which the Rainbow Man had worn. They slumped over planks; they nestled inside one another, as though the man had withered or had been sucked out.

Staring uneasily about, Blackband saw that all the clothes were stained. There was blood on all of them, though not a great deal on any. The ceiling hung close to him, oppressive and vague. Darkness had blotted out the steps and the door. He caught at them with the light, and stumbled towards them.

The crying made him falter. Surely there were fewer voices, and they seemed to sob. He was nearer the voices than the steps. If he could find the creatures at once, s.n.a.t.c.h them up and flee--He clambered over the treacherous debris, towards a gap in the rubble. The bag mouthed emptily; threads plucked at him, almost impalpably. As he thrust the flashlight's beam into the gap, darkness rushed to surround him.

Beneath the debris a pit had been dug. Parts of its earth walls had collapsed, but protruding from the fallen soil he could see bones. They looked too large for an animal's. In the centre of the pit, sprinkled with earth, lay a cat. Little of it remained, except for its skin and bones; its skin was covered with deep pockmarks. But its eyes seemed to move feebly.

Appalled, he stooped. He had no idea what to do. He never knew, for the walls of the pit were s.h.i.+fting. Soil trickled scattering as a face the size of his fist emerged. There were several; their limbless bodies squirmed from the earth all around the pit. From toothless mouths, their sharp tongues flickered out towards the cat. As he fled they began wailing dreadfully.

He chased the light towards the steps. He fell, cutting his knees. He thought the face with its gleaming eyes would meet him in the hall. He ran from the cellar, flailing his flashlight at the air. As he stumbled down the street he could still see the faces that had crawled from the soil: rudimentary beneath translucent skin, but beginning to be human. ------------------------------------178 He leaned against his gatepost in the lamplight, retching. Images and memories tumbled disordered through his mind. The face crawling over the roofs. Only seen at night. Vampire. The fluttering at the window. Her terror at the hedge full of spiders. Calyptra, Calyptra, what was it, what was it, Calyptra Calyptra eustrigata. eustrigata. Vampire moth. Vampire moth.

Vague though they were, the implications terrified him. He fled into his building, but halted fearfully on the stairs. The things must be destroyed: to delay would be insane. Suppose their hunger brought them crawling out of the cellar tonight, towards his flat--Absurd though it must be, he couldn't forget that they might have seen his face.

He stood giggling, dismayed. Whom did you call in these circ.u.mstances? The police, an exterminator? Nothing would relieve his horror until he saw the brood destroyed, and the only way to see that was to do the job himself. Burn. Petrol. He dawdled on the stairs, delaying, thinking he knew none of the other tenants from whom to borrow the fuel.

He ran to the nearby garage. "Have you got any petrol?"

The man glared at him, suspecting a joke. "You'd be surprised. How much do you want?"

How much indeed! He restrained his giggling. Perhaps he should ask the man's advice! Excuse me, how much petrol do you need for--"A gallon," he stammered.

As soon as he reached the back street he switched on his flashlight. Crowds of rubble lined the pavements. Far above the dark house he saw his orange light. He stepped over the debris into the hall. The swaying light brought the face forward to meet him. Of course the hall was empty.

He forced himself forward. Plucked by the flashlight, the cellar door flapped soundlessly. Couldn't he just set fire to the house? But that might leave the brood untouched. Don't think, go down quickly. Above the stairs the stain loomed.

In the cellar nothing had changed. The bag gaped, the clothes lay emptied. Struggling to unscrew the cap of the petrol can, he almost dropped the flashlight. He kicked wood into the pit and began to pour the petrol. At once he heard the wailing beneath him. "Shut up!" he screamed, to drown out the sound. "Shut up! Shut up!"

The can took its time in gulping itself empty; the petrol seemed thick as oil. He hurled the can clattering away, and ran to the steps. He fumbled with matches, gripping the flashlight between his knees. As he threw them, the lit matches went out. Not until he ventured back to the pit, clutching a ball of paper from his pocket, did he succeed in making a flame that ------------------------------------179 reached his goal. There was a whoof of fire, and a chorus of interminable feeble shrieking.

As he clambered sickened towards the hall, he heard a fluttering above him. Wallpaper, stirring in a wind: it sounded moist. But there was no wind, for the air clung clammily to him. He slithered over the rubble into the hall, darting his light about. Something white bulked at the top of the stairs.

It was another torn bag. He hadn't been able to see it before. It slumped emptily. Beside it the stain spread over the wall. That stain was too symmetrical; it resembled an inverted coat. Momentarily he thought the paper was drooping, tugged perhaps by his unsteady light, for the stain had begun to creep down towards him. Eyes glared at him from its dangling face. Though the face was upside-down he knew it at once. From its gargoyle mouth a tongue reached for him.

He whirled to flee. But the darkness that filled the front door was more than night, for it was advancing audibly. He stumbled, panicking, and rubble slipped from beneath his feet. He fell from the cellar steps, onto piled stone. Though he felt almost no pain, he heard his spine break.

His mind writhed helplessly. His body refused to heed it in any way, and lay on the rubble, trapping him. He could hear cars on the avenue, radio sets and the sounds of cutlery in flats, distant and indifferent. The cries were petering out now. He tried to scream, but only his eyes could move. As they struggled, he glimpsed through a slit in the cellar wall the orange light in his kitchen.

His flashlight lay on the steps, dimmed by its fall. Before long a rustling darkness came slowly down the steps, blotting out the light. He heard sounds in the dark, and something that was not flesh nestled against him. His throat managed a choked shriek that was almost inaudible, even to him. Eventually the face crawled away towards the hall, and the light returned. From the corner of his eye he could see what surrounded him. They were round, still, practically featureless: as yet, hardly even alive. ------------------------------------180 ------------------------------------181

The Gap

Tate was fitting a bird into the sky when he heard the car. He hurried to the window. Sunlit cars blazed, a double-stranded necklace on the distant main road; clouds transformed above the hills, a.s.sembling the sky. Yes, it was the Dewhursts: he could see them, packed into the front seat of their Fiat as it ventured into the drive. On his table, sc.r.a.ps of cloud were scattered around the jigsaw. The Dewhursts weren't due for an hour. He glanced at the displaced fragments and then, resigned, went to the stairs. window. Sunlit cars blazed, a double-stranded necklace on the distant main road; clouds transformed above the hills, a.s.sembling the sky. Yes, it was the Dewhursts: he could see them, packed into the front seat of their Fiat as it ventured into the drive. On his table, sc.r.a.ps of cloud were scattered around the jigsaw. The Dewhursts weren't due for an hour. He glanced at the displaced fragments and then, resigned, went to the stairs.

By the time he'd strolled downstairs and opened the front door, they were just emerging from the car. David's coat b.u.t.tons displayed various colours of thread. Next came his wife Dottie: her real name was Carla, but they felt that Dave and Dottie looked a more attractive combination on book covers--a notion with which millions of readers seemed to agree. She looked like a cartoonist's American tourist: trousers bulging like sausages, carefully silvered hair. Sometimes Tate wished that his writer's eye could be less oppressively alert to telling details.

Dewhurst gestured at his car like a conjuror unveiling an astonishment. "And here are our friends that we promised you."

Had it been a promise? It had seemed more a side effect of inviting the Dewhursts. And when had their friend turned plural? Still, Tate was unable to feel much resentment; he was too full of having completed his witchcraft novel.

The young man's aggressive bony face was topped with hair short as turf; the girl's face was almost the colour and texture of chalk. "This is Don Skelton," Dewhurst said. "Don, Lionel Tate. You two should have plenty to talk about, you're in the same field. And this is Don's friend, er--was Skelton stared at the large old villa as if he couldn't believe he was meant to be impressed.

He let the girl drag his case upstairs; she refused to yield it to Tate when he protested. "This is your room," he told Skelton, and felt like a disapproving landlady. "I had no idea you wouldn't be alone." ------------------------------------182 "Don't worry, there'll be room for her."

If the girl had been more attractive, if her tangled hair had been less inert and her face less hungry, mightn't he have envied Skelton? "There'll be c.o.c.ktails before dinner, if that's your scene," he said to the closed door.

The jigsaw helped him relax. Evening eased into the house, shadows deepened within the large windows. The table glowed darkly through the last gap, then he snapped the piece home. Was that an echo of the snap behind him? He turned, but n.o.body was watching him.

As he shaved in one of the bathrooms he heard someone go downstairs. Good Lord, he wasn't a very efficient host. He hurried down, achieving the bow of his tie just as he reached the lounge, but idling within were only Skelton and the girl. At least she now wore something like an evening dress; the top of her pale chest was spattered with freckles. "We generally change before going out to dinner," Tate said.

Skelton shrugged his crumpled shoulders. "Go ahead."

Alcohol made Skelton more talkative. "I'll have somewhere like this," he said, glancing at the Victorian carved mahogany suite. After a calculated pause he added "But better."

Tate made a last effort to reach him. "I'm afraid I haven't read anything of yours."

"There won't be many people who'll be able to say that." It sounded oddly threatening. He reached in his briefcase for a book. "I'll give you something to keep."

Tate glimpsed carved boxes, a camera, a small round gleam that twinged him with indefinable apprehension before the case snapped shut. Silver letters shone on the paperback, which was glossy as coal: The The Black Black Road. Road.

A virgin was being mutilated, gloated over by the elegant prose. Tate searched for a question that wouldn't sound insulting. At last he managed "What are your themes?"

"Autobiography." Perhaps Skelton was one of those writers of the macabre who needed to joke defensively about their work, for the Dewhursts were laughing.

Dinner at the inn was nerve-racking. Candlelight made food hop restlessly on plates, waiters loomed beneath the low beams and flung their vague shadows over the tables. The Dewhursts grew merry, but couldn't draw the girl into the conversation. When a waiter gave Skelton's clothes a withering glance he demanded of Tate "Do you believe in witchcraft?"

"Well, I had to do a lot of research for my book. Some of the things I read made me think." ------------------------------------183 "No" Skelton said impatiently. "Do you believe believe in it--as a way of life?" in it--as a way of life?"

"Good heavens no. Certainly not."

"Then why waste your time writing about it?" He was still watching the disapproving waiter. Was it the candlelight that twitched his lips? "He's going to drop that," he said.

The waiter's shadow seemed to lose its balance before he did. His trayful of food crashed onto a table. Candles broke, flaring; light swayed the oak beams. Flaming wax spilled over the waiter's jacket, hot food leapt into his face.

"You're a writer," Skelton said, ignoring the commotion, "yet you've no idea of the power of words. There aren't many of us left who have." He smiled as waiters guided the injured man away. "Mind you, words are only part of it. Science hasn't robbed us of power, it's given us more tools. Telephones, cameras--so many ways to announce power."

Obviously he was drunk. The Dewhursts gazed at him as if he were a favourite, if somewhat irrepressible, child. Tate was glad to head home. Lights shone through his windows, charms against burglary; the girl hurried towards them, ahead of the rest of the party. Skelton dawdled, happy with the dark.

After his guests had gone to bed, Tate carried Skelton's book upstairs with him. Skelton's contempt had fastened on the doubts he always felt on having completed a new book. He'd see what sort of performance Skelton had to offer, since he thought so much of himself.