The String Diaries Part 6

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Nicole stared into the tea leaves at the bottom of her cup.

Charles returned at seven o'clock that evening with three paper sacks filled with groceries. For supper he cooked them linguine with mussels and tarragon in a cream and white wine sauce. He opened a Chablis to accompany their meal, and he soon found himself fetching a second bottle from the fridge.

While they ate, Charles talked of his work at the university. Remembering the texts he had seen her reading early histories of the Hungarian people he steered the conversation towards his knowledge of Eastern Europe. Nicole contributed little, but she did ask questions of him and listened intently to his replies.

He told them of his other projects. How the BBC had commissioned him to write and present a five-part radio series on medieval Europe. The first two episodes had aired in the past few weeks. He had received only a modest fee, but ratings had been promising so far and his producer was talking about a larger follow-up project.

Afterwards, they cleared the table and Nicole helped him wash the dishes. She brewed a pot of coffee and they took it into the living room. Nicole and her mother sat on the small sofa, across from his armchair.



'I've thought of a way to get you back to France,' he told them. 'It's going to take me a few more days to arrange things, but you're welcome to stay here with me until then.'

'Get us back to France?' Nicole asked. 'How?'

Charles could not resist a grin.

CHAPTER 5.

Snowdonia.

Now.

Hannah kept the stock of the shotgun tight into her shoulder, sighting down the barrels and aiming at the centre of the old man's chest. She was only a few yards away from him but she had seen how quickly he could move. She would not give him a chance to react.

His eyes flared as he saw the weapon, and Hannah felt cowed by the power they conveyed. As he raised his hands, his expression remained inscrutable.

'Don't,' she snarled. 'Put them back down. Into your lap. Now. Don't misread me and think I won't pull this trigger. Give me the slightest reason to shoot you and you're dead, I promise you that. If you move out of that chair, you're dead. If I ask you a question and I don't like your answer, you're dead. If your G.o.dd.a.m.ned dog does something weird, this ends very quickly for you. Understand?'

He glanced briefly at Moses sitting by the fire, then carefully measured out his words. 'If you are who you say you are, you have nothing to fear from me.'

'I'm the one holding the gun, old man. I have nothing to fear from you at all.'

He continued as if she had never spoken. 'If you're not Hannah Wilde, if you're the other one, then I know your secrets. Do what you will. I'm too old to be scared by guns. I've made my peace and I'm ready to face whatever comes next. You can send me on in the knowledge that we're closing in on you and that this may well be the last murderous act you commit.'

She could see from the quick rise and fall of his chest that he was not as calm as his demeanour suggested. It had taken a feat of will to keep his voice steady as he uttered those words. 'That was quite a speech.'

He inclined his head. 'Perhaps a touch dramatic, but heartfelt nonetheless.'

'How do you know who I am?'

'I don't. Not for certain. Let me ask you a question.'

'I don't think so.'

'Then pull the trigger.' He waited, never taking his emerald eyes off hers. When she didn't respond, he said, 'When you were fifteen years old your father bought a farm in south Oxfords.h.i.+re and inherited a herd of cattle. Which breed?'

She stared, stomach roiling. Not only did this stranger know who she was, but he was trying to verify her ident.i.ty just like her father had taught her. She wondered what advantage she might give him by answering truthfully, and could not see one. If he was trying to win her trust, it was a laughable ploy. He could have forced the answers out of her father.

When he saw that she was hesitating, he added, 'This is not to help you verify my ident.i.ty, Hannah. It's to help me verify yours.'

'They were Ayrs.h.i.+res.'

'Shortly after you arrived, there was an accident. What happened?'

'I tried to milk one of them by hand,' she said. 'I must have pinched, because it kicked out and broke my wrist.'

'What happened to the cow?'

'Nothing. We named her Footloose.'

The old man closed his eyes. When he opened them, they sparkled with intensity. 'h.e.l.lfire, for a minute there I thought I was talking to him. That was a bit of excitement, eh? I was all ready to gut you.' He chuckled, then he cast a look at Nate and the laughter faded on his lips. 'Hannah, I'm so glad you're all still alive.'

'Thanks, I'm touched. But the rules haven't changed. You move off that-'

'Yes, yes, I know,' he snapped. 'I move, I die. Very poetic.' Now that he seemed satisfied with her ident.i.ty, his brashness had resurfaced. 'I'm not moving, am I? I'm sitting on this d.a.m.ned uncomfortable chair with an aching back, after bending over your husband for the last hour trying to save his life. Even if I wanted to move I think it'd take me a week to straighten myself out. I thought you were making some tea.'

'How do you know my name?'

'Because we've met before. A number of times. Not for a good few years, I'll grant you, and I can see your manners haven't improved in the meantime. Last time I saw you was out in Hungary when your father brought you. And still with that look on your face sour enough to curdle milk.'

'You know my father?' she asked, frowning.

'Of course I know him. Was with him when he picked out this place. You made a lucky choice, by the way, coming here.'

'Your turn.'

'My turn to what?'

'Validate. Before you say anything else, I want some proof.'

'OK, fine.' He started to worm his right hand into the pocket of his Barbour.

'Whoa, there. Easy with the hands. Nice and slow.'

With exaggerated care, he eased his finger and thumb into the pocket. He withdrew a wicked-looking hunting knife, its metal dull but sharp, its wooden handle smooth with age.

'Careful,' she warned, keeping both barrels high.

He nodded, then dropped the knife back into his pocket. 'I will be, now I know who you are. 'Course, I don't know what would have happened if you had been him. I reckon maybe he'd be a bit quicker than me. Who knows? I'm getting on a bit these days. But then again, so is he. The gun's empty, Hannah. If you'd pulled that trigger I would have buried this knife in your throat. Lucky for you, and for my conscience, you didn't.'

'What are you talking about?'

'When I last checked in on this place, I found a loaded shotgun in that pantry. Second shelf up on the left-hand side, wasn't it? Just where you must have found it. Knowing the types we sometimes get in empty properties like this, I didn't want to leave a loaded weapon there. So I removed both rounds. I know you didn't have time to check when you hopped back there to fetch it. If it makes you feel better, you'll find the cartridges back in their box in the drawer of that Welsh dresser behind you. The one with all the crockery on it. Now, please point that thing away from my face. It's very rude.'

Hannah stepped backwards, widening the gap between them. When she was nearly at the door to the hallway, she broke the shotgun and checked the chambers.

Empty.

'Tell me something else,' she demanded.

'The day your father met your mother they fought over a table. I can't remember where exactly, but one of the Oxford colleges, where he lectured.'

She knew how unlikely it was for anyone to know that story unless Charles had told them personally. Coupled with his knowledge of the shotgun, she decided he had to be telling the truth.

Hannah felt exhaustion wash over her. Somehow, she had managed to get Nate and Leah away from her father's place alive. For the moment it seemed as if they had not been followed. Nate's condition was dire. The possibility that he might not survive the night, however shattering, was something she had to consider. But they had found a safe-house. A temporary respite from what hunted them. They still had a chance.

'Hannah?' he asked.

She blinked away weariness. 'I'm sorry, Sebastien. When I saw the tattoo, I panicked. Knew I'd seen it, just not where.'

'Don't be sorry. If you ever need to validate again, for whatever reason, you don't hesitate. Better to be safe. If I don't answer quickly enough, or I seem insulted, puzzled, you shoot me. Aim for my head next time, not my chest. Charles made those rules very simple for a reason. They work, and they're the only way you have of keeping your family safe. Later I'll tell you a few things you can use to validate me when you need to.

'Now, I'm not a patient man by nature, I'll admit that. So I hope for both our sakes you're going to keep to your word and make that tea.'

She forced a smile at his words, even though she didn't feel like smiling. He was trying to lighten the atmosphere, and he deserved something for that; he had already done so much more. 'I think that's the least you've earned. Thank you. Thank you for being here. For helping Nate.'

Sebastien waved away her grat.i.tude.

She went to the dresser, found the box of cartridges and loaded two of them into the gun. Returning the weapon to the pantry, she emerged with tea bags, powdered milk and sugar. 'These don't look too ancient,' she said, indicating the supplies.

'They're not. I make sure everything's up to date, just in case something happens.' He paused, then added, 'I'm sorry something has.'

This time it was Hannah's turn to brush aside a well-meant comment. A childish part of her still hoped that by refusing to dwell on what had happened tonight, it might still magically right itself. Nate, lying pale and motionless on the sofa, was testament to the foolishness of that thought.

The kettle on the stove began to boil. She switched off the gas, added tea bags to two mugs and poured water. While the tea brewed, Sebastien lowered himself into an armchair by the fire. Once he had settled, Moses padded over for some attention.

'You already knew something was wrong when you got here, didn't you?' Hannah asked him. 'Even before you saw Nate.'

He nodded. 'I spoke to Charles this evening.'

She felt jolted by the admission, felt her emotions churning. 'You spoke to him? When?'

'Shortly before he talked to you, I suspect.'

'What did he say? Have you heard from him since? Is he all right?'

Sebastien held up a hand and signalled Hannah to lower her voice. 'I spoke to him once, that's all, quite a few hours before you turned up. I haven't talked to him since you managed to get away, and he hasn't tried to call back. I doubt he would. He told me you'd been compromised.'

She nodded. 'Did he tell you how?'

'He said someone from his solicitor's office called him. They were worried they might have let something slip. He didn't give me the details. It was a very quick conversation. Can I ask what happened? How Nate got injured?'

'I don't even know that myself. Dad called us in to see him. Told us we needed to leave right away and not to tell him where we were going. Nate and I split up. He went to pack a few things, I went to get Leah. I was out in the field when I heard the shots.'

'Shots?'

'It sounded like a pistol. I think Nate shot him. When I heard it I didn't know what to do. I called Nate on my phone and he told me to reverse the Discovery up to the side of the house. We pulled up and Nate climbed into the car. I didn't even know how badly he was hurt until we got here.'

Sebastien frowned, and glanced across at her husband. 'Did you see your father before you left?'

'No. No I didn't.'

'Has he tried to contact you since?'

She shook her head, not wanting to voice it aloud and admit to herself what that probably meant.

'I'm sorry, Hannah. It's an evil thing, this. It has to end. I'll do everything I can to help you.'

She fought back tears. Hooking tea bags out of the brews, she stirred in powdered milk and handed Sebastien a mug.

Cupping his hands around it, he watched Leah. She was curled in the opposite armchair. 'Can I make a suggestion?'

'Please.'

'We put your little one to bed upstairs. There's a child's room with a bed already made up. The next few days are going to be tough on her, and she's going to have to adjust fast.'

Hannah looked over at the girl, resisting the urge to gather her into her arms. Before Leah's birth, she had believed the emotions Nate stirred in her the pinnacle of what a human being could feel: love and terror, in equal quant.i.ties; love so powerful that it overwhelmed but never conquered her fear of exposing him to the shadows stalking her; terror that she could lose someone who made her feel like this. Yet when Leah arrived in their lives, she was startled once more by the power and complexity of her feelings: love and terror again, hopelessly intertwined, now on a colossal scale; love that did not compete with what she felt for Nate but reached out and gathered all three of them in its arms; terror multiplied, magnified now by the awful possibilities of losing them both, losing one and seeing that loss in the face of the other, or this last thought one that whispered only in her darkest moments having to choose between them, sacrificing one so the other might live.

From that first day, she had promised herself she would not allow the events that destroyed her own childhood to spill over into her daughter's. But already history seemed to be repeating, with Hannah a helpless witness. That it had to end was an easy thing for Sebastien to say. She had always told herself that when the time came, she would fight rather than flee. But flee was what she had been forced to do.

It was, she vowed, a temporary flight. She could still fight. She still had Leah, and Nate still clung to life. If he lost that battle she felt her throat constrict at the very possibility then while a fundamental part of her life would be over, the responsibility to keep Leah safe would fall even more heavily upon her. And while she wasn't ready to contemplate a world without Nate, she would readily trade her life to secure her daughter's future.

Yet what if the worst did happen? What if Nate lost his battle and Hannah traded her life for her daughter's? Leah would be left utterly alone. After tonight's appalling events, Hannah had to presume that her father was dead. That left no one. No one on Nate's side. All her own family gone. For Leah's sake, one of them had to survive this. Which led her back to the same dilemma. Fight or flee. She was starting to understand just what impossible choices those that had gone before her had been forced to make.

Hannah made herself list the positives. The farmhouse could still function as her father had intended: a safe-house, a reprieve from the hunt. She had won them some time now time to make plans, time for Nate to recuperate, time for her to explain things to Leah as best she could.

She looked at Sebastien sitting in the armchair before her. She knew his eyes measured her, a.s.sessing the levels of her strength, her resolve. What part did he play in this? After his initial abruptness, the gentleness of his words had betrayed the warmth in him. She felt she had an ally here. But she also suspected there were things he had not told her. Knowledge had always been the most important weapon in all of this. It was still the one thing she lacked the most.

She needed to earn Sebastien's trust. And quickly. Everything he could tell her about Jakab, and about her father had the potential to be useful, had the potential to swing the needle of probability in their favour.

Fight or flee.

'You're right, she needs to sleep in a proper bed.' Hannah finished her tea and placed the mug on the counter. 'But I don't want her waking up alone. Not after all this. Can you show me around upstairs? There must be a master bedroom.'

'Front of the house.'

'Then she can sleep in there with me.'

Sebastien nodded, wincing as he pulled himself out of the armchair. He clanked his mug down on the counter next to hers.

Hannah went to the sofa and knelt at Nate's side. He was still asleep, his pallor as awful and as frightening as when she had first turned on the Discovery's overhead light. He breathed in shallow spasms. She wanted to check under the pads to see if the bleeding had stopped, but Sebastien had warned her not to disturb the bindings. She kissed the top of his head and smoothed his hair.

The Maglite was by the fireplace where she had left it. Hannah picked it up. Even though Sebastien had managed to start the generator and they had electricity to power the lights, she found the solid heft of its aluminium casing rea.s.suring. 'Let's go and check out upstairs,' she said.

The String Diaries Part 6

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The String Diaries Part 6 summary

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