The Third Miss Symons Part 1

The Third Miss Symons.

by Flora Macdonald Mayor.

PREFACE

Miss Mayor's story is of a delicate quality, not common here, though occurring at intervals, and always sure of a choice, if not very large, audience among those who like in art the refined movement and the gentle line. Her subject, like her method, is one not commonly chosen by women writers; it is simply the life of an unmarried idle woman of the last generation, a life (to some eyes) of wasted leisure and deep futility, but common enough, and getting from its permitted commonness a justification from life, who is wasteful but roughly just. Miss Mayor tells this story with singular skill, more by contrast than by drama, bringing her chief character into relief against her world, as it pa.s.ses in swift procession. Her tale is in a form becoming common among our best writers; it is compressed into a s.p.a.ce about a third as long as the ordinary novel, yet form and manner are so closely suited that all is told and nothing seems slightly done, or worked with too rapid a hand.

Much that is tiresome in the modern novel, the pages of a.n.a.lysis and of comment, the long descriptions and the nervous pathology, are omitted by Miss Mayor's method, which is all for the swift movement and against the temptations to delay which obstruct those whose eyes are not upon life; she condenses her opportunities for psychology and plat.i.tude into a couple of shrewd lines and goes on with her story, keeping her freshness and the reader's interest unabated. The method is to draw the central figure rapidly past a succession of bright lights, keeping the lights various and of many colours and allowing none of them to s.h.i.+ne too long.

This comparatively pa.s.sive creative method suits the subject; for her heroine has the fate to be born in a land where myriads of women of her station go pa.s.sively like poultry along all the tramways of their parishes; life is something that happens to them, it is their duty to keep to the tracks, and having enough to eat and enough to put on therewith to be content, or if not content, sour, but in any case to seek no further over the parochial bounds. Her heroine, born into such a tradition, continues in it, partly by the pressure of custom and family habit, both always very powerful and often deadly in this country, and partly from a want of illumination in herself, her instructors, and in the life about her. The latter want is the fatal defect in her: it is the national defect, "the everlasting prison remediless" into which so many thousands of our idle are yearly thrown; it is from this that she really suffers; it is to this that she succ.u.mbs, while the ivy of her disposition grows over and smothers whatever light may be in her. Like water in flood-time revolving muddily over the choked outlet, her life revolves over the evil in it without resolution or escape; her brain, like so many of the brains in civilization, is but slightly drawn upon or exercised; she is not so much wasted as not used. Having by fortune and tradition nothing to do, she remains pa.s.sive till events and time make her incapable of doing, while the world glitters past in its various activity, throwing her incapacity into ever stronger relief, till her time is over and the general muddle is given a kind of sacredness, even of beauty, by ceasing. She has done nothing but live and been nothing but alive, both to such pa.s.sive purpose that the ceasing is pitiful; and it is by pus.h.i.+ng on to this end, instead of s.h.i.+rking it, and by marking the last tragical fact which puts a dignity upon even the meanest being, that Miss Mayor raises her story above the plane of social criticism, and keeps it sincere. A lesser writer would have been content with less, and having imagined her central figure would have continued to stick pins into it, till the result would have been no living figure, but a record of personal judgments, perhaps even, as sometimes happens, of personal pettiness, a witch's waxen figure plentifully p.r.i.c.ked before the consuming flame. Miss Mayor keeps on the side of justice, with the real creators, to whom there is nothing simple and no one unmixed, and in this way gets beauty, and through beauty the only reality worth having.

In a land like England, where there is great wealth, little education and little general thought, people like Miss Mayor's heroine are common; we have all met not one or two but dozens of her; we know her emptiness, her tenacity, her futility, savagery and want of light; all circles contain some examples of her, all people some of her shortcomings; and judgment of her, even the isolation of her in portraiture, is dangerous, since the world does not consist of her and life needs her. In life as in art those who condemn are those who do not understand; and it is always a sign of a writer's power, that he or she keeps from direct praise or blame of imagined character. Miss Mayor arrives at an understanding of her heroine's character by looking at her through a mult.i.tude of different eyes, not as though she were her creator, but as if she were her world, looking on and happening, infinitely active and various, coming into infinite contrast, not without tragedy, but also never without fun. The world is, of course, the comparatively pa.s.sive feminine world, but few modern books (if any) have treated of that world so happily, with such complete acceptance, unbia.s.sed and unprejudiced, yet with such selective tact and variety of gaiety. She comes to the complete understanding of Henrietta by illuminating all the facets in her character and all the threads of her destiny, and this is an unusual achievement, made all the more remarkable by a brightness and quickness of mind which give delightful life to a mult.i.tude of incidents which are in themselves new to fiction. Her touch upon all her world is both swift and unerring; but the great charm of her work is its brightness and unexpectedness; it lights up so many little unsuspected corners in a world that is too plentifully curtained.

JOHN MASEFIELD, 1913

THE THIRD MISS SYMONS

CHAPTER I

Henrietta was the third daughter and fifth child of Mr. and Mrs. Symons, so that enthusiasm for babies had declined in both parents by the time she arrived. Still, in her first few months she was bound to be important and take up a great deal of time. When she was two, another boy was born, and she lost the honourable position of youngest. At five her life attained its zenith. She became a very pretty, charming little girl, as her two elder sisters had done before her. It was not merely that she was pretty, but she suddenly a.s.sumed an air of graciousness and dignity which captivated everyone. Some very little girls do acquire this air: what its source is no one knows. In this case certainly not Mr. and Mrs. Symons, who were particularly clumsy. Etta, as she was called, was often summoned from the nursery when visitors came; so were Minna and Louie her elder sisters, but all the ladies wanted to talk to Etta. Minna and Louie had by this time, at nine and eleven, advanced to the ugly, uninteresting stage, and they owed Henrietta a grudge because she had annexed the petting that used to fall to them. They had their revenge in whispering interminable secrets to one another, of which Etta could hear stray sentences. "Ellen says she knows Arthur was very naughty, because ... But we won't tell Etta." She was very susceptible to notice, and the petting was not good for her.

When she was eight her zenith was past, and her plain stage began. Her charm departed never to return, and she slipped back into insignificance. At eight she could no longer be considered a baby to play with, and a good deal of fault-finding was deemed necessary to counteract the previous spoiling. In Henrietta's youth, sixty years ago, fault-finding was administered unsparingly. She did not understand why she was more scolded than the others, and decided that it was because Ellen and Miss Weston and her mother had a spite against her.

Mrs. Symons was not fond of children, and throughout Henrietta's childhood she was delicate, so that Henrietta saw very little of her.

Her chief recollections of her mother were of scoldings in the drawing-room when she had done anything specially naughty.

If she had been one of two or one of three in a present-day family she would have been more precious. But as one of four daughters--another girl was born when she was eight--she was not much wanted. Mr. Symons was a solicitor in a country town, and the problem of providing for his seven, darkened the years of childhood for the whole Symons family. The children felt that their parents found them something of a burden, and in those days there was no cult of childhood to soften the hard reality.

The two older boys had a partners.h.i.+p together, into which they occasionally admitted Minna and Louie. Minna and Louie had, beside their secrets, a friend named Rosa. Harold, the youngest boy, did not want any person--only toy engines. He and Etta should have been companions, but he said she cried and told tales, though she told no more tales than he did.

A large family should be such a specially happy community, but it sometimes occurs that there is a girl or boy who is nothing but a middle one, fitting in nowhere. So it was with Henrietta, till the youngest child was born.

Unfortunately she had an almost morbid longing, unusual in a child, to be loved and of importance. Now she would have given anything to have heard Minna and Louie's secrets, not for the sake of the secrets, but as a sign that she was thought worthy of confidence. She ran everyone's errands continually, but she broke the head off Arthur's carnation as she was bringing it from his bedroom to the garden, and she let out William's secret, which he had told her in an unusual fit of affability, in order that she might curry favour with Minna. This infuriated William, and did not conciliate Minna. She grew fast and was a little delicate. It made her irritable, but her brothers and sisters, who were all growing with great regularity, could not be expected to understand delicacy. She always said she was sorry after she had been cross, but they, who did not have tempers, could not see that that made things any better.

In her loneliness she made for herself, like many other forlorn children, a phantom friend. It was a little girl two years older than she was, for Henrietta preferred to look up, and be herself in an inferior position. For this reason she did not much care for dolls, where she was decidedly the superior. She called her friend Amy. Amy slept with her, helped her with her lessons, told her secrets perpetually, and grumbled about the other children.

One day they all had a game at Hide and Seek. The lot fell on her and William, now fourteen, to hide. They ensconced themselves in a dark spot in a little grove at the end of the garden. The others could not find them, and there was plenty of time for talk. William was a kind boy and rather a chatterbox, ready to expand to any listener, even a sister of nine. Henrietta never knew how it was that she told him about Amy. It had always been her firm resolve that this was to be her own dead secret, never revealed. But the unusual warmth of the interview went to her head. It was in a kind of intoxication of happiness that she poured out her confidence. The shrubbery was so dark that William's face could not be seen, but he began fidgeting, and soon broke in: "I say, what hours the others are, it must be tea-time. Let's go and find them."

It was kind of William to snub her confidence so gently, but the disappointment was cruel. She had been lifted up to such a height of happiness. When Ellen brushed her hair at night she noticed her dismal looks, and being really concerned at Henrietta's want of control, she said bracingly that little girls must never be whiney-piney. When the lamp was put out, Henrietta sobbed herself to sleep, and she looked back on that evening as the most miserable of her childhood.

It was not long after this that the last child was born, the baby girl.

They had all been sent away, and Henrietta, who had gone by herself to an aunt, came back later than the others; they had seen the new arrival, and had got over their very moderate excitement. Ellen asked Henrietta if she would like to have a peep at her little sister. When Henrietta saw it, she determined that it should be her own baby. "Oh, you little darling, you darling, darling baby!" she murmured over and over again.

"Now you are happy, aren't you, Miss Etta?" said Ellen; she had always felt sorry for Henrietta out in the cold.

The baby very much improved Etta's circ.u.mstances. Ellen allowed her to help, and she had something to care for, so she had less occasion for interviews with her phantom friend. As she grew older the baby Evelyn requited her affection with a gratifying preference, but she was very sweet-natured and would like everybody, and not make a party against Minna and Louie as Henrietta desired. She came to the pretty age, and was prettier and more charming than any of them. When the pretty age ought to have pa.s.sed she remained as attractive as ever, and continued to enjoy a universal popularity. This was disappointing to Henrietta; she would have preferred them to be pariahs together. Still, it was always Etta that Evelyn liked best.

When Evelyn was four and Henrietta thirteen, Evelyn was given a canary.

It never became interesting, for it would not eat off her finger, but she cared for it as much as a child of four can be considered to care for anything. The canary died and was buried when Evelyn had a cold and was in bed, and Henrietta went by herself into the town, contrary to rules, and spent all her savings at a little, low bird-shop getting a mangey canary. She brought it back and put it into the cage, and when Evelyn, convalescent, came into the nursery, she attempted to palm off the new canary as Evelyn's original bird. This strange behaviour brought her to great disgrace. Her only explanation was, "I didn't want Evelyn to know that d.i.c.kie was dead. I think death is so dreadful, and I don't want her to know anything dreadful." Mrs. Symons and the governess thought this most inexplicable.

"Etta is a very difficult child," said Mrs. Symons; "she always has been so unlike the others, and now this dreadful untruth. I always feel an untruth is very different from anything else. Going into that horrid, dirty little shop! You must watch her most carefully, Miss Weston, and let me know if there is any further deceit."

"I never had noticed anything before, Mrs. Symons, but I will be particularly careful." And Miss Weston took the most elaborate precautions that there should be no cheating at lessons, which Henrietta resented keenly, having, like the majority of girls, an extreme horror of cheating.

CHAPTER II

Soon after the incident of the canary, the three older girls went to school. When her first home-sickness was pa.s.sed, Henrietta enjoyed the life. It was strict, but home had been strict, and there was much more variety here. She was clever, and took eager delight in her lessons; dull, stupid Miss Weston had found her beyond her.

She would have liked school even more if her temper had been under better control. But at thirteen she had settled down to bad temper as a habit. She did not exactly put her feelings into thoughts, but there was an impression in her mind that as she had been out of it so much of her life she should be allowed to be bad-tempered as a consolation. This brought her into constant conflicts, which made no one so unhappy as herself.

She had two great interests at school, Miranda Hardcastle and Miss Arundel. Miranda was the kind of girl whom everybody is always going to adore, very pretty, very amusing, and with much cordiality of manner.

Henrietta fell a victim at once, and Miranda, who drank in all adoration, gave Henrietta some good-natured friends.h.i.+p in return.

Henrietta f.a.gged for her, did as many of her lessons as she could, applauded all her remarks, amply rewarded by Miranda's welcoming smile and her, "I've been simply pining for you, my child; come and hear me my French at once, like a seraphim."

This happy state of things continued until unfortunately Henrietta's temper, over which she had kept an anxious guard in Miranda's presence, showed signs of activity. The first time this occurred Miranda opened her large eyes very wide and said, "What's come over my young friend, has it got the hydrophobia? I shall try and cure it by kindness and give it some chocolate."

Henrietta's clouds dispersed, but she was not always so easily restored to good-humour; and Miranda, with the whole school at her feet, was not going to stand bad temper, the fault on the whole least easily forgiven by girls. Henrietta had a heartrending scene with her: at fifteen she liked heartrending scenes. Miranda was too fond of popularity to give Henrietta up entirely, so the two remained friendly, but they were no longer intimate.

Miss Arundel was the head-mistress's sister, and undertook all the serious teaching that was not in the hands of masters. She did not have many outward attractions of face and form, but schoolgirls will know that that is not of much importance. She was adored, possibly because she had a bad temper (bad temper is an a.s.set in a teacher), which was liable to burst forth unexpectedly; then she was clever and enthusiastic, and gave good lessons. She marked out Henrietta, and it came round that she had said, "Etta Symons is an interesting girl, she has possibilities. I wonder how she will turn out." It came round also that Miss Arundel had said, "I only wish she had more control and tenacity of purpose," but this sentence Henrietta put out of her head.

The first sentence she thought of for hours on end, and set to work to be more interesting than ever; in fact for some days she was so affected and exasperating that Miss Arundel could hardly contain herself. Still, even Miss Arundel's sarcasm was endurable, anything was endurable, after that gratifying remark.

When Miranda ceased to be her special friend, she transferred her whole heart and soul to Miss Arundel. She waylaid her with flowers, hung about in the pa.s.sage on the chance of seeing her walk by, and waited on her as much as she dared. Some teachers apparently enjoy girl adorations, and even take pains to secure them. Miss Arundel had had enough of them to find them disagreeable. She therefore gave out in the presence of two or three of Henrietta's circle that she thought it was a pity Etta Symons wasted so much of her pocket-money on b.u.t.tonholes which gave very little pleasure to anyone, certainly not to her, who particularly disliked strong scents; she thought the money could be much better expended.

Jessie Winsley repeated this speech to Henrietta, little thinking what anguish it would cause. Henrietta had very little pride, very little proper pride some people might have said; she did not at all mind giving a great deal more than she got. But this speech, which was not, after all, so very malignant, drove her to despair. She went to Miranda, who hugged her, and said: "Old cat! barbaric old cat! Never think of her again, she isn't worth it. Try dear little Stanley, he's a pet; men are much nicer." Stanley was the drawing-master.

But after all one must have a little encouragement to start an adoration, and as Henrietta never could draw, she got none from Stanley.

Besides she was constant, so instead, she brooded over Miss Arundel. She had not been so unhappy, when she had her Miranda and her Arundel. Now she had lost them both. Miss Arundel, with her cool, unaffectionate interest, had, of course, never been "had" at all, but Henrietta had imagined that when Miss Arundel said "Yes, quite right, that's a good answer," it was a kind of beginning of friends.h.i.+p. She, Henrietta, small and insignificant, was singled out for Miss Arundel's friends.h.i.+p; that was what she thought. She did not realize that it was possible to care merely for intellectual development.

When she was prepared for Confirmation, there were serious talks about her character. The Vicar, whose cla.s.ses she attended, was mostly concerned with doctrines, and Mrs. Marston with what one might call a list of ideal vices and temptations which pupils must guard themselves against. Miss Arundel talked to her about her untidy exercise books, her unpunctuality, her loud voice in the corridor, and her round shoulders, and explained very properly that inattention in these comparatively small matters showed a general want of self-control. She did not speak about bad temper, for Henrietta was much too frightened of her to show any signs of temper in her proximity. Miss Arundel did not give her an opportunity of unburdening herself of the problem that weighed on her mind, not that she would have taken the opportunity if it had occurred, not after that speech about the b.u.t.tonholes. This was the problem: Why was it that people did not love her?--she to whom love was so much that if she did not have it, nothing else in the world was worth having. There had been Evelyn, it is true, but now Evelyn did lessons with a little friend of her own age, and she and the friend were all in all, and did not want Henrietta in the holidays. Henrietta reflected that she was not uglier, or stupider, or duller than anyone else. There was a large set at school who were ugly, stupid, and dull, and they were devoted to one another, though they none of them cared about her. Why had G.o.d sent her into the world, if she was not wanted? She found the problem insoluble, but a certain amount of light was thrown on it by one of the girls.

She had been snarling with two or three of her cla.s.smates over the afternoon preparation, and had flounced off in a rage by herself. She felt a touch on her arm, and turning round saw Emily Mence, a rather uncouth, clever girl, whom she hardly knew.

"I just came to say, Why _are_ you such an idiot?"

"Me?"

"Yes, why do you lose your temper like that? All the girls are laughing at you; they always do when you get cross."

"Then I think it's horrid of them."

"Well, you can't be surprised; of course people won't stand you, if you're so cross."