A New England Girlhood Part 16

The little stream went singing on, and with every gush of its music the child lifted a flower in her dimpled hand, and, with a merry laugh, threw it upon the water. In her glee she forgot that her treasures were growing less, and with the swift motion of childhood, she flung them upon the sparkling tide, until every bud and blossom had disappeared.

Then, seeing her loss, she sprang to her feet, and bursting into tears, called aloud to the stream, "Bring back my flowers!" But the stream danced along, regardless of her sorrow; and as it bore the blooming burden away, her words came back in a taunting echo, along its reedy margin. And long after, amid the wailing of the breeze and the fitful bursts of childish grief, was heard the fruitless cry, "Bring back my flowers!"

Merry maiden, who art idly wasting the precious moments so bountifully bestowed upon thee, see in the thoughtless child an emblem of thyself!

Each moment is a perfumed flower. Let its fragrance be diffused in blessings around thee, and ascend as sweet incense to the beneficent Giver!

Else, when thou hast carelessly flung them from thee, and seest them receding on the swift waters of Time, thou wilt cry, in tones more sorrowful than those of the weeping child, "Bring back my flowers!" And thy only answer will be an echo from the shadowy Past,--"Bring back my flowers!"

In the above, a reminiscence of my German studies comes back to me. I was an admirer of Jean Paul, and one of my earliest attempts at translation was his "New Year's Night of an Unhappy Man," with its yet haunting glimpse of "a fair long paradise beyond the mountains." I am not sure but the idea of trying my hand at a "prose-poem" came to me from Richter, though it may have been from Herder or Krummacher, whom I also enjoyed and attempted to translate.

I have a ma.n.u.script-book still, filled with these youthful efforts. I even undertook to put German verse into English verse, not wincing at the greatest--Goethe and Schiller. These studies were pursued in the pleasant days of cloth-room leisure, when my work claimed me only seven or eight hours in a day.

I suppose I should have tried to write,--perhaps I could not very well have helped attempting it,--under any circ.u.mstances. My early efforts would not, probably, have found their way into print, however, but for the coincident publication of the two mill-girls' magazines, just as I entered my teens. I fancy that almost everything any of us offered them was published, though I never was let in to editorial secrets. The editors of both magazines were my seniors, and I felt greatly honored by their approval of my contributions.

One of the "Offering" editors was a Unitarian clergyman's daughter, and had received an excellent education. The other was a remarkably brilliant and original young woman, who wrote novels that were published by the Harpers of New York while she was employed at Lowell.

The two had rooms together for a time, where the members of the "Improvement Circle," chiefly composed of "Offering" writers, were hospitably received.

The "Operatives' Magazine" and the "Lowell Offering" were united in the year 1842, under the t.i.tle of the "Lowell Offering and Magazine."

(And--to correct a mistake which has crept into print--I will say that I never attained the honor of being editor of either of these magazines. I was only one of their youngest contributors. The "Lowell Offering" closed its existence when I was a little more than twenty years old. The only continuous editing I have ever been engaged in was upon "Our Young Folks." About twenty years ago I was editor-in-charge of that magazine for a year or more, and I had previously been its a.s.sistant-editor from its beginning. These explanatory items, however, do not quite belong to my narrative, and I return to our magazines.)

We did not receive much criticism; perhaps it would have been better for us if we had. But then we did lot set ourselves up to be literary; though we enjoyed the freedom of writing what we pleased, and seeing how it looked in print. It was good practice for us, and that was all that we desired. We were complimented and quoted. When a Philadelphia paper copied one of my little poems, suggesting some verbal improvements, and predicting recognition for me in the future, I felt for the first time that there might be such a thing as public opinion worth caring for, in addition to doing one's best for its own sake.

Fame, indeed, never had much attraction for me, except as it took the form of friendly recognition and the sympathetic approval of worthy judges. I wished to do good and true things, but not such as would subject me to the stare of coldly curious eyes. I could never imagine a girl feeling any pleasure in placing herself "before the public." The privilege of seclusion must be the last one a woman can willingly sacrifice.

And, indeed, what we wrote was not remarkable,--perhaps no more so than the usual school compositions of intelligent girls. It would hardly be worth while to refer to it particularly, had not the Lowell girls and their magazines been so frequently spoken of as something phenomenal.

But it was a perfectly natural outgrowth of those girls' previous life.

For what were we? Girls who were working in a factory for the time, to be sure; but none of us had the least idea of continuing at that kind of work permanently. Our composite photograph, had it been taken, would have been the representative New England girlhood of those days. We had all been fairly educated at public or private schools, and many of us were resolutely bent upon obtaining a better education. Very few were among us without some distinct plan for bettering the condition of themselves and those they loved. For the first time, our young women had come forth from their home retirement in a throng, each with her own individual purpose. For twenty years or so, Lowell might have been looked upon as a rather select industrial school for young people. The girls there were just such girls as are knocking at the doors of young women's colleges to-day. They had come to work with their hands, but they could not hinder the working of their minds also. Their mental activity was overflowing at every possible outlet.

Many of them were supporting themselves at schools like Bradford Academy or Ipswich Seminary half the year, by working in the mills the other half. Mount Holyoke Seminary broke upon the thoughts of many of them as a vision of hope,--I remember being dazzled by it myself for a while,--and Mary Lyon's name was honored nowhere more than among the Lowell mill-girls. Meanwhile they were improving themselves and preparing for their future in every possible way, by purchasing and reading standard books, by attending lectures, and evening cla.s.ses of their own getting up, and by meeting each other for reading and conversation.

That they should write was no more strange than that they should study, or read, or think. And yet there were those to whom it seemed incredible that a girl could, in the pauses of her work, put together words with her pen that it would do to print; and after a while the a.s.sertion was circulated, through some distant newspaper, that our magazine was not written by ourselves at all, but by "Lowell lawyers."

This seemed almost too foolish a suggestion to contradict, but the editor of the "Offering" thought it best to give the name and occupation of some of the writers by way of refutation. It was for this reason (much against my own wish) that my real name was first attached to anything I wrote. I was then book-keeper in the cloth-room of the Lawrence Mills. We had all used any fanciful signature we chose, varying it as we pleased. After I began to read and love Wordsworth, my favorite nom de plume was "Rotha." In the later numbers of the magazine, the editor more frequently made us of my initials. One day I was surprised by seeing my name in full in Griswold's "Female Poet's;"--no great distinction, however, since there were a hundred names or so, besides.

It seemed necessary to give these gossip items about myself; but the real interest of every separate life-story is involved in the larger life-history which is going on around it. We do not know ourselves without our companions and surroundings. I cannot narrate my workmates'

separate experiences, but I know that because of having lived among them, and because of having felt the beauty and power of their lives, I am different from what I should otherwise have been, and it is my own fault if I am not better for my life with them.

In recalling those years of my girlhood at Lowell, I often think that I knew then what real society is better perhaps than ever since. For in that large gathering together of young womanhood there were many choice natures---some of the choicest in all our excellent New England, and there were no false social standards to hold them apart. It is the best society when people meet sincerely, on the ground of their deepest sympathies and highest aspirations, without conventionality or cliques or affectation; and it was in that way that these young girls met and became acquainted with each other, almost of necessity.

There were all varieties of woman-nature among them, all degrees of refinement and cultivation, and, of course, many sharp contrasts of agreeable and disagreeable. It was not always the most cultivated, however, who were the most companionable. There were gentle, untaught girls, as fresh and simple as wild flowers, whose unpretending goodness of heart was better to have than bookishness; girls who loved everybody, and were loved by everybody. Those are the girls that I remember best, and their memory is sweet as a breeze from the clover fields.

As I recall the throngs of unknown girlish forms that used to pa.s.s and repa.s.s me on the familiar road to the mill-gates, and also the few that I knew so well, those with whom I worked, thought, read, wrote, studied, and wors.h.i.+ped, my thoughts send a heartfelt greeting to them all, wherever in G.o.d's beautiful, busy universe they may now be scattered:--

"I am glad I have lived in the world with you!"

XI.

READING AND STUDYING.

My return to mill-work involved making acquaintance with a new kind of machinery. The spinning-room was the only one I had hitherto known anything about. Now my sister Emilie found a place for me in the dressing-room, beside herself. It was more airy, and fewer girls were in the room, for the dressing-frame itself was a large, clumsy affair, that occupied a great deal of s.p.a.ce. Mine seemed to me as unmanageable as an overgrown spoilt child. It had to be watched in a dozen directions every minute, and even then it was always getting itself and me into trouble. I felt as if the half-live creature, with its great, groaning joints and whizzing fan, was aware of my incapacity to manage it, and had a fiendish spite against me. I contracted an unconquerable dislike to it; indeed, I had never liked, and never could learn to like, any kind of machinery. And this machine finally conquered me. It was humiliating, but I had to acknowledge that there were some things I could not do, and I retired from the field, vanquished.

The two things I had enjoyed in this room were that my sister was with me, and that our windows looked toward the west. When the work was running smoothly, we looked out together and quoted to each other all the sunset-poetry we could remember. Our tastes did not quite agree.

Her favorite description of the clouds was from Pollok:--

"They seemed like chariots of saints, By fiery coursers drawn; as brightly hued As if the glorious, bushy, golden locks Of thousand cherubim had been shorn off, And on the temples hung of morn and even."

I liked better a translation from the German, beginning

"Methinks it were no pain to die On such an eve, while such a sky O'ercanopies the west."

And she generally had to hear the whole poem, for I was very fond of it; though the especial verse that I contrasted with hers was,--

"There's peace and welcome in yon sea Of endless blue tranquillity; Those clouds are living things; I trace their veins of liquid gold, And see them silently unfold Their soft and fleecy wings."

Then she would tell me that my nature inclined to quietness and harmony, while hers asked for motion and splendor. I wondered whether it really were so. But that huge, creaking framework beside us would continually intrude upon our meditations and break up our discussions, and silence all poetry for us with its dull prose.

Emilie found more profitable work elsewhere, and I found some that was less so, but far more satisfactory, as it would give me the openings of leisure which I craved.

The paymaster asked, when I left, "Going where on can earn more money?"

"No," I answered, "I am going where I can have more time." "Ah, yes!"

he said sententiously, "time is money." But that was not my thought about it. "Time is education," I said to myself; for that was what I meant it should be to me.

Perhaps I never gave the wage-earning element in work its due weight.

It always seemed to me that the Apostle's idea about worldly possessions was the only sensible one,--

"Having food and raiment, let us be therewith content."

If I could earn enough to furnish that, and have time to study besides,--of course we always gave away a little, however little we had,--it seemed to me a sufficiency. At this time I was receiving two dollars a week, besides my board. Those who were earning much more, and were carefully "laying it up," did not appear to be any happier than I was.

I never thought that the possession of money would make me feel rich: it often does seem to have an opposite effect. But then, I have never had the opportunity of knowing, by experience, how it does make one feel. It is something to have been spared the responsibility of taking charge of the Lord's silver and gold. Let us be thankful for what we have not, as well as for what we have!

Freedom to live one's life truly is surely more desirable than any earthly acquisition or possession; and at my new work I had hours of freedom every day. I never went back again to the bondage of machinery and a working-day thirteen hours long.

The daughter of one of our neighbors, who also went to the same church with us, told me of a vacant place in the cloth-room, where she was, which I gladly secured. This was a low brick building next the counting-room, and a little apart from the mills, where the cloth was folded, stamped, and baled for the market.

There were only half a dozen girls of us, who measured the cloth, and kept an account of the pieces baled, and their length in yards. It pleased me much to have something to do which required the use of pen and ink, and I think there must be a good many sc.r.a.ps of verse buried among the blank pages of those old account-books of that found their way there during the frequent half-hours of waiting for the cloth to be brought in from the mills.

The only machinery in the room was a hydraulic arrangement for pressing the cloth into bales, managed by two or three men, one of whom was quite a poet, and a fine singer also. His hymns were frequently in request, on public occasions. He lent me the first volume of Whittier's poems that I ever saw. It was a small book, containing mostly Antislavery pieces. "The Yankee Girl" was one of them, fully to appreciate the spirit of which, it is necessary to have been a working-girl in slave-labor times. New England Womanhood crowned Whittier as her laureate from the day of his heroine's spirited response to the slaveholder:--

"O, could ye have seen her--that pride of our girls-- Arise and cast back the dark wealth of her curls, With a scorn in her eye that the gazer could feel, And a glance like the suns.h.i.+ne that flashes on steel!

Go back, haughty Southron! Go back! for thy gold Is red with the blood of the hearts thou hast sold!"

There was in this volume another poem which is not in any of the later editions, the impression of which, as it remains to me in broken s.n.a.t.c.hes, is very beautiful. It began with the lines