Hilda Lessways Part 18

CHAPTER II THE LITTLE ROOM

I

After lunch Sarah Gailey left Hilda and Mr. Cannon in 'the little room'

together.

'The little room'--about eight feet square--had no other name; it was always spoken of affectionately by the boarders, and by the landlady with pride in its coziness. Situated on the first floor, over the front part of the hall, it lay between the two princ.i.p.al bedrooms. Old boarders would discover the little room to new boarders, or new boarders would discover it for themselves, with immense satisfaction. It was the chamber of intimacy and of confidences; it was a refuge from the public life of the Cedars, and, to a certain extent, from the piano. Two women, newly acquainted, and feeling a mutual attraction, would say to each other: "Shall we go up to the little room?" "Oh yes, do let us!" And they would climb the stairs in a fever of antic.i.p.ation. "Quite the most charming room in the house, dear Miss Gailey!" another simpering spinster would say. Yet it contained nothing but an old carpet, two wicker arm-chairs, a small chair, a nearly empty dwarf bookcase, an engraving of Marie Antoinette regally facing the revolutionary mob, and a couple of photographs of the Cedars.

Hilda sat down in one of the arm-chairs, and George Cannon in the other; he had a small black bag which he placed on the floor by his side.

Hilda's diffidence was extreme. Throughout lunch she had scarcely spoken; but as there had been eight people at the table, and George Cannon had chatted with all of them, her taciturnity had pa.s.sed inconspicuous. Now she would be obliged to talk. And the sensations which she had experienced on first meeting George Cannon in the dining-room were renewed in a form even more acute.

She had, in the first place, the self-consciousness due to her mourning attire, which drew attention to herself; it might have been a compromising uniform; and the mere fact of her mother's death--quite apart from the question of her conduct in relation thereto--gave her, in an interview with a person whom she had not seen since before the death, a feeling akin to guiltiness--guiltiness of some misdemeanour of taste, some infraction of the social law against notoriety. She felt, in her mourning, like one who is being led publicly by policemen to the police-station. In her fancy she could hear people saying: "Look at that girl in deep mourning," and she could see herself blus.h.i.+ng, as it were apologetic.

But much worse than this general mortification in presence of an acquaintance seen after a long interval was the special constraint due to the ident.i.ty of the acquaintance. It was with George Cannon that she had first deceived and plotted against her ingenuous mother's hasty plans. It was her loyalty to George Cannon that had been the cause of her inexplicable disloyalty to her mother. She could not recall her peculiar and delicious agitations during the final moments of her previous interview with Cannon--that night of February in the newspaper office, while her mother was dying in London--without a profound unreasoning shame which intensified most painfully her natural grief as an orphan.

There was this to be said: she was now disturbed out of her torpid indifference to her environment. As she fidgeted there, pale and frowning, in the noisy basket-chair, beneath George Cannon's eyes, she actually perceived again that romantic quality of existence which had always so powerfully presented itself to her in the past. She reflected: "How strange that the dreaded scene has now actually begun! He has come to London, and here we are together, in this house, which at the beginning of the year was nothing but a name to me! And mother is away there in the churchyard, and I am in black! And it is all due to him. He sent Miss Gailey and mother to London. He willed it!... No! It is all due to me! I went to see him one late afternoon. I sought him out. He didn't seek me out. And just because I went to see him one afternoon, mother is dead, and I am here! Strange!" These reflections were dimly beautiful to her, even in her sadness and in her acute distress. The coma had a.s.suredly pa.s.sed, if only for a s.p.a.ce.

II

"Well, now," he said, after a few inanities had been succeeded by an awkward pause. "I've got to talk business with you, so I suppose we may as well begin, eh?" His tone was fairly blithe, but it was that of a man who was throwing off with powerful ease the weariness of somewhat exasperating annoyances. Since lunch he had had a brief interview with Sarah Gailey.

"Yes," she agreed glumly.

"Have you decided what you're going to do?" He began to smile sympathetically as he spoke.

"I'm not going back to the paper," she curtly answered, cutting short the smile with fierceness, almost with ferocity. Beyond question she was rude in her bitterness. She asked herself: "Why do I talk like this? Why can't I talk naturally and gently and cheerfully? I've really got nothing against him." But she could not talk otherwise than she did talk. It was by this symptom of biting acrimony that her agitation showed itself. She knew that she was scowling as she looked at the opposite wall, but she could not smooth away the scowl.

"No, I suppose not," he said quietly. "But are you thinking of coming back to Turnhill?"

She remained mute for some seconds. A feeling of desolation came over her, and it seemed to her that she welcomed it, trying to intensify it, and yielding her features to it. "How do I know?" she muttered at length, shrugging her shoulders.

"Because if you aren't," he resumed, "it's no use you keeping that house of yours empty. You must remember it's just as you left it; and the things in it aren't taking any good, either."

She shrugged her shoulders again.

"I don't see that it matters to anybody but me," she said, after another pause, with a sort of frigid and disdainful nonchalance. And once more she reflected: "Is it possible that I can behave so odiously?"

He stood up suddenly.

"I don't know what you and Sarah have been plotting together," he said, wounded and contemptuous, yet with lightness. "But I'm sure I don't want to interfere in your affairs. With Sarah's I've got to interfere, unfortunately, and a famous time I'm having!" His nostrils grew fastidious. "But not yours! I only promised your uncle.... Your uncle told me you wanted me to--" He broke off.

In an instant she grew confused, alarmed, and extremely ashamed. Her mood had changed in a flash. It seemed to her that she was in presence of a disgraceful disaster, which she herself had brought about by wicked and irresponsible temerity. She was like a child who, having naughtily trifled with danger, stands aghast at the calamity which his perverseness has caused. She was positively affrighted. She reflected in her terror: "I asked for this, and I've got it!"

George Cannon stooped and picked up his little bag. There he towered, high and ma.s.sive, above her! And she felt acutely her slightness, her girlishness, and her need of his help. She could not afford to transform sympathy into antipathy. She was alone in the world. Never before had she realized, as she realized then, the lurking terror of her loneliness. The moment was critical. In another moment he might be gone from the room, and she left solitary to irremediable humiliation and self-disgust.

"Please!" she whispered appealingly. The whole of her being became an appeal--the glance, the gesture, the curve of the slim and fragile body.

She was like a slave. She had no pride, no secret reserve of thought.

She was an instinct. Tears showed in her eyes and affected her voice.

He gave the twisted, difficult, rather foolish smile of one who is cursing the mortification of a predicament into which he has been cast through no fault of his own.

"Please what?"

"Please sit down."

He waved a hand, deprecatingly, and obeyed.

"It's all right," he said. "All right! I ought to have known--" Then he smiled generously.

"Known what?" Her voice was now weak and liquid with woe.

"You'd be likely to be upset."

Not furtively, but openly, she wiped her eyes.

"No, no!" she protested honestly. "It's not that. It's--but--I'm very sorry."

"I reckon I know a bit what worry is, myself!" he added, with a brief, almost harsh, laugh.

These strange words struck her with pity.

III

"Well, now,"--he seemed to be beginning again--let's leave Lessways Street for a minute.... I can sell the Calder Street property for you, if you like. And at a pretty good price. Sooner or later the town will have to buy up all that side of the street. You remember I told your mother last year but one I could get a customer for it? but she wasn't having any."

"Yes," said Hilda eagerly; "I remember."

In her heart she apologized to George Cannon, once more, for having allowed her mother to persuade her, even for a day, that that attempt to buy was merely a trick on his part invented to open negotiations for the rent-collecting.

"You know what the net rents are," he went on, "as you've had 'em every month. I dare say the purchase money if it's carefully invested will bring you in as much. But even if it doesn't bring in quite as much, you mustn't forget that Calder Street's going down--it's getting more and more of a slum. And there'll always be a lot of bother with tenants of that cla.s.s."

"I wish I could sell everything--everything!" she exclaimed pa.s.sionately. "Lessways Street as well! Then I should be absolutely free!"

"You can!" he said, with dramatic emphasis. "And let me tell you that ten years hence those Lessways Street houses won't be worth what they are now!"

"Is that property going down, too?" she asked. "I thought they were building all round there."

"So they are," he answered. "But cheap cottages. Your houses are too good for that part of the town; that's what's the matter with them.

People who can afford 25 a year--and over--for rent won't care to live there much longer. You know the end house is empty."

All houses seemed to her to be a singularly insecure and even perilous form of property. And the sale of everything she possessed presented itself to her fancy as a transaction which would enfranchise her from the past. It symbolized the starting-point of a new life, of a recommencement unhampered by the vestiges of grief and error. She could go anywhere, do what she chose. The entire world would lie before her.

"Please do sell it all for me!" she pleaded wistfully. "Supposing you could, about how much should I have--I mean income?"