Frederick Chopin, as a Man and Musician Part 24

The following extracts give us some glimpses which enable us to realise the situation:--

I left rather sad. ____ said hard things to me, having been told by a Madame ____ that I was wrong in making excursions without my husband. I do not think that this is the case, seeing that my husband goes first, and I go where he intends to go.

My husband is one of the most intrepid of men. He goes everywhere, and I follow him. He turns round and rebukes me.

He says that I affect singularity. I'll be hanged if I think of it. I turn round, and I see Zoe following me. I tell her that she affects singularity. My husband is angry because Zoe laughs.

...We quickly leave the guides and the caravan behind us.

We ride over the most fantastic roads at a gallop. Zoe is mad with courage. This intoxicates me, and I at once am her equal.

In addition to the above, we must read a remark suggested by certain entries in the diary:--

Aimee was an accomplished person of an exquisite distinction.

She loved everything that in any way is elegant and ornate in society: names, manners, talents, t.i.tles. Madcap as I a.s.suredly was, I looked upon all this as vanity, and went in quest of intimacy and simplicity combined with poesy. Thanks to G.o.d, I found them in Zoe, who was really a person of merit, and, moreover, a woman with a heart as eager for affection as my own.

M. and Madame Dudevant spent the greater part of autumn and the whole winter at Guillery, the chateau of Colonel Dudevant. Had the latter not died at this time, he might perhaps have saved the young people from those troubles towards which they were drifting, at least so his daughter-in-law afterwards thought. In the summer of 1826 the ill-matched couple returned to Nohant, where they continued to live, a few short absences excepted, till 1831. Hitherto their mutual relation had left much to be desired, henceforth it became worse and worse every day. It would, however, be a mistake to account for this state of matters solely by the dissimilarity of their temperaments--the poetic tendency on the one side, the prosaic on the other--for although it precluded an ideal matrimonial union, it by no means rendered an endurable and even pleasant companions.h.i.+p impossible. The real cause of the gathering clouds and imminent storm is to be sought elsewhere.

Madame Dudevant was endowed with great vitality; she was, as it were, charged with an enormous amount of energy, which, unless it found an outlet, oppressed her and made her miserable. Now, in her then position, all channels were closed up. The management of household affairs, which, if her statement may be trusted, she neither considered beneath her dignity nor disliked, might have served as a safety-valve; but her administration came to an untimely end. When, after the first year of their married life, her husband examined the accounts, he discovered that she had spent 14,000 francs instead of 10,000, and found himself constrained to declare that their purse was too light for her liberality. Not having anything else to do, and her uselessness vexing her, she took to doctoring the poor and concocting medicines. Hers, however, was not the spirit that allows itself to be fettered by the triple vow of obedience, silence, and poverty. No wonder, therefore, that her life, which she compared to that of a nun, was not to her taste. She did not complain so much of her husband, who did not interfere with her reading and brewing of juleps, and was in no way a tyrant, as of being the slave of a given situation from which he could not set her free. The total lack of ready money was felt by her to const.i.tute in our altogether fact.i.tious society an intolerable situation, frightful misery or absolute powerlessness. What she missed was some means of which she might dispose, without compunction and uncontrolled, for an artistic treat, a beautiful book, a week's travelling, a present to a poor friend, a charity to a deserving person, and such like trifles, which, although not indispensable, make life pleasant. "Irresponsibility is a state of servitude; it is something like the disgrace of the interdict." But servitude and disgrace are galling yokes, and it was not likely that so strong a character would long and meekly submit to them. We have, however, not yet exhausted the grievances of Madame Dudevant. Her brother Hippolyte, after mismanaging his own property, came and lived for the sake of economy at Nohant. His intemperance and that of a friend proved contagious to her husband, and the consequence was not only much rioting till late into the night, but occasionally also filthy conversations. She began, therefore, to consider how the requisite means might be obtained--which would enable her to get away from such undesirable surroundings, and to withdraw her children from these evil influences. For four years she endeavoured to discover an employment by which she could gain her livelihood. A milliner's business was out of the question without capital to begin with; by needlework no more than ten sous a day could be earned; she was too conscientious to make translation pay; her crayon and water-colour portraits were pretty good likenesses, but lacked originality; and in the painting of flowers and birds on cigar-cases, work-boxes, fans, &c., which promised to be more successful, she was soon discouraged by a change of fas.h.i.+on.

At last Madame Dudevant made up her mind to go to Paris and try her luck in literature. She had no ambition whatever, and merely hoped to be able to eke out in this way her slender resources. As regards the capital of knowledge she was possessed of she wrote: "I had read history and novels; I had deciphered scores; I had thrown an inattentive eye over the newspapers....Monsieur Neraud [the Malgache of the "Lettres d'un Voyageur"] had tried to teach me botany. According to the "Histoire de ma Vie" this new departure was brought about by an amicable arrangement; her letters, as in so many cases, tell, however, a very different tale.

Especially important is a letter written, on December 3, 1830, to Jules Boucoiran, who had lately been tutor to her children, and whom, after the relation of what had taken place, she asks to resume these duties for her sake now that she will be away from Nohant and her children part of the year. Boucoiran, it should be noted, was a young man of about twenty, who was a total stranger to her on September 2, 1829, but whom she addressed on November 30 of that year as "Mon cher Jules." Well, she tells him in the letter in question that when looking for something in her husband's writing-desk she came on a packet addressed to her, and on which were further written by his hand the words "Do not open it till after my death." Piqued by curiosity, she did open the packet, and found in it nothing but curses upon herself. "He had gathered up in it," she says, "all his ill-humour and anger against me, all his reflections on my perversity." This was too much for her; she had allowed herself to be humiliated for eight years, now she would speak out.

Without waiting a day longer, still feeble and ill, I declared my will and mentioned my motives with an aplomb and coolness which petrified him. He hardly expected to see a being like me rise to its full height in order to face him.

He growled, disputed, beseeched. I remained immovable. I want an allowance, I shall go to Paris, my children will remain at Nohant.

She feigned intractability on all these points, but after some time relented and consented to return to Nohant if her conditions were accepted. From the "Histoire de ma Vie" we learn what these conditions were. She demanded her daughter, permission to pa.s.s twice three months every year in Paris, and an allowance of 250 francs per month during the time of her absence from Nohant. Her letters, however, show that her daughter was not with her during her first three months at Paris.

Madame Dudevant proceeded to Paris at the beginning of 1831. Her establishment there was of the simplest. It consisted of three little rooms on the fifth story (a mansarde) in a house on the Quai Saint-Michel. She did the was.h.i.+ng and ironing herself, the portiere a.s.sisting her in the rest of the household work. The meals came from a restaurant, and cost two francs a day. And thus she managed to keep within her allowance. I make these and the following statements on her own authority. As she found her woman's attire too expensive, little suited for facing mud and rain, and in other respects inconvenient, she provided herself with a coat (redingote-guerite), trousers, and waistcoat of coa.r.s.e grey cloth, a hat of the same colour, a large necktie, and boots with little iron heels. This latter part of her outfit especially gave her much pleasure. Having often worn man's clothes when riding and hunting at Nohant, and remembering that her mother used to go in the same guise with her father to the theatre during their residence in Paris, she felt quite at home in these habiliments and saw nothing shocking in donning them. Now began what she called her literary school-boy life (vie d'ecolier litteraire), her vie de gamin. She trotted through the streets of Paris at all times and in all weathers, went to garrets, studios, clubs, theatres, coffee-houses, in fact, everywhere except to salons. The arts, politics, the romance of society and living humanity, were the studies which she pa.s.sionately pursued. But she gives those the lie who said of her that she had the "curiosite du vice."

The literary men with whom she had constant intercourse, and with whom she was most closely connected, came, like herself, from Berry. Henri de Latouche (or Delatouche, as George Sand writes), a native of La Chatre, who was editor of the Figaro, enrolled her among the contributors to this journal. But she had no talent for this kind of work, and at the end of the month her payment amounted to perhaps from twelve to fifteen francs. Madame Dudevant and the two other Berrichons, Jules Sandeau and Felix Pyat, were, so to speak, the literary apprentices of Delatouche, who not only was much older than they, having been born in 1785, but had long ago established his reputation as a journalist, novelist, and dramatic writer. The first work which Madame Dudevant produced was the novel "Rose et Blanche"; she wrote it in collaboration with Jules Sandeau, whose relation to her is generally believed to have been not only of a literary nature. The novel, which appeared in 1831, was so successful that the publishers asked the authors to write them another.

Madame Dudevant thereupon wrote "Indiana", but without the a.s.sistance of Jules Sandeau. She was going to have it published under the nom de plume Jules Sand, which they had a.s.sumed on the occasion of "Rose et Blanche."

But Jules Sandeau objected to this, saying that as she had done all the work, she ought to have all the honour. To satisfy both, Jules Sandeau, who would not adorn himself with another's plumes, and the publishers, who preferred a known to an unknown name, Delatouche gave Madame Dudevant the name of George Sand, under which henceforth all her works were published, and by which she was best known in society, and generally called among her friends. "Valentine" appeared, like "Indiana," in 1832, and was followed in 1833 by Lelia. For the first two of these novels she received 3,000 francs. When Buloz bought the Revue des deux Mondes, she became one of the contributors to that journal. This shows that a great improvement had taken place in her circ.u.mstances, and that the fight she had to fight was not a very hard one. Indeed, in the course of two years she had attained fame, and was now a much-praised and much-abused celebrity.

All this time George Sand had, according to agreement, spent alternately three months in Paris and three months at Nohant. A letter written by M. Dudevant to his wife in 1831 furnishes a curious ill.u.s.tration of the relation that existed between husband and wife. The accommodating spirit which pervades it is most charming:--

I shall go to Paris; I shall not put up at your lodgings, for I do not wish to inconvenience you any more than I wish you to inconvenience me (parceque je ne veux pas vous gener, pas plus que je ne veux que vous me geniez).

In August, 1833, George Sand and Alfred de Musset met for the first time at a dinner which the editor Buloz gave to the contributors to the Revue des deux Mondes. The two sat beside each other. Musset called on George Sand soon after, called again and again, and before long was pa.s.sionately in love with her. She reciprocated his devotion. But the serene blissfulness of the first days of their liaison was of short duration. Already in the following month they fled from the Parisian surroundings and gossipings, which they regarded as the disturbers of their harmony. After visiting Genoa, Florence, and Pisa, they settled at Venice. Italy, however, did not afford them the hoped-for peace and contentment. It was evident that the days of "adoration, ecstasy, and wors.h.i.+p" were things of the past. Unpleasant scenes became more and more frequent. How, indeed, could a lasting concord be maintained by two such disparate characters? The woman's strength and determination contrasted with the man's weakness and vacillation; her reasoning imperturbation, prudent foresight, and love of order and activity, with his excessive irritability and sensitiveness, wanton carelessness, and unconquerable propensity to idleness and every kind of irregularity. While George Sand sat at her writing-table engaged on some work which was to bring her money and fame, Musset trifled away his time among the female singers and dancers of the noiseless city. In April, 1834, before the poet had quite recovered from the effects of a severe attack of typhoid fever, which confined him to his bed for several weeks, he left George Sand after a violent quarrel and took his departure from Venice. This, however, was not yet the end of their connection. Once more, in spite of all that had happened, they came together; but it was only for a fortnight (at Paris, in the autumn of 1834), and then they parted for ever.

It is impossible, at any rate I shall not attempt, to sift the true from the false in the various accounts which have been published of this love-drama. George Sand's version may be read in her Lettres d'un Voyageur and in Elle et Lui; Alfred de Musset's version in his brother Paul's book Lui et Elle. Neither of these versions, however, is a plain, unvarnished tale. Paul de Musset seems to keep on the whole nearer the truth, but he too cannot be altogether acquitted of the charge of exaggeration. Rather than believe that by the bedside of her lover, whom she thought unconscious and all but dead, George Sand dallied with the physician, sat on his knees, retained him to sup with her, and drank out of one gla.s.s with him, one gives credence to her statement that what Alfred de Musset imagined to be reality was but the illusion of a feverish dream. In addition to George Sand's and Paul de Musset's versions, Louise Colet has furnished a third in her Lui, a publication which bears the stamp of insincerity on almost every page, and which has been described, I think by Maxime du Camp, as worse than a lying invention--namely, as a systematic perversion of the truth. A pa.s.sage from George Sand's Elle et Lui, in which Therese and Laurent, both artists, are the representatives of the novelist and poet, will indicate how she wishes the story to be read:--

Therese had no weakness for Laurent in the mocking and libertine sense that one gives to this word in love. It was by an act of her will, after nights of sorrowful meditation, that she said to him--"I wish what thou wishest, because we have come to that point where the fault to be committed is the inevitable reparation of a series of committed faults. I have been guilty towards thee in not having the egotistical prudence to shun thee; it is better that I should be guilty towards myself in remaining thy companion and consolation at the expense of my peace and of my pride."..."Listen," she added, holding his hand in both of hers with all the strength she possessed, "never draw back this hand from me, and, whatever happens, preserve so much honour and courage as not to forget that before being thy mistress I was thy FRIEND....I ask of thee only, if thou growest weary of my Jove as thou now art of my friends.h.i.+p, to recollect that it was not a moment of delirium that threw me into thy arms, but a sudden impulse of my heart, and a more tender and more lasting feeling than the intoxication of voluptuousness."

I shall not continue the quotation, the discussion becomes too nauseous. One cannot help sympathising with Alfred de Musset's impatient interruption of George Sand's unctuous lecturing reported in his brother's book--"My dear, you speak so often of chast.i.ty that it becomes indecent." Or this other interruption reported by Louise Colet:--

When one gives the world what the world calls the scandale of love, one must have at least the courage of one's pa.s.sion. In this respect the women of the eighteenth century are better than you: they did not subtilise love in metaphysics [elles n'alambiquaient pas l'amour dans la metaphysique].

It is hardly necessary to say that George Sand had much intercourse with men of intellect. Several litterateurs of some distinction have already been mentioned. Sainte-Beuve and Balzac were two of the earliest of her literary friends, among whom she numbered also Heine. With Lamartine and other cultivators of the belles-lettres she was likewise acquainted.

Three of her friends, men of an altogether different type and calibre, have, however, a greater claim on the attention of the student of George Sand's personality than any of those just named, because their speculations and teachings gave powerful impulses to her mind, determined the direction of her thoughts, and widened the sphere of her intellectual activity. The influences of these three men--the advocate Michel of Bourges, an earnest politician; the philosopher and political economist: Pierre Leroux, one of the founders of the "Encyclopedie Nouvelle," and author of "De l'humanite, de son principe et de son avenir"; and the Abbe Lamennais, the author of the "Essai sur l'indifference en matiere de religion," "Paroles d'un Croyant," &c.--are clearly traceable in the "Lettres a Marcie, Spiridion," "Les sept Cordes de la Lyre," "Les Compagnons du tour de France," "Consuelo,"

"La Comtesse de Rudolstadt," "Le Peche de M. Antoine," "Le Meunier d'Angibault," &c. George Sand made the acquaintance of Pierre Leroux and the Abbe Lammenais in 1835. The latter was introduced to her by her friend Liszt, who knew all the distinguished men of the day, and seems to have often done her similar services. George Sand's friends.h.i.+p with Michel of Bourges, the Everard of her "Lettres d'un Voyageur," dates farther back than 1835.

During George Sand's stay in Venice M. Dudevant had continued to write to her in an amicable and satisfied tone. On returning in the summer of 1834 to France she therefore resumed her periodical sojourns at Nohant; but the pleasure of seeing her home and children was as short-lived as it was sweet, for she soon discovered that neither the former nor the latter, "morally speaking," belonged to her. M. Dudevant's ideas of how they ought to be managed differed entirely from those of his wife, and altogether things had become very uncongenial to her. George Sand, whose view of the circ.u.mstances I am giving, speaks mysteriously of abnormal and dangerous influences to which the domestic hearth was exposed, and of her inability to find in her will, adverse as it was to daily struggles and family quarrels, the force to master the situation. From the vague and exceedingly brief indications of facts which are scattered here and there between eloquent and lengthy dissertations on marriage in all its aspects, on the proper pride of woman, and more of the same nature, we gather, however, thus much: she wished to be more independent than she had been hitherto, and above all to get a larger share of her revenues, which amounted to about 15,000 francs, and out of which her husband allowed her and her daughter only 3,000 francs. M. Dudevant, it must be noted, had all along been living on his wife's income, having himself only expectations which would not be realised till after his stepmother's death. By the remonstrances of his wife and the advice of her brother he was several times prevailed upon to agree to a more equitable settlement. But no sooner had he given a promise or signed a contract than he revoked what he had done. According to one of these agreements George Sand and her daughter were to have a yearly allowance of 6,000 francs; according to another M. Dudevant was to have a yearly allowance of 7,000 francs and leave Nohant and the remainder of the revenues to his wife. The terms of the latter of these agreements were finally accepted by both parties, but not till after more than a year's quarrelling and three lawsuits. George Sand sued for a divorce, and the Court of La Chatre gave judgment in her favour on February 16, 1836.

This judgment was confirmed after a second trial by the same Court on May 11, 1836.

[Footnote: What George Sand calls her "matrimonial biography" can be read in "Le Droit" ("Journal des Tribunaux") of May 18, 1836. The account there given, no doubt inspired by her advocate if not directly by herself, contains some interesting items, but leaves others unmentioned. One would have liked to learn something more of the husband's pleadings.

The proceedings began on October 30, 1835, when "Madame D----- a forme centre son mari une demande en separation de corps. Cette demande etait fondee sur les injures graves, sevices et mauvais traitements dont elle se plaignait de la part de son mari."

The following is a pa.s.sage from Michel of Bourges, her advocate's defence: "Des 1824, la vie intime etait devenue difficile; les egards auxquels toute femme a droit furent oublies, des actes d'emportement et de violence revelerent de la part de M. D----- un caractere peu facile, peu capable d'apprecier le devouement et la delicatesse qu'on lui avail temoignes. Les mauvais traitements furent d'abord plus rares que les mauvais precedes, ainsi les imputations d'imbecillite, de stupidite, furent prodiguees a Madame D----- le droit de raisonner, de prendre l'art a la conversation lui fut interdit... des relations avec d'autres femmes furent connues de l'epouse,et vers le mois de Decembre, 1828, toute cohabitation intime cessa.

"Les enfants eux-memes eurent quelque part dans les mauvais traitements."]

M. Dudevant then appealed to the Court of Ca.s.sation at Bourges, where the case was tried on July 25; but he withdrew his appeal before judgment was given. The insinuations and revelations made in the course of these lawsuits were anything but edifying. George Sand says that she confined herself to furnis.h.i.+ng the proofs strictly demanded by the law, and revealed only such facts as were absolutely necessary. But these facts and proofs must have been of a very damaging nature, for M.

Dudevant answered them by imputations to merit one hundred-thousandth part of which would have made her tremble. "His attorney refused to read a libel. The judges would have refused to listen to it." Of a deposition presented by M. Dudevant to the Court, his wife remarks that it was "dictated, one might have said, drawn up," by two servants whom she had dismissed. She maintains that she did not deserve this treatment, as she betrayed of her husband's conduct only what he himself was wont to boast of.

George Sand's letters [Footnote: George Sand: Correspondence 1812-1876; Six volumes (Paris: Calman Levy).] seem to me to show conclusively that her chief motives for seeking a divorce were a desire for greater independence and above all for more money. Complaints of ill-treatment are not heard of till they serve to justify an action or to attain a purpose. And the exaggeration of her varying statements must be obvious to all but the most careless observer. George Sand is slow in making up her mind; but having made it up she acts with fierce prompt.i.tude, obstinate vigour, and inconsiderate unscrupulousness, in one word, with that concentration of self which sees nothing but its own desires. On the whole, I should say that M. Dudevant was more sinned against than sinning. George Sand, even as she represents herself in the Histoire de ma Vie and in her letters, was far from being an exemplary wife, or indeed a woman with whom even the most angelic of husbands would have found it easy to live in peace and happiness.

From the letters, which reveal so strikingly the ungentlewomanlikeness (not merely in a conventional sense) of her manners and her numerous and curious intimacies with men of all ages, more especially with young men, I shall now cull a few characteristic pa.s.sages in proof of what I have said.

One must have a pa.s.sion in life. I feel ennui for the want of one. The agitated and often even rather needy life I am leading here drives spleen far away. I am very well, and you will see me in the best of humours. [To her friend A. M.

Duteil. Paris, February 15, 1831.]

I have an object, a task, let me say the word, a pa.s.sion. The profession of writing is a violent and almost indestructible one. [To Jules Boucoiran. Paris, March 4, 1831.]

I cannot bear the shadow of a constraint, this is my princ.i.p.al fault. Everything that is imposed upon me as a duty becomes hateful to me.

After saying that she leaves her husband full liberty to do what he likes--"qu'il a des maitresses ou n'en a pas, suivant son appet.i.t,"--and speaking highly of his management of their affairs, she writes in the same letter as follows:--

Moreover, it is only just that this great liberty which my husband enjoys should be reciprocal; otherwise, he would become to me odious and contemptible; that is what he does not wish to be. I am therefore quite independent; I go to bed when he rises, I go to La Chatre or to Rome, I come in at midnight or at six o'clock; all this is my business. Those who do not approve of this, and disparage me to you, judge them with your reason and your mother's heart; the one and the other ought to be with me. [To her mother. Nohant, May 31, 1831.]

Marriage is a state so contrary to every kind of union and happiness that I have good reason to fear for you. [To Jules Boucoiran, who had thoughts of getting married. Paris, March 6, 1833.]

You load me with very heavy reproaches, my dear child... you reproach me with my numerous liaisons, my frivolous friends.h.i.+ps. I never undertake to clear myself from the accusations which bear on my character. I can explain facts and actions; but never defects of the mind or perversities of the heart. [To Jules Boucoiran. Paris, January 18, 1833.]

Thou hast pardoned me when I committed follies which the world calls faults. [To her friend Charles Duvernet. Paris, October 15, 1834.]

But I claim to possess, now and for ever, the proud and entire independence which you believe you alone have the right to enjoy. I shall not advise it to everyone; but I shall not suffer that, so far as I am concerned, any love whatever shall in the least fetter it. I hope to make my conditions so hard and so clear that no man will be bold and vile enough to accept them. [To her friend Adolphe Gueroult.

Paris, May 6, 1835.]

Nothing shall prevent me from doing what I ought to and what I will do. I am the daughter of my father, and I care not for prejudices when my heart enjoins justice and courage. [To her mother. Nohant, October 25, 1835.]

Opinion is a prost.i.tute which must be sent about her business with kicks when one is in the right. [To her friend Adolphe Gueroult. La Chatre, November 9, 1835.]

The materials made use of in the foregoing sketch of George Sand's life up to 1836 consist to a very considerable extent of her own DATA, and in part even of her own words. From this fact, however, it ought not to be inferred that her statements can always be safely accepted without previous examination, or at any time be taken au pied de la lettre.

Indeed, the writer of the Histoire de ma Vie reveals her character indirectly rather than directly, unawares rather than intentionally.

This so-called "history" of her life contains some truth, although not all the truth; but it contains it implicitly, not explicitly. What strikes the observant reader of the four-volumed work most forcibly, is the att.i.tude of serene self-admiration and self-satisfaction which the autobiographer maintains throughout. She describes her nature as pre-eminently "confiding and tender," and affirms that in spite of the great and many wrongs she was made to suffer, she never wronged anyone in all her life. Hence the perfect tranquillity of conscience she always enjoyed. Once or twice, it is true, she admits that she may not be an angel, and that she as well as her husband may have had faults. Such humble words, however, ought not to be regarded as penitent confessions of a sinful heart, but as generous concessions of a charitable mind. In short, a thorough belief in her own virtuousness and superior excellence was the key-note of her character. The Pharisaical tendency to thank G.o.d for not having made her like other people pervades every page of her autobiography, of which Charles Mazade justly says that it is--

a kind of orgy of a personality intoxicated with itself, an abuse of intimate secrets in which she slashes her friends, her reminiscences, and--truth.

George Sand declares again and again that she abstains from speaking of certain matters out of regard for the feelings or memories of other persons, whereas in reality she speaks recklessly of everybody as long as she can do so without compromising herself. What virtuous motives can have prompted her to publish her mother's shame? What necessity was there to expatiate on her brother's drunkenness? And if she was the wronged and yet pitiful woman she pretended to be, why, instead of burying her husband's, Musset's, and others' sins in silence, does she throw out against them those artful insinuations and mysterious hints which are worse than open accusations? Probably her artistic instincts suggested that a dark background would set off more effectively her own glorious luminousness. However, I do not think that her indiscretions and misrepresentations deserve always to be stigmatised as intentional malice and conscious falsehood. On the contrary, I firmly believe that she not only tried to deceive others, but that she actually deceived herself. The habit of self-adoration had given her a moral squint, a defect which was aggravated by a powerful imagination and excellent reasoning faculties. For, swayed as these were by her sentiments and desires, they proved themselves most fertile in generating flattering illusions and artful sophisms. George Sand was indeed a great sophist.

She had always in readiness an inexhaustible store of interpretations and subterfuges with which to palliate, excuse, or even metamorphose into their contraries the most odious of her words and actions. It is not likely that any one ever equalled, much less surpa.s.sed, her expertness in hiding ugly facts or making innocent things look suspicious. To judge by her writings and conversations she never acted spontaneously, but reasoned on all matters and on all occasions.