The Pointing Man Part 7

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"I explain facts by people, not people by facts," said Atkins hotly.

"And I have told you--"

"I think it is only fair to say that you have told me something that lays Heath under suspicion," said Hartley, slowly. "He behaved very oddly, lately, when I asked him a simple question, and he chose to refuse to see me when I went to his house. All that was a small matter, but what you tell me now is serious."

"Serious for Heath, and for that very reason I particularly want him protected. But as for suspicion, I know the man thoroughly, and that is quite absurd." Atkins got up and terminated the interview. "It is absurd to talk of suspicion," he said again, irritably. "I hope you will drop that att.i.tude, Hartley. If I had imagined for a moment that you were likely to adopt it, I should have kept my mouth shut."

He went away, his narrow shoulders humped, and his whole figure testifying to his annoyance, and Hartley sat alone, watching the moonlight and thinking his own thoughts. He was interrupted by a woman's voice, and Mrs. Wilder sat down in the chair left vacant by Atkins.

"What are you pondering about, Mr. Hartley? Are you seeing ghosts or moon spirits? You certainly give the idea that you are immensely preoccupied."

"Do I?" Hartley laughed awkwardly. "Well, as a matter of fact, I was not thinking of anything very pleasant."

"Can I help?"--her voice was very soft and alluring.

"No one can, I am afraid."

She touched his arm with a little intimate gesture, and her eyes shone in the moonlight.

"How can you say that? If I were in any sort of fix, or in any sort of trouble, I would ask you to advise me, and to tell me what to do, before I would go to anyone else, even Draycott, and why should you leave me outside your worries?"

"You see, that's just it, they aren't exactly mine. If they were I would tell you, but I can't tell you, because what I was thinking about was connected entirely with someone else."

Mrs. Wilder's eyes narrowed, and she lifted her slightly pointed nose a very little.

"Ah, now you make me inquisitive, and that is most unfair of you. Don't tell me anything, Mr. Hartley, except just the name of the person concerned. I'm very safe, as you know. Could you tell me the name, or would it be wrong of you?"

"The name won't convey very much to you," said Hartley, laughing. "I was thinking of the Padre, Heath. That doesn't give you much clue, does it?"

It was too dark for him to see a look that sprang into Mrs. Wilder's eyes, or perhaps Hartley might have found a considerable disparity between her look and her light words.

"Poor Mr. Heath, he is one of those terribly serious, conscientious people, who go about life making themselves wretched for the good of their souls. He ought to have lived in the Middle Ages. I won't ask you _why_ you are thinking about him"--she got up and lingered a little, and Hartley rose also--"but you know that you should not think of anyone unless you want to make others think of them, too; it isn't at all safe.

I shall have to think of Mr. Heath all the way home, and he is _such_ a gaunt, scraggy kind of thought."

"I wish I could replace him with myself," said Hartley, in a burst of admiration.

Mrs. Wilder accepted his compliment graciously and walked across the gra.s.s to the drive, where her car panted almost noiselessly, as is the way of good cars, and he put her in with the manner of a jeweller putting a precious diamond pendant into a case. He watched the car disappear, and considered that some men are undeservedly lucky in this life.

Hartley was nearly forty, that dangerously sentimental age, and he began to wonder if, by chance, he had met Clarice Wilder years ago in a Devons.h.i.+re orchard, life might not have been a wonderful thing. He called her a "sweet woman" in his mind, and it was almost a pity that Mrs. Wilder did not know, because her sense of humour was subtle and acute, and she would have thoroughly enjoyed the description of herself.

She could read Hartley as quickly as she could read the telegrams in the _Mangadone Times_, and she could play upon him as she played upon her own grand piano.

She had not asked any questions, and she knew nothing of what Atkins had said about Heath; but her face was set and tense as she drove towards her bungalow. She was certainly thinking very definitely, quite as definitely as Hartley had been thinking as he watched the moonlight playing hide-and-seek with the shadows of the palm branches and the darkness of the trees, and her thoughts left no pleasant look upon her face or in her eyes; and yet Hartley, on his way to the bungalow where he lived, was thinking of her in a white dress and a shady hat, with a fleecy blue and white sky overhead and the scent of apple-blossom in the air.

The power of romance is strong in adolescence, but it is stronger still when the turnstile of years is reached and there is finality in the air.

Hartley was built for platonics; Fate gave him the necessary touch of the commonplace that dispels romance and replaces it with a kind of deadly domesticity; and yet Hartley was unaware of the fact.

He had never thought of being "in love" with Mrs. Wilder, partly because he felt it would be "no use," and partly because she had never seemed to expect it from him, but as he walked along the road he began to find that her manner had of late altered considerably. She seemed to take an interest in him, and though she had always been his friend, her new att.i.tude was charged with invisible electricity.

So far as Mrs. Wilder was concerned, Hartley was to her what a sitting hen would be to a sporting man. You couldn't shoot the confiding thing; but you might wring its neck if necessary, or push it out of the way with an impatient foot. She knew her power over him to a nicety, and she knew of his secret desire for "situations," because her instinct was never at fault; but she felt nothing more than contempt, slightly charged with pity towards him. Hartley was a good-natured, idiotic man, and Hartley had principles; Clarice Wilder had none herself, though she felt that they were definite factors in any game, but she also believed that principles were things that could be got over, or got at, by any woman who knew enough about life to manage such as Hartley.

All the same, it was not of Hartley that she thought. She had been quite truthful when she said that he had suggested Heath to her mind, and that she would have to consider his gaunt face and hollow cheeks during her drive.

If he had sat on the vacant seat beside her, the Rev. Francis Heath could hardly have been more clearly before her eyes, and could hardly have drawn her mind more strongly, and it was because of her thought of him that she preserved her steady look and strange eyes.

A strong woman, a woman with character, a woman who once she saw her way, was able to follow it faithfully, wherever it twisted, wherever it wound, and wherever it eventually brought her. No one could picture her flinching or turning back along a road she had set out to follow; if it had run in blood, she would have gone on in bare feet, not picking her steps, and yet Hartley dreamed of apple orchards and an Eve in a white muslin dress.

VII

FINDS THE REV. FRANCIS HEATH READING GEORGE HERBERT'S POEMS, AND LEAVES HIM PLEDGED TO A POSSIBLY COMPROMISING SILENCE

The Reverend Francis Heath was sitting in his upstairs room, for of late he had avoided the veranda. It was the leisure hour of the day, the slow hour when the light wanes and it is too early to call for a lamp; the hour when memory or fear can both be poignant in tropical climates.

The house was very still, Atkins had gone to the Club and the servants had all returned to their own quarters. Outside, noises were many.

Birds, with ugly, tuneless notes that were not songs but cries, flitted in the trees, and the rumble of traffic on the road came up in the evening air, broken occasionally by the shrill persistence of an exhaust whistle or the clamour of a motor-horn, and above all other sounds the long-drawn, occasional hoot from a s.h.i.+p anch.o.r.ed in the river highway.

There was noise, and to spare, outside, but within everything was still, except for the chittering of a nest of bats in the eaves, and the sudden, relaxing creak of bamboo chairs, that behave sometimes as though ghosts sat restlessly in their arms.

The sunlight that fell into the garden and caught its green, turning it into flaming emerald, climbed in at Mr. Heath's window, and lay across his writing-table; it touched his shoulder and withdrew a little, touched the lines on his forehead for a moment, touched the open book before him, and fell away, followed by a shadow that grew deeper as it pa.s.sed. It faded out of the garden like a memory that cannot be held back by human striving. The distances turned into shadowy blue, and from blue to purple, until only a few flecks of golden light across the pearl-silver told that it was gone eternally; that its hour was spent, for good or ill, and that Mangadone had come one evening nearer to the end of measureless Time; but the Rev. Francis Heath did not regard its going. His face was sad with a terrible, tragic sadness that is the sadness of life and not death, and yet it was of death and not of life that he thought. A little book of George Herbert's poems lay open before him and he had been reading it with a scholar's love of quaint phraseology:

"I made a posy, while the days ran by; Here will I smell my remnant out, and tie My life within this band.

But Time did beckon to the flowers, and they, By noon, most cunningly did steal away, And wither'd in my hand."

He read the lines over and over again, and gave a deep, heart-broken sigh, bending his face between his hands, and bowing his shoulders as though under a heavy weight. His gaunt frame was thin and spare, his black alpaca coat hung on it like a sack, and his whole att.i.tude spoke of sorrow. He might have been the presentment of an unwilling ghost, who stood with the Ferryman's farthing under his palm, waiting to be taken across the cheerless, dark waters to a limbo of drifting souls. He took his hands from before his face and clasped them over the book, looking out of the window to the evening shadows, as if he tried to find peace in the very act of contemplation.

The sad things he came in daily contact with had conquered his faith in life, though they had not succeeded in killing his trust in G.o.d's eventual plan of redemption; and his mind wandered in terrible places, places he had forced his way into, places he could never forget. He suffered from all a reformer's agony, an agony that is the small reflection of the great story of the mystic burden heavy as the sins of the whole world, and he tried, out of the simple, childlike fancy of the words he read, to grasp at a better mind.

Heath was one of those men who could not understand effortless faith; he was crushed by his own lack of success, and bowed down by his own failure. Since he could not rout the enemy single-handed, he believed that the battle was against the Hosts of the Lord. He knew no leisure from the war of his own thoughts, and as he clasped his hands, his face grew tense and set, and his eyes haggard and terrible. For a moment he sat very still, and his eyes followed the lines written by a man who had the faith of a little child:

"But Time did beckon to the flowers, and they, By noon, most cunningly did steal away."

Heath had never gathered flowers, either as a lesson to himself or a gift for others; they hardly spoke of careless beauty to him, they were emblems of lightness and thoughtlessness, and Heath had no time to stop and consider the lilies of the field.

He moved suddenly like a man who is awakened from a thought heavier than sleep, and listened with a hunted look, the look of a man who is afraid of footsteps; he stood up, gathering his loose limbs together and watching the door. Steps came up the staircase, steps that stumbled a little, and if Heath had possessed Mhtoon Pah's art of reading the walk of his fellow creatures, he would have known that he might expect a woman and not a man.

"Mr. Heath," a low voice called in the pa.s.sage, and Heath's tension relaxed, giving place to surprise.

The voice was strange to him, and he pa.s.sed his handkerchief over his face and walked to the door, just as his name was called again, in the same low, penetrating voice.

"Who wants me?" he asked, almost roughly, and then he saw a tall, dark woman standing at the top of the staircase.

"Mrs. Wilder," he said in surprise, and she made a little imperious movement with her hand.

"I did not call your servant, I came up, because I wanted to find you alone. You are alone?"

"Certainly, I am alone."

The Pointing Man Part 7

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The Pointing Man Part 7 summary

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