The Scarecrow and Other Stories Part 21
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Delafield had not known that Jasper Wald was married. It was almost impossible for him to imagine anyone living with this man. He looked at the woman curiously. He had the feeling that her individuality had been stultified. It did not surprise him. Jasper Wald could have accomplished that. It would have been difficult to have matched him with as flagrantly material a person as he himself was. Only that sort of person would have stood a chance with him. Any other would have had to fall flat. She had fallen flat. Delafield knew that the moment he looked at her.
"Why, I didn't know;" Delafield took her hand in his. "You never told me, Wald, that you were married."
"Didn't I? No, of course not.--But, about the new book, Delafield."
Delafield dropped her hand. He had never felt anything quite as inert as that hand. It impressed the nondescript quality of her upon him even more strongly than had her appearance.
"Your husband has promised me another book, Mrs. Wald." He spoke slowly.
He felt he had to speak that way or she would not understand him. "Your husband is a great author, Mrs. Wald."
"Yes."
"Why don't you say, genius, Delafield, and be done with it? Why don't you make a clean breast of it with--genius?"
"I've got to be going."
Delafield felt a strange irritation. The man was a fool. For what reason under the sun could this woman with those half closed eyes let herself be dominated by him? The two of them got on his nerves.
"Won't you stay to dinner?"
Jasper Wald was obviously anxious for a chance to speak of himself.
"Sorry, Wald. I've got to be getting on."
Delafield still watched the woman. She stood there quite silent.
"I thought you might have something to say about that book of mine."
"No--There's nothing more." Delafield started for the door. "I've just told you that it's full of the sort of knowledge all of us are in need of. I can't say more, you know. I suppose that knowledge is what const.i.tutes genius; but--" He was staring now full into those bulging blue eyes--"Lord, man, where, where d'you get it from?"
Glancing at the woman, Delafield saw that she was looking straight at him. Her eyes met his in a way which he was completely at a loss to explain. There was something eerie about it.
"Where does he get it?"
She repeated his question stupidly and once again the heavy lids came down over those strange green eyes, hiding all expression.
Jasper Wald drew in his breath.
"I write it," he said.
After that Delafield left them both severely alone. The woman puzzled him. He could not tolerate the man, Jasper Wald, and he could not for worlds have the genius of Jasper Wald hurt or slighted in any way. He knew how big it was. It often left him breathless. But the man; he would have liked to have hit him that day in the living room in the house on Peach Tree Road; to have kicked him into some sort of a realization as to what an utter little rat he was.
And so, because of his physical make-up, people stayed away from Jasper Wald. Not that he avoided people; not that he wanted to live the life of a recluse. He never made any attempt to conceal his living from the general public. He was too much of the egoist to attempt concealment of any kind. So his life was known to any man, woman or child who cared for the knowledge. His life of narrow selfishness, of tranquil complacency; of colossal conceit. And of genius.
He always wrote in the evenings, did Jasper Wald. And often he would keep at his writing well on into the morning.
He liked to sit there in the square, old-fas.h.i.+oned living room with its wide window that gave out upon Peach Tree Road.
When he had first moved into the house as an obscure, hard-working journalist he had placed the desk against the window ledge so that he could look directly out of the window without moving. And he had kept the desk there. He was just a bit insistent about it. Then, too, he liked the blind up so that he could stare out into the evening and at the house opposite.
For all his impossible vanity there must have been imbedded deep down in the small, hard soul of the man some excessive, frantic hunger of self-recognition by others. A potential desire to accomplish an a.s.sertion of self that could in no way be denied; a fundamental energy which had in some way made possible the work, but which he could never admit for fear that it might evade the importance of himself.
The house opposite interested him tremendously. Sitting there in an abstract fit of musing, he watched it as one subconsciously watches a place that has one's attention.
To all outward appearances the house across the way was heavily boarded up and closed. It had always been closed since the time that Jasper Wald had come to live in Peach Tree Road. Yet every evening in the window directly facing his he had seen the shadow of a man moving to and fro; to and fro, beyond the drawn blind. He would sit there watching the dark, undefined shadow until he felt that he had to work, and then the whole thing would slip from his mind until the following evening when he would again be at his desk.
Strangely enough he had never mentioned the presence of the shadow to anyone. There was about it a certain mysterious unreality. That much he, Jasper Wald, was capable of knowing. It was the one thing outside of himself that gripped at his intelligence.
During all those six years he had waited at his desk each night for the coming of the shadow. And when it came he had started to work. He never explained the thing to himself. He never thought he had to explain anything to his own understanding. Had he tried, he would have been utterly at a loss for an explanation. So Jasper Wald had come to look upon the shadow as a sign of luck; a superst.i.tion-fostered thing that epitomized his genius to himself.
Naturally it had not always been that way. The first time that Jasper Wald had felt the shadow he had experienced an uncanny sense of terror.
That had been before he had really seen it.
He had been standing there beside the window just after he and Ellen had moved into their home, looking out at the closed house opposite. He had felt a queer oppression which he readily interpreted as the vibration of his new environment. When the thing had persisted he had become a bit uneasy. The sense of oppression so utterly unknown to him had changed to one which grew upon him; as if he were being forced out of himself in some uncanny manner.
There was about it all a curious sensation of remoteness of self and at the same time a weird consciousness of the haunting permeation of something invisible and dynamic.
He never thought back to that evening without a positive horror. The whole thing was so completely alien to him.
It had been with a great sense of relief that he had, finally, been able to see and to rivet his attention upon the shadow there against the blind of the house opposite. He had clinched his thought onto it. And the other thing had left him; had lessened in its maddening oppression.
That evening he had started to write. He had felt that writing was a thing he had to do. It was entirely because of his first fear that he kept the knowledge of the shadow to himself.
c.o.c.k sure as he was of himself, thoroughly certain of his genius, and inordinately vain of his success, there was one thing about it all that Jasper Wald could not quite make out. Not for worlds would he have admitted it. Still there was the one thing. And the one thing was that Jasper Wald could not understand the kind of thought behind what he himself wrote.
It was late one summer evening that Jasper Wald sat at his desk in the square living room; his pen was in his hand; a pile of blank paper made a white patch on the dark wood before him. His blue eyes that bulged a bit looked out into the graying half light. The green of the lawn was matted with dark shadows. A mist of shadows were pressed into the faint lined leaves of the two drooping willow trees on either side of the wicker gate. An unreal light held in the sky.
His eyes were fixed on the one window of the house opposite. With his pen in his hand, Jasper Wald waited.
From somewhere in the house came the chimes of a clock striking the half hour.
Starting from his chair, Jasper Wald went to the side of the desk and leaned far out of the window. A wave of heat came up to him from the earth. His eyes stared intently at the window opposite.
The door behind him was thrown open. He turned to see Ellen's tall, not ungraceful, figure standing in the doorway. Her two hands grasped the bowl of a lighted lamp.
"I don't need that."
Jasper Wald told it to her impatiently.
She came a step into the room.
"It's dark in here, Jasper."
"But I don't need any more light, Ellen. I don't need it, I tell you!"
"It's dark in here, Jasper."
"All right, then; put the thing down. I can't take up my time arguing with you. How can a man write in a place like this, anyway? Have you no consideration? Must I always be disturbed? Have you no respect for genius?"
The Scarecrow and Other Stories Part 21
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The Scarecrow and Other Stories Part 21 summary
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