Jean-Christophe Part 47
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Poor old Louisa struggled in her son's arms: she was wet with the melting snow: and she called him, with a jolly laugh, a great gaby.
He went up to his room three steps at a time.--He could hardly see himself in his little mirror it was so dark. But his heart was glad. His room was low and narrow and it was difficult to move in it, but it was like a kingdom to him. He locked the door and laughed with pleasure. At last he was finding himself! How long he had been gone astray! He was eager to plunge into thought like a bather into water. It was like a great lake afar off melting into the mists of blue and gold. After a night of fever and oppressive heat he stood by the edge of it, with his legs bathed in the freshness of the water, his body kissed by the wind of a summer morning. He plunged in and swam: he knew not whither he was going, and did not care: it was joy to swim whithersoever he listed. He was silent, then he laughed, and listened for the thousand thousand sounds of his soul: it swarmed with life. He could make out nothing: his head was swimming: he felt only a bewildering happiness. He was glad to feel in himself such unknown forces: and indolently postponing putting his powers to the test he sank back into the intoxication of pride in the inward flowering, which, held back for months, now burst forth like a sudden spring.
His mother called him to breakfast. He went down: he was giddy and light-headed as though he had spent a day in the open air: but there was such a radiance of joy in him that Louisa asked what was the matter. He made no reply: he seized her by the waist and forced her to dance with him round the table on which the tureen was steaming. Out of breath Louisa cried that he was mad: then she clasped her hands.
"Dear G.o.d!" she said anxiously. "Sure, he is in love again!"
Christophe roared with laughter. He hurled his napkin into the air.
"In love?..." he cried. "Oh! Lord!... but no! I've had enough! You can be easy on that score. That is done, done, forever!... Ouf!"
He drank a gla.s.sful of water.
Louisa looked at him, rea.s.sured, wagged her head, and smiled.
"That's a drunkard's pledge," she said. "It won't last until to-night."
"Then the day is clear gain," he replied good-humoredly.
"Oh, yes!" she said. "But what has made you so happy?"
"I am happy. That is all."
Sitting opposite her with his elbows on the table he tried to tell her all that he was going to do. She listened with kindly skepticism and gently pointed out that his soup was going cold. He knew that she did not hear what he was saying: but he did not care: he was talking for his own satisfaction.
They looked at each other smiling: he talking: she hardly listening.
Although she was proud of her son she attached no great importance to his artistic projects: she was thinking: "He is happy: that matters most."--While he was growing more and more excited with his discourse he watched his mother's dear face, with her black shawl tightly tied round her head, her white hair, her young eyes that devoured him lovingly, her sweet and tranquil kindliness. He knew exactly what she was thinking. He said to her jokingly:
"It is all one to you, eh? You don't care about what I'm telling you?"
She protested weakly:
"Oh, no! Oh, no!"
He kissed her.
"Oh, yes! Oh, yes! You need not defend yourself. You are right. Only love me. There is no need to understand me--either for you or for anybody else.
I do not need anybody or anything now: I have everything in myself...."
"Oh!" said Louisa. "Another maggot in his brain!... But if he must have one I prefer this to the other."
What sweet happiness to float on the surface of the lake of his thoughts!... Lying in the bottom of a boat with his body bathed in sun, his face kissed by the light fresh wind that skims over the face of the waters, he goes to sleep: he is swung by threads from the sky. Under his body lying at full length, under the rocking boat he feels the deep, swelling water: his hand dips into it. He rises: and with his chin on the edge of the boat he watches the water flowing by as he did when he was a child. He sees the reflection of strange creatures darting by like lightning.... More, and yet more.... They are never the same. He laughs at the fantastic spectacle that is unfolded within him: he laughs at his own thoughts: he has no need to catch and hold them. Select? Why select among So many thousands of dreams?
There is plenty of time!... Later on!... He has only to throw out a line at will to draw in the monsters whom he sees gleaming in the water. He lets them pa.s.s.... Later on!...
The boat floats on at the whim of the warm wind and the insentient stream.
All is soft, sun, and silence.
At last languidly he throws out his line. Leaning out over the lapping water he follows it with his eyes until it disappears. After a few moments of torpor he draws it in slowly: as he draws it in it becomes heavier: just as he is about to fish it out of the water he stops to take breath. He knows that he has his prey: he does not know what it is: he prolongs the pleasure of expectancy.
At last he makes up his mind: fish with gleaming, many-colored scales appear from the water: they writhe like a nest of snakes. He looks at them curiously, he stirs them with his finger: but hardly has he drawn them from the water than their colors fade and they slip between his fingers. He throws them back into the water and begins to fish for others. He is more eager to see one after another all the dreams stirring in him than to catch at any one of them: they all seem more beautiful to him when they are freely swimming in the transparent lake....
He caught all kinds of them, each more extravagant than the last. Ideas had been heaped up in him for months and he had not drawn upon them, so that he was bursting with riches. But it was all higgledy-piggledy: his mind was a Babel, an old Jew's curiosity shop in which there were piled up in the one room rare treasures, precious stuffs, sc.r.a.p-iron, and rags. He could not distinguish their values: everything amused him. There were thrilling chords, colors which rang like bells, harmonies which buzzed like bees, melodies smiling like lovers' lips. There were visions of the country, faces, pa.s.sions, souls, characters, literary ideas, metaphysical ideas.
There were great projects, vast and impossible, tetralogies, decalogies, pretending to depict everything in music, covering whole worlds. And, most often there were obscure, flas.h.i.+ng sensations, called forth by a trifle, the sound of a voice, a man or a woman pa.s.sing in the street, the pattering of rain. An inward rhythm.--Many of these projects advanced no further than their t.i.tle: most of them were never more than a note or two: it was enough. Like all very young people, he thought he had created what he dreamed of creating.
But he was too keenly alive to be satisfied for long with such fantasies.
He wearied of an illusory possession: he wished to seize his dreams.--How to begin? They seemed to him all equally important. He turned and turned them: he rejected them, he took them up again.... No, he never took them up again: they were no longer the same, they were never to be caught twice: they were always changing: they changed in his hands, under his eyes, while he was watching them. He must make haste: he could not: he was appalled by the slowness with which he worked. He would have liked to do everything in one day, and he found it horribly difficult to complete the smallest thing.
His dreams were pa.s.sing and he was pa.s.sing himself: while he was doing one thing it worried him not to be doing another. It was as though it was enough to have chosen one of his fine subjects for it to lose all interest for him. And so all his riches availed him nothing. His thoughts had life only on condition that he did not tamper with them: everything that he succeeded in doing was still-born. It was the torment of Tantalus: within reach were fruits that became stones as soon as he plucked them: near his lips was a clear stream which sank away whenever he bent down, to drink.
To slake his thirst lie tried to sip at the springs that he had conquered, his old compositions.... Loathsome in taste! At the first gulp, he spat it out again, cursing. What! That tepid water, that insipid music, was that his music?--He read through all his compositions: he was horrified: he understood not a note of them, he could not even understand how he had come to write them. He blushed. Once after reading through a page more foolish than the rest he turned round to make sure that there was n.o.body in the room, and then he went and hid his face in his pillow like a child ashamed.
Sometimes they seemed to him so preposterously silly that they were quite funny, and he forgot that they were his own....
"What an idiot!" he would cry, rocking with laughter.
But nothing touched him more than those compositions in which he had set out to express his own pa.s.sionate feelings: the sorrows and joys of love.
Then he would bound in his chair as though a fly had stung him: he would thump on the table, beat his head, and roar angrily: he would coa.r.s.ely apostrophize himself: he would vow himself to be a swine, trebly a scoundrel, a clod, and a clown--a whole litany of denunciation. In the end he would go and stand before his mirror, red with shouting, and then he would take hold of his chin and say:
"Look, look, you scurvy knave, look at the a.s.s-face that is yours! I'll teach you to lie, you blackguard! Water, sir, water."
He would plunge his face into his basin, and hold it under water until he was like to choke. When he drew himself up, scarlet, with his eyes starting from his head, snorting like a seal, he would rush to his table, without bothering to sponge away the water trickling down him: he would seize the unhappy compositions, angrily tear them in pieces, growling:
"There, you beast!... There, there, there!..."
Then he would recover.
What exasperated him most in his compositions was their untruth. Not a spark of feeling in them. A phraseology got by heart, a schoolboy's rhetoric: he spoke of love like a blind man of color: he spoke of it from hearsay, only repeating the current plat.i.tudes. And it was not only love: it was the same with all the pa.s.sions, which had been used for themes and declamations.--And yet he had always tried to be sincere.--But it is not enough to wish to be sincere: it is necessary to have the power to be so: and how can a man be so when as yet he knows nothing of life? What had revealed the falseness of his work, what had suddenly digged a pit between himself and his past was the experience which he had had during the last six months of life. He had left fantasy: there was now in him a real standard to which he could bring all the thoughts for judgment as to their truth or untruth.
The disgust which his old work, written without pa.s.sion, roused in him, made him decide with his usual exaggeration that he would write no more until he was forced to write by some pa.s.sionate need: and leaving the pursuit of his ideas at that, he swore that he would renounce music forever, unless creation were imposed upon him in a thunderclap.
He made this resolve because he knew quite well that the storm was coming.
Thunder falls when it will, and where it will. But there are peaks which attract it. Certain places--certain souls--breed storms: they create them, or draw them from all points of the horizon: and certain ages of life, like certain months of the year, are so saturated with electricity, that thunderstorms are produced in them,--if not at will--at any rate when they are expected.
The whole being of a man is taut for it. Often the storm lies brooding for days and days. The pale sky is hung with burning, fleecy clouds. No wind stirs. The still air ferments, and seems to boil. The earth lies in a stupor: no sound comes from it. The brain hums feverishly: all nature awaits the explosion of the gathering forces, the thud of the hammer which is slowly rising to fall back suddenly on the anvil of the clouds. Dark, warm shadows pa.s.s: a fiery wind rises through the body, the nerves quiver like leaves.... Then silence falls again. The sky goes on gathering thunder.
In such expectancy there is voluptuous anguish. In spite of the discomfort that weighs so heavily upon you, you feel in your veins the fire which is consuming the universe. The soul surfeited boils in the furnace, like wine in a vat. Thousands of germs of life and death are in labor in it. What will issue from it? The soul knows not. Like a woman with child, it is silent: it gazes in upon itself: it listens anxiously for the stirring in its womb, and thinks: "What will be born of me?"...
Sometimes such waiting is in vain. The storm pa.s.ses without breaking: but you wake heavy, cheated, enervated, disheartened. But it is only postponed: the storm will break: if not to-day, then to-morrow: the longer it is delayed, the more violent will it be....
Now it comes!... The clouds have come up from all corners of the soul.
Thick ma.s.ses, blue and black, torn by the frantic darting of the lightning: they advance heavily, drunkenly, darkening the soul's horizon, blotting out light. An hour of madness!... The exasperated Elements, let loose from the cage in which they are held bound by the Laws which hold the balance between the mind and the existence of things, reign, formless and colossal, in the night of consciousness. The soul is in agony. There is no longer the will to live. There is only longing for the end, for the deliverance of death....
Jean-Christophe Part 47
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Jean-Christophe Part 47 summary
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