Jean-Christophe Part 57

It was because the Parisian hair dresser had made a mistake in packing and had sent a wig which was not suitable to the part.

"Quite flat," she said, "and falling straight down. When I saw it I wept like a Magdalen. Didn't I, Desiree?"

"When I came in," said Desiree, "I was afraid for Madame. Madame was quite white. Madame looked like death."

Christophe laughed. Corinne saw him in her mirror:

"Heartless wretch; it makes you laugh," she said indignantly.

She began to laugh too.

He asked her how the rehearsal had gone. Everything had gone off well. She would have liked the other parts to be cut more and her own less. They talked so much that they wasted part of the afternoon. She dressed slowly; she amused herself by asking Christophe's opinion about her dresses.

Christophe praised her elegance and told her navely in his Franco-German jargon, that he had never seen anybody so "luxurious." She looked at him for a moment and then burst out laughing.

"What have I said?" he asked. "Have I said anything wrong?"

"Yes, yes," she cried, rocking with laughter. "You have indeed."

At last they went out. Her striking costume and her exuberant chatter attracted attention. She looked at everything with her mocking eyes and made no effort to conceal her impressions. She chuckled at the dressmakers'

shops, and at the picture post-card shops in which sentimental scenes, comic and obscene drawings, the town prost.i.tutes, the imperial family, the Emperor as a sea-dog holding the wheel of the _Germania_ and defying the heavens, were all thrown together higgledy-piggledy. She giggled at a dinner-service decoration with Wagner's cross-grained face, or at a hair dresser's shop-window in which there was the wax head of a man. She made no attempt to modify her hilarity over the patriotic monument representing the old Emperor in a traveling coat and a peaked cap, together with Prussia, the German States, and a nude Genius of War. She made remarks about anything in the faces of the people or their way of speaking that struck her as funny. Her victims were left in no doubt about it as she maliciously picked out their absurdities. Her instinctive mimicry made her sometimes imitate with her mouth and nose their broad grimaces and frowns, without thinking; and she would blow out her cheeks as she repeated fragments of sentences and words that struck her as grotesque in sound as she caught them. He laughed heartily and was not at all embarra.s.sed by her impertinence, for he was no longer easily embarra.s.sed. Fortunately he had no great reputation to lose, or his walk would have ruined it for ever.

They visited the cathedral. Corinne wanted to go to the top of the spire, in spite of her high heels, and long dress which swept the stairs or was caught in a corner of the staircase; she did not worry about it, but pulled the stuff which split, and went on climbing, holding it up. She wanted very much to ring the bells. From the top of the tower she declaimed Victor Hugo (he did not understand it), and sang a popular French song. After that she played the muezzin. Dusk was falling. They went down into the cathedral where the dark shadows were creeping along the gigantic walls in which the magic eyes of the windows were s.h.i.+ning. Kneeling in one of the side chapels, Christophe saw the girl who had shared his box at _Hamlet_. She was so absorbed in her prayers that she did not see him: he saw that she was looking sad and strained. He would have liked to speak to her, just to say, "How do you do?" but Corinne dragged him off like a whirlwind.

They parted soon afterwards. She had to get ready for the performance, which began early, as usual in Germany. He had hardly reached home when there was a ring at the door and a letter from Corinne was handed in:

"Luck! Jezebel ill! No performance! No school! Come! Let us dine together!

Your friend,

"CORINETTE.

"P.S. Bring plenty of music!"

It was some time before he understood. When he did understand he was as happy as Corinne, and went to the hotel at once. He was afraid of finding the whole company a.s.sembled at dinner; but he saw n.o.body. Corinne herself was not there. At last he heard her laughing voice at the back of the house: he went to look for her and found her in the kitchen. She had taken it into her head to cook a dish in her own way, one of those southern dishes which fills the whole neighborhood with its aroma and would awaken a stone. She was on excellent terms with the large proprietress of the hotel, and they were jabbering in a horrible jargon that was a mixture of German, French, and negro, though there is no word to describe it in any language.

They were laughing loudly and making each other taste their cooking.

Christophe's appearance made them noisier than ever. They tried to push him out; but he struggled and succeeded in tasting the famous dish. He made a face. She said he was a barbarous Teuton and that it was no use putting herself out for him.

They went up to the little sitting-room when the table was laid; there were only two places, for himself and Corinne. He could not help asking her where her companions were. Corinne waved her hands carelessly:

"I don't know."

"Don't you sup together?"

"Never! We see enough of each other at the theater!... And it would be awful if we had to meet at meals!..."

It was so different from German custom that he was surprised and charmed by it.

"I thought," he said, "you were a sociable people!"

"Well," said she, "am I not sociable?"

"Sociable means living in society. We have to see each other! Men, women, children, we all belong to societies from birth to death. We are always making societies: we eat, sing, think in societies. When the societies sneeze, we sneeze too: we don't have a drink except with our societies."

"That must be amusing," said she. "Why not out of the same gla.s.s?"

"Brotherly, isn't it?"

"That for fraternity! I like being 'brotherly' with people I like: not with the others ... Pooh! That's not society: that is an ant heap."

"Well, you can imagine how happy I am here, for I think as you do."

"Come to us, then!"

He asked nothing better. He questioned her about Paris and the French. She told him much that was not perfectly accurate. Her southern propensity for boasting was mixed with an instinctive desire to s.h.i.+ne before him.

According to her, everybody in Paris was free: and as everybody in Paris was intelligent, everybody made good use of their liberty, and no one abused it. Everybody did what they liked: thought, believed, loved or did not love, as they liked; n.o.body had anything to say about it. There n.o.body meddled with other people's beliefs, or spied on their consciences or tried to regulate their thoughts. There politicians never dabbled in literature or the arts, and never gave orders, jobs, and money to their friends or clients. There little cliques never disposed of reputation or success, journalists were never bought; there men of letters never entered into controversies with the church, that could lead to nothing. There criticism never stifled unknown talent, or exhausted its praises upon recognized talent. There success, success at all costs, did not justify the means, and command the adoration of the public. There were only gentle manners, kindly and sweet. There was never any bitterness, never any scandal. Everybody helped everybody else. Every worthy newcomer was certain to find hands held out to him and the way made smooth for him. Pure love, of beauty filled the chivalrous and disinterested souls of the French, and they were only absurd in their idealism, which, in spite of their acknowledged wit, made them the dupes of other nations. Christophe listened open-mouthed. It was certainly marvelous. Corinne marveled herself as she heard her words.

She had forgotten what she had told Christophe the day before about the difficulties of her past life. He gave no more thought to it than she.

And yet Corinne was not only concerned with making the Germans love her country: she wanted to make herself loved, too. A whole evening without flirtation would have seemed austere and rather absurd to her. She made eyes at Christophe; but it was trouble wasted: he did not notice it.

Christophe did not know what it was to flirt. He loved or did not love.

When he did not love he was miles from any thought of love. He liked Corinne enormously. He felt the attraction of her southern nature; it was so new to him. And her sweetness and good humor, her quick and lively intelligence: many more reasons than he needed for loving. But the spirit blows where it listeth. It did not blow in that direction, and as for playing at love, in love's absence, the idea had never occurred to him.

Corinne was amused by his coldness. She sat by his side at the piano while he played the music he had brought with him, and put her arm round his neck, and to follow the music she leaned towards the keyboard, almost pressing her cheek against his. He felt her hair touch his face, and quite close to him saw the corner of her mocking eye, her pretty little mouth, and the light down on her tip-tilted nose. She waited, smiling--she waited.

Christophe did not understand the invitation. Corinne was in his way: that was all he thought of. Mechanically he broke free from her and moved his chair. And when, a moment later, he turned to speak to Corinne, he saw that she was choking with laughter: her cheeks were dimpled, her lips were pressed together, and she seemed to be holding herself in.

"What is the matter?" he said, in his astonishment.

She looked at him and laughed aloud.

He did not understand.

"Why are you laughing?" he asked. "Did I say anything funny?"

The more he insisted, the more she laughed. When she had almost finished she had only to look at his crestfallen appearance to break out again. She got up, ran to the sofa at the other end of the room, and buried her face in the cus.h.i.+ons to laugh her fill; her whole body shook with it. He began to laugh too, came towards her, and slapped her on the back. When she had done laughing she raised her head, dried the tears in her eyes, and held out her hands to him.

"What a good boy you are!" she said.

"No worse than another."

She went on, shaking occasionally with laughter, still holding his hands.

"Frenchwomen are not serious?" she asked. (She p.r.o.nounced it: "_Francouese_.")

"You are making fun of me," he said good-humoredly.

She looked at him kindly, shook his hands vigorously, and said:

"Friends?"

"Friends!" said he, shaking her hand.